Löhneysen, Wolfgang von (Herausgeber)Antiquariat.de
291 resultados
1999ref. 1226184Hildesheim : Weidmann, 1999. 135 S. : Ill., graph. Darst. Originalleinen.
1903ref. EEzz9414Halle, Knapp 1903. gr.-8°. VII, 326 S., 122 Abb. im Text, HLn., stellenw Gebrauchsspuren, im Ganzen gut erhalten. Enthält ein umfangreiches Werkverzeichnis.
1990ref. 70037Rotterdam, Museum Boymans-Van Beuningen 1990. Mit 263 tlw. farb. Abbildungen. 415 S. 4to. OLwd. mit OU.
1989ref. 6049499Aachen 1989. 8°. (4), III, 193 pp. Broschur. Signaturschildchen auf Rücken. Stempel verso Titel. Sonst ordentlich.
1867Opera composta da otto scritti di Bartolommeo Capasso, editi tra il 1867 ed il 1887, rilegati in un unico tomo. "Novella di Ruggiero Re di Sicilia e di Puglia promulgata in Greco nel 1150 ed ora per la prima volta edita dai codd. delle biblioteche di San Marco in Venezia e Vaticana di Roma con la traduzione latina ed alcune osservazioni di Bartolommeo Capasso", 1867, di 34 pagine; "Sulla Storia esterna delle Costituzioni del Regno di Sicilia promulgate da Federico II - Memoria di Bartolommeo Capasso", 1869, di 128 pagine; "Sul catalogo dei Feudi e dei Feudatari delle Provincie Napoletane sotto la dominazione Normanna - Memoria di Bartolommeo Capasso", 1870, di 83 pagine; "Notizia di alcune Iscrizioni Formiane recentemente ritrovate con Brevi Osservazioni di Bartolommeo Capasso", 1870, 16 pagine; "Sui diurnali di Matteo da Giovenazzo - Memoria di Bartolommeo Capasso ...", 1872, di 64 pagine; "Sull'epoca della morte di S. Benedetto e sull'Era Benedettina di alcune cronache napoletane dei mezzi tempi - Memoria di Bartolommeo Capasso letta alla R. Accademia di Archeologia Lettere e Belle Arti di Napoli nela tornata del 7 ottobre 1878 tenuta in Montecassino", 1879, di 12 pagine; "Sulla Circoscrizione Civile ed Ecclesiastica e sulla Popolazione della Città di Napoli dalla fine del secolo XIII fino al 1809 - Ricerche e documenti per Bartolommeo Capassa", 1882, 129 pagine; "Monumenta ad Neapolitani Ducatus historiam pertinentia - De Curialium Neapolitanorum sub ducibus ordine officio et ritibus, ac de aria actorum ab eis perscriptorum specie, nomenclatura et forma - Dissertatio - (Ex operis T. II, P. II), 1887, di 17 pagine. I primi sette scritti sono editi in Napoli, Stamperia della Regia Università, l'ultimo sempre a Napoli, Ex Regio Typographaeo Francisci Giannini & Fil. Volume della seconda metà dell'800 in folio, stato discreto, coperta in mezzapelle con angoli, piatti marmorizzati, sul dorso fregi e caratteri in bassorilievo, alcuni segni del tempo, tracce di fioritura sparsa, tagli poco ambrati, pagine in buono stato, alcuni appunti e segni a matita al margine del testo. Fregi in nero. Numero Pagine 483 USATO
Mm 110x165 Due volumi legati in uno di pagine rispettivamente 12+48 tavole in bianco e nero fuori testo+10 di catalogo editoriale (Giglioli, Giovanni da San Giovanni, anno 1920)+13+48 tavole in bianco e nero fuori testo+8 di catalogo editriale (De Suarez, Bartolommeo Montagana, anno 1921). Piccole macchie alpiatto anteriore. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
1989iii + 195pp., 21cm., softcover, text in German, Doctoral dissertation (Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie, Philosophischen Fakultät der Rheinisch-Westfälischen Technischen Hochschule Aachen), stamp at verso of title page, text is clean and bright, good condition, S109213
1821IN 8°, pp.42 + IMPRIMATUR. BROSSURA MUTA. APPENDICE ALL' OPUSCOLO CHE COSA E' IL TEATRO? DEL SACERDOTE BARTOLOMMEO GUIDETTI PUBBLICATA DALLO STESSO AUTORE IN CONSEGUENZA DEL LIBRETTO RECENTEMENTE DATO FUORI DA UN' ANONIMO, COL TITOLO RIFLESSIONI SULLA QUESTIONE MORALE CIRCA I TEATRI. STAMPATO IN COLLE, ED IN LIVORNO. DOPO L' INTRODUZIONE: " A CHI LEGGE ", L'OPERA E' DIVISA IN VII AVVERTENZE. OTTIMA CONSERVAZIONE. RARA PLACCHETTA. ID, 521
1997An examination of Italian art from the time of the 'Black Death' to the invasions by France at the end of the fifteenth century. 351 pages. Index. A little wear to cover edges
1991cm. 17 x 24, vi-128 pp. Istituto nazionale di studi sul Rinascimento - Quaderni di ?Rinascimento? La corrispondenza rivela che Bartolomeo era in rapporti con numerosi maggiorenti fiorentini. Cosa significasse il termine amicizia nel Rinascimento fiorentino, come funzionava la politica clientelare della citt?: queste alcune delle questioni poste dall'epistolario. Inglese 280 gr. vi-128 p.
