1.314 Ergebnisse
Best.-Nr. 48293New York: Callaway Editions 2006. First printings. Fine. Signed limited edition boxed set of Madonna's first children's book and its sequel a pristine set in the original shipping carton. These vibrant chic and exuberantly feminine children's books depict friendship among adolescent girls. THE ENGLISH ROSES was Madonna's first foray into children's books and debuted at number one on the NEW YORK TIMES Bestseller list. This deluxe set includes: a printed letter signed by Madonna a giclée digital print of an image from TOO GOOD TO BE TRUE signed by illustrator Peterson and first edition copies of both volumes. 10'' x 8'' books; 11.25'' x 9.25'' box. Original boards and dust jackets; THE ENGLISH ROSE with illustrated chemise as issued. Includes original glassine folder with letter signed by Madonna and giclée print signed by Peterson. Housed in publisher's pink illustrated box with limitation statement on interior of lid. In original cardboard shipping carton. #401 of 1500 numbered sets complete with all components. Callaway Editions unknown
Best.-Nr. 133217New York: Warner Brothers 1996. First edition of the draft script for the 1996 film boldly signed by Oliver Stone based on the 1978 musical stage production by Tim Rice and Andrew Lloyd Webber which was in turn based on Rice and Webber's 1976 concept album following the brief life of Argentinean first lady Eva Peron from her impoverished illegitimate beginnings to her later idolatry. The film went through many iterations of production passing between studios and directors with Parker returning to direct in 1994 after having initially rejected the opportunity in 1979. Warner Brothers unknown
Best.-Nr. 109-Ao.J. Kupferstich, 1570/1615, auf Bütten mit undeutlichem kleinem Wasserzeichen. 29,7:22 cm. - Rundum auf die Plattenkante geschnitten, unten darüber. Literatur: Bartsch 33; Nagler, Monogrammisten, I, 208 und 261; vgl. Kupferstichkabinett, Hamburger Kunsthalle, Inv. Nr. 1424 D. Nach Bartsch ist der Kupferstich nach einem Werk Raffael Sanzios (1483-1520) entstanden, doch es ist keine direkte Vorlage bekannt. Der Stil ist jedoch Raffaels Werk sehr nah.
Cm. 150x100, stampato a colori dallo Stabilimento Litografico Donaudi di Padova nel 1906. Illustrato da Guido Marchiori. Con due belle vedute a colori del Santuario. Ottimo stato di conservazione 348 / P
Cm. 150x100, stampato a colori dallo Stabilimento Litografico Donaudi di Padova nel 1906. Illustrato da Guido Marchiori. Con due belle vedute a colori del Santuario. Ottimo stato di conservazione. (348/P) 1132/32
2009Best.-Nr. 85584powerHouse Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 180 pages; well illustrated. -- with a bonus offer--; I Am Because We Are is the companion volume to the acclaimed forthcoming documentary film directed by Nathan Rissman and written and produced by Madonna. This book of images by award-winning photojournalist Kristen Ashburn--culled from her own work in Malawi and Africa over the past seven years as well as from her specially commissioned photographs for the film--provides an intimate look at the lives of eight Malawian children featured in the film and reveals the harsh reality of the AIDS pandemic throughout southern Africa. The title is derived from the concept of "Ubuntu" an idea in African spirituality that states that all of humanity is connected that we cannot be ourselves without community that an individual's well-being is dependent upon the well-being of others. These heart-wrenching stories are a call to action. In Malawi a country of 13 million people over one million are orphans. Looking into the hearts and minds of children who have suffered more than one can imagine the book provides an unflinching view of life at the center of the global AIDS crisis. This is not just a story about orphans in Malawi but about global responsibility and human interconnectedness. I Am Because We Are includes a foreword by Madonna an afterword by Ashburn excerpts from interviews with Malawian children their biographies and extended captions. Author proceeds from the sale of the book will be donated to the charitable organization Raising Malawi for their extensive work with orphans throughout Malawi. . 2009. 1576874826 . powerHouse Books hardcover
2014Best.-Nr. 116627Queensland Art Gallery Gallery of Modern Art. New. Paperback. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer; 26.3 X 21.1 X 0.9 centimeters; 89 pages . 2014. 1921503653 . Queensland Art Gallery | Gallery of Modern Art paperback
Best.-Nr. 661462Callaway Editions 2006. First Edition. Hardcover. Fine/Fine. COPY # 1 of the Artist's Proof edition numbered 'AP1'. Rare boxed set issued in an edition of 1500 numbered copies plus 50 artist's proofs includes a printed letter autographed by Madonna first editions of both 'The English Roses' and 'The English Roses: Too Good to Be True' and a print by Stacy Peterson all housed in publisher's elaborate two-part pink box. A fine set with all contents and books in fine condition with jackets folder etc. has a tiny nick to upper cover of box. From the collection of a former Amazon executive Amazon exclusively distributed this edition. NOTE: The print by Stacy Peterson does not appear to be signed but the Madonna letter is definitely and authentically autographed by her. Callaway Editions hardcover
