9 259 résultats
1987Catalogue en 2 volumes de l'exposition itinérante organisée en 1987 par l’Administration de l’art du Ministère de la communauté flamande et les Musées royaux d’art et d’histoire de Bruxelles; par Sergio PURIN, Miriam LAMBRECHT et Micheline RUYSSINCK: 1/ Textes sur l'histoire et les civilisations du Mexique ancien, illustrés de photos et croquis; cartes; tableau chronologique; glossaire; bibliographie; 2/ Catalogue proprement dit de 346 n°s avec photos, notices et commentaires. Exemplaire bien complet des 2 volumes. Français
1967réf. 10358Kunsthalle, Worpswede, 1967. 55(7) Seiten, illustrierte OBroschur, Druck auf unterschiedlichen Papiersorten. Zahlreiche Abbildungen. Kapitel: Mappen und Bücher, Einzelgraphik, Plakate. Ausstellungskatalog von 27.5. - 9.7.1967. Hintere Einbandseite mit Aufschabung. Gutes Exemplar. Good copy.
1993réf. 120748Centre Culturel Français d'Essen / Galerie Robert Doisneau Centre Culturel André Maulraux de Vandoeuvre, 1993. 24 S. ; 25 x 22 cm ; kart. ;
1998réf. 58215Milano, Bompiani, 1998. 695 S. (30 cm) Großformat, Broschierte Ausgabe
1972réf. 1904Galerie Schmücking Braunschweig, Verlag, 1972. 130(2) S., OKart.(lichtrandig), durchgehend farbige und s/w-Abbildungen. Auflage: 1000 Exemplare. Katalog anlässlich einer Ausstellung in der Galerie Schmücking in Dortmund. Gutes Exemplar. UB ist Mitglied der Werkstatt Rixdorfer Drucke. Good copy.
1999réf. 11626Museumsschriften 80/1999, Schweinfurt, 1999. 111(1) Seiten, ca 24,5x17cm, blaues, mit der Signatur geprägtes OLeinen, durchgehend mit ganzseitigen farbigen Abbildungen. Gutes Exemplar. Good copy. Schumacher (1912-1999) galt als der wichtigste Vertreter des deutschen Informel. Seine Werke hängen in fast allen grossen Museen der Welt und befinden sich in nahezu allen bedeutenden Privatsammlungen. 2009 wurde das Emil-Schumacher-Museum in seiner Heimatstadt Hagen eröffnet. Gutes Exemplar. Nicht mehr Beck & Eggeling.
1981réf. 2208Galerie der Stadt Villa Merkel, Esslingen a.N, 1981. 112 Seiten, Broschur, durchgehend mit z.T. farbigen Abbildungen. Wichtiges Nachschlagewerk zum umfangreichen Werk von Steiner-Prag. Bibliographie der Bücher über ihn, seine illustrierten Werke, Buchgestaltungen-Verzeichnis. Ausstellung der Künstlergilde 17.5. - 21.6.1981. Guter Zustand. Good copy.
réf. 15871, Gent, Ludion, 1997., SOFTCOVER onder geillustreerde kartonomslag, frontispice in kleur, 235 x 305mm., 223pp., zeer uitgebreide illustratie in kleur. ISBN 9789055441136.
1992réf. 241451992 Galeria Maeght, Barcelona, 1992. Paperback. Text is in Spanish, English and French.liste des prix joint
1980réf. 79963Couverture souple. Broché. 64 pages. Légèrement défraîchi.
réf. 41220Gent, Provinciebestuur Oost-Vlaanderen, 2006 originele uitgeversomslag in kleur met flappen, 25x20.8 cm., 58 pp. + 5, geillustreerd in kleur. ISBN 9076686319.
1951réf. 112851951 ARLES,ST.REMY; Mai 1951, In huit, (60p)non paginé, broché, 14 illustrations ht,, Exposition
réf. 36158Antwerpen, Internationaal Cultureel Centrum/Ministerie van de Vlaamse Gemeenschap, 1985 Geniet, originele uitgeversomslag in kleur, 29.6x21 cm., 28 pp., geillustreerd in z/w, text in Nederlands/francais/english.
1988réf. 141605Berlin, Heidelberg, New York, [...]: Springer-Verlag 1988. XXXII, (2), 131, (1) Seiten. Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
1992This is a fine hardcover copy in a near fine dust jacket with virtually no wear. Completely clean inside and out. Essays by Donelson F. Hoopes and Maurizio Marini. Chronology. Exhibition history. Bibliography. Checklist with 122 works catalogued. All illustrated, most with full-page color plates. 10" high X 11" wide, 143 pages. This book will be securely packed and shipped with tracking.
2009This is a very good softcover copy with only light wear. Completely clean. Binding firm. This catalog was prepared to accompany the exhibition at the Drawing Center in New York from April to July 2009. Illustrated throughout in black & white. 11" high X 8" wide, 182 pages. This book will be securely packed and shipped with tracking.
