8 610 résultats
2026réf. LRB25009499Paris: Editions Recreasoft 2026 Reliure rigide hardcover. Langue : Français. Environ 808 pages. Français : Réimpression à la demande. Édition originale : 1890. Rapports officiels du Jury international de l'Exposition universelle de Paris de 1889 réunissant les analyses et évaluations des différentes sections de l'exposition. L'ouvrage couvre l'ensemble des groupes et classes depuis les oeuvres d'art et l'enseignement technique jusqu'aux matériaux et procédés des arts libéraux au mobilier aux tissus aux industries extractives à l'outillage mécanique aux produits alimentaires à l'agriculture à l'horticulture et à l'économie sociale. Document de référence pour l'histoire des expositions universelles de l'industrie et des arts à la fin du XIXe siècle. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1890. Official reports of the International Jury Paris Universal Exposition bringing together the analyses and assessments of the various sections of the exhibition. The work covers the full range of groups and classes from fine arts and technical education to materials and processes of the liberal arts furniture textiles extractive industries mechanical tools food products agriculture horticulture and social economy. A key source for the history of world exhibitions industry and the arts in the late nineteenth century. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB9007507Paris: Editions Recreasoft 2026 Reliure rigide hardcover. Langue : Français. Environ 848 pages. Français : Réimpression à la demande. Édition originale : 1855. Ouvrage consacré à l'Exposition universelle de Paris de 1855 offrant un témoignage détaillé sur cet événement majeur du XIXe siècle. Le texte intéresse à la fois l'histoire des expositions universelles l'histoire industrielle et artistique ainsi que les recherches sur Paris au milieu du siècle. Sa longueur importante en fait une source documentaire appréciable pour l'étude de la culture matérielle des techniques et des goûts de l'époque. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1855. Work devoted to the Paris Universal Exhibition of 1855 providing a detailed testimony to a major nineteenth-century event. The text will interest readers of the history of world exhibitions industrial and artistic history as well as studies of Paris in the mid-nineteenth century. Its substantial length makes it a valuable documentary source for the study of material culture technology and the tastes of the period. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB13000915Paris: Editions Recreasoft 2026 Hardcover binding. Language: English. Approximately 858 pages. English : Print-on-demand reprint. Original edition : 1876. Catalogue officiel de la section britannique de l'Exposition internationale de Philadelphie de 1876. L'ouvrage réunit des renseignements sur les exposants et les produits présentés avec une seconde partie intitulée The International Exhibition of 1876 Philadelphia. Exhibitors' commercial guide comprenant notamment le tarif douanier des importations aux États-Unis. Document de référence utile pour l'histoire économique industrielle et commerciale de la Grande-Bretagne à l'époque de l'exposition. Official catalogue of the British section for the Philadelphia International Exhibition of 1876. The volume brings together information on exhibitors and displayed goods and includes a second part entitled The International Exhibition of 1876 Philadelphia. Exhibitors' commercial guide with among other papers the United States tariff of import duties. An important source for the commercial industrial and exhibition history of the period. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB6023289Paris: Editions Recreasoft 2026 Hardcover binding. Language: English. Approximately 854 pages. English : Print-on-demand reprint. Original edition : 1904. Documentary work devoted to Japan in the early twentieth century presenting a broad panorama of society the economy agriculture industry commerce and administration on the eve of the modern period. Of interest for the history of Japan economic studies and research into official illustrated sources from the beginning of the century. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
réf. 2013026684.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 066624040X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2004réf. 88551New York: Guggenheim Museum Publications 2004. Presumed First Softcover Edition First printing. Trade paperback. Very good. Photographs from The Buhl Collection. The format is approximately 9 inches by 10.5 inches. Illustrated front and back covers. With essays by Jennifer Blessing Kirsten A. Hoving and Ralph Rugoff. Contents include Photophilia Plates Photography in surrealism's Trip Plates The Telltale Hand Plats Catalogue Entries and Index of Reproductions. Jennifer Blessing Senior Curator Photography joined the curatorial staff at the Guggenheim in 2002 after previously working at the museum from 1989-97. She developed the Guggenheim's photography collection as well as organizing photography-based exhibitions. Most recently Blessing co-curated Gillian Wearing: Wearing Masks. In 2015 Photo-Poetics: An Anthology opened at the Deutsche Bank KunstHalle Berlin and subsequently appeared at the museum in New York. Prior to Photo-Poetics she organized the New York presentation of Carrie Mae Weems: Three Decades of Photography and Video an exhibition originating at the Frist Center for the Visual Arts in Nashville. In 2012 she collaborated with the San Francisco Museum of Modern Art to present Rineke Dijkstra: A Retrospective and Francesca Woodman. During her tenure with the museum she curated Haunted: Contemporary Photography/Video/Performance which opened in March 2010 before traveling to the Guggenheim Museum Bilbao; Catherine Opie: American Photographer; True North and Jeff Wall: Exposure 2007 for the Deutsche Guggenheim Berlin; Family Pictures; Speaking with Hands: Photographs from The Buhl Collection; and Rrose is a Rrose is a Rrose: Gender Performance in Photography. Kirsten Hoving is a photographer and multimedia artist from Charleston SC whose art balances on the edge between fact and fiction. Hers is an art of transcendence and she frequently combines photographs with unusual processes materials and presentations to evoke quiet dreams and half-remembered tales. Using unexpected viewpoints three-dimensionality and kinetic elements she expands photography's decisive moments into