LE CORBUSIERLivre Rare Book
1 128 résultats
1957réf. 1215031957 Edition de Minuit, Les Cahiers "Forces Vives" collection dirigée par Jean Petit - 1957 - In-8, format carré, cartonnage toilé jaune, sous jaquette illustrée en couleurs - sans pagination - Illustrations en noir & blanc dans le texte
1957réf. 102238Minuit Forces Vives 1957 Editions de Minuit, Coll. Forces Vives, 1957, broché sous jaquette, environ 20x20cm, bord inférieur des 7 dernières pages fendillé, bas du dos légèrement émoussé, un menu accroc sur le bord de la jaquette, bon état pour le reste et intérieur très propre.
réf. 100972Milano Ulrico Hoepli 1948. 4° 521 S. 510 Abb. u Pläne 3 farbige Abb. Broschur Rücken fehlt Deckel fleckig einge Bl. lose müsste neu aufgebunden werden etwas stockfl. sonst sauber - brauchbar Introduction d'Edmund Humeau. Preface de Le Corbusier. Text franz. 010 Milano, Ulrico Hoepli, 1948 unknown
réf. 819050Editions Albert Morancé Paris S.D. (Vers 1930) 4 volumes in-4 carré ( 275 X 240 mm ), reliure à spirale métallique sous couvertures imprimées. 160 planches photographiques aux rectos et plans des réalisations aux versos des architectes Ch. Siclis - J. & J. Soupre - Lambert, C. Saaké & P. Bailly - R. Fischer - G. Appia - J. Taillens - A. Lurçat - Abraham & Sinoir - Molinié & Nicod - J.-C. Moreau - P. Patour - M. Speyer - Ad. Thiers - M. Lucet - A. Perret - Jan B. Lauwers - LE CORBUSIER - JEANNERET P. - WELZENBACHER L. - PERRET A. & G. - Satow Takeo - Antonin Raymond - Georges Fred Kech - Richard Neutra - Togo Murano, etc. Minimes usures sans gravité aux couvertures ( essentiellement aux dos ), parfait état intérieur, les planches sont très fraîches.
2009réf. 2692009 - broché - Impensa Oficial - 2009 - In-4 (29 x 23 cm) broché, couverture à rabats - 264 pages - Très nombreuses photographies en couleurs - Ouvrage tiré à 2000 exemplaires, sans justificatif de tirage - Ouvrage bilingue avec texte en français et en portugais brésilien - ISBN : 9788570607492 / 9788562193033
1959réf. ABE-1820850280976 PAGES-23,5 CM X 31 CM-BRIGITTE BARDOT EN COUVERTURE, GROS PLAN (PHOTO CLAIR)-ELLE EST FIERE DE CES ILLUSTRES CONTEMPORAINS AU TRAVAIL, MALRAUX, PHOTO, GIACOMETTI, PHOTO, LE CORBUSIER, PHOTO-LEURS DESTINS, PAR FRANCESCO WALDNER, DE GAULLE, MARGARET D'ANGLETERRE, B. BARDOT-TROUS D'INSECTE EN UNE ET EN DEUXIEME PARTIE D'EXEMPLAIRE-FROTTEMENT EN PARTIE INFERIEURE DROITE DE UNE-
1953réf. 2411060098Editorial Poseidon Buenos Aires 1953. Hardcover. Good. 8x5x1. From the library of noted artist and violin luthier Alfredo Halegua. Hardcover and dust jacket. Spanish text. Tears to jacket with some loss. Dust jacket in protective mylar cover. Shelf wear. Some toning/foxing. 195 pages : illustrations ; 23 cm. Editorial Poseidon Buenos Aires hardcover
1974Recueil de fac-similés de textes et croquis de 1962-1963 de LE CORBUSIER (1887-1965) sur "une idée d'église" à Firminy (Loire), église qui ne sera réalisée qu'après son décès. Peu courante publication de l' "Association Le Corbusier pour la construction de l'église Saint-Pierre de Firminy", qui était vendue "pour aider à l'édification de l'église - 1974-1975" lors de l'une des différentes interruptions de travaux qui, commencés en 1973, ne seront achevés qu'en 2006. Exemplaire bien complet de son étui et d'une bande annonce verte avec croquis et mentions "Le Corbusier à Firminy" - "L'Eglise". Français
réf. 19507[s.l, Firminy], Association Le Corbusier pour la construction de l'église Saint-Pierre de Firminy, [s.d., 1974 ?] 1 volume 26,8 x 26,8cm En feuilles en portefeuille orné d'un fac-similé d'écriture et au large rabat au 2nd plat orné d'un portrait; en étui à rabat fermant. Non paginé: 20 feuillets (imprimés au seul recto) dont 9 planches de fac-similés d'écriture et 10 de croquis. Bon état sauf petites rousseurs sur le portefeuille et la page de titre, plus importantes sur l'étui.
