RATIP KAZANCIGIL.MareMagnum
73.130 risultati
1991Fine English Paperback. 4to. (29 x 22 cm). In Turkish. 116, [4] p., b/w ills. Edirne imaretleri. An important work on the imaret (soup-kitchen for the poor) in Edirne. With their stories and pictures. ARCHITECTURE Ottoman culture Edirne - Adrianople Turkish and Islamic arts Sinan the Architect Imarat.
1981Very Good English Paperback. Pbo. Small 4to. In Turkish. 194, [72] p. B/w and color ills. Traditional Turkish houses in Safranbolu and its architecture. Safranbolu is a town and district of Karabük Province in the Black Sea region of Turkey. It is about two hundred kilometers north of Ankara and about a hundred kilometers south of the Black Sea coast, or more precisely about 9 kilometers north of the city of Karabük. Former Turkish names of the town were Zalifre and Tarakliborlu and in Greek Saframpolis, ??????????? It was part of Kastamonu Province until 1923 and Zonguldak Province between 1923 and 1995. According to the 2000 census, the population of the district is 47,257, of which 31,697 live in the town of Safranbolu. The district covers an area of 1,000 km2 (386 sq mi), and the town lies at an elevation of 485 m (1,591 ft). The Old Town preserves many old buildings, with 1008 registered historical artifacts. These are: 1 private museum, 25 mosques, 5 tombs, 8 historical fountains, 5 Turkish baths, 3 caravanserais, 1 historical clock tower, 1 sundial and hundreds of houses and mansions. Also there are mounds of ancient settlements, rock tombs and historical bridges. The Old Town is situated in a deep ravine in a fairly dry area in the rain shadow of the mountains. The New Town can be found on the plateau about two kilometers west of the Old Town. The name of the town derives from 'saffron' and the Greek word 'polis' (city), since Safranbolu was a trading place and a center for growing saffron.Today saffron is still alive at the village of Davutobasi which is 22 km east of Safranbolu and probably one of the best quality saffron in the world. Safranbolu was added to the list of UNESCO World Heritage sites in 1994 due to its well-preserved Ottoman era houses and architecture.
1986Very Good English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In German. [4], 86, [1] p., b/w ills. Osttürkei. Vorausgereist: Band 1. Mit Zeichnungen von Otto Mayer.
1913Endpapers browned. Pages lightly tanned. Tear along to gutter (halfway) of 1 page. Minor chipping to spine ends. Else VG. ; 80pp + 16pls.; Aus Natur Und Geisteswelt 386; 80 pages
2004A clean, unmarked book with a tight binding. 250 pages. Many b&w photos.
1965Creasing through corners and to paper wrappers. Author's name underlined in pen to front wrap. ; 32 pages
1996Fine English Paperback., Fine., 20 x 14 cm., 271 p., b/w ills., "Bursa Ivaz Pasa Külliyesi.", Salih Pay, Egit-San Yayinlari, Bursa, 1996.
1996Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 272 p. Complex of Ivaz Pasha in Bursa city. Bursa Ivaz Pasa külliyesi.
1999Minor shelfwear. ; Horatio Greenough is generally regarded as the first American sculptor to achieve international fame. A Boston native educated at Harvard, Greenough spent most of his professional life in Florence, Italy. While there, he nurtured lasting friendships with such Americans on the Grand Tour as James Fenimore Cooper, Thomas Cole, and Samuel F. B. Morse. Although he received two key US Government commissions--George Washington, 1832-41, and The Rescue, 1837-51--contemporary aversion to his depiction of Washington as an American Zeus, and this century's discomfort with the subject of The Rescue (a confrontation between a bellicose American Indian and a pioneer family) have worked against public understanding and viewing of his work. This handsome presentation of 48 of his drawings, only two previously seen publicly, and 14 of his sculptures, reveals much about this gifted, yet tormented artist. The accompanying text shows how the process of drawing relates to the making of sculpture and, using the artist's rich correspondence, provides insight into the relationship between patron and artist and the unpredictability of artistic achievement in pre-Civil War America.; Oblong 8vo 8" to 9" tall; 120 pages
1967Scholar's name to ffep (Jenifer Neils). DJ has some tears and chipping. ; With 50 four-colour plates, 71 halftone plates, 77 line illustrations, map and chronological table. Looks at the period from 500 to 325 B. C. ; 288 pages
1960Scholar's name to inner cover (Cedric Boulter) now faded. Faint ringstain to front wrap. A bit of creasing and waviness to front wrap.
