Herzog & de Meuron - Jean-Francois ChevrierAntiquariat.de
71 941 résultats
réf. 2655EBBasel., Birkhäuser., 2016. 22,5 x 17 cm. 256 S. OPappband., 2655E Sehr gutes Exemplar.
1998réf. 182063(Merseburg), Gehrig, (1998). 4°. M. zahlr. farb. Fotos. 172 S. OPp. Einbd. leicht berieben.
1990réf. 77551Hamburg, 1990. 71 S. Mit 7 Taf. (= Schriften zur Politik und Geschichte in Hamburg, H. 3). (21 x 14,5 cm). OBrosch.
1929réf. 54997Hamburg, (gedr. bei Charles Fuchs), 1929. 12 S. OBrosch.
1901réf. 6934AB1901. Vienna Schroll 1901. 40 : 31 cm. 44 pages with ca. 80 partly colored plates and illustrations. Original boards. Vorrede von Alfred Roller. Beiträge von Maurice Balzarek Vjecoslav Bastl Karl Benirschke Josef Czastka Wunnibald Deininger Josef Eigel Oskar Felgel Alfred Fenzl Robert Ganns Paul Gütl Franz Holik Emil Hoppe Marcel Kammerer Hans Mayr Franz Matauschek Anton Nothhaft Paul Roller Mario Sandona Hans Schlechta Otto Schönthal Ludwig Seiz Heinrich Tomek Eduard Wanecek Otto Wytrlik. - This volume shows selected examples of the finest secessionist architecture. Members of Wagners school have been K. Bernischke O. Schönthal L. Bauer W. Deininger J.M. Olbrich M. Bazarek a.a. hardcover
1980Chipping to head and joints of spine (with some colour loss). ; Museum Für Kunst Und Gewerbe Hamburg; 9.2 X 7.5 X 0.8 inches; 279 pages
1892réf. 2597DBBerlin, Grote, 1892. 8°. X, 387 S. Mit 2 Portraits. Halbleinenband der Zeit mit rotem Rückenschild und Bibliothekslabel. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1916réf. 0102-C1916. Holzschnitt 1916, signiert, betitelt und bezeichnet. 18,1:13 cm. Literatur: Merx 266.- Exzellenter ?Handdruck?, auf beigem Japan-Bütten. Mit ca. 2 bis 2,5 cm breitem Rand. Von schöner Erhaltung.
1961réf. 27007ABKöln, DuMont 1961. 4°. 266 S. OLwd mit OU. Schutzumschlag etwas lädiert.
1925réf. 10561-yl4020wwBerlin: Wilhelm Ernst & Sohn 1925. 2 Blatt sowie II und 118 Seiten nebst 1 Blatt Verlagsanzeigen. Orig. Pappband (etwas bestoßen, eine Klammer am Ende des Bandes etwas oxydiert, sonst gutes und sauberes Exemplar). Gr.-8°. fest gebunden
réf. 983DGo.J. Holzschnitzerei. Höhe der Skulptur: 34 cm, Breite: 19 cm, Tiefe 19 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 983DG
1725réf. 34249Augsburg: Jeremias Wolffens seel. Erben. 1725. German edition of the "Cours d'architecture" with additional copperplate engravings not included in the edition of 1699 printed in Amsterdam. Engraved frontispiece 84 full-page 37 double-page plates19 folded multipage copperplate engravings and 12 including 2 double-page copperplate engravings in the appendix. Collated complete. Quarto 22.5 x 17 cm. bound in full contemporary mottled calf the back sometime renewed to style with raised bands gilt ruled central ornamental pieces gilt red morocco lettering label gilt retaining original free-flies new endleaves added. 30 402 25 1 pp. A pleasing copy well preserved the text and copperplate engravings all in crisp and clean condition the binding strong very little evidence of overuse some expected rubbing to the binding's extremities as to be expected. RARE AND "THE BEST WORK OF ITS KIND YET OFFERED" Fowler. First published in French in 1691 the work was long considered the basis for the architectural history of France. The decorative plates depict buildings by Michelangelo and Vignola. As D’Aviler’s book went through the printers it grew wings – more large folding plates which he inserted at the last minute including plans of gardens palaces and details of ironwork. What had started as an attractive and accessible guide to the Orders intended to inform clients artisans and fellow architects now became a platform for D’Aviler’s own architectural ambitions. Further plates were engraved but there was no room in the first edition or a second in 1694 and so alongside them D’Aviler prepared drawings for an enlarged edition. Work on the new edition was continued by his son Nicholas Langlois II who had ‘acquired a very large quantity of new Drawings & Explanations both from the Author and from several other excellent Architects Painters & Draftsmen… with which to increase & embellish this Work.’ The death of the younger Langlois and the sale of the business to a cousin Jean Mariette delayed the larger edition of the Cours until 1710. Mariette admired D’Aviler and compiled his biography. He mounted D’Aviler’s designs Boulogne’s frontispiece and other architects’ drawings for the Cours on sheets in a portfolio which joined more than 100 others to make up one of history’s greatest collections of drawings. The frontispiece by Louis de Boulogne’s shows Architecture appearing as a young woman. She sits leaning on an altar with a Corinthian capital at her feet compasses in one hand and a portrait of Vignola in the other. Behind her are the ruins of Rome. Louis de Boulogne was the King’s Premier peintre but he was also D’Aviler’s close friend and the architect has corrected the painter’s perspective at the foot of the altar. Drawing Matter Richard Emerson Vignola one of the great Italian architects of 16th century Mannerism was one of three architects along with Serlio and Palladio who spread the Italian Renaissance style throughout Western Europe. He is often considered the most important architect in Rome in the Mannerist era. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesů in Rome. Tutto Rinascimento De Agostini. 2011 His two published books helped formulate the canon of classical architectural style. The earliest Regola delli cinque ordini d'architettura "Canon of the five orders of architecture" first published in 1562 probably in Rome presented Vignola's practical system for constructing columns in the five classical orders Tuscan Doric Ionic Corinthian and Composite utilising proportions which Vignola derived from his own measurements of classical Roman monuments. The clarity and ease of use of Vignola's treatise caused it to become in succeeding centuries the most published book in architectural history. See Palladio's Literary Predecessors 2018. Jeremias Wolffens seel. Erben. hardcover
1699Amsterdam, Huguetan, 1699. Small 4to. Contemp. full calf. Raised bands. Stamped in blind on spine. Titlelabel with lettering. The gilt monogram of King Frederi V on red background on both covers. Stamp on title-page. Engraved frontispiece. (34),344,(16) pp., 125 engravings (42 on foilded sheets, 83 full-page in the text), a few textillustrations are engraved. Some other textillustrations in woodcut. Clean and fine.
