Cragg, AnthonyAntiquariat.de
15 478 résultats
1996réf. 55846BBViersen., Verein für Heimatpflege., 1996. 30 x 21 cm. 46 S., 2 Blatt. Illustrierter OKarton., 55846BB Erste Auflage. Seiten und Einband leicht lichtrandig, sonst sehr gutes Exemplar.
1996réf. 11654DBOstfildern., Hatje Cantz Verlag., 1996. 27 x 25 cm. 87 S. Illustrierter OPappband., 11654D 1. Auflage. Einbandkanten mit minimalen Bereibungen, sonst gutes Exemplar.
1996réf. 64992ABOstfildern., Hatje Cantz Verlag., 1996. 27 x 25 cm. 87 S. OKarton., 64992AB 1. Auflage. Kleines Besitzetikett auf Innendeckel, sonst gutes Exemplar.
1990Large quarto in multi-color illus DJ; 54 p. : ill. (some col.), bibliographical references (p. 146-148) and index. ; 26 cm Catalog published on the occasion of an exhibition held Aug. 18-Oct. 21, 1990 at the Memorial Art Gallery of the University of Rochester, Rochester, N.Y., Nov. 17, 1990-Jan. 13, 1991 at the Terra Museum of American Art, Chicago, Ill., Feb. 8-May 27, 1991 at the National Museum of American Art, Smithsonian Institution, Washington, D.C., and June 22-Sept. 2, 1991 at the Sterling and Francine Clark Art Institute, Williamstown, Mass. || Prouts Neck (Maine) dans l'art. Rochester, Memorial art gallery of the university of Rochester -- Expositions -- 1990. Chicago, Terra museum of american art -- Expositions -- 1990-1991. Washington, National museum of american art -- Expositions -- 1991. Rochester -- Expositions -- 1990. Chicago -- Expositions -- 1990-1991. Washington -- Expositions -- 1991. Named Person: Homer, Winslow, 1836-1910 -- Exhibitions. Homer, Winslow, 1836-1910 -- Homes and haunts -- Maine -- Prouts Neck. Homer, Winslow, 1836-1910 -- Expositions. Homer, Winslow, 1836-1910 -- RÈsidences et lieux familiers -- Maine -- Prouts Neck. Homer, Winslow (1836-1910) -- Catalogues d'exposition. Geographic: Prouts Neck (Me.) -- In art -- Exhibitions.
1980Gebonden, linnen, vergulde titel op de voorplat, rug versierd met vergulde titel, originele geillustreerde (foto) omslagwikkel in kleur, 25,5x26cm, 156pp, rijkelijk geillustreerd in kleur en z/w. Met opdracht en gesigneerd door de kunstenaar.
réf. 11363, Venlo, Van Spijk, 1980.**, Gebonden, linnen, vergulde titel op de voorplat, rug versierd met vergulde titel, originele geillustreerde (foto) omslagwikkel in kleur, 25,5x26cm, 156pp, rijkelijk geillustreerd in kleur en z/w.
réf. 26079be, Bozar , 2010 hardcover , 240 pages, Formaat : 240 x 320 , Texte en Francais, * tres bon etat. . ISBN 9789020992489.
gebonden met stofomslag, 120pp., 21.5x30.5cm., rijkelijk geillustr. in kleur en z/w., goede staat.
Gebonden in linnen, 23,5x30cm, s.p., geillustreerd z/w. met originele ets ; Gesigneerd, "Pointe Seche". Tekst Nederlands/ Francais. een van de 450 genummerde exemplaren dit is nummer 76., gesigneerd door de auteurs en kunstenaar.
1978Relie, toile, titre dore sur le plat, dos orne de titre dore, sous jacquette d' editeur illustre (photo) en couleur, 27,5x30cm, 88pp, illustre en couleur et n/b. I. Le sens de l' art. II. Pourquoi devient-on sculpteur? III. Apprendre et enseigner. IV. L' homme et son decor. V. Un choix delibere. VI. De la figure. VII. Techniques. VIII. Du portrait. IX. L' art animalier. X. Du monumental. XI. Du dessins. XII. Le sens de la sculpture. XIV. De la Beaute.
1998335pp. rijkelijk geïll. in zw/w en kleur, 30cm., gebroch., mooie staat, S55745
1979Gebonden in donkerbruin linnen met goudopdruk op front en rug, kartonfoedraal, uitgeversomslag, foto - frontispice, 270 x 300mm., 91pp, foto's van werken in kleur en z/w. Reeks Arcade. Met lijst der afbeeldingen. Goede staat.
HB + DW; Grand 8vo, 15 pp, portrait en frontispice, 28 planches en noir.— Exemplaire numéroté. Bon etat - Very fine copy in a good dustjacket. [AFF-1] Texte en francais - French Text.