1956Spine sunned along with part of boards. Scholar's name to inner cover (Cedric Boulter). ; 430pp, with 222pp of b+w plates. Title page in red and black. Printed for the Metropolitan Museum of Art. ; 430 pages
1993Spine sunned. ; 0.74 x 9.65 x 7.46 Inches; 480 pages; Frank Sear traces the evolution of Roman architecture during the four centuries from the late Republic, when Roman building came of age to AD 330, when Constantine moved the empire's capital to Constantinople.
1993Spine sunned and a bit creased. ; 0.74 x 9.65 x 7.46 Inches; 480 pages; Frank Sear traces the evolution of Roman architecture during the four centuries from the late Republic, when Roman building came of age to AD 330, when Constantine moved the empire's capital to Constantinople.
2003Fine English Paperback., Fine., 24 x 16 cm., 191 p., color and b/w ills., "Galata Mevlevihanesi.", Server Dayioglu, Yeni Avrasya Yayinlari, Ank., 2003.
1994Pencil underlining and a notes to a few pages. ; Myth into Art is a comparative study of mythological narrative in Greek poetry and the visual arts. Thirty of the major myths are surveyed, focusing on Homer, lyric poetry and Attic tragedy. On the artistic side, the emphasis is on Athenian and South Italian vases. The book offers undergraduate students an introduction both to mythology and to the use of visual sources in the study of Greek myth. ; 220 pages
1994Very minor Foxing to textblock. ; Myth into Art is a comparative study of mythological narrative in Greek poetry and the visual arts. Thirty of the major myths are surveyed, focusing on Homer, lyric poetry and Attic tragedy. On the artistic side, the emphasis is on Athenian and South Italian vases. The book offers undergraduate students an introduction both to mythology and to the use of visual sources in the study of Greek myth. ; 220 pages
1997111p. Magazine Very good condition Includes articles on 17th century architecture seen through probate inventories, and on the Howland Mill Village
1996Minor shelfwear. Scholar's name to ffep (Jenifer Neils). Pen and Pencil underlining to about 6 pages. Spine sunned. ; 8.4 X 5.9 X 0.7 inches; 232 pages
1995Moisture exposure to DJ with waviness to DJ. Mild Waterstaining to front board. Some pages have waviness from moisture exposure. ; The most important phases of Greek civilization are connected with the sea, through voyages of discovery, naval campaigns and ocean trading. Over the years, and due to its leading role as a means of communication, the ship also became a subject for artistic creations. The history and the evolution of the Greek ship from prehistoric times to the present day are presented through the work of known artists and anonymous craftsmen, executed in a variety of different materials. Ships were carved in stone and marble, incised on bronze, painted on clay or wood, depicted in paintings and murals, embroidered on cloth, printed on paper, offered as votives or worn as amulets. The rich illustrative material has been selected from museums and collections both in Greece and abroad. ; 11.1 X 9.8 X 1.0 inches; 272 pages
1997French wrappers with tear to top foreedge of rear wrapper (~7cm). ; A study of Greek art from the 8th-2nd century BC. ; Art & Ideas; 8.6 X 6.2 X 1.1 inches; 448 pages
1976Very minor shelfwear to book. Scholar's name to ffep (Jenifer Neils). DJ has edgewear with 1 small tear. Slipcase present and in VG+ condition; Pelican History of Art; 406 pages
1959xiv, 146 p. : plates, facsimiles, genealogical table, plans. ; 27 cm. Hardcover Very good condition good Winterthur Series
1958189p. Endpapers browned. Fore edges spotted. Inked ownership of Pitman Planning Board, June 23, 1958. Original full cloth binding, slightly spotted. Original dust jacket. This volume is one of a series commemorating the 75th anniversary of the Wharton School. ARCH 1
2012New New English Paperback. Pbo. Dust wrapper. Roy. 8vo. (24 x 16 cm). In Turkish. 180, [7] p. Ills. 100 important calligraphers from Istanbul. Istanbul'un 100 hattati. Edited by Esra Erkal, Ömer Osmanoglu.