2003Best.-Nr. 60620E-288: Steven Klein Gallery. Very Good-. 2003. Hardcover. Trade PB. 4to. Steven Klein New York. 2003. One of 1000 copies. 260 pgs. Illustrated throughout with color plates. SIGNED by Steven Klein and Pascal on the reverse side of the slipcase. Issued in a paper slipcased. Slipcase is opened and lightly chipped and worn. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Made to be disposible and incredibly fragile. Original and extremely rare 2003 Italian pressed hand bound art book which is a presentation of the ten hour photo shoot by famed photographer Steven Klein of Madonna as featured on the Re-Invention Tour introduction video montage and on Madonna's I'm Going To Tell You a Secret tour documentary. This hand bound production features 260 pages of stunning 4 color images printed on customized delicate tissue like textured paper onion skin and is by far the rarest Madonna book to date pressed in a limited edition run of only 1000 copies. E-288; Xstatic Process; 15.7 X 11.8 X 3.9 inches . Steven Klein Gallery hardcover
2003Best.-Nr. 1384529New York NY: Callaway 2003-2005. First Editions First Printings. Hardcover. Quarto 5 Volumes. In Near Fine condition with Near Fine condition dust jackets. Volume 1 has a white and polka-dotted open slipcase in Near Fine condition with drawings of various characters from the book on the front and rear covers. Volume 1 has a white spine with light blue raindrop designs with black lettering outlined in colored boxes. Volume 2 has a landscape blue and brown spine with black blue and red lettering outlined in white boxes outlined in gold-brown. Volume 3 has a dark brown spine with red and black lettering outlined in white boxes. Volume 4 has a tan spine with blue and green lettering outlined in white and yellow boxes. Volume 5 has a red spine with black blue and red lettering outlined in white boxes. Dust jackets of Volumes 2 4 and 5 have mild wear along spine heads. Volumes 2 3 4 and 5 contain loose certificates of authenticity between their front end-pages and pastedowns Volumes 2 and 3 being from 'Starworld' and Volumes 4 and 5 being from 'Estates-Plus'. Volume 1 contains a loose bookmark between the front end-page and pastedown. Volumes 2 and 3 are signed flat by Madonna on the "this book belongs to:" pages. Volumes 1 4 and 5 are signed "Love Madonna" by Madonna on the "this book belongs to:" pages. CONTENTS: Vol. 1 "The English Roses" - Vol. 2 "Mr. Peabody's Apples" - Vol. 3 "Yakov and the Seven Thieves" - Vol. 4 "The Adventures of Abdi" - Vol. 5 "Lotsa de Casha". JW consignment. Shelved Case 14. Madonna Louise Ciccone known primarily as the mononym 'Madonna' was born August 16 1958 in Bay City Michigan. Best known as the "Queen of Pop" Madonna is a versatile artist who has always reinvented herself her music and artistic styles across a long career spanning from humble beginnings as a dancer and musician in New York in 1978 to her solo stardom in 1983 with her self-titled debut album "Madonna" and well into today. Madonna would begin her writing career writing the coffee table book "Sex" in 1992 which featured adult content including softcore pornography and simulations of sexual acts. The financial success of "Sex" led the publishing company Callaway Arts & Entertainment who had published the book to greater renown and thus its owner Nicholas Callaway to look for ways to diversify and expand the business. Thus it was that after witnessing Madonna reading a book to a group of teenagers for the release of her music video "Bedtime Story" Callaway would bring the idea of writing a children's story to Madonna. At first other obligations took the singer away from the idea but after giving birth to her son Rocco Madonna would begin to work on her first children's book; "The English Roses". A moral tale it would release in 100 countries translated into 42 languages being one of the first books to ever do so simultaneously. "The English Roses" would debut at the top of the New York Times Bestseller list finishing at the fifth place for overall releases in 2003. While reviews were mixed it's overall success and positive public reception would encourage Madonna to write more children's books including 2 more picture books and a chapter book series which used the same characters from the first book. It would also result in Madonna writing "Mr. Peabody's Apples" "Yakov and the Seven Thieves" "The Adventures of Abdi" and "Lotsa de Casha" themselves also well-received if less commercially successful. 1384529. Shelved Dupont Bookstore. Callaway hardcover
Best.-Nr. 042-Eo.J. Bleistift, mit Deckweiß gehöht, auf gelbem Pauspapier, auf graues Velin aufgezogen. 30,5:21 cm. Kleiner Einriß rechts unten, durch das Aufziehen sind im unteren Teil der Zeichnung einige kleine Luftblasen entstanden. Die Vorlage zu dieser Zeichnung ist noch unbekannt.
