9 242 résultats
1907réf. 60780Norfolk VA: Jamestown Exposition Co. 1907. 12mo. 5.5 x 7 in. 2 16 2 pp. With illustrations 2 large folding colour maps Population near Hampton Roads VA 12 hours & 24 hours; Historical Tidewater Virginia. Illustrated brick-red softcovers cover art of Powhatan Indian w/ view of Jamestown in background minor dustsoiling edgewear still a VG bright copy. First edition of this uncommon prospectus intended to attract visitors and exhibitors to the Jamestown Ter-Centennial Exposition intended to follow after the great successes of the 1893 Columbian Exposition 1901 Pan-American and the 1904 St. Louis World’s Fair. Unfortunately the organizers were less than competent and by opening day only one-third of the fair’s grounds and buildings were complete Norfolk VA had very limited accommodations and poor transportation connections and there was an emphasis on Naval & military achievements including a re-enactment of the Battle of Hampton Roads between the CSS Virginia and the USS Monitor. The Powhatan Tribe settlement was shoved off to the Midway where it was overshadowed by the 101 Ranch Wild West Show so it was much less visited by the 3 million tourists. However the African-American Exhibition proved quite popular and the Negro Development and Exposition Co. estimated they drew 3000-12000 spectators per day. Jamestown Exposition Co., paperback
1905réf. 62003Portland OR: Albert Hess & Co. Lewis & Clark Centennial Exposition 1905. One souvenir postcard. 11.25 x 3.25 in. With birds-eye view by Caughey on recto advertisement for Willson in lower right corner center crease fold as issued; postcard information and cancelled stamp & postmark for Portland addressed to W.H. Bilyen 90 1/2 - 5th St. City Portland Oregon minor dustsoiling slight toning very minor wear at fold crease still VG copy. First edition of this uncommon folding souvenir postcard celebrating the Lewis & Clark Centennial Exposition featuring and reproducing the famed Caughey birds-eye. The birds-eye depicts the Guild’s Lake area of the grounds up and operating now bounded by Reed to Thurston Streets and 31st to 24th Streets in NW Portland. Prof. Willson fl. 1904-1920 began as a dance instructor with the Academy of Dancing located in the Hirsch Building but within a few years of the Exposition set up his own dance studio and was noted instructor of Waltzes. This card advertises the fact that couples could dance for .50¢ while an “Extra Lady” for .25¢ and even better for men in the very hot and humid Portland Pavilion they could dance without their coats in Shirt Waists. Caughey 1851-1925 was an Ohio Civil War veteran an itinerant chalk plate artist and had just created the year before in Feb. 1904 a Birds-Eye view reproduced over two pages in the Lewis and Clark Journal with noted birds-eye artist and cartographer Fred Routledge 1871-1936. Caughey began producing birds eye views in and around Portsmouth NH in the 1880’s and eventually became a commercial artist and newspaper editor in Portland Oregon where he would often produce images for the Mutual Label & Lithographic Co. No copies in Worldcat. See: Birds-Eye View of Lewis and Clark Fair - Routledge-Caughey Lewis and Clark Journal Vol. 1 No. 2 Feb. 1904 pp. 16-17; Richard Candee Tracking the Little Known J.H. Rollin Caughey: Illustrator of New Hampshire’s Victorian Industries 2020; Craig Clinton The Pictorial Maps of Fred A. Routledge Oregon Historical Quarterly Vol. 117 No. 1 2016 pp. 38-75. [Albert Hess & Co., Lewis & Clark Centennial Exposition], unknown
1905réf. 57693Portland OR: Fred A. Shogren 1905. One silver gelatin photograph sized 8 x 9.8 in. on thick photo paper stock and appears to be direct copyprint from glass plate negative 1 small tear lower right corner dustsoiling still VG sharp image. An original photograph of the famed Forestry Building which at one time was the largest log cabin in the World featuring one million board feet of old growth timber and renowned for the collonade of 52 uniform massive matching old growth trees with 6 foot trunks. Constructed by Simon Benson for the Exposition and largely an outlier from the Spanish Renaissance Revival architecture prevalent at the Fair the Forestry Building would survive the Exposition fall into disrepair and had been mostly restored in 1959 for the Oregon Sesquicentennial Celebration. See: Michael Riscica The 1905 Leiws and Clark Exposition Young Architect 2021; Finn J.D. John Oregon Lost World’s Biggest Log Cabin in Spectacular 1964 Fire Offbeat Oregon History June 17 2012. [Fred A. Shogren, unknown
1904réf. 60952Portland: Secretary and Director of Exploitation Press of the Irwin-Hodson Co. 1904. 12mo. 96 pp. With photo plates text illustrations double-page centerfold birds-eye view of the Lewis & Clark Centennial by James Harvey Rollin Caughey. Illustrated softcovers cover art front cover lettering in red minor creasing folds couple minor closed tears slight foxing still a G copy. First edition of this very scarce land promotion prospectus and souvenir touting Oregon the year prior to the 1905 Lewis & Clark Centennial Exposition marking the anniversary of the famed exploration across the North American continent after the Louisiana Purchase. The photo plates depict areas around the Pacific Northwest the steamships plying the Columbia and Willamette Rivers and the iconic birds-eye illustration by Caughey. Secretary and Director of Exploitation, Press of the Irwin-Hodson Co., paperback
1905réf. 60149Portland OR: Anderson & Duniway 1905. 8vo. 121 3 pp. Tan illustrated printed softcovers stapled as issued minor toning to fore-edges slight interior toning still NF copy. First edition of this relatively uncommon program and papers on education presented at the Educational Congress held during the Lewis & Clark Centennial Exposition against the fervor and backdrop of the Progressive Era. Papers included detail the impact of applying Western educational methods to East Asia populaces and school children the importance of education in developing a democracy adult education evolving rural schools from training students for only a couple months to a much longer school year as well as further pushing students into higher education. [Anderson & Duniway], paperback
1905réf. 62152Seattle WA: Published for Distribution at the Lewis & Clark Exposition under direction of County Commissioners of King County. . . Seattle Chamber of Commerce 1905. 12mo. 47 1 pp. Photo frontisp. photo illustrations text illustrations throughout. Self-printed softcovers peach colour-tinting photo illust. by Benson Morris Co. front cover birds-eye view of Seattle & Puget Sound back cover minor dustsoiling edgewear still VG copy w/ former ownership markings in ink front cover. First edition of this land promotion distributed at the Washington State Pavilion during the 1905 Lewis & Clark International Exposition filled with photos and explanations detailing the State’s growth manufacturing logging industry social clubs population statistics and more. Published for Distribution at the Lewis & Clark Exposition, under direction of County Commissioners of King County. . . , Seattl paperback
1905réf. 60645Newport OR & New York: Photographed & Published by A.L. Thomas; Isaac H. Blanchard Printers Binders 1905. Oblong 8vo. 8.25 x 6 in. 16 leaves unnumbered. With 16 printed photographs. Photo-illustrated softcovers lozenge blue-tinted photo of the surf on Agate Beach front cover punch-sewn at gutter margin w/ BLACK silk braid minor dustsoiling edgewear very minor creasing to 1 corner slight scuffing back cover still VG copy. First edition of this surprisingly uncommon photo souvenir book for Newport Oregon issued in conjunction with the 1905 Lewis & Clark