1759Augsburg, Johann Georg Hertel, 1759. 4to. Bound in 2 contemp. full calf. Gilt spines, raised bands. Richly gilt spines. Titlelabels with gilt lettering. A paperlabel pasted on upper part of both spines. Stamps on title-pages. Title-pages in red/black. Engraved frontispiece. (30),402,(26) 23 pp., 152 engraved plates (many double-page and folding, some with text on verso) - Anhang with 33 folded engraved plates. A few leaves with a faint dampstain in upper right corner. Internally clean and fine.
1952réf. 1310515Berlin, Ernst u. Sohn, 1952. Gr.-8vo. 4 Bl., 136 S. m. 101 Textabbildungen, 1 Tafel. OLwd.
1900réf. r2074Berlin: Verlag von Ernst Wasmuth A.- G. G : in Good condition plus. Rebound. Slight darkening to page ends. Ex-lib. with minimal marks. 1900. First Edition. Maroon hardback cloth cover. 480mm x 330mm 19" x 13". 100pp plates. 100 b/w plates. 100 plates of architecturally designed memorials in German Austrain cities and Vienna. Each plate gives the architect and some provide further details of the materials used and cost. Photographers include von Roemmler and Jonas Dresden; Albert Frisch Berlin; and C.G. Röder Leipzig. N.B.: Heavy book-shipping supplement applies-please ask for shipping quote stating country of destination. . Verlag von Ernst Wasmuth A.- G hardcover
1915réf. 33693-yg3002Berlin-Charlottenburg: M. Mahlmann & Co. 1915. 4 Blatt Inserate, 58 Seiten und 13 Blatt Inserate. Original Broschur (etwas bestoßen, der Umschlag etwas fleckig, sonst sehr gutes und absolut sauberes Exemplar). 4° (31 x 24 cm.
1998Vol. 1; 271 pages
1998Vol. 2; 266 pages
2006réf. 95324Mainz, Philipp von Zabern, ( 2006). XVII, 529 S; VII S., S. 532-1023, 19 S. Mit Abb. und graph. Darst. und 2 Faltktn. als Beilage. (= Kölner Forschungen, Bd. 9). 29 cm. OLn.
1989réf. 45593ABMünchen, Verlag C. H. Beck, 1989. 4°. 28 x 23 cm. 478 (1) Seiten. Original-Pappband mit Original-Schutzumschlag im Original-Pappschuber. (= Universum der Kunst, Band 35. Gotik, Band 3).
1986réf. 97442Hamburg, [1986]. 58 Bl. Mit zahlr., teils ganzseit. Plan- und Kartenskizzen, Grundrissen u. Ansichten. Quer-Format (21 x 30 cm). OKart.
1952réf. 1129573Stuttgart, Konradin-Verlag R. Kohlhammer, (1952). Folio. 328 S. m. 273 Lichtbildern u. 248 gezeichneten Türbeispielen, zumeist im Maßstab 1 : 10 mit Werkschnitten in natürlicher Größe. OLwd (etwas angestaubt).
1952réf. 17360DBMünchen., Georg D.W.Callwey., 1952. 30 x 22 cm. 217 S. OHalbleinen mit illustriertem OUmschlag., 17360D Erste Auflage. Einband berieben und etwas nachgedunkelt, Umschlagkanten läsiert, hintere Umschlagseite geknickt, Blattrand durchgehend nachgedunkelt, untere Blattseite (209) mit einer kleinen Fehlstelle.
1936réf. 53502Zürich: Kunstgewerbemuseum Zürich 1936. First edition. Softcover. Very good condition. Octavo. 32pp. Original stiff wraps in modern design and typography in cream and brown on cover protected by modern mylar. No. 131 of "The Guidelines of the Arts and Crafts Museum Zürich." With an introductory text in German and French elaborating on the goals and activities of the Arts and Craft Museum of the City of Zürich including a review of the work and goals of the museum in its run of 131 exhibitions presented by the museum since 1914. Illustrated with two tipped-in reproductions of b/w photographs showing the exterior and interior of the museum. Contains a complete list of exhibitors in the categories architecture furniture graphic design photography book binding publishers metal frames weaving embroidery hand-printed cloth ceramics glass metal work and jewelry clocks leather shoes and gloves and special groups. Text in German and French. Very light wear along edges and minor scuffing at spine. Block lightly age-toned. Kunstgewerbemuseum Zürich unknown