Esemplare in bella impressione, ma rifilato di circa 14 mm su tre lati, e di 6 cm lungo il lato inferiore, che prevede tre legende di 6 linee ognuna riferite ai tre personaggi. Il foglio è stato abilmente rimarginato con carta giapponese. Il fiorentino Francesco Rosselli fu incisore, miniatore, stampatore e cosmografo celebrato da Marino Sanudo tra i più importanti del Cinquecento. Creò una delle prime e delle più importanti botteghe fiorentine specializzate nella produzione, stampa e vendita di incisioni e cartografia (planisferi, carte nautiche, mappamondi, carte regionali). Si conoscono una ventina di sue lastre figurative e cinque planisferi (uno perduto, uno conservato in una collezione privata di San Francisco, un terzo, colorato sontuosamente, è conservato al Maritime Museum di Greenwich, gli altri due, prima Landau Finaly, conservati in BNCF), una carta dell'Europa centrale, una della penisola Balcanica, una d'Italia, una di Francia e una della Palestina. Francesco Rosselli è sicuramente una delle figure più rilevanti per comprendere la storia dell'attività di stampa, e commercio di incisioni nella Firenze rinascimentale. Seguace di Savonarola, ebbe stretti sodalizi artistici e di amicizia con Botticelli e tutti gli artisti del periodo d'oro dell'arte fiorentina. L'iconografia della Vergine in trono è tra le più sfruttate, ma allo stesso tempo complesse, del primo Rinascimento. Straordinario, seppur incompleto, specimen dell'arte incisoria fiorentina del Quattrocento.. HIND, Early Italian Engravings, 068, tavola 206..
Sanguigna misure: mm 330 x 230 I Confortini furono una famiglia di artisti operanti in Toscana nel XVI-XVII secolo. Jacopo, menzionato anche come Frate Confortini in quanto prese i voti entro il 1633, apprese l'arte della pittura e del disegno inizialmente da padre Matteo, poi a Firenze con Giovanni da San Giovanni (San Giovanni Valdarno 1592 - Firenze 1636) con il quale lavorò nel convento di S. Trinità. Nel 1629 si immatricolò all'Accademia del Disegno e ottenne diverse commissioni sia sacre che profane. Numeroso è il suo corpus di disegni, spesso preparatori per dipinti e pale di altare, che mostra una tale qualità grafica da poter essere considerate opere a se stanti. In questo foglio, quadrettato per il successivo riporto, vediamo rappresentata la Madonna del Rosario assisa in trono. Sorregge sulle sue gambe il Bambin Gesù, seduto con un braccio alzato in segno di benedizione, lo sguardo è rivolto verso Santa Caterina rappresentata in ginocchio sulla destra. Sulla sinistra è raffigurato San Domenico. Il foglio è in relazione, per quanto riguarda l'impianto compositivo, con la Pala della Madonna in Gloria a Santo Stefano a Campoli (FI)(seconda immagine). Altri due fogli di Confortini, (terza e quarta immagine), posso essere messi in relazione con questo progetto: una sanguigna con lo studio del corpo della Vergine (Asta Alde, Parigi, Dessins Anciens, 27 sep 2018) e un'altra sanguigna custodita alla Morgan Library che mostra uno studio del solo braccio destro della Vergine. La posizione del braccio e il gesto della mano sono gli stessi del nostro foglio. Altro confronto stilistico è possibile con l'opera a sanguigna conservata presso l'Albertina di Vienna. Buono stato di conservazione. Supporto: foglio di cartoncino grigio con scritta a penna “Cappuccino e Coll.ze Santo Varni n 500 e n 24". Bibliografia: M. Pia Zaccheddu, T. Verdon, Il restauro della Madonna in Gloria di Jacopo Confortini a Santo Stefano a Campoli, Betti editore.
Best.-Nr. 066-Ao.J. Kupferstich, 1518, auf Bütten. 14,8:10 cm. Literatur: Bartsch 39; Dodgson 87; Meder 38, b-c (von e); Hollstein 38. - Ausgezeichneter, vollkommen warmtoniger Abdruck vor der Vertikalen zwischen der zweiten und dritten Zaunstange rechts, mit kräftigen Bergkonturen im Hintergrund. Wie immer auf Bütten ohne Wasserzeichen. Ringsum mit minimalem Rändchen um die Plattenkante, links teils auf die Plattenkante geschnitten. Abgesehen von einigen kleinen braunen Flecken tadellos erhalten. Provenienz: Sammlung F. Oppermann, Berlin, Lugt 887.
