291 résultats
1832réf. 70625Venezia: dalla tipografia di Alvisopoli 1832. 12mo pp. 276; 20th-century marbled wrappers; title page on a guard; very good sound and clean. First edition of this bibliography of writings in Venetian dialect from the origins to the 19th century followed by the Venetian dialect translation of 24 Odes of Horace by Pietro Bussolin director of the Royal Mint of Venice. Gamba 1766-1841 was the director of the Venetian Tipografia di Alvisopoli a bibliographer bibliophile translator he is responsible for a beautiful version of Don Quixote and a member of the Academia della Crusca. Not in the Mills College Check List but see no. 1172 for the separate edition of Horace's Odes dalla tipografia di Alvisopoli 1832 translated by Bussolin and printed in an edition of 50 copies. dalla tipografia di Alvisopoli unknown books
réf. 0366303104.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1832réf. 70625Venezia: dalla tipografia di Alvisopoli 1832. 12mo pp. 276; 20th-century marbled wrappers; title page on a guard; very good sound and clean. First edition of this bibliography of writings in Venetian dialect from the origins to the 19th century followed by the Venetian dialect translation of 24 Odes of Horace by Pietro Bussolin director of the Royal Mint of Venice. Gamba 1766-1841 was the director of the Venetian Tipografia di Alvisopoli a bibliographer bibliophile translator he is responsible for a beautiful version of Don Quixote and a member of the Academia della Crusca. Not in the Mills College Check List but see no. 1172 for the separate edition of Horace's Odes dalla tipografia di Alvisopoli 1832 translated by Bussolin and printed in an edition of 50 copies. dalla tipografia di Alvisopoli unknown
réf. 0259512605.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0484553208.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1658réf. 5692Venice: Niccolo Pezzana 1658. Very Good. Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. Niccolo Pezzana hardcover books
1658réf. 5692Venice: Niccolo Pezzana 1658. Very Good. Quarto 23 cm; 50 of 52 788 8 152 pages. Lacks half-title. Four title pages each with Pezzana's woodcut device showing Jove Juno Vulcan and Neptune. Occasional woodcut initials and ornaments. Shoulder notes. Bound in marbled paper with leather backstrip; backstrip decorated and titled in gilt. Binding quite worn with joints tender and boards scuffed edges exposed. Text generally quite good with occasional worm trails the most severe of them in the margins. Pages evenly toned. References: Michel V 161. First Pezzana edition of the popular 16th-century "forest of many stories" by Spain's Pedro Mexia. Nicolò Pezzana purchased the famous Giunti press in 1657 making this one of the first titles issued under his name. The book is a Spanish Renaissance entry into the genre named "Silvae" by Statius but this text falls more into the tradition of Xenophon's Symposium Athenaeus Macrobius and Aulus Gellius that is expansive shapeless episodic with masses of detail and a stupefying variety of topics and narratives. It was incredibly popular in the 16th and 17th centuries reprinted in something like 106 editions in every European language. It was a rich treasure chest for later Renaissance authors such as Miguel Cervantes whose Quixote is also a forest of many tales several of them lifted from Mexia and Christopher Marlowe who pulled his Tamburlaine from its pages. It is now thoroughly obscure. Niccolo Pezzana hardcover
2026réf. LRB6020651Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 522 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1872. Volume di studi dedicati a Dante con contributi di Giuseppe Todeschini e Bartolommeo Bressan. Opera di interesse per dantisti italianisti e biblioteche specializzate utile per l'approfondimento della critica e della fortuna del poeta nella tradizione erudita ottocentesca. Immagini del libro non contrattuali English : Print-on-demand reprint. Original edition : 1872. Volume of studies devoted to Dante with contributions by Giuseppe Todeschini and Bartolommeo Bressan. Of interest to Dante scholars Italianists and specialized collections it offers a useful glimpse into nineteenth-century scholarly criticism and the reception of the poet. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
réf. 318952Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 318951Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 318950Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 318953Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 14th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3607136Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1465. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3607138Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1465. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3607139Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1465. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3607137Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1465. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3609698Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1460. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3609701Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1460. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3609700Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1460. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3609699Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 15th century 1460. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 47018041like new. unknown
2009réf. DADAX1104901668Kessinger Publishing 2009-08-10. paperback. New. 6.00x1.05x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
1810réf. 6342Venice: Nella tipografia Picotti 1810. Only edition. Very Good. Octavo 24 cm; 2 61 1 pages. Bound in woodblock-printed polychrome wraps with the poet's name written in ink along the spine. Only slight abrasions at the head else about fine. The notable bibliographer Bartolommeo Gamba curated this collection of poems by his neighbor in the town of Bassano del Grappa Giuseppe Bombardini. Bombardini's day job was in local government rising finally to the rank of "podestà" the equivalent of the mayoralty. Among the poems written to commemorate weddings and funerals we find Romantic sonnets dedicated to the summer night to the Brenta to two roses to the month of May. Nella tipografia Picotti paperback books
1810réf. 6342Venice: Nella tipografia Picotti 1810. Only edition. Very Good. Octavo 24 cm; 2 61 1 pages. Bound in woodblock-printed polychrome wraps with the poet's name written in ink along the spine. Only slight abrasions at the head else about fine. The notable bibliographer Bartolommeo Gamba curated this collection of poems by his neighbor in the town of Bassano del Grappa Giuseppe Bombardini. Bombardini's day job was in local government rising finally to the rank of "podestà" the equivalent of the mayoralty. Among the poems written to commemorate weddings and funerals we find Romantic sonnets dedicated to the summer night to the Brenta to two roses to the month of May. Nella tipografia Picotti paperback
réf. A9781167029493New. unknown