Dürer, Albrecht - 1471 - Nürnberg - 1528Antiquariat.de
1 105 résultats
réf. 066-Ao.J. Kupferstich, 1518, auf Bütten. 14,8:10 cm. Literatur: Bartsch 39; Dodgson 87; Meder 38, b-c (von e); Hollstein 38. - Ausgezeichneter, vollkommen warmtoniger Abdruck vor der Vertikalen zwischen der zweiten und dritten Zaunstange rechts, mit kräftigen Bergkonturen im Hintergrund. Wie immer auf Bütten ohne Wasserzeichen. Ringsum mit minimalem Rändchen um die Plattenkante, links teils auf die Plattenkante geschnitten. Abgesehen von einigen kleinen braunen Flecken tadellos erhalten. Provenienz: Sammlung F. Oppermann, Berlin, Lugt 887.
Sanguigna misure: mm 330 x 230 I Confortini furono una famiglia di artisti operanti in Toscana nel XVI-XVII secolo. Jacopo, menzionato anche come Frate Confortini in quanto prese i voti entro il 1633, apprese l'arte della pittura e del disegno inizialmente da padre Matteo, poi a Firenze con Giovanni da San Giovanni (San Giovanni Valdarno 1592 - Firenze 1636) con il quale lavorò nel convento di S. Trinità. Nel 1629 si immatricolò all'Accademia del Disegno e ottenne diverse commissioni sia sacre che profane. Numeroso è il suo corpus di disegni, spesso preparatori per dipinti e pale di altare, che mostra una tale qualità grafica da poter essere considerate opere a se stanti. In questo foglio, quadrettato per il successivo riporto, vediamo rappresentata la Madonna del Rosario assisa in trono. Sorregge sulle sue gambe il Bambin Gesù, seduto con un braccio alzato in segno di benedizione, lo sguardo è rivolto verso Santa Caterina rappresentata in ginocchio sulla destra. Sulla sinistra è raffigurato San Domenico. Il foglio è in relazione, per quanto riguarda l'impianto compositivo, con la Pala della Madonna in Gloria a Santo Stefano a Campoli (FI)(seconda immagine). Altri due fogli di Confortini, (terza e quarta immagine), posso essere messi in relazione con questo progetto: una sanguigna con lo studio del corpo della Vergine (Asta Alde, Parigi, Dessins Anciens, 27 sep 2018) e un'altra sanguigna custodita alla Morgan Library che mostra uno studio del solo braccio destro della Vergine. La posizione del braccio e il gesto della mano sono gli stessi del nostro foglio. Altro confronto stilistico è possibile con l'opera a sanguigna conservata presso l'Albertina di Vienna. Buono stato di conservazione. Supporto: foglio di cartoncino grigio con scritta a penna “Cappuccino e Coll.ze Santo Varni n 500 e n 24". Bibliografia: M. Pia Zaccheddu, T. Verdon, Il restauro della Madonna in Gloria di Jacopo Confortini a Santo Stefano a Campoli, Betti editore.
Esemplare in bella impressione, ma rifilato di circa 14 mm su tre lati, e di 6 cm lungo il lato inferiore, che prevede tre legende di 6 linee ognuna riferite ai tre personaggi. Il foglio è stato abilmente rimarginato con carta giapponese. Il fiorentino Francesco Rosselli fu incisore, miniatore, stampatore e cosmografo celebrato da Marino Sanudo tra i più importanti del Cinquecento. Creò una delle prime e delle più importanti botteghe fiorentine specializzate nella produzione, stampa e vendita di incisioni e cartografia (planisferi, carte nautiche, mappamondi, carte regionali). Si conoscono una ventina di sue lastre figurative e cinque planisferi (uno perduto, uno conservato in una collezione privata di San Francisco, un terzo, colorato sontuosamente, è conservato al Maritime Museum di Greenwich, gli altri due, prima Landau Finaly, conservati in BNCF), una carta dell'Europa centrale, una della penisola Balcanica, una d'Italia, una di Francia e una della Palestina. Francesco Rosselli è sicuramente una delle figure più rilevanti per comprendere la storia dell'attività di stampa, e commercio di incisioni nella Firenze rinascimentale. Seguace di Savonarola, ebbe stretti sodalizi artistici e di amicizia con Botticelli e tutti gli artisti del periodo d'oro dell'arte fiorentina. L'iconografia della Vergine in trono è tra le più sfruttate, ma allo stesso tempo complesse, del primo Rinascimento. Straordinario, seppur incompleto, specimen dell'arte incisoria fiorentina del Quattrocento.. HIND, Early Italian Engravings, 068, tavola 206..
réf. 042-Eo.J. Bleistift, mit Deckweiß gehöht, auf gelbem Pauspapier, auf graues Velin aufgezogen. 30,5:21 cm. Kleiner Einriß rechts unten, durch das Aufziehen sind im unteren Teil der Zeichnung einige kleine Luftblasen entstanden. Die Vorlage zu dieser Zeichnung ist noch unbekannt.