1972réf. 224471972 [Firminy] : Association Le Corbusier pour la construction de l'église Saint-Pierre de Firminy, [1972] ill. ; 27 cm.Sans lieu ni date, [1972]. In-4 carré, 20 planches libres sous chemises imprimées d’un texte manuscrit en lithographie à rabats de l’éditeur. Textes et croquis de Le Corbusier reproduit en fac- similé .rare bon état
196032 cm, ril. edit, tit. in oro al piatto e dorso; pp. da 215 a 296, numerose foto e disegni
réf. 11700Paris C.NR.S., 1975. Fort In Octavo, reliure en cartonnage fort pleine toile beige sous rhodoïd frappée d'un motif sérigraphié en creux , gardes chocolat, LVI -599pp, 2f, très bel exemplaire, bien complet de ses cartes.
1937réf. 014873New York: Direction 1937. Soft cover. Very Good. The inaugural issue of the progressive magazine Direction. Saddle-stitched in printed card covers. Spine rubbed; unmarked; some minor signs of age. An attractive copy. 32 pages. 11 x 8.5 inches. Commentary on society literature art theatre architecture and technocracy with contributions by John Dos Passos Theodore Dreiser Le Corbusier poet Maurice English theatre critic John Gassner and others. Includes a one-page piece describing the activities of Pablo Casals and the Musicians' Committee to Aid Spanish Democracy along with pieces on photographer Consuela Kanaga and painter Henry Billings with images of their work. Direction paperback
1956réf. 126880Paderborn: Ferdinand Schöningh Verlag, 1956. 40 S., 16 Taf. ; 23 x 15,5 cm ; kart. ;
1981réf. 237827Braunschweig: Vieweg 1981. 292 S., s/w Abb. Kl 8° Br.
1931réf. 1712031931. LE CORBUSIER. Salubra Colour Keyboards. Loose introductory text leaf in English 62 single-page monochrome wallpaper samples and 12 pages of "Clavier de Couleurs" each with 28 colour samples and 2 cardboard screens in the pocket. Oblong folio 285 x 220 mm. bound in original publisher's boards in a new cloth folding box. Basel: Salubra 1931. Incredibly rare first edition of Le Corbusier's legendary Farbenklaviatur. Le Corbusier first sketched the premises of a logically structured system for color design in the magazine l'Esprit nouveau in 1921. In 1931 he published the first of the two collections of colours which he designed for the Salubra wallpaper company. In his own words "These Keyboards of Colour aim at stimulating personal selection by placing the task of choosing on a sound systematic basis. In my opinion they offer a method of approach which is accurate and effective one which makes it possible to plan in the modern home colour harmonies which are definitely architectural and yet suited to the natural taste and needs of the individual." In this first collection he organized the tones on 12 sample cards in such a manner that one could use a slider to isolate or combine different sets of three to five colours. Each of these cards contained a different chromatic atmosphere intended to produce a particular spatial effect. Thus Le Corbusier not only created a useful tool but also a kind of testament to the purist theory of colour. First three wallpaper samples with some minor chipping but otherwise a remarkably well-preserved copy of what was a working tool of which almost no copies have survived. hardcover books
1931réf. 1712031931. LE CORBUSIER. Salubra Colour Keyboards. Loose introductory text leaf in English 62 single-page monochrome wallpaper samples and 12 pages of "Clavier de Couleurs" each with 28 colour samples and 2 cardboard screens in the pocket. Oblong folio 285 x 220 mm. bound in original publisher's boards in a new cloth folding box. Basel: Salubra 1931. Incredibly rare first edition of Le Corbusier's legendary Farbenklaviatur. Le Corbusier first sketched the premises of a logically structured system for color design in the magazine l'Esprit nouveau in 1921. In 1931 he published the first of the two collections of colours which he designed for the Salubra wallpaper company. In his own words "These Keyboards of Colour aim at stimulating personal selection by placing the task of choosing on a sound systematic basis. In my opinion they offer a method of approach which is accurate and effective one which makes it possible to plan in the modern home colour harmonies which are definitely architectural and yet suited to the natural taste and needs of the individual." In this first collection he organized the tones on 12 sample cards in such a manner that one could use a slider to isolate or combine different sets of three to five colours. Each of these cards contained a different chromatic atmosphere intended to produce a particular spatial effect. Thus Le Corbusier not only created a useful tool but also a kind of testament to the purist theory of colour. First three wallpaper samples with some minor chipping but otherwise a remarkably well-preserved copy of what was a working tool of which almost no copies have survived. hardcover
réf. 452250 artistes, peintres, sculpteurs, graveurs présentés par 22 critiques en 1964.Paris, Les Libraires associés, in-4 reliure d'editeur beige illustrée en couleurs 144 pages, Liste des artistes : Alechinsky, Atlan, Berrocal, Francis Bacon, Victor Brauner, Dufour, Le Corbusier, Max Ernst, Gromaire, Matta, Edouard Pignon, Sugaï, Vasarely, Rothko, Rauschenberg,Zao Woo ki, Tobey , Hartung , Esteve etc.
