DANESH, ARMAN,Biblio.com
714 résultats
2000réf. AME_9780789723529Que 2000. 2nd. Paperback. New/New. Que paperback
1971réf. 73498Bramsen et Georges Clot 1971. Fine. Bramsen et Georges Clot s. d. 1971 48.70 x 65.60 cm une feuille Original lithograph printed on watermarked Arches laid paper. Artist's signature and numbering 4/300 in pencil at the bottom of the plate. This lithograph titled ""La cafetière"" is part of the series L'Intérieur des choses. Bramsen et Georges Clot unknown
1996réf. USD_9781575211954sams 1996. 2nd. Paperback. Used - Like New/Used - Like New. sams paperback
1997réf. AME_9781575213361PTSoftware 1997. 1st. Paperback. New/New. PTSoftware paperback
2000réf. USD_9780789723529Que 2000. 2nd. Paperback. Used - Like New/Used - Like New. Que paperback
réf. DADAX0789723522Brand: Que 0000-00-00. Special Edition. paperback. New. 7.25x1.75x8.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Que paperback
réf. 69991Studia Traditionis Theologiae vol. 64 . Paperback Pages: 358 p. Size:156 x 234 mm Languages:English. ISBN 9782503618371. Summary This volume presents the first sustained study of the dynamic interplay between ritual and narrative in the Armenian Eucharistic tradition. Using the Armenian rite as a test case it reveals how Eucharistic liturgy served as a site where theology history and intercultural exchange converged. By tracing its development across centuries of contact with Greek Latin and regional influences the book demonstrates how the rite was continually reshaped while preserving its distinct ecclesial identity. Combining ritual and narrative analysis the study introduces a new methodological lens for understanding Eucharistic liturgy within Eastern Christianity. Grounded in close analysis of Armenian sources the book opens a broader conversation about how liturgy discloses meaning makes history present and narrates tradition. It offers both a focused contribution to liturgical studies and a valuable resource for scholars of Eastern Christianity and comparative Eucharistic theology. More broadly it provides a fresh perspective on the relationship between religious tradition ritual and narrative. TABLE OF CONTENTS Acknowledgements Foreword Note on Transliterations and Biblical References Chapter 1. The Armenian Eucharistic Rite in Context. Tradition Sources and Questions Part I. How Ritual and Story Interact Introduction Chapter 2. The Ritual and Story Disconnected. The Boundaries of the Scholastic Paradigm Chapter 3. Re-Connecting the Ritual and Story. A Ressourcement Perspective on Sacramentality Part II. How the Story Unfolds in the Ritual Introduction Chapter 4. Body in the Liturgy. Text Performance and Symbolism Chapter 5. From Jerusalem with Love. The Armenian Synaxis and the Shaping of the Word Chapter 6. From Constantinople with Labouring Unity. An Entangled Narrative Component Chapter 7. From Rome with Affection. A Ritual Episode that Becomes a Narrative Motif Part III. How the Story has been Enacted Introduction Chapter 8. Words Before the Altar. The Narrative Script of the Anaphora Chapter 9. Bread Without Leaven Wine Without Fault. Doctrinal Controversies and Liturgical Practice Chapter 10. Receiving the Gifts. Ritual Texts Clerical Agency and the Language of the Communion Rites Coda: History Ritual and Narrative. Towards a Liturgical Hermeneutics Appendices Appendix A. Liturgical Reading Sequence Appendix B. The Armenian Eucharistic Creed in Comparison with the Nicene-Constantinopolitan Creed and Epiphanius of Salamis Creeds Appendix C. The Anaphora of St Athanasius Bibliography Indices Index of Biblical References Index of Ancient Authors and Sources Studia Traditionis Theologiae, vol. 64 paperback
réf. BAY_09_SH_070007Wildwood Press. Collectible - Good. Signed by author on front end paper. Wraps are firm text block clean no highlights/underlining or markings. Some rubbing/curling to wraps. Well packaged and promptly shipped from California. US veteran operated. Wildwood Press paperback
1984réf. ARMANMAR016704The Workshop Press Thaxted. 1984. First edition. Octavo. pp vi 45. Wood engravings specimen pages and ornaments by the author. Cloth-backed marbled paper boards printed title-labels on spine and upper cover. Printed in Perpetua Roman and Italic on St Cuthbert rag paper.One of 85 copies numbered and signed by the author. Fine. The Workshop Press, Thaxted. hardcover
2010réf. DADAX3639285581VDM Verlag 2010-09-02. paperback. New. 5.91x0.34x8.66. Buy with confidence. Excellent Customer Service & Return policy. VDM Verlag paperback
1996réf. 23418Thaxted Essex: The Workshop Press 1996. Limited edition. Stiff card wraps. Fine. Thin folio. Stiff printed wraps. Unpaginated 24pp. One of 50 numbered copies; this is No. 17. Arman's discussion of the history of the Alice electrotype plates in illustrated by twelve plates finely printed letterpress. A fine copy. The plates were electrotypes created from the original wood engravings cut by the Dalziel Brothers ca. 1860-1870. . The Workshop Press unknown