2003réf. 60620E-288: Steven Klein Gallery. Very Good-. 2003. Hardcover. Trade PB. 4to. Steven Klein New York. 2003. One of 1000 copies. 260 pgs. Illustrated throughout with color plates. SIGNED by Steven Klein and Pascal on the reverse side of the slipcase. Issued in a paper slipcased. Slipcase is opened and lightly chipped and worn. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Made to be disposible and incredibly fragile. Original and extremely rare 2003 Italian pressed hand bound art book which is a presentation of the ten hour photo shoot by famed photographer Steven Klein of Madonna as featured on the Re-Invention Tour introduction video montage and on Madonna's I'm Going To Tell You a Secret tour documentary. This hand bound production features 260 pages of stunning 4 color images printed on customized delicate tissue like textured paper onion skin and is by far the rarest Madonna book to date pressed in a limited edition run of only 1000 copies. E-288; Xstatic Process; 15.7 X 11.8 X 3.9 inches . Steven Klein Gallery hardcover
réf. 661462Callaway Editions 2006. First Edition. Hardcover. Fine/Fine. COPY # 1 of the Artist's Proof edition numbered 'AP1'. Rare boxed set issued in an edition of 1500 numbered copies plus 50 artist's proofs includes a printed letter autographed by Madonna first editions of both 'The English Roses' and 'The English Roses: Too Good to Be True' and a print by Stacy Peterson all housed in publisher's elaborate two-part pink box. A fine set with all contents and books in fine condition with jackets folder etc. has a tiny nick to upper cover of box. From the collection of a former Amazon executive Amazon exclusively distributed this edition. NOTE: The print by Stacy Peterson does not appear to be signed but the Madonna letter is definitely and authentically autographed by her. Callaway Editions hardcover
2009réf. 85584powerHouse Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 180 pages; well illustrated. -- with a bonus offer--; I Am Because We Are is the companion volume to the acclaimed forthcoming documentary film directed by Nathan Rissman and written and produced by Madonna. This book of images by award-winning photojournalist Kristen Ashburn--culled from her own work in Malawi and Africa over the past seven years as well as from her specially commissioned photographs for the film--provides an intimate look at the lives of eight Malawian children featured in the film and reveals the harsh reality of the AIDS pandemic throughout southern Africa. The title is derived from the concept of "Ubuntu" an idea in African spirituality that states that all of humanity is connected that we cannot be ourselves without community that an individual's well-being is dependent upon the well-being of others. These heart-wrenching stories are a call to action. In Malawi a country of 13 million people over one million are orphans. Looking into the hearts and minds of children who have suffered more than one can imagine the book provides an unflinching view of life at the center of the global AIDS crisis. This is not just a story about orphans in Malawi but about global responsibility and human interconnectedness. I Am Because We Are includes a foreword by Madonna an afterword by Ashburn excerpts from interviews with Malawian children their biographies and extended captions. Author proceeds from the sale of the book will be donated to the charitable organization Raising Malawi for their extensive work with orphans throughout Malawi. . 2009. 1576874826 . powerHouse Books hardcover
2014réf. 116627Queensland Art Gallery Gallery of Modern Art. New. Paperback. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer; 26.3 X 21.1 X 0.9 centimeters; 89 pages . 2014. 1921503653 . Queensland Art Gallery | Gallery of Modern Art paperback
réf. 109-Ao.J. Kupferstich, 1570/1615, auf Bütten mit undeutlichem kleinem Wasserzeichen. 29,7:22 cm. - Rundum auf die Plattenkante geschnitten, unten darüber. Literatur: Bartsch 33; Nagler, Monogrammisten, I, 208 und 261; vgl. Kupferstichkabinett, Hamburger Kunsthalle, Inv. Nr. 1424 D. Nach Bartsch ist der Kupferstich nach einem Werk Raffael Sanzios (1483-1520) entstanden, doch es ist keine direkte Vorlage bekannt. Der Stil ist jedoch Raffaels Werk sehr nah.