1953réf. ABE-193305211724 PAGES-PIERRE AUDUREAU EN COUVERTURE/"LE TUEUR DU VENDREDI 13"/BORDEAUX-SYLVIE PAUL ET SON AMANT SOUALHIT S'ACCUSENT ET S'INJURIENT-LE TUEUR DU VENDREDI 13-EST CE UN RITE?/DANIELE DELORME ET DANIEL GELIN/PHOTO-EMILE FIGHIERA FAISAIT SUBIR UNE VIE D'ENFER A SES SEPT ENFANTS/4 PHOTOS-LE VERDICT D'ORADOUR/4P/45 PHOTOS-LE CERCLE DE MISERE/XII L'ANNEAU DE JADE/LA CITE RADIEUSE/LE CORBUSIER/4 PHOTOS-HILAIRE: CIRCONSTANCES ATTENUANTES! TRAVAUX FORCES A PERPETUITE/3P-CHEZ JO LES GROS BRAS J'AI VU ANTOINE LA BEQUILLE JOUER DU REVOLVER-EN 4 "LE DRAME D'ORADOUR"/SCHILTIGHEIM/AMNISTIE DES 13 "MALGRE NOUS"
réf. 10928LE CORBUSIER. DES CANONS DES MUNITIONS Boulogne: L'Architecture d'Aujourd'hui 1938 Oblong 4to. Cloth spine boards. 147 1 pages. First edition. A classic of twentieth century architecture. While featuring Le Corbusier's Pavillon des Temps Nouveaux built for the Paris Exhibition of 1937 with its tentlike construction anticipating the tension of postwar buildings the book also concerns itself with home design and the aims of the Congres Internationaux d'Architecture Moderne CIAM as an alternative to rearmament. Decorated boards rubbed and slightly sunned some edgewear. unknown books
1938réf. 22378Boulogne-sur-Seine: Editions de L'Architecture d'Aujourd'Hui 1938. Pictorial boards. Very Good . A sharp well-preserved copy of the 1938 1st edition. Crisp bright and VG to VG in its magnificent photocollage boards with very light soiling and scuffing along the rear panel. Oblong quarto hundreds of plates complementing the text. Le Corbusier's seminal study of the "Pavillion of New Times" at the Paris International Exhibition "Art and Technique" 1937. Editions de L'Architecture d'Aujourd'Hui unknown books
1938réf. 25752Boulogne: Editions De L'Architecture D'Aujourd'hui 1938. cloth hardcover with illustrated cover as issued. minor wear to some extremities one thumbnail chip and one small abraded spot. no writing or markings. no bumps to textblock. strong binding.; original french text. 148pp. illustrated throughout mostly in b/w some color. monographie du pavillon des temps nouveaux a l'exposition internationale art et technique de paris 1937. First Edition. Hardcover. Very Good/No Jacket. Oblong 8vo. Editions De L'Architecture D'Aujourd'hui Hardcover
réf. 2602SB012Ce titre date de janvier 1937; il n’est nullement une allusion à l’actualité brûtale des réarmements de 1938. Monographie du «Pavillon des Temps Nouveaux» a l’Exposition Internationale «Art et Technique» de Paris 1937. Collection de l"Équipement de la Civilisation Machiniste. Editions de l’Architecture d’Aujourd’hui 6 Rue Bartholdi Boulogne Seine. Le Corbusier. 1938.Livro oblongo de 235x295 cm. Com 147 i págs. Cartonagem do editor com a lombada em tela ilustrada na pasta anterior com fotomontagem policroma do autor de inspiração construtivista justapondo fragmentos de artilharia e aviação com imagens de planos urbanísticos e habitação.Profusamente ilustrado no texto com fotografias a preto e branco de Albin Salaün René Lévy e diversos amadores reproduções de desenhos originais de Le Corbusier fotografias de maquetes com ocasionais detalhes a cores fotografias aéreas plantas cortes e desenho técnico. Inclui ainda diagramas e fotomontagens.Edição original rara desta monografia do «Pavillon des Temps Nouveaux» pavilhão efémero concebido por Le Corbusier e Pierre Jeanneret para a Exposição Internacional «Arte e Técnica» de Paris de 1937. Constitui simultaneamente o registo documental do pavilhão e um manifesto urbanístico de alcance programático. O título provocatório — «Canhões munições Obrigado! Alojamentos. por favor» — sintetiza a tese central: os recursos consagrados ao rearmamento deveriam ser canalizados para a resolução da crise habitacional.Publicada em 1938 pelas Éditions de l'Architecture d'Aujourd'hui — braço editorial da influente revista homónima fundada em 1930 pelo engenheiro e escultor André Bloc 1896–1966 — a obra integra a «Collection de l'Équipement de la Civilisation Machiniste» colecção que reuniu as principais publicações teóricas de Le Corbusier entre as quais «La Ville Radieuse» 1935.A obra organiza-se como uma transposição para o livro da experiência espacial do pavilhão estruturando-se em torno das secções temáticas que o compunham. Abre com uma reflexão sobre o alojamento como esperança da civilização maquinista seguida de uma apresentação da Carta de Atenas e dos trabalhos do CIAM Congressos Internacionais de Arquitectura Moderna incluindo os resultados do 4.