[NOEL - ETHNOLOGIE]Livre Rare Book
9 258 résultats
1986réf. 5220Paris Réunion des Musées Nationaux 1986 In-8 (h. 20 cm.) 201 pp. couverture souple.
1854réf. 60414New York & London: G.P. Putnam and Co. Sampson Low Son & Co. John F. Trow Printer & Stereotyper 49 Ann Street 1854. Folio. xi 1 207 1 pp. Engraved frontisp. extra-illustrated engraved title 5 engraved plates 1 colour woodcut plate for tiles another engraved plate of Fresnel lenses integral to pagination with 500 woodcut-engraved text illustrations decorations. Elaborately decorated & gilt embossed cobalt-blue publisher’s cloth decorative gilt lettering front & back covers a.e.g. rebacked w/ upper portion of original spine laid-back down corners renewed resewn flyleaves expertly silked wear to lower fore-edges minor stain to a few leaves in rear of textblock upper fore-edge still a VG- copy. First edition possible first state including the colour plate & extra-illustrated title & frontispiece which are not present in some printings of this lavishly illustrated catalogue of America’s first exposition inspired and patterned after the 1851 Crystal Palace Great Exhibition in London. Mixed in with the familiar Arts & Crafts material which filled the early expositions including industrially produced glassware metalwork ceramics and more the 1853-54 Exposition served as a vital presentation of American invention and technology including Royal Earl House’s innovative printing telegraph with its piano-style keyboard a Henry Fitz refractor telescope John Whipple’s daguerreotypes shot of the Moon at Harvard College and even a publicity stunt featuring Elias Otis demonstrating his safety elevator by dramatically cutting the rope holding the cage preventing is descent when they deployed. The 1853-54 Exhibition was also vital to the development of iron construction in America including the striking octagonally planned domed structure by Castensen and Gildermeister as well as plans submitted by Paxton Downing & Vaux Bogardus and Hoppin all illustrated here. After the fair closed in November 1854 the New York Crystal Palace sporadically held tradefairs until 1858 when the iron and glass building burned to the ground in less than 30 minutes. See: Coleman The Exhibition in the Palace a Bibliographical Essay Bulletin of the New York Public Library Sept. 1960 pp. 459-477; William Ashworth Scientist of the Day -- New York Crystal Palace Linda Hall Library July 14 2022. G.P. Putnam and Co., Sampson Low, Son & Co., [John F. Trow, Printer & Stereotyper, 49 Ann Street], hardcover
1980réf. 4471Paris Réunion des Musées Nationaux 1980 Petit in-12 carré (h. 15,5 cm.) 380 pp. couverture souple. Ouvrage paru à l'occasion de l'exposition au Musée Réattu d'Arles et au Musée du Luxembourg.
1903réf. 216817大阪. Osaka.: 大阪朝日新聞. Ōsaka Asahi Shinbun. Meiji 36 1903. Folding colour guide map to the site of the 5th Domestic Industrial Promotion Exposition held in Osaka in 1903 text on top right 54 x 78.5cm. Reverse a little soiled minor wear folds a very good copy. This guide map of the 5th Domestic Promotion Exposition depicts the layout of the exposition grounds and provides detailed information about the various pavilions. The exposition was held at the site where Tennoji Park now stands. Over 5 million people visited the event between March and July 1903. The map highlights agricultural and industrial pavilions along with a pavilion showcasing a refrigeration machine. The Taiwan pavilion features produce from the recently acquired territory. Displays of local produce and numerous food stalls offered entertainment and refreshments for visitors. An inset map of an aquarium in Sakai is also included. . 大阪朝日新聞. [Ōsaka Asahi Shinbun]. unknown
1947réf. 25968nantes GALERIE MIGNON-MASSART 1947 une carton d'invitation, couleur beige imprimée en vieux d'un seul côté , format : 13,6 x 10,6 cm, pour le vernissage de l'EXPOSITION RÉTROSPECTIVE : ÉMILE DEZAUNAY 1854-1938, le mercredi 16 Avril 1947 à 16 Heures, Nantes Galerie Mignon-Massart Editeur,
1906réf. 28837nantes 1906 une carte-photo originale albuminée en noir , format : 14 x 9 cm , PHOTOGRAPHIE ORIGINALE : EXPOSITION DE NANTES 1906 - VUE DE LA GALERIE DES MACHINES (animée) LE 29 MAI 1906, A. SIMON PHOTOGRAPHE A NANTES,
1906réf. 28838nantes 1906 une carte-photo originale albuminée en noir , format : 14 x 9 cm , PHOTOGRAPHIE ORIGINALE : EXPOSITION DE NANTES 1906 - L'ENTREE DE L'EXPOSITION (animée) , LE 29 MAI 1906, A. SIMON PHOTOGRAPHE A NANTES,
1929réf. 26786NANTES GALERIE D'ART DECRÉ 1929 une affiche originale imprimée en noir sur papier marron-clair et illustrée en noir et marron (chocolat) par HENRI BOUYER et DAAH , format : 101 x 66,5 cm), avec le texte suivant : "ALLEZ VOIR L'EXPOSITION BRÉGEON DAGOBERT DU 3 AU 17 DÉCEMBRE - 1929 - GALERIE D'ART DECRÉ" , 1929 NANTES GALERIE D'ART DECRÉ éditeur,
1958réf. 23275Nantes Musée des beaux-arts 1958 in-12 broché un catalogue d'Exposition, broché blanc in-douze Editeur(paperback duodecimo Editor)(13,5 x 19,2 cm), dos muet, 1ère de couverture cartonnée souple blanche imprimée en bleu-marine et rouge et illustrée d'une reproduction d'une gravure de Ciceri représentant le chateau de Clisson en 1848 en bleuté (cover printed and illustrated), légeres traces de mouillures anciennes en marge droite, toutes tranches lisses, orné de 16 illustrations hors-texte en noir in-fine sur papier couché, 48 pages, 1958 à Nantes Musée des beaux-arts Editeur,
réf. 5011In-4 (h. 30 cm.) 374 pp; couverture souple.
1930réf. 172100New York: The Museum of Modern Art MOMA 1930. First Edition. Softcover. First Edition. Published in conjunction with an exhibition held at MOMA from December 2 1930 through January 20 1931. MOMA office copy stamp to the title page rear wrapper detached from binding front hinge starting overall Fair in perfect-bound wrappers. The Museum of Modern Art [MOMA] unknown books
1933réf. 172101New York: The Museum of Modern Art MOMA 1933. First Edition. Softcover. First Edition. Published in conjunction with an exhibition held from December 11 1933 through January 7 1934 at MOMA. Illustrated in black-and-white. Very Good plus in perfect-bound wrappers. The Museum of Modern Art [MOMA] unknown books
1963réf. 21909Nantes Chiffoleau 1963 -in-8 broché une plaquette (programme), brochée (agraphée) marron-clair in-octavo Editeur (24,5 x 15,8 cm), dos muet, couverture imprimée en noir et illustrée d'une marque postale pour l'occasion imprimée en noir (marque imprimée en plus grand au centre de la 4ème de couverture, orné de 2 photographies in-texte en noir, 22 pages + 2 ff. de tables et errata, 1963 Nantes Chiffoleau Imprimeur Editeur,
1991réf. 5186Paris Réunion des Musées Nationaux 1991 In-4 (h. 29 cm.) 396 pp. reliure cartonnée, jaquette.
réf. 14084Montluçon, Imprimerie Deneuvy, 1931 ; plaquette in-8, brochée. 88 pp. + 1 f. bis (de publicités). Couverture illustrée en noir et rouge par Maurice Randuin. Parfait état.
réf. 14081Montluçon, Imprimerie Deneuvy, 1933 ; plaquette in-8, brochée. 72 pp. + 2 ff. bis (de publicités). 1 plan dépliant hors-texte. Couverture illustrée en noir et rouge. Parfait état.
réf. 55511P., Galerie Marigny, 1985, grand in 8° broché, 91 pages ; couverutre illustrée.
2014réf. 4628Paris Gallimard - Musée de l'Armée 2014 In-4 (h. 26 cm.) 272 pp. couverture souple, jaquette dépliante formant un grand plan.
2015réf. 4618Paris Gallimard / Musée de l'Armée 2015 In-4 (h. 28 cm.) 269 pp; couverture souple.
1889réf. 206601889. Very good condition. An original pen and ink drawing showing Sir Edgar Boehm's 1834 - 1890 statue 'Young Bull and Herdsman' on a large plinth at the foot of the grand staircase at the Melbourne Centennial Exhibition of 1888. A stylishly-dressed Victorian crowd of exhibition viewers strolls about the great hall with the statue on a large plinth highlighted with white accents. With the title penned below the image. Sir Joseph Edgar Boehm 1834 - 1890 is recognized for his colossal statues including one of Queen Victoria executed in marble 1869 for Windsor Castle the monument of the duke of Kent in St. George's Chapel the statue of Carlyle on the Thames embankment at Chelsea and the equestrian statue of the Duke of Wellington at Hyde Park Corner. Boehm is also listed as a British exhibitor in the Reports of the United States Commissioners to the Centennial International Exhibition at Melbourne 1888 p111. The Young Bull and Herdsman was acquired by the Melbourne Art Gallery and Museum and was then gifted to the Royal Agricultural Society of Victoria where it is today outside the RASV offices in the show grounds. Unsigned with a small circular mark roughly at center of drawing and a closed tear through the caption but not affecting the drawing; mounted on an album page. 9 3/4 x 8 1/2" unknown
Paris, Degorce, en déôt à la librairie Eos, 30 juin 1931. Grand in-4, broché, couverture rempliée, 24 pp. Ouvrage orné d'une planche en frontispice et 25 planches hors texte en couleurs sous serpentes, texte en regard d'André Maurois, lithographies originales de Degorce, inspirées par l'Exposition Coloniale Internationale de Paris. Édition originale. Tirage limité à 2000 exemplaires sur Papier Ingres d'Arches (ex No 566) plus cent exemplaires hors commerce. TRES BEL EXEMPLAIRE.
1857réf. 3220484Small folio; pp. 4 vii i 3-300 4 'Index' with two chromolithographic frontispieces showing the exterior and interior of the exhibition building bound within the preliminaries; numerous wood-engraved illustrations throughout the text; a little browned and spotted in places; in the original publisher's red cloth ornamented and lettered in gilt blind-stamped fleurons in the corners; hinges repaired and overall a good copy. 1857 was a turning-point in the history of art appreciation. The exhibition with its 16000 items on display made the public aware of the fabulous wealth of pictures by old masters and objects of art of every kind hidden away in English country houses and at the same time it opened up a new period of art-historical studies. The preface is at pains to extol the education value of the exhibition and to make known to the people of England the art-wealth of their own country and by inducing a greater familiarity with the beautiful to increase and extend its refining influence. gThe Art-Treasures Examinerg contains a series of articles probably under the editorship of the journalist William Blanchard Jerrold who contributed articles on various subjects. Other contributors included Henry Ottley on art criticism schools of painting and engraving; the poet Charles Swain contributing short plays on art; James Astbury Hammersley on watercolour art; George Jackson on photography; Charles Allen Duval on the spirituality of art; G.W. Anthony 'Peregrine Sketchly' on British landscapes and modern painting; a 'History of Caricature' by the radical Dr Robert Blakey and possibly as the most interesting contribution a series of fourteen autobiographical articles by Henry Merritt 1822–1877 the picture conservator and art critic who had risen from a very poor background: 'Where my shoes came from was never satisfactorily explained'. British landscape painters and the modern gallery by gBritish Art and Artistsg; a gHistory of Caricatureg by the radical Dr Robert Blakey gModern Galleryg by G.W. Anthony and possibly as the most interesting contribution a series of fourteen autobiographical articles by Henry Merritt 1822–1877 the picture conservator and art critic who had risen from a very poor background: 'Where my shoes came from was never satisfactorily explained'. Manchester, Alexander Ireland & Co., 22, Market Street, … W. H. Smith & Son, 186, Strand, London,
1983réf. 58429Grand Palais, Paris - Royal Academy of Arts, Londr 1983 In-4 broché 29,5 cm sur 21. 333 pages. Bon état d’occasion.
1894réf. 886811894 Lyon, Agence Fournier, 1894, in 4° relié pleine percaline décorée de l'éditeur (Ivaldi relieur), 402 pages ; texte dans un encadrement ; infime manque de papier angulaire à la première garde.
réf. 42979Bordeaux, Delmas, 1960, in 8° broché, texte et 263 numéros décrits ; illustrations.