1996réf. TENNIELS014377The Workshop Press Thaxted. 1996. First edition. Quarto. pp 24. Card wrappers with flaps. Illustrated with twelve Tenniel drawings printed letterpress from electrotypes created from the original wood engravings cut by the Dalziel Brothers c. 1860-1970.Number 29 of fifty copies.Spine slightly faded otherwise fine. The Workshop Press, Thaxted. unknown
réf. 98299Paris Marval 1990. 4° 345 S. unzählige farb. Abb. OLwd. m. OU. Tadell. Hrsg. und bearbeitet von Jane Ortmezguone et Marc Moreau avec la collaboration de Corice Arman.Erste Ausgabe. Text französisch und englisch. Das massgebliche Werkverzeichnis alle Arbeiten sind abgebildet. 010 Paris, Marval, 1990 unknown
2013réf. SONG0199679460Oxford University Press 2013-10-15. hardcover. Used: Good. 6.50x1.00x9.75. Buy with confidence. Excellent Customer Service & Return policy. Oxford University Press hardcover
réf. SONG1463239793Gorgias Press 2019-07-18. Bilingual. paperback. Used: Good. 7.00x0.82x10.00. Buy with confidence. Excellent Customer Service & Return policy. Gorgias Press paperback
1995réf. ARMANMAR010651The Workshop Press Thaxted. 1995. First edition. Royal octavo. pp xii 46. Set by computer and printed on a copier. Illustrated with tipped-in plates mostly in colour. Quarter cloth with patterned boards. At the rear is a folding specimen of types similar to those found in the author's other books.One of 50 copies numbered and signed by the author.Fine. Not issued in dustwrapper. The Workshop Press, Thaxted. hardcover
1988réf. ARMANMAR010655The Workshop Press Thaxted. 1988. First edition. Royal octavo. pp xii 51. Specimen pages printed in colour including five folding broadsheets. Cloth-backed marbled boards title-label on upper cover. Printed at the Press on Goatskin parchment paper hand set in Caslon Old Face Roman and Italic.One of 170 copies numbered and signed by the author. Fine. Not issued in dustwrapper. The Workshop Press, Thaxted. hardcover
1985réf. ARMANMAR010650The Workshop Press Thaxted. 1985. First edition. Octavo. pp xii 60. Quarter cloth with marbled boards. Hand printed and bound by the author. Illustrated with examples of the types and engravings under discussion. Two folding plates tipped in.One of 145 copies numbered and signed by the author.Fine. Not issued in dustwrapper. The Workshop Press, Thaxted. hardcover
1987réf. ARMANMAR010649The Workshop Press Thaxted. 1987. First edition. Quarto. pp xii 48. Quarter cloth with marbled boards. Hand printed and bound by the author. The main feature of the book is the numerous examples of type printed on different papers some tipped in some folding the texts being descriptions and giving the background of the type used in each case.One of 130 copies numbered and signed by the author.Fine. Not issued in dustwrapper. Scarce. The Workshop Press, Thaxted. hardcover
1993réf. ARMANMAR010654The Workshop Press Thaxted. 1993. First edition. Quarto. pp viii 48. Illustrated the title-page wood engravings and tipped-in broadsheets being printed by letterpress. Quarter cloth with patterned boards.One of 110 copies numbered and signed by the author.Fine. Not issued in dustwrapper. The Workshop Press, Thaxted. hardcover
1982réf. G0960726004I4N00Wildwood Press 1982. Paperback. Very Good. Disclaimer:A copy that has been read but remains in excellent condition. Pages are intact and are not marred by notes or highlighting but may contain a neat previous owner name. The spine remains undamaged. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Wildwood Press paperback
1982réf. G0960726004I3N00Wildwood Press 1982. Paperback. Good. Disclaimer:Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Wildwood Press paperback
1969réf. 39493Austellungskatalog Kunstverein f. d. Rheinlande u. Westfalen. Düsseldorf 1969/70. Orig. printed wrappers. Unpaginated. Richly illustrated in colur and black/white. Enclosed 7 original photographs. Catalogue from Louisiana 31. October - 30 November 1969. Text in Danish. Arman Armand Fernandez b Nice 17 Nov. 1928. French-born artist who became an American citizen in 1972. In 1957 with his friend Yves Klein he decided to be known by his first name only and the form ‘Arman’ was adopted in 1958 as a result of a printer's error on the cover of a catalogue. He moved to New York in 1963. Arman is best known for his assemblages of junk material ranging from modest collections of household debris Accumulation of Sliced Teapots 1964 Walker Art Center Minneapolis to towers of crushed automobiles encased in concrete. Encyclopedia.com unknown
1983réf. ARMANMAR028013The Workshop Press Thaxford. 1983. First edition. Octavo. pp vi 30. 12 wood engravings which have been repeated as an accompanying portfolio printed from the original blocks on heavy paper and preserved in a card folder. Cloth-backed marbled boards. The paper is a bit wavy but it is worth noting the author's prefatory note: "Imperfections found in the following pages are the result of inexperience and incompetence. Maybe the project was too ambitious for an amateur but the attempt has been made and the task has been enjoyed. So of your charity accept the result as an honest endeavour." One of 80 copies numbered and signed by the author. Fine in slightly rubbed marbled paper slipcase with title-label on upper panel. The Workshop Press, Thaxford. hardcover
