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2018New Turkish Paperback. Folio. (34 x 24 cm). In Turkish. [16], 178 p., 150 plans and photos. Sa'dabad. [REPRINT EDITION of 1977].
2008New English Paperback. Pbo. 4to. (30 x 24 cm). In Turkish. 210 p., color and b/w ills. Sedad Hakki Eldem 1: Gençlik yillari. He was born in Istanbul in 1908. He graduated from Academy of Fine Arts, department of Architecture. Between 1931 and 1932 he travelled France, England and Germany with scholarship of the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts and continued until retirement at 1978. In 1934 he worked for National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented Turkish Republic at International Union of Architects in Lozan (1948) after Second World War. Also in the same year Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th century palaces and mansions. He known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of Supreme Council of Antiquities and Monument Real Estate. Between 1928 and 1934 defined as preparation years for Sedad Hakki Eldem. At these years the architect worked at Istanbul, Paris and Berlin but there is no built project or something. The only structure that has been built in that period is temporary Turkish pavilion in Budapest Exhibition in 1931. This structure give us so little clues about his searching in architecture. Whereas Sedad Hakki was tried almost every approach popular in these years, also tried to combine them even if they are all contradicted. He even give parts to different architectural elements in one design. For example, one of his trials in Paris, embassy project has Auguste Perret impressions in details, its planimetry has traditional middle "sofa" and "Eyvan" types of components that usually belong to Turkish Architecture. Also the architect inspired by a sheme that peculiar to Iran-Middle East, named "Cihar-bag". At the same time he examined the style of Art Deco, Le Corbusier, Hoffmann, Olbrich, Tessenow and Webb. Despite all of these and his instability of style, he never abandon his researches about traditional and domestic Ottoman civil architecture. He made use of all styles as much as they compromise with traditional architecture. The styles that do not overlap with domestic architecture, are disappeared. TURKISH ARCHITECTURE Biography Istanbul History art Turkish intelligentsia Memoirs.
2009New English Paperback. Pbo. 4to. (30 x 24 cm). In Turkish. 322, [2] p., color and b/w ills. Sedad Hakki Eldem 2: Retrospektif. Sedad Hakki Eldem's architecture has basically 4 main period. First of them is known by instability of his works, it was between 1928 and 1934. After that, second period is popular with modern trials on Ottoman architectural organization the time period of this part starts with 1934, until 1952. Third period of his architecture has lost its Ottoman influence, it looks like more modernized between 1952 and 1962. Last part of Eldem's Architecture known with his double approach on projects. Time period of that leading years started at 1962 until his death at 1988. TURKISH ARCHITECTURE Biography Istanbul History art Turkish intelligentsia Memoirs.
1976Fine English Original bdg. 4to. (34 x 25 cm). In English and Turkish. [432] p., color and b/w ills. Works of Turkish architecture.= Türk mimari eserleri.
1981Fine Fine English Paperback. Pbo. Dust wrapper. 4to. (34 x 24 cm). In Turkish. 128 p., 236 numerous color and b/w plts. Topkapi Sarayi. Bir mimari arastirma. Very fine copy. First and Only Edition. A comprehensive architectural study on Topkapi Palace of Istanbul. ARCHITECTURE Turkish and Islamic arts Topkapi Ottoman culture Palace Constantinople - Istanbul - Konstantinopel.
2011New English Paperback. New. 4to. (28 x 23 cm). In Turkish. 390 p. Color ills. "Dome": Early period of 'curved cover' in the Ottoman architecture in Turkish baths. Kubbeye dogru: Erken dönem Osmanli hamamlarinda egrisel örtüye geçis sistemleri. ARCHITECTURE Dome Eraly period of architectural art Ottoman culture Turkish bath.
2011Fine English Paperback. 4to. (28 x 23 cm). In Turkish. 390 p. Color ills. "Dome": Early period of 'curved cover' in the Ottoman architecture in Turkish baths. Kubbeye dogru: Erken dönem Osmanli hamamlarinda egrisel örtüye geçis sistemleri. ARCHITECTURE Dome Eraly period of architectural art Ottoman culture Turkish bath.
1995Sous emboîtage d'éditeur . Jaquette illustée en couleurs . Collection " L'Art et les grandes Civilisations " N° 25 . Traduit de l'anglais par Léa Marcou . Illustrations très nombreuses en couleurs hors-texte sur papier couché , et en noir et blanc . Calligraphie soignée , paragraphes aérés , grandes marges . Qualité unique de ces ouvrages à offrir en cadeau . Beaux Arts . Architecture . Religion . Spiritualité . - 636 p. , 3 kg 900 gr.