visionary states of wonder. Our imagination she believes is what makes us human and our ability to see the world through metaphors stories and poetic allusions connects our minds to our hearts. Over the last fifteen years Hoving has shown her work in galleries around the world and has published several books of her work including Svala's Saga a project done in collaboration with photographer Emma Powell. With a Ph.D. in art history from Columbia University Hoving had a long career as a professor and scholar of modern art with books and articles on many topics including Surrealist photography and the assemblages of Joseph Cornell. Ralph Rugoff OBE born 12 January 1957 is an American-born curator the director of London's Hayward Gallery since 2006 and the curator of the Venice Biennale in 2019. He studied semiotics at Brown University. Rugoff was director of the Wattis Institute for Contemporary Arts in San Francisco for nearly six years before becoming the director of London's Hayward Gallery. Rugoff was artistic director of the 58th Venice Biennale in 2019. He was appointed Officer of the Order of the British Empire OBE in the 2019 Birthday Honours for services to art In October 1993 Henry M. Buhl purchased Alfred Stieglitz's photograph of Georgia O'Keeffe's hands. This photograph became the cornerstone of his private collection that now includes over 1000 images by the medium's foremost practitioners as well as little-known and emerging artists. From a photogenic drawing negative made in 1840 by William Henry Fox Talbot to serial Polaroids made in 2002 by Cornelia Parker the collection encompasses a wide range of photographic practices--scientific journalistic and fine art photography--with a strong component of contemporary art. Published on the occasion of a major exhibition at the Guggenheim Museum these beautiful and poetic reproductions demonstrate the prevalence of the hand as a photographic theme; a result of photography's easy ability to capture fragments details and ephemeral movement. The images are discussed through topical texts: why hands are a unique theme Jennifer Blessing the prevalence of hands in Surrealist photographs and prose Kirsten A. Hoving and the uncanny aspects of hands in contemporary art that uses photography Ralph Rugoff. Containing work from 150 artists this catalogue is both a visually stunning and haunting object and a handy resource for the study of photography. Guggenheim Museum Publications paperback
réf. 0267040423.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1397309008.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1391917871.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1913réf. 26706Tegicigalpa: Tipografia Nacional 1913. Wraps. Good. 26 pages. Printed yellow wrappers. 7 3/4 x 11 inches. Browned paper uncut and unopened. Dampstaining near spine in several places throughout. A scarce publication. Wraps. Rough english translation: "Regulation of the Honduras Section at the Panama-Pacific International Exposition San Francisco California 1915: approved by supreme agreement of May 28 1913 . followed by the Regulations and Rules for Reporting and Guidance of Those Who Claim to Participate in she dictated by the President of The Expresada Exposicon And Corrected And Approved By The Same Tipografia Nacional unknown
1913réf. 26706Tegicigalpa: Tipografia Nacional 1913. Wraps. Good. 26 pages. Printed yellow wrappers. 7 3/4 x 11 inches. Browned paper uncut and unopened. Dampstaining near spine in several places throughout. A scarce publication. Wraps. Rough english translation: "Regulation of the Honduras Section at the Panama-Pacific International Exposition San Francisco California 1915: approved by supreme agreement of May 28 1913 . followed by the Regulations and Rules for Reporting and Guidance of Those Who Claim to Participate in she dictated by the President of The Expresada Exposicon And Corrected And Approved By The Same Tipografia Nacional unknown books
2026réf. LRB9009347Paris: Editions Recreasoft 2026 Reliure rigide hardcover. Langue : Français. Environ 848 pages. Impression sur papier premium. Français : Réimpression à la demande. Édition originale : 1889. Ouvrage en deux volumes consacré à l'Exposition universelle de 1889 à Paris offrant un panorama documenté des sections installations et réalisations présentées lors de cet événement majeur. Intéressant pour l'histoire de l'exposition de l'industrie des arts décoratifs et de la vie culturelle de la fin du XIXe siècle. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1889. Two-volume work devoted to the 1889 Paris Exposition Universelle providing a documented overview of the sections installations and achievements presented at this major event. Of interest for the history of world exhibitions industry decorative arts and late nineteenth-century cultural life. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
réf. 0265420504.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0366241540.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2001Nelly was the pseudonym under which Greek photographer Elli Souyoulzoglou-Seraidari (1899-1998) achieved fame for her work in Dresden, Athens and New York. She became the official national photographer of her country and her works were exhibited in the Greek booth at the world exhibition in New York in 1939. This volume unites a selection of her finest portraits, nudes, dance stills, architecture photography and images of rural Greece.Based on a photography exhibit at the Benaki Museum, Athens. Text in English and German. 105p.+ 2 colour, 58 duotone and monochrome plates and 8 monochrome illustrations. NEW still in original shrink wrap Book
1907réf. 2401300046Rand McNally & Company Chicago 1907. Hardcover. Good. Bound in publisher's cloth. Hardcover. Shelf wear. Small tear to head of spine. Coffee ring on rear board. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Rand, McNally & Company, Chicago hardcover
réf. 026557062X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0260066419.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 2014518270.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0656098341.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0332722449.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0954031903.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0666066930.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 4058Paris galerie jean charpentier 7 et 8 juin 1934 - In 4 (28X22cm) 63 pages nombreuses illustrations
