rif. 65525Moniteur, 1982, 238 pp., broché, riche iconographie, légères traces d'usage, état très correct.
1993rif. 3127Paris, Délégation à l'Action artistique de la Ville de Paris, 1993; 275 x 245 mm., 205 pp., illustrations n/b et couleurs, reliure cartonnée d'éditeur sous jaquette illustrée, page de garde illustrée, très bon état.
1978rif. 100083048Macmillan 1978 88 pages in8. 1978. Broché. 88 pages.
2008rif. 0182772008 Stichting Kunstboek Hardcover
rif. 13906Paris, Electa Moniteur, 1982 ; in-8, (24 x 22 cm), broché. 149 pp. Très nombreuses illustrations dont 5 en couleurs. Couverture illustrée.
1752rif. 32981Venezia, Giacomo Storti, 1752. Small folio. Uncut in orig. blue covers, old repair to back. (10),59,(1) pp. One large engraved portrait of Sansovino after Titian (Thomas Arighetti delin.- Petrus Monachus sculp.).
2003rif. 116475The Monacelli Press 2003 Livre en anglais. In-4 broché 27 cm sur 21,5. 232 pages. Couverture souple rempliée. Nombreux plans et illustrations en noir et blanc. Très bon état d’occasion.
1975rif. 60229Napoli; Banco di Roma 1975 In-4 relié 31,5 cm sur 24. 375 pages. Bon état d’occasion.
rif. 6376P. Histoire des arts plastiques. Sd in folio en feuillets, 18 pages + 10 planches couleurs (Sainte Chapelle, Chartres, Bourges, Sens)
1986Small closed tear (1 cm) to rear endpaper. Slight wear to corners of wraps. ; The author addresses the question of how Etruscans and Romans themselves, guided by the skill of the sculptor or painter, would have approached a work of art. With over 70 illustrations, including original analytic drawings and schematic tables; 200 pages
1986Very minor shelfwear to book. Scholar's name to ffep (Jenifer Neils). Tiny tear to DJ. Minor shelfwear to DJ. ; The author addresses the question of how Etruscans and Romans themselves, guided by the skill of the sculptor or painter, would have approached a work of art. With over 70 illustrations, including original analytic drawings and schematic tables; 200 pages
1984Volume pubblicato in occasioen della grande rassegna che si è svolta a Milano nell'ottobre 1983, in occasione del Congresso ICSID, ed è firmato dagli stessi curatori della mostra. Introduzione di Gillo Dorfles. Con contributi di Cesare Colombo, Anty Pansera e Maurizio Vitta. Biografia e bibliografia a cura di Anna Pierpaoli . 4to. pp. 320. . Ottimo (Fine). . Prima edizione (First Edition). . Cinquant'anni di produzione grafica in Italia: per la prima volta il panorama completo di un'attività che ha coinvolto artisti, designer, industria nella costruzione dell'immagine. Dal mitico Campo Grafico degli Anni Trenta all'affermazione di personalità di rilievo comme Boggeri, Steiner, Nizzoli, Pintori, Schawinsky, Huber - fondatori della disciplina e della sua spicificità comunicativa - al trionfo della grafica negli anni Sessanta, con la fioritura di studi, agenzie, progetti globali al servizio di una committenza in piena espansione, fino agli anni più recenti, anni di riflessione sul ruolo del progettista e sui modi della comunicazione nell'era del video e dell'immagine elettronica.Pur seguendo fondamentalmente il percorso visivo della mostra il libro propone arricchimenti, sviluppi, nuovi inserimenti di autori e tipologie che rendono questo lungo viaggio attraverso l'immagine documento e sintesi di una realtà che non è solo estetica e culturale, ma produttiva e sociale.
2010rif. 3718345Fairchild Books 2010. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition suitable as a reading copy. Water damaged. Please note the Image in this listing is a stock photo and may not match the covers of the actual item2200grams ISBN:9781563676796 Fairchild Books paperback
8 pages, illustrated, no publication date. eng
2004rif. 0118742004. Soft Cover. Very Good. Publisher: RMG Palais Des Papes 2004 V.Good Soft Cover ISBN: 2-84080-064-0 paperback
1961Paris, Denoël, 1961. Un volume broché de format petit in 8° en hauteur de 176 pp., Illustrations en noir. Tome I seul; bon état.
Forces Vives. Non daté. In-12 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Plaquette d'env. 40 pages illustrée de nombreux dessins et photos en noir et blanc. Notre-Dame du Haut, Ronchamp, Haut-Saone. Le Corbusier.
P. Lethielleux. 1971. In-12 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur bon état. 44 pages, plus de nombreuses photos en noir et blanc (héliogravées) hors texte. Illustré de dessins en noir et blanc dans le texte. Edition française
P. Lethielleux. 1953. In-12 Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur frais. 44 pages de texte + env. 15 planches de photos en noir et blanc (héliogravées). Illustré de dessins et plans en noir et blanc dans le texte. Plan en noir et blanc au dos du 2e plat. Le site. Les origines du culte. Les temps acrolingiens. L'abbaye romane...
1865In-8°, 84pp, (4cc), numerose illustrazioni fuori testo, legatura in brossura editoriale
195313p. Frontis plus photo illustrations. Tall 8vo. Original printed wraps. STA Keepsake. Printed by The Thistle Press. Limited to 800 copies. **PRICE JUST REDUCED! REF2
1988rif. 58435BBBerlin., Ernst & Sohn - Verlag für Architektur und technische Wissenschaft., 1988. OLeinen mit OUmschlag., 58435BB Erste Auflage. Umschlag mit sehr kleinem sauber hinterlegten Einriss an der unteren vorderen Kante, sonst gutes Exemplar.
Softcover,282 PAGES ILLUSTR. TEXT ENGLISH/ JAPANESE. ISBN 900211524. A superbly executed special edition in two volumes, published and sold separately, Visions of the Real surpasses similar histories recently published. It exposes the complex social, technical and artistic problems of house design in the 20th Century - from drawings, to built reality, realized inhabitation, and evolution over time. Original drawings presented together with brand new photographs reveal exactly to what extent the initial vision has endured. Some of the 30 works featured are familiar modern masterpieces, but several have remained relatively unknown until recently. Many are still inhabited as originally designed and all remain visionary, transcending the time of their making. Volume 1: Interview with Kenneth Frampton. F. L. Wright: Robie House, 1910; Mies van der Rohe: Tugendhat House, 1930; Pierre Chareau: Maison de Verre 1932; Amancio Williams: House over the Brook, 1945; and more.
1997Inscribed by the author on half-title page. No other marks or inscriptions. No creasing to covers or to spine. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. 167pp. Written by a Londoner, this wide-ranging selection of graphic art and photographs from the 19th and 20th century create a kaleidoscopic impression of a fascinating region of London.