1986cm. 17 x 23,5, 180 pp. con 125 tavv. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 535 gr. 180 p.
1847Tra i vari argomenti trattati leggo dall'indice (vedi foto): Osservazioni sulla topografia del territorio trevigiano, e sulle condizioni geologiche delle fonti di Treviso. Analisi delle acque potabili di Treviso. Il seccume del Gelso, coll'esposizione di una nuova teoria dell'entofiteusi. Alcune ricerche teoriche sulla origine e natura dell'Ozono. Sulle Opere del prof. Buffalini. Alcune parole intorno alla Musica. La Poesia ipocondriaca. Sull'Affetto. Pi? altre memorie e relazioni. Rilegatura in mezza pelle, copertina rovinata e da sostituire (vedi foto). Pagine in buone condizioni con sporadiche tracce di muffa. Una sola pagina illustrata (vedi foto). Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Worldwide delivery.
1832ref. 70625Venezia: dalla tipografia di Alvisopoli 1832. 12mo pp. 276; 20th-century marbled wrappers; title page on a guard; very good sound and clean. First edition of this bibliography of writings in Venetian dialect from the origins to the 19th century followed by the Venetian dialect translation of 24 Odes of Horace by Pietro Bussolin director of the Royal Mint of Venice. Gamba 1766-1841 was the director of the Venetian Tipografia di Alvisopoli a bibliographer bibliophile translator he is responsible for a beautiful version of Don Quixote and a member of the Academia della Crusca. Not in the Mills College Check List but see no. 1172 for the separate edition of Horace's Odes dalla tipografia di Alvisopoli 1832 translated by Bussolin and printed in an edition of 50 copies. dalla tipografia di Alvisopoli unknown books
1914ref. 189942FlorenceS. Olschki: Leo S. Olschki 1914. Hardcover. Good heavy shelfwear and soiling to portfolio; spine missing all plates present foxing and age toning throughout. Oversized portfolio tan boards with black lettering 4 pages of text describing the plates 25 mounted color and bw plates. I disegni della R. Galleria degli Uffizi in Firenze Series. Second Series Second issue. Text is in Italian. Leo S. Olschki hardcover books
1839ref. 1238281839. Venezia: Co'tipi del Gondoliere 1839. 4to xxv 2 794 1 pp. Green cloth. Manuscript notes on verso of front free endpaper. § Gamba's own copy with his unpublished corrections throughout. Fourth edition "riveduta emendata e notabilmente accresciuta" still unsurpassed as a general reference work. This is the Breslauer copy lot 988 sold for £1340 in 2005. Many copies for sale in Italy but none in the US as of 2021. Tumarkin 1 525: "Last and best edition of the foremost bibliography of Italian literature." Besterman 3214. Petzholdt 356. unknown books
1810ref. 6342Venice: Nella tipografia Picotti 1810. Only edition. Very Good. Octavo 24 cm; 2 61 1 pages. Bound in woodblock-printed polychrome wraps with the poet's name written in ink along the spine. Only slight abrasions at the head else about fine. The notable bibliographer Bartolommeo Gamba curated this collection of poems by his neighbor in the town of Bassano del Grappa Giuseppe Bombardini. Bombardini's day job was in local government rising finally to the rank of "podestà" the equivalent of the mayoralty. Among the poems written to commemorate weddings and funerals we find Romantic sonnets dedicated to the summer night to the Brenta to two roses to the month of May. Nella tipografia Picotti paperback books
1658ref. 5692Venice: Niccolo Pezzana 1658. Very Good. Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. Niccolo Pezzana hardcover books
