291 résultats
réf. 3601008Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1490. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3601007Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1490. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3601009Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1490. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1658réf. 5692Venice: Niccolo Pezzana 1658. Very Good. Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. Niccolo Pezzana hardcover books
1658réf. 5692Venice: Niccolo Pezzana 1658. Very Good. Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. Niccolo Pezzana hardcover
réf. H2483Verona 1858. 8vo. 1 S. auf Italienisch gutes Exemplar. Massalongo: Paläobotaniker Lichenologe. unknown
1999réf. 1226184Hildesheim : Weidmann, 1999. 135 S. : Ill., graph. Darst. Originalleinen.
réf. 47627Hardbound. Fine. Verona Stamperia Giuliari 1804. Green cloth. A fine copy with the Buri label. hardcover
1728réf. 4165Venice: Lorenzo Basilio 1728. SOLE EDITION. Hardcover. Fine. Bound in contemporary carta rustica. Untrimmed with deckled edges preserved throughout. Fine condition with just a few leaves spotted. Extremely rare. OCLC and KVK locate 4 copies outside of Italy only 1 of which is in North America Harvard Law Library. The work has been attributed to Bartolommeo Melchiori who also authored a book on criminal law "Miscellanea di materie criminali volgari e latine composta secondo le leggi civili e venete" Venezia 1741. The author's name appears only once in the book on the final leaf of text as "Bart. Melchi." Problems addressed in Part I include: examination by the court of murder victims with a special section on identifying victims of poisoning; identifying a murderer via cruentation the common belief that the body of the victim would spontaneously bleed in the presence of the murderer; where to try murder by decapitation when the head is found in one jurisdiction and the body in another; charging and incarcerating those accused of murder; modern versus ancient forms of punishment for the crime of murder; whether a person can claim ecclesiastical immunity from prosecution; punishments for accessories to the crime; whether causing the death of a child in utero killing a deformed child or causing the death of a child through exposure are to be considered murder; whether killing someone willing to die or committing suicide should be considered acts of murder. Part II deals with problems such as: whether one who attempts murder be judged the same as a murderer; if a wounded person dies of wounds that were in fact curable or if the victim dies because of poor medical care is the one who inflicted the wound guilty of murder; Whether killing in self-defense is justified; whether killing one's wife or husband for cheating is justified etc. Lorenzo Basilio hardcover books
1903réf. EEzz9414Halle, Knapp 1903. gr.-8°. VII, 326 S., 122 Abb. im Text, HLn., stellenw Gebrauchsspuren, im Ganzen gut erhalten. Enthält ein umfangreiches Werkverzeichnis.
1989réf. 6049499Aachen 1989. 8°. (4), III, 193 pp. Broschur. Signaturschildchen auf Rücken. Stempel verso Titel. Sonst ordentlich.
1989iii + 195pp., 21cm., softcover, text in German, Doctoral dissertation (Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie, Philosophischen Fakultät der Rheinisch-Westfälischen Technischen Hochschule Aachen), stamp at verso of title page, text is clean and bright, good condition, S109213
1989réf. S109213Aachen, 1989 iii + 195pp., 21cm., softcover, text in German, Doctoral dissertation (Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie, Philosophischen Fakultät der Rheinisch-Westfälischen Technischen Hochschule Aachen), stamp at verso of title page, text is clean and bright, good condition, S109213
1821IN 8°, pp.42 + IMPRIMATUR. BROSSURA MUTA. APPENDICE ALL' OPUSCOLO CHE COSA E' IL TEATRO? DEL SACERDOTE BARTOLOMMEO GUIDETTI PUBBLICATA DALLO STESSO AUTORE IN CONSEGUENZA DEL LIBRETTO RECENTEMENTE DATO FUORI DA UN' ANONIMO, COL TITOLO RIFLESSIONI SULLA QUESTIONE MORALE CIRCA I TEATRI. STAMPATO IN COLLE, ED IN LIVORNO. DOPO L' INTRODUZIONE: " A CHI LEGGE ", L'OPERA E' DIVISA IN VII AVVERTENZE. OTTIMA CONSERVAZIONE. RARA PLACCHETTA. ID, 521
1847Tra i vari argomenti trattati leggo dall'indice (vedi foto): Osservazioni sulla topografia del territorio trevigiano, e sulle condizioni geologiche delle fonti di Treviso. Analisi delle acque potabili di Treviso. Il seccume del Gelso, coll'esposizione di una nuova teoria dell'entofiteusi. Alcune ricerche teoriche sulla origine e natura dell'Ozono. Sulle Opere del prof. Buffalini. Alcune parole intorno alla Musica. La Poesia ipocondriaca. Sull'Affetto. Pi? altre memorie e relazioni. Rilegatura in mezza pelle, copertina rovinata e da sostituire (vedi foto). Pagine in buone condizioni con sporadiche tracce di muffa. Una sola pagina illustrata (vedi foto). Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Worldwide delivery.
