Exhibition CatalogueBiblio.com
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2013réf. 243456United Kingdom: La Fábrica Editorial 2013. Book. Very Good. hardback. 1st Edition. hardback Spanish language publication to accompany the Bilbao exhibition of 2013 11 1/2" x 9 7/10" paper covered boards lettered blue no dust wrapper a very good tightly bound copy with a clean and unmarked text illustrated throughout in colour 496pp. A large heavy book which if ordered from certain overseas locations will attract a request for additional postage. La Fábrica Editorial Hardcover
1985réf. N31181985. Soft cover. Very Good. 4to. Daumier. 340pp. Richly illustrated.> A very good and clean copy. paperback
1948réf. 000028Tel-Aviv: Tel-Aviv Museum of Art 1948. Soft cover. Very Good. June 1948. 9pp. English/French/Hebrew text incl. 2 b/w plates. "FIRST EXHIBITION OF A JEWISH ARTIST FROM ABROAD IN THE STATE OF ISRAEL"which was only founded a few weeks earlier .Occasional foxing. Tel-Aviv Museum of Art paperback
réf. 38670London. Printed by Clarke & Sherwell Ltd. c.1919. Soft cover. 4to. 30cm 16p. with 45 photographs in sepia grey string-bound wraps title & RAF crest embossed in gilt on front advertisement on rear wrapper some creasing very good no listing or records located rare Ho13.4. ~ An exhibition of Royal Flying Corps and Royal Air Force aerial photography in World War One. The RFC evolved as the RAF in 1918. London. Printed by Clarke & Sherwell, Ltd. c.[1919] unknown
1969réf. 1367San Francisco: S. F. Art Directors & Artists Club 1969. 1969. Hardcover. 189 pp.; 4to; red marbled paper over boards slipcase; black & white photographic endpapers; b&w photographs of participants & reproductions throughout featuring 276 examples from the exhibit of San Francisco's most exciting creative work in advertising and editorial art/design. This year the show also reflected a new liaison with writers and medals for writing and radio. An incredible potpourri of the graphic art/popular culture flavor of the times. The themes are at once rebellious insouciant and wryly humorous. Appears to be quite scarce. Fine condition in slightly worn slipcase. . [S. F. Art Directors & Artists Club] [1969] hardcover
Evreux, Charles Hérissey, Exposition nationale des Beaux-Arts, 1893. In-8, broché, 211 pp. Illustrations hors-texte.
Paris, Institut Néerlandais, 1983 ; catalogue d'exposition, grand in-8 (26 cm x19), broché, 197 pp plus 96 planches illustrées en fin d'ouvrage. 96 planches. Premier catalogue réalisé sur la collection des peintures ayant appartenu à la famille Lugt.
Paris, Editions Van Oest, 1929 ; in-8, broché, 83 pp., 16 planches hors-texte.
Paris, Archives de France, Hôtel de Rohan février-Avril 1967. In-8, broché, couverture illustrée en couleurs, 189pp plus 16 planches illustrées en noir en fin de volume. Cette exposition est placée sous le haut patronnage de Monsieur Bonvin, Président de la Confédération Suisse et du Général de Gaulle, Président de la République Française.
Paris, Archives de France, Hôtel de Rohan février-Avril 1964. In-8, broché, couverture illustrée en couleurs, 173 pp plus 16 planches illustrées en noir en fin de volume. Cette exposition est placée sous le haut patronnage de Sa Majesté le Roi Gustave VI Adolphe de Suède et du Général de Gaulle, Président de la République française.
Paris, Centre Georges Pompidou, Musée National d'Art Moderne, 1989. Grand in-4 (29 x 36,5), 271 pp, cartonnage Bradel noir avec une spirale blanche comme logo sur le premier plat, cette spirale provient d'un dessin exécuté par Lamu Baiga, un shaman de la tribu Biaga, en Inde. Edition originale. Photographies de Jacques FAUJOUR et Adam RZEPKA; Chaque page est abondamment illustrée planches en noir et blanc dans le texte, et planches en couleurs hors-texte certaines sur double-page. Plus de 410 photographies inédites, et des témoignages d'artistes tels que Alfredo Jaar, Francesco Clemente, Ilya Kabakov, Chéri Samba... "Au Centre Pompidou et à la Grande halle de la Villette, du 18 mai au 14 août 1989, « Magiciens de la terre » surprit tout à la fois les publics et les milieux de la critique, des musées et du marché. Dans un monde de l'art contemporain alors exclusivement limité au périmètre des frontières de l'Europe et de l'Amérique du Nord, Jean-Hubert Martin, son commissaire, avait invité des artistes de tous les continents, repérés un à un lors de longues missions de terrain accomplies durant des années à la recherche de pratiques enracinées dans des cultures ancestrales, résistantes au post-colonialisme, en lutte contre les totalitarismes et, surtout, curieuses de l'ouverture planétaire émergente. Ils y rencontrèrent d'autres curieux : quelques artistes occidentaux, pourtant parfaitement intégrés dans les réseaux dominants, mais habités par la nécessité du dialogue interculturel. Ces derniers produisirent des oe uvres qui allaient résonner avec l'énergie singulière et le choc inédit que déclencheraient celles de ces « nouveaux artistes » jusqu'alors « invisibles ». " Pour première fois sur une scène occidentale, la moitié des artistes provenaient de ces territoires géographiques (Afrique, Antilles, Asie, Europe de l'Est, Océanie) jusqu'alors ignorés par les acteurs d'un monde occidental encore tout-puissant et ethnocentré. Jean-Hubert Martin, son commissaire, en avait conçu le projet en rencontrant des artistes issus de ces cultures qu'il décrivit avec ironie comme " invisibles " et fustigeait, dans un parti-pris politique résolument anticolonial, " l'idée communément admise qu'il n'y a de création en arts plastiques que dans le monde occidental ou fortement occidentalisé. " Initiative pionnière, « Magiciens de la terre » fut bientôt perçue comme inaugurale. Aux prémices d'une mondialisation qui ne disait alors pas encore son nom, « Magiciens de la terre » déclencha des polémiques qui durent et qui prospèrent, suscita des vocations et des déceptions, produisit d autres événements fondateurs et des imitations, influa sur nombre d'expositions à venir : ce fut donc l'un de ces « moments-seuils » qui marqua le changement dans l histoire.". Jean-Hubert Martin, historien de l’art, a été directeur de la Kunsthalle de Berne, du Musée national d’art moderne du Centre Pompidou de Paris, du Musée national des arts d’Afrique et d’Océanie de Paris et du Museum Kunst Palast de Düsseldorf. Son intérêt pour les cultures non occidentales l’a conduit à concevoir des expositions décloisonnées en confrontant des œuvres de caractère hétérogène favorisant ainsi un renouvellement du regard.