Cm. 150x100, stampato a colori dallo Stabilimento Litografico Donaudi di Padova nel 1906. Illustrato da Guido Marchiori. Con due belle vedute a colori del Santuario. Ottimo stato di conservazione 348 / P
Cm. 150x100, stampato a colori dallo Stabilimento Litografico Donaudi di Padova nel 1906. Illustrato da Guido Marchiori. Con due belle vedute a colori del Santuario. Ottimo stato di conservazione. (348/P) 1132/32
réf. 44536New York: Callaway Editions 2005. First printings. Fine. Deluxe production with five of Madonna's children's books accompanied by a signed letter by the pop star and a giclée print by illustrator Loren Long - in the original shipping carton. Madonna's children's books each a collaboration with a different illustrator vary widely in tone style and setting. Fulimari's images for THE ENGLISH ROSES Madonna's first children's book and instant number one NEW YORK TIMES Bestseller suggest spunky femininity; Long's art for MR. PEABODY'S APPLES takes inspiration from the Brandywine school; Spirin's spindly style in YAKOV is immediately recognizable; and so on. This deluxe set includes: a printed letter signed by Madonna a giclée digital print of a portrait of Madonna signed by illustrator Loren Long two discs of audio narration of the books by Madonna and a CD-ROM with "bonus features" and first edition copies of all five books. 10'' x 8'' books; 11'' x 9'' x 3.25'' box. Original boards and dust jackets; THE ENGLISH ROSE with illustrated chemise as issued. Includes original glassine folder with letter signed by Madonna and giclée print signed by Long and two-disc set in original case. Housed in publisher's periwinkle illustrated box with limitation statement on interior of lid. In original cardboard shipping carton. #332 of 1000 numbered sets complete with all components. Callaway Editions unknown
réf. 48293New York: Callaway Editions 2006. First printings. Fine. Signed limited edition boxed set of Madonna's first children's book and its sequel a pristine set in the original shipping carton. These vibrant chic and exuberantly feminine children's books depict friendship among adolescent girls. THE ENGLISH ROSES was Madonna's first foray into children's books and debuted at number one on the NEW YORK TIMES Bestseller list. This deluxe set includes: a printed letter signed by Madonna a giclée digital print of an image from TOO GOOD TO BE TRUE signed by illustrator Peterson and first edition copies of both volumes. 10'' x 8'' books; 11.25'' x 9.25'' box. Original boards and dust jackets; THE ENGLISH ROSE with illustrated chemise as issued. Includes original glassine folder with letter signed by Madonna and giclée print signed by Peterson. Housed in publisher's pink illustrated box with limitation statement on interior of lid. In original cardboard shipping carton. #401 of 1500 numbered sets complete with all components. Callaway Editions unknown
réf. 661463Callaway Editions 2005. First Edition. Hardcover. Fine/Fine. Copy #LXXXVII of 100 copies of the scarce Artist's Proof edition there were also 1000 numbered sets. Includes a printed letter personally autographed by Madonna a portrait of her signed by artist Loren Long and fine copies in jacket of the first editions of her first 5 children's books together with an unopened copy of her 2-CD audiobook all housed in publisher's elaborate 2part printed periwinkle-and navy blue box box has 2 splits to corners. Callaway Editions hardcover
In Firenze, nella Stamperia de Landini, 1636, in-4, legatura novecentesca che riutilizza la pelle dei piatti della legatura seicentesca, inquadrati da una serie di filetti a secco con immagine della Vergine con bambino, impressa in oro entro ovale raggiato al centro dei campi, dorso a 4 nervi (il dorso è moderno), [8], 254, [14]. Con frontepizio calcografico (fuori fascicolazione) e 40 incisioni in rame a piena pagina di Jacques Callot su disegni di Matteo Rosselli, Antonio Tempesta, Arsenio Mascagni, Fabrizio Boschi, Giovanni Bilivert, Antonio Circignano (le incisioni sono comprese nella fascicolazione e numerate con soli numeri dispari da 1 a 79, ma ci sono due errori nella sequenza delle illustrazioni) Seconda edizione di questo libro famoso. Moreni II, 513: "I rami che adornano quest'opera, sono tutti incisi a bulino dal celebre Jacques Callot". Brunet, III, 1181. Lieure vol. I pag. 32. Qualche brunitura, qualche macchia sparsa un paio di strappetti restaurati. Due ex-libris di prestigiosi bibliofili sulla controguardia anteriore: Paolo Rousseau e Loriano Bertini.
1634réf. 19923In Firenza, Gio : Batista Landini, 1634 ; in 4°, vélin de l’époque, titre manuscrit au dos ; [16], 284, [4] pp. ; (signatures : †, ††, A-Z, Aa-Nn4).