rif. DADAX1466639024New unknown
rif. SONG0521725917Used: Good unknown
rif. SONG1482233975Used: Good unknown
rif. DADAX3659160091New unknown
1981rif. cr1007Imprimerie Boissor-C.A.T. Dos agrafé 1981 In-8 (15,5 x 21,5 cm.), dos agrafé, couverture illustrée, non-paginé, héliogravures en noir et blanc in-texte, protège-livre ; coiffes à peine frottées, excellent état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1889rif. ROD0023902Alfred CATTIER. 1889. In-8. Relié. Etat d'usage, Coins frottés, Dos satisfaisant, Quelques rousseurs. 200 pages. Charnière de devant fendue. Ouvrage orné de quelques illustrations en noir hors-texte, dont un frontispice :échafaudages. Titre doré sur le dos.. . . . Classification Dewey : 720-Architecture
rif. 67391La Pierre-qui-Vire (Yonne), Zodiaque 1968, 220x180mm, 305pages, reliure d'éditeur sous jaquette. Cachet de possesseur sur le haut du coin de la première page de garde, autrement intérieur propre. Bel exemplaire.
rif. 103122Périgueux, Pierre Fanlac 1991, 260x220mm, broché, couverture à rabats. Très bel exemplaire, comme neuf. Le papier vélin ivoire 170g et la couverture Andora crème 300g ont été fournis par les Papeteries Navarre.
1977rif. 66256Tirage sur vélin pur fil Johannot, 75 croquis d’après nature par Roger Chapelet, 1 vol. in-4 carré reliure éditeur façon crocodile, Pierre Fanlac, 1977
VIEILLES MAISONS FRANCAISES. JUIL 1968. Bon état. Couv. convenable. Intérieur frais. 115 pages. Nombreuses photos en noir et blanc dans et hors texte. Sommaire : Editorial, par Anne de AMODIO ..Le château de Jumilhac (Dordogne), par Jean SECRET ..Châteaux et Abbayes de la Manche, par l’Office Départemental du Tourisme .La Page de l’I.B.I., par le Chevalier J. de GHELLINCK d’ELSEGHEM .Pour une Bourse des Châteaux, par Georges POISSON .La chronique d’Europa Nostra .Pourquoi les jeunes s’intéressent-ils aux vieilles pierres ? par Bruno DONZET Le château d’Argy (Indre), par Chantai PARIS ..L’enfant et le musée, par J. VANDROTTE .L’ancien hôtel de la Rambertière, par L. PEPONNET .Les pigeonniers languedociens, par Henry MANAVIT .Un exemple à méditer et à suivre iUne heureuse restauration :Venteuil(Seine-et-Marne), par BernardRAMOND-GONTAUD ..La chartreuse de Sainte-Croix-en-Jarez (Loire), par le Colonel de TARLÉ.Le château de Trigance (Var), par Lucette HARTMANN L’Art pré-roman en Roussillon .Le château de Montégut-en-Couserans (Ariège), par P. PHILIP Arcy l’Immortelle (Yonne), par Jacques AGIS Dîner annuel, par J. DAWINT .Décorations en stucs des Marca (Haute-Saône), par Ch.-H. LERCH ..L’hôtel Urion de ia Guesle (Puy-de-Dôme), par J. L.Location pour cinéma ou télévision, par J. SERRUYS ..Les crépis à la chaux grasse, par Jean PAYEN .Le concours «Chefs-d’œuvre en péril» ..Vols dans les châteaux ..Loi d’Orientation Foncière et Urbaine Activités régionales ..Le Carnet des V. M. F.La Critique de Jacques de RICAUMONT, Ouvrages reçus et Sociétésamies .Rubrique immobilière Divers .
1968rif. R110034637VIEILLES MAISONS FRANCAISES. JUIL 1968. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 115 pages. Nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
rif. RO40048180SADAG. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 30 + 30 pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
rif. ce1560Nouvelles Editions Latines Dos agrafé In-8 (14 x 19 cm.), fascicule au dos agrafé protégé avec un couvre-livre plastique, couverture illustrée, 30 pages, héliogravures in-texte, sans date ; coiffeset dos à peine frottés, par ailleurs excellent état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
rif. ART4164MZodiaque. 1977. In-4. Broché. 93 pages - nombreuses photographies en noir et blanc hors texte - quelques plans en noir et blanc dans et hors texte. Collection les travaux du mois n°16.
1977rif. RO30331421Zodiaque. 1977. In-4. Broché. Bon état, Coins frottés, Dos satisfaisant, Papier jauni. 93 pages. Nombreuses planches de photos en noir et blanc et illustrations, cartes en noir et blanc, in texte.. . . . Classification Dewey : 720-Architecture
1973rif. RO80252519Imprimerie Joucla. 1973. In-8. Broché. Etat d'usage, Couv. convenable, Agrafes rouillées, Intérieur acceptable. 8 pages. 5 photos monochromes hors texte.. . . . Classification Dewey : 720-Architecture
rif. 52491Paris Tallandier 1979 in 4 (28x21,5) 1 fort volume reliure pleine basane racinée havane, couverture conservée, 491 pages, avec de nombreuses illustrations photographiques de Bernard Biraben, Rodolphe Germain, Jacques Lagrange, et des cartes. Bel exemplaire, bien relié ( Photographies sur demande / We can send pictures of this book on simple request )