Philibert-Louis DebucourtBiblio.com
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Best.-Nr. 0366628119.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0366628127.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1920Best.-Nr. 15002Catalogue des tableaux, dessins, gravures exposés au Musée des Arts Décoratifs du 11 juin au 11 juillet 1920. Pakais du Louvre. Important catalogue avec de nombreuses photos. Broché Très bon Paris 1920 1 plaquette In-4°
Best.-Nr. 7221Société pour l'étude de la gravure française, Paris, 1920. In-8, broché, 127 pp. Avertissement - Philibert-Louis Debucourt, par Emile Dacier - Bibliographie - Catalogue des Peintures. - Catalogue des Dessins, par Albert Vuaflart et Jacques Hérold - Les procédés de gravure - Catalogue des gravures par Debucourt - Catalogue des gravures d'après Debucourt ...
Best.-Nr. 1782551Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 1782552Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 1782553Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 1782554Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1800Best.-Nr. 21178Paris presumed 1800. Near Fine. A handsome and scarce hand-colored aquatint from the Age of Enlightenment as a boy and girl essay a duet he on the violin she a lute as a cat skulks under the music table. The hallmarks of the Enlightenment are the globe and telescope in the background but also the idealized presentation of childhood we think. N.d. circa early 19th century. The frame measures about 35 by 39 cm. The print itself including the visible portion of the margin is 16.5 by 19.5 cm. The frame and matting are attractive and we thus think virtually any buyer would be happy to retain it. The frame is gilt and green and some red speckling and it has an Rococo band or Rinceaux ornate but in no way upstaging the picture. The matting has width with ruled lines adjacent to the print itself and drawing us in as well as picking up the framing ruled line of the print itself. Debucourt 1755-1835 was a versatile painter and engraver. Mallet 1759-1835 too was both a painter and engraver who collaborated with Debucourt often we believe. The Latin credits at the base of the picture tell us that Debucourt did the original piece of artwork upon which the print was based and Mallet took care of the printing. We should think though that there was some blurring of the roles of the two artists. We note that this isn't the only print the two collaborated on with the title of "La Musique". We haven't been able to locate another copy of this one though. The print has a few faint stains virtually unnoticeable unless one looks very closely. unknown
1800Best.-Nr. 21178Paris presumed 1800. Near Fine. A handsome and scarce hand-colored aquatint from the Age of Enlightenment as a boy and girl essay a duet he on the violin she a lute as a cat skulks under the music table. The hallmarks of the Enlightenment are the globe and telescope in the background but also the idealized presentation of childhood we think. N.d. circa early 19th century. The frame measures about 35 by 39 cm. The print itself including the visible portion of the margin is 16.5 by 19.5 cm. The frame and matting are attractive and we thus think virtually any buyer would be happy to retain it. The frame is gilt and green and some red speckling and it has an Rococo band or Rinceaux ornate but in no way upstaging the picture. The matting has width with ruled lines adjacent to the print itself and drawing us in as well as picking up the framing ruled line of the print itself. Debucourt 1755-1835 was a versatile painter and engraver. Mallet 1759-1835 too was both a painter and engraver who collaborated with Debucourt often we believe. The Latin credits at the base of the picture tell us that Debucourt did the original piece of artwork upon which the print was based and Mallet took care of the printing. We should think though that there was some blurring of the roles of the two artists. We note that this isn't the only print the two collaborated on with the title of "La Musique". We haven't been able to locate another copy of this one though. The print has a few faint stains virtually unnoticeable unless one looks very closely. unknown books
1820Best.-Nr. 902872AGParis, [um 1820]. Aquatinta mit Punktierstich 29,5 x 23 cm (hoch), Blattgröße 32,5 x 24,5 cm.
Best.-Nr. 4503Editions de la R.M.N., Paris, 1985. In-8, broché sous couverture illustrée en noir, 126 pp. Préface - Introduction - Cochin le Fils - Les Saint-Aubin - Les Moreau - Janinet - Descourtis - Debucourt - Index des graveurs - Index des architectes, sculpteurs, peintres et dessinateurs - Dessins et peinture sur porcelaine du cabinet des ...
1787Best.-Nr. 015962Paris: Louis-Philibert Deboucourt 1787. Early Printing . Single Sheet. Very Good . 18 1/2" x 12 3/4. Color Engraving. An Important Eighteenth Century Engraving One Of The First To Be Printed In Color By The Use Of Several Different Impressions Each Precisely Aligned. Laid Paper. Complete With Full Margins As Issued With Plate Mark 11" X 15" Overall Size 18 3/8" X 12 3/4". This State Of The Plates Has The Stone Beneath The Lamb Colored Blue With The Three Stones To The Right Colored Successively Brown Blue And Brown. Text Is "Peint Et Grave Par De Bucourt Peitre Du Roy 1727 Sic" To Left With Text At Center "Heur Et Malheur / Ou / La Cruce Cassee / A Paris Chez L'auteur Cour Du Louvre La 5Eme Porte Agauche En Entrant Par La Colonade Au 1Er." Plate Mark On All Four Sides With Adjustment Reference Marks. Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. Louis-Philibert Deboucourt unknown
1787Best.-Nr. 0159631787. Original Art Work . Single Sheet. Very Good . 18 1/2" x 12 3/4. Color Engraving. An Important Eighteenth Century Color Engraving One Of The First To Be Produced In Color By Plates. Laid Paper. Complete With Full Margins As Issued With Plate Mark 11" X 15". This State Of The Plates Has The Stone Beneath The Lamb Colored Brown With The Three Stones To The Right Colored Successively Blue Brown And Part Blue/Part Brown. Text Is "Peint Et Grave Par De Bucourt Peitre Du Roy 1727 Sic" To Left With Text At Center "Heur Et Malheur / Ou / La Cruce Cassee / A Paris Chez L'auteur Cour Du Louvre La 5Eme Porte Agauche En Entrant Par La Colonade Au 1Er." Plate Mark On All Four Sides With Adjustment Reference Marks. Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. unknown
Best.-Nr. 51-4815Paris: Charles Bance 1818. Handcolored aquatint on laid paper 37 x 27.1 cm. sheet size. Subdued colors; foxing verso. Series: Series: Collection de costumes dessinés d'après nature.Charbonnier se faisant raser la barbe.Description from the British Museum:A street with a woman wearing green blouse and brown striped skirt seated on a bench and stirring embers in an earthen pot placed between her legs; nearby wine bottles and bread on a trestle table; on the left a man in blue jacket lighting a pipe. 1818.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt 1755-1832 382IFF / Inventaire du Fonds Français: Bibliothèque Nationale Département des Estampes 72Dayot 1925 / Carle Vernet étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 81.6 Paris: Charles Bance, [1818] unknown
Best.-Nr. 2111295Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1807. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 2111293Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1807. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 2111296Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1807. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 2111294Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1807. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1812Best.-Nr. 56411812 Eau-forte et aquatinte 51 x 67 avec le cadre. Déposé à la Bibliothèque le 31 janvier 1812 par Bance. Aquatinte et eau-forte imprimée en deux tons noir et bleu dans les fonds et la neige. Cette pièce encadrée dans une large marge noire à l’aquatinte ne porte pas de titre. Fenaille n° 307 - 2è état (sur 2) Cadre de l’époque en pin marqueté de filets plus clairs. 51 x 67 avec le cadre. 1812
Best.-Nr. 2091471Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1788. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 2091469Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1788. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 2091468Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1788. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 2091470Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1788. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 71-6693Paris: Charles Bance 1828. Hand-colored aquatint. 39 x 29 cm sheet. Very Good sheet toned in the margins.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: Charles Bance, 1828. unknown