1992réf. 49666Warner 1992. Spiral Bound. New Sealed never opened. with CD and comic. foil wrap is unopened. . Warner, unknown
réf. 007272New York: Callaway Editions 2006. 1st Edition 1st Printing. Cloth. As New/As New. Quarto. Stacy Peterson. First Limited Edition. Quarto: 11.25 x 9.25 inches. One of only 1500 individually numbered copies this example is No. 34. Issued in publisher's distinctive pink presentation box the set contains first edition hardcover copies of The English Roses and The English Roses: Too Good to Be True. Also included is the original publisher's Letter personally SIGNED by Madonna together with the accompanying SIGNED color giclee print by illustrator Stacy Peterson as issued. Produced exclusively for Amazon in a strictly limited edition the set represents one of the few officially signed Madonna collectibles released to the public. Condition: Fine. The books are bright clean and unread in original dust-jackets. The pink presentation box also in fine condition. The signed letter and print are crisp and well-preserved. Overall a particularly desirable low-numbered copy of this increasingly scarce limited edition. Callaway Editions hardcover
réf. 239511996. wooden boards. Very Good. 41 x 20cm closed. Stunning Madonna Staunton artists' book being a mixed-media work combining an oil paint ground of abstract blotchy blues purples and whites with stenciled numbers and letraset text all on canvas adhered to wooden boards painted blue and green with red yellow and blue stenciled numbers; although we don't know the particulars of the composition we suspect the components might have been gathered together from random pieces lying about Staunton's studio - the canvas is folded to a 6 panel concertina the first and last panels adhered to the boards roughly 410 x 1160cm when laid flat; the canvas may have been cut from a larger possibly unfinished painting; onto the ground-layers of paint are placed a number of small O's random numbers and words all in letraset - most prominent of these are the names of philosophers presumably significant to the artist: Lao-Tzu Plato Nietzsche Pascal Rousseau Socrates Kierkegaard Mencius Iris Murdoch as well as philosphical terms such as good evil form cause truth myth; also seen are larger stencilled numbers and letters; the boards consist of two layers of plywood green over blue and one thicker piece of pine to left edge of front board - onto the boards are stencilled numbers in olive red and blue: 2 7 and 9 to front board and 7 5 and 9 to rear; Signed and dated in pencil: Madonna Staunton '96; our research fails to turn up a reference to this work in any Staunton catalogue or bibliography; Please Note: the title ""Artists Book of Favourite Philosophers"" is this bookseller's - the work is officially untitled. hardcover
réf. GOR003111823Hardback. Very Good. hardcover
réf. 213972New York: Warner Books N.D. First Edition; First Printing. Spiral bound. Very Good in spiralbound metal boards. Rear metal board detached but fully intact.; Folio 13" - 23" tall. Warner Books unknown
2003réf. 130841Callaway Editions 2003-09-15. First Edition. hardcover. Like New. 8x0x5. Jeffrey Fulvimari. Signed by Author. Madonna signed first edition first printing in brand new unread condition. Hardcover in jacket and sleeve wrapped in ribbon as issued. Please email for photos. Callaway Editions hardcover
2003réf. 23291Callaway NY Printed in UsA 2003 HBDJ Stated 1st Edition 2003 Unpaginated BUT 46 pgs FINE CONDITION Pictorial boards with matching dustwrapper as issued. FINE- SLIPCASE Very light Wear SIGNATURE GUARANTEED AUTHENTIC. Endearingly American vision of the English but still a nicely DOne debut all the sAME and attraCtively produced with effectively complementary illustration work. Quite a charming production! This book has been personally autographed on the first page by Madonna in blue felt tip ink. Signed copies of this book rarely make their way onto the marketplace A very colorful book with many wonderful illustrations. This great book also has it's own slip case to protect the cover. Signed by Author. First Edition. Hard Cover. Fine/Fine. Callaway NY, Printed in UsA hardcover
1914réf. 19782Torino, S. Lattes (Pietro Celanza tipografi), 1914 ; in 8, demi veau aubergine, dos à nerfs, titre doré (reliure de l’époque); 314 pp. [3]ff : Finito di stampare, catalogue de S. Lattes, le dernier blanc.
Cm. 20; pp. (4), 88, (1). Brossura antica rimontata. Bel frontespizio inciso raffigurante Madonna di Campagna tra i Santi. Timbri di biblioteca con relativo annullo. Storia dell'antico santuario veronese 1058/P