195414pp.tekst + 28pp.ills.+ 1 portret, in de reeks "Monografieën over Belgische kunst", gecart. met stofwikkel, [text in Dutch, cart.cover with dustwrapper, Very good condition], S229143
1987PETIT IN 4. BR [BE]. 24 PP. 14 PPL EN COULEURS. [BE]
1999A clean, unmarked book with a tight binding. Black cloth spine and bronze colored paper-covered boards. Color photographs throughout. 9 5/8"w x 10 1/2"h.
2002réf. 2095EBDüsseldorf., Richter Verlag., 2002. 29 x 22 cm. 166 S. OLeinen mit illustriertem OUmschlag., 2094E Erste Ausgabe. Verlagsfrisches, neuwertiges Exemplar - originalverschweißt.
1993réf. 61199ABLüdenscheid., Museen der Stadt., 1993. 21 x 15 cm. 63 S. OKarton., 61199AB 1. Auflage. Adresse des Künstlers Brauhauser an den voredern Umschlag getackert, sonst gutes Exemplar.
1992Testi: Bechtler Cristina, Szeemann Harald et al. F.to: 21x29,5; pagg. 92; 7 ill. BN e 44 Col; rileg. rigida. Editore: Hatje Cantz Verlag, Ostfildern, 1992.
réf. 62927BBo.J. (Thomas Duttenhoefer, geboren am 28. Februar 1950 in Speyer. Deutscher Bildhauer und Professor für Grundlehre und Zeichnen an der Fakultät für Gestaltung der Hochschule Mannheim). [5 Warenabbildungen]
Hardcover with dusjacket, V+394 pages ., 200 colour ill., 216 x 280 mm, Languages: English. ISBN 9782503584898. Willem Van den Blocke was one of the most accomplished sculptors of the late sixteenth century in the Baltic Region and in Central Europe. His career perfectly exemplifies the challenges encountered by Netherlandish sculptors abroad in the sixteenth century. Although entirely forgotten until the beginning of the nineteenth century, Van den Blocke was one of the most accomplished sculptors of the late sixteenth century in the Baltic Region and in Central Europe. Willem van den Blocke?s activities in the Baltic region provide an excellent basis for a case study, since his career perfectly exemplifies challenges encountered by Netherlandish sculptors abroad in the sixteenth century. Born in Mechelen around 1550 and most probably apprenticed to the studio of Cornelis Floris, he was dispatched to Königsberg (Kaliningrad) in Prussia to erect the grand tomb of Duke Albrecht Hohenzollern in 1569. After completing this task, he settled in Königsberg. In 1582, Van den Blocke moved to Danzig (Gda?sk) and remained there until around 1620. In the Baltic region, he created sumptuous tombs and epitaphs, commemorating e.g. the Swedish King Johan III Vasa. He worked for members of the Báthory family and the Polish, Swedish, and Prussian nobility, as well as for the urban elites of Danzig, Elbl?g (Elbing), and Toru? (Thorn). Despite his importance for the artistic development in the Baltic region, knowledge about Van den Blocke?s life and activities has nonetheless remained limited. Only in recent years the artist began to feature in discussions about the impact made by Netherlandish sculptors in sixteenth-century Northern Europe. This book offers a detailed investigation of the origins of his art and design strategies, of his workshop practice, his relationship to other artists, his adaptation to the requirements encountered abroad and his patronage. In addition, a thorough analysis of Van den Blocke?s work, following these new avenues of research, allows for a better understanding of the dynamic processes shaping art and architecture during a period of profound transformation of the European artistic landscape. A study of Netherlandish sculptors working abroad is important precisely because it may extend our understanding of the process of dissemination and redefinition of new artistic languages as a dynamic and multilayered phenomenon that involved interaction and exchange among artists of diverse backgrounds. Furthermore, the transfer of artistic models and ideas into a new cultural situation required their adaptation to the requirements of another culture and in turn influenced that culture as well. Only an extended study of the cultural, social, and political context of their activities, combined with a traditional analysis of artistic forms, can reveal the significance of Netherlandish artists and their work.
1996This is a fine hardcover copy in a very good dust jacket with light wear to the edges. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Matthew Marks Gallery in New York in May through June 1996. Texts by Andrew Forge, David Sylvester and William Tucker. This is the complete catalogue of Willem de Kooning's sculptures. Photographs by Adam Bartos. Illustrated in color and black & white. 12" high X 9" wide, 76 pages. This book will be securely packed and shipped with tracking.
réf. 75-5070New York: New York Studio School of Drawing painting and Sculpture 1999. 8vo. Stapled Wrap ca. 18 pp. B&W Plates Very good with Creasing. Provenance: Richard Diebenkorn Foundation Berkeley CA New York: New York Studio School of Drawing, painting and Sculpture, 1999 unknown
1978IN 8. BR AVEC COUV REMPLIEE [BE]. 176 PP. ENV 500 ILL DONT QQS EN COULEURS. [BE]
1962réf. 13197DBBerlin., Galerie Springer., 1962. 18,5 x 14,5 cm. 12 unpaginierte S. OBroschur., 13197D Erste Auflage. Einbandkanten etwas nachgedunkelt und mit kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar.