1728ref. 4165Venice: Lorenzo Basilio 1728. SOLE EDITION. Hardcover. Fine. Bound in contemporary carta rustica. Untrimmed with deckled edges preserved throughout. Fine condition with just a few leaves spotted. Extremely rare. OCLC and KVK locate 4 copies outside of Italy only 1 of which is in North America Harvard Law Library. The work has been attributed to Bartolommeo Melchiori who also authored a book on criminal law "Miscellanea di materie criminali volgari e latine composta secondo le leggi civili e venete" Venezia 1741. The author's name appears only once in the book on the final leaf of text as "Bart. Melchi." Problems addressed in Part I include: examination by the court of murder victims with a special section on identifying victims of poisoning; identifying a murderer via cruentation the common belief that the body of the victim would spontaneously bleed in the presence of the murderer; where to try murder by decapitation when the head is found in one jurisdiction and the body in another; charging and incarcerating those accused of murder; modern versus ancient forms of punishment for the crime of murder; whether a person can claim ecclesiastical immunity from prosecution; punishments for accessories to the crime; whether causing the death of a child in utero killing a deformed child or causing the death of a child through exposure are to be considered murder; whether killing someone willing to die or committing suicide should be considered acts of murder. Part II deals with problems such as: whether one who attempts murder be judged the same as a murderer; if a wounded person dies of wounds that were in fact curable or if the victim dies because of poor medical care is the one who inflicted the wound guilty of murder; Whether killing in self-defense is justified; whether killing one's wife or husband for cheating is justified etc. Lorenzo Basilio hardcover books
1796ref. 1368692Bassano: Calende di Aprile 1796. Softcover. Octavo. 50 pages. In Good minus condition. Blue paper covers. Covers have front cover mostly torn at joint slight tearing to spine at tail edge slight bending to corners. Textblock has light age toning foxing in some places and bookplate on inside of front cover. NOTE: Shelved in Netdesk office Case #2 - New Ephemera Box #1. 1368692. FP New Rockville Stock. Calende di Aprile unknown books
1835ref. 216879Florence: Dante 1835. Second. hardcover. very good-. 6 copperplate engravings of portraits. 290 pages index. 8vo 3/4 calf marbled boards rebacked in linen. Florence: Dante 1835. Second Edition. Internally a nice clean copy. Very Good-. Dante unknown books
1835ref. 142049Firenze Italy: Tipografia all' Insegna di Dante 1835. later buckram title on spine. 8vo. later buckram title on spine. xv 290 16 pages. Second revised and enlarged edition Brunet II p. 1473 after the first in Venice in 1833 which appeared in only 100 copies. A near fine copy. Contains six engraved plates with portraits of Italian storytellers Boccaccio Franco Sacchetti Firenzuola Lorenzo Magalotti Gasparo Gozzi and Michele Colombo. Tipografia all' Insegna di Dante unknown books
1843ref. 1180Venezia: Tipografia di Gio Cecchini e Comp. 1843. 8vo. 225 x 150 mm. 8 ¾ x 6 inches. 112 pp. Original blue paper printed wrappers stitched as issued; front wrapper with some creases and the spine with some rubbing otherwise sound and attractive. First and only edition of Bartolommeo Bizio's response to the work of Dr. Ambrogio Fusinieri's essay on the creation of the color purple from the internal organs of mollusks found in abundance in the Mediterranean Sea. Bizio relies on the writings of Aristotle and Pliny and provides a detailed description of the variety of mollusks described by the ancients and the methods used to render the liquor from the shellfish. He follows this with details describing the difficult process required to produce the color purple for use by painters and cloth makers in the ancient world. Called Royal Purple this pigment was a rare and valuable color thus making it both rare and expensive. Carlo Piersanti and Ugo Enrico Paoli "Porpora". Enciclopedia Italiani 1935. OCLC lists copies at Berkeley and the Field Museum in Chicago. NUC cites only the Berkeley copy. ICCU list 10 copies in Italian libraries. Tipografia di Gio Cecchini e Comp. unknown books
1984ref. 121507Ernesto Borelli: Nel segno di Fra Bartolomeo. Pittori del Cinquecento a Lucca. Lucca: Maria Pacini Fazzi Editore in Lucca, 1984. 208 pages, black illustrations throughout. Paperback. 21 x 27cms. Text in Italian.
1984ref. 121507Ernesto Borelli: Nel segno di Fra Bartolomeo. Pittori del Cinquecento a Lucca. Lucca: Maria Pacini Fazzi Editore in Lucca, 1984. 208 pages, black illustrations throughout. Paperback. 21 x 27cms. Text in Italian.