No marks or inscriptions. A very clean very tight copy with bright unmarked boards and tiny bump to upper front corner. Dust jacket not price clipped or marked or torn or creased with minor traces of storage and slight sunning to spine. Now protected in a fully-removable transparent sleeve. 286pp. Catalogue published for the art exhibition Pegasus und die Kunste in Hamburg in 1993, it covers the many-sided history of the winged horse with a wealth of paintings and drawings, each with its own full description. A heavy book.
No marks or inscriptions. A lovely clean very tight copy with bright unmarked boards and no bumping to corners with trace of label removal inside front dust flap. Dust jacket not price clipped or marked or creased with small repaired tear to upper rear edge and sunning to spine. 143pp. A well illustrated exhbition catalogue from 1979 which displayed Holbein's paintings in the Royal Library, with notes on costume and on Holbein's sitters.
70 page exhibition catalogue with selected bibliography. "All three artists use ordinary objects familiar to everyone, but each artist assimilates them so completely into his work that the objects momentarily lose their ordinariness. Within their new framework, the objects become visually and psychologically expressive of the artist's feelings or fantasies." - from Preface. Illustrated in black and white. Prior owner's name atop title page. Average wear. Binding intact. A sound copy. Book
48 pages. "Her images suggest what might be possible if we altered some elements of our political, socio-cultural, and economic world." - from page 42. Illustrated in colour and black and white. Light wear. Clean and unmarked. A quality copy. Book
32cm x 24cm Exhibition catalogue which folds out to four double-sided panels. Illustrated in black and white. "Neimanas has relentlessly queried our notions of 'reality' as read through the photographic image. She questions our response to representation and investigates the strained condition of relations within a media-saturated world." - Curator. Clean and unmarked with light wear. A quality copy. Book
pp. 80. "Although paintings by members of the Group of Seven have been included in all major exhibitions of Canadian painting, there has been only one important exhibition devoted exclusively to their work since 1933, when the Group of Seven was merged into the larger Canadian Group of Painters: this was held at the National Gallery of Canada in 1936. The present exhibition, then, may be regarded as the second such survey. It differs from the first by the addition of works by Franz Johnston, who was a member of the Group for a short time, and Tom Thomson, who was never a member, but who has been included in this exhibition on grounds of style and association. This is certainly the first time that any major collection of the work of the Group of Seven has been seen in Vancouver." - Introduction. Includes article by Lawren Harris entitled "The Story of the Group of Seven" and an article by R.H. Hubbard entitled "The National Movement in Canadian Painting". Catalogue proper begins on page 19 and includes colour and black and white reproductions of thirty-one works. Unmarked with moderate wear. 23 x 15cm. Lerner & Williamson 1747 Book
A clean, unmarked book with a tight binding. Tears and spots on dust jacket. Full blue cloth boards. 9 1/4"w x 10 3/4"h. 346 pages. "Carved on the islands known as the Cyclades in the Aegean Sea, these fragile and aged objects of marble date between 3200 and 2200 B.C." Many photos and illustrations.
A clean, unmarked book with a tight binding. 64 pages. Includes work by Canadian artists Tom Thomson, Alexander Young Jackson, J.E.H. MacDonald, and more.
Age-toned paper. Light wear to cover. Interior clean and unmarked. 212 pages. Translated by Rachel Phillips and Donald Gardner.
Green card cover with glued on b&w photos of the Fountain on front and back cover. Light wear to cover and faded spine. 5 7/8"w x 9"h. 184 pages. Exhibition catalogue published in conjunction with show held December 23, 1987 - October 2, 1988.
Light wear to cover and previous owner's name inside. 184 pages.
Catalogue of the L.M.S (London) Photographic Society for their Twelfth Annual Exhibition 8th - 13th March 1937 opened by Lady Stamp J.P. Lists of contributors in the various Prints categories plus advertisements and plates of several of the photographs. Some markings on covers.
Catalogue plus 10 plates of Paintings and 85 (LXXXV) plates of Drawings, all in black & white. Wear to joints of spine and cover edges.
Catalogue for exhibition 27 May - 21 June 1970. 32 plates. Foreword by Mark Glazebrook.