º Congresso de Atenas 1933 e a preparação do 5.º dedicado à habitação e ao lazer. O índice regista entre outras secções: a análise crítica do estado de Paris o «Plan de Paris 37» a proposta de reorganização do Ilot Insalubre n.º 6 no bairro do Marais o projecto do arranha-céus cartesiano como centro administrativo a reforma agrária com os planos para a «Ferme Radieuse» e o «Village Coopératif» de Piacé Sarthe e ainda um curioso projecto de barco de salvamento insubmersível apresentado por Jean Badovici.O pavilhão inaugurado a 17 de Julho de 1937 no sector de Saint-Cloud era uma estrutura desmontável — uma vasta tenda de lona impermeável amarela suspensa de dezasseis pilares metálicos em treliça — concebida como Museu Itinerante de Educação Popular . Tratava-se de uma peça de propaganda arquitectónica destinada a vulgarizar os princípios do urbanismo funcional junto do grande público numa época em que Le Corbusier apesar da sua notoriedade internacional enfrentava uma persistente dificuldade em concretizar projectos de envergadura em território francês.A dimensão rural da obra merece destaque: as secções dedicadas à quinta e à aldeia cooperativa documentam a colaboração entre Le Corbusier e o sindicalista agrário Norbert Bézard 1896–1956 que desde 1933 incitou o arquitecto a aplicar à vida rural os mesmos princípios de racionalização e conforto que norteavam o seu modelo de cidade funcional a «Ville Radieuse» — plano urbanístico teórico publicado em 1935 que propunha habitação em altura cobrindo apenas 12% do solo com os restantes 88% reservados a parques e espaços verdes separação rigorosa entre trânsito automóvel e peões e equipamentos colectivos integrados. As páginas dedicadas ao planeamento da Village de Piacé com os seus esquemas de silo cooperativa de abastecimento clube escola e corpo de habitação constituem o testemunho mais completo desta colaboração publicado em vida dos seus autores.Charles-Édouard Jeanneret-Gris dito Le Corbusier La Chaux-de-Fonds 1887 – Roquebrune-Cap-Martin 1965 foi arquitecto urbanista pintor e teórico figura central do movimento moderno em arquitectura. Estabelecido em Paris desde 1917 desenvolveu ao longo das décadas de 1920 e 1930 uma vasta obra teórica e projectual — de «Vers une architecture» 1923 à «Ville Radieuse» 1935 — que transformou radicalmente o pensamento urbanístico do século XX. O pavilhão e a presente monografia inserem-se na fase de intensa produção editorial que precedeu a sua obra construída do pós-guerra nomeadamente a Unité d'Habitation de Marselha 1947–1952 concretização dos princípios habitacionais aqui expostos na qual colaborou o arquitecto e pintor português Nadir Afonso 1920–2013.EN Oblong book. 23.5 × 29.5 cm. 147 i pp. Publisher’s binding. Cardboard with a cloth-bound spine. the front cover features a polychrome photomontage by the author inspired by Constructivism juxtaposing fragments of artillery and aviation with images of urban planning and housing.Text richly illustrated with black-and-white photographs by Albin Salaün René Lévy and various amateur photographers reproductions of original drawings by Le Corbusier photographs of models with occasional colour details aerial photographs plans sections and technical drawings. It also includes diagrams and photomontages.Rare first edition of this monograph on the ‘Pavillon des Temps Nouveaux’ a temporary pavilion designed by Le Corbusier and Pierre Jeanneret for the 1937 International Exhibition of ‘Art and Technology’ in Paris. It serves both as a documentary record of the pavilion and as an urban planning manifesto with a programmatic scope. The provocative title — “Cannons ammunition Thank you! Housing… please” — encapsulates the central thesis: resources devoted to rearmament should be channelled towards resolving the housing crisis.Published in 1938 by Éditions de l'Architecture d'Aujourd'hui — the publishing arm of the influential magazine of the same name founded in 1930 by the engineer and sculptor André Bloc 1896–1966 — the work forms part of the ‘Collection de l'Équipement de la Civilisation Machiniste’ a collection that brought together Le Corbusier’s principal theoretical publications including ‘La Ville Radieuse’ 1935.The book is organised as a transposition of the pavilion’s spatial experience into written form structured around the thematic sections that comprised it. It opens with a reflection on housing as the hope of machine-age civilisation followed by a presentation of the Athens Charter and the work of the CIAM International Congresses of Modern Architecture including the outcomes of the 4th Congress in Athens 1933 and the preparations for the 5th dedicated to housing and leisure. The table of contents includes among other sections: a critical analysis of the state of Paris the ‘Plan de Paris 37’ the proposal to reorganise the Ilot Insalubre No. 6 in the Marais district the project for a Cartesian skyscraper as an administrative centre agrarian reform with plans for the ‘Ferme Radieuse’ and the ‘Village Coopératif’ in Piacé Sarthe and also a curious project for an unsinkable lifeboat presented by Jean Badovici.The pavilion inaugurated on 17 July 1937 in the Saint-Cloud district was a demountable structure—a vast yellow waterproof canvas tent suspended from sixteen metal lattice pillars—designed as the Travelling Museum of Popular Education . It was a piece of architectural propaganda intended to popularise the principles of functional urbanism amongst the general public at a time when Le Corbusier despite his international renown faced persistent difficulties in realising major projects on French soil.The rural dimension of the work is particularly noteworthy: the sections devoted to the farm and the cooperative village document the collaboration between Le Corbusier and the agricultural trade unionist Norbert Bézard 1896–1956 who from 1933 onwards encouraged the architect to apply to rural life the same principles of rationalisation and comfort that guided his model of the functional city the ‘Ville Radieuse’ — a theoretical urban plan published in 1935 which proposed high-rise housing covering just 12% of the land with the remaining 88% reserved for parks and green spaces a strict separation between motor traffic and pedestrians and integrated community facilities. The pages devoted to the planning of the Village de Piacé with their diagrams of the silo supply cooperative club school and housing complex constitute the most comprehensive account of this collaboration published during the authors’ lifetimes.Charles-Édouard Jeanneret-Gris known as Le Corbusier La Chaux-de-Fonds 1887 – Roquebrune-Cap-Martin 1965 was an architect urban planner painter and theorist and a central figure in the modernist movement in architecture. Based in Paris from 1917 he developed a vast body of theoretical and design work throughout the 1920s and 1930s — from ‘Vers une architecture’ 1923 to ‘Ville Radieuse’ 1935 — which radically transformed 20th-century urban thinking. The pavilion and this monograph form part of the period of intense editorial output that preceded his post-war built work notably the Unité d’Habitation in Marseille 1947–1952 the realisation of the housing principles outlined here on which the Portuguese architect and painter Nadir Afonso 1920–2013 collaborated.Referências/References:Catalogue SUDOC 193732408Fondation Le Corbusier Paris ficha do pavilhão e arquivos. M-12-C-83 hardcover
1938réf. 22378Boulogne-sur-Seine: Editions de L'Architecture d'Aujourd'Hui 1938. Pictorial boards. Very Good . A sharp well-preserved copy of the 1938 1st edition. Crisp bright and VG to VG in its magnificent photocollage boards with very light soiling and scuffing along the rear panel. Oblong quarto hundreds of plates complementing the text. Le Corbusier's seminal study of the "Pavillion of New Times" at the Paris International Exhibition "Art and Technique" 1937. Editions de L'Architecture d'Aujourd'Hui unknown
1937réf. 4420Oblong quarto 23.7x29.5 cm. ½-cloth 148pp. Published under the auspices of the 1937 international Exposition des arts et techniques this is the monograph for the "Pavillon des temps nouveaux." with a strong photocollage cover. A sound copy with light edgewear. l'Architecture d'aujourd'hui hardcover