réf. 1149096004.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 318952Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 318951Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 318950Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 318953Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Mm 110x165 Due volumi legati in uno di pagine rispettivamente 12+48 tavole in bianco e nero fuori testo+10 di catalogo editoriale (Giglioli, Giovanni da San Giovanni, anno 1920)+13+48 tavole in bianco e nero fuori testo+8 di catalogo editriale (De Suarez, Bartolommeo Montagana, anno 1921). Piccole macchie alpiatto anteriore. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
1762réf. 99005Venetiis : Ex Typographia Balleoniana 1762. Ninth Edition. Hardback. Publisher's device to the title. Very good copy in the original gilt-blocked full calf. Raised bands compartments uniformly tooled. Spine bands and panel edges somewhat rubbed and dust-toned as with age. Scans and additional detail on request. ; 1 pages; Editio novissima ceteris omnibus correctior et locupletior. Cui praeter quadringenta circiter alia Decreta quae sive ante sive post editam a Merato seriem usque in praesens ab eadem Sac. Rit. Congregatione emanarunt addita sunt ex ipsomet Gavanto. Editio novissima ceteris omnibus correctior et locupletior. Physical desc. : 3 v. In 2 ; fol. .Tomus secundus complectens omnia Gavanti Commentaria in rubricas Brevaiarii Romani . Tomus tertius complectens praxim dioecesanae Synodi et visitationis et manuale episcoporu Venetiis : Ex Typographia Balleoniana hardcover
1640réf. R119748Parisiis [Paris], Apud Ioannem Iost [Jean Jost] 1640 Complete in 3 parts and bound in one physical volume : LII,336 + XXVIII,358 + VIII,126 pp., each part with a separate title page, first title page in red and black, engraved vignettes on all title pages, with a full-page woodcut engraving on p.117 of part I, the third part contains "Praxis compendiaria visitationis episcopalis. Praxis altera dioecesanae synodi celebrandae", 24cm., contemporary full vellum binding (with an older repair, fully intact), text and interior are clean and bright except for few occasional small stains, text in Latin, text predominantly printed in two colums per page, good condition, weight: 1.4kg., R119748
1634réf. 200881634-1646. 4to. 4 works in 1 vol. a4e2A-X4Y2; ¹1a4A-C4D2a4A-F4F4 blanka4A-O4. Full contemporary calf rebacked with old spine laid-on corners worn old owner's names on t.p. some foxing a good copy. Gavantius 1569-1638 liturgist and member of the Barnabite order was general of his order and named perpetual consultor to the Congregation of Rites by Pope Urban VIII. Early on he dedicated himself to the study of liturgy and this was his chief work. It traces the historical origin of the rites discusses their mystical significance and gives rules for their observance and obligation of the rubrics. Cardinals Millino Muto and Cajetan approved it and it was dedicated to Urban VIII. Cuvernon was a doctor of the Sorbonne Gavanti: BL 17th Italian 382. Camerini Giunta Venice 1316. unknown