2019This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhbition at Temple Contemporary, Tyler School of Art, Temple University from April 25 to July 12, 2019. Hannah Wilke (1940- 1993) was a graduate of Tyler School of Art. Essays by Lauren Rosenblum, Andrew Sharlatt and Marsie Sharlatt. Illustrated mostly in color, some black & white. Biographical sketch. Checklist of the exhibition with 29 works catalogued. 10" high X 8" wide, 63 pages. This book will be securely packed and shipped with tracking.
19878vo., First Edition, with coloured and monochrome photographs throughout; pictorial wrappers, backstrip lightly sunned else a near fine copy. The catalogue lists 181 lots with index of artists.
1976Exhibition catalogue of photographs. 262 pages. Bibliography and Index of Photographers. Light wear to cover extremities and light scuffing to surface of back cover.
19468vo., with 50 sepia-toned plates (a number full-page) and folding plan coloured in outline; original wrappers printed in blue, covers lightly dust-soiled else a very good, clean copy. With the separately issued Corrigenda leaf (dated January 1946) printed in red, and a typescript sheet on The Mersey Tunnel loosely inserted. EARLY ISSUES ARE UNCOMMON IN THIS CONDITION.
19714to., First Edition, text on laid paper, with a coloured frontispiece and numerous coloured and monochrome reproductions (a number full-page) in the text; original printed wrappers, wire-stitched as issued, coloured illustration mounted on front wrapper, covers lightly dust-soiled else a very good, clean copy. The catalogue lists 75 items, including works by Cotman, Pyne, Daniell, Rowlandson, Palmer, Girtin, Turner, Flint, Allingham. Howitt and others.
2001réf. vd1086Editions Joca Seria Dos carré collé 2001 In-8 (15,2 x 20,1 cm), dos carré collé, 143 pages, photos en couleur ; quelques traces sur les plats, bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1969A clean, unmarked book with a tight binding. Full brown cloth boards with gilt illustration. Previous owner's name label inside. Price-clipped dust jacket. 8 1/4"w x 11 1/4"h. 140 pages. Many photos and illustrations.
2016New Turkish Paperback. 4to. (28 x 23 cm). In Turkish. 107 p., b/w and color ills. Ask-i nebi. Hilye-i Serif.
2006Fine English Paperback. Pbo. Dust wrapper. 4to. (32 x 23 cm). In English and Turkish. 165, [2] p. B/w photos. "Who is a photographer? Any high-wire artist without a wire, any conductor without an orchestra, any realistic dreamer with a bit of persistence who, whether confusedly or not, has the feeling, the courage - it only takes a slight movement of the index finger - to stop the world. He blocks it, wedges it, lays it out. For good. Makes it solid. That is where the work of art begins: when it's over. When the photo has been taken, printed, chosen. Sold, I might say." F.M.R. "Photography means power. One of the greatest powers is that of writing History. This is dangerous ground for the honest practitioner. Now I come to a word I would have preferred never to use: responsibility. This time, the witness is the verdict. The penalty is severe: it defies time, gong well beyond those involved in the tragedy and affecting us and our children's children." (F.M.R.). François-Marie Banier became known as a poet and novelist in the 1960s, but later he shifted focus to play a central role in photography and painting. For Banier the streets are not just places where he takes photographs but at the same time his studio. Camera in hand he impulsively plunges into life, sometimes in the streets of Paris, sometimes in cities in other countries. For him the reality of life is more creative than the created. His portrait photographs, whether they depict people who are unknown, or artists and other famous figures, are masterpieces of light, expression and graphic balance. His portraits capturing people ranging from Beckett to Nicole Kidman completely expose their natural state. As he clicks the shutter release, everything is not over but instead newly beginning. It may cost Banier years for these photographs to mature and be accepted. He never views photography as capturing a frozen moment. At the end of the 1980s Banier began writing directly onto the image in seemingly disorganized sentences arranged one after the other or linked together, telling stories that might be dramatic, cheerful or melancholy. His photographs thereby acquired a completely new appearance and new story. Consequently these photographs are not observed in the ordinary way. Instead they sweep you into them and make you a part of the story. The words both alter the image and lend a completely different dimension of creativity. Banier began to combine writing, painting and photography in his work. Ink, paint and drawing are the new episodes in moments and stories that he captured in the past. In Banier's photographs, as words, paint and images spread over the photograph, syntheses that both conceal and reveal the image emerge as riddles that require solving afresh each time. François-Marie Banier's photographs are each works created from life and relating to life, presenting nobility, drama, happiness and unhappiness in a sensitive balance that may be ironic or tragic. Actually these works that express all times are a balance of the relationship between photography, light, writing and pictures. François-Marie Banier's photographs are 'True Stories' capturing images of a lost moment that will never return or be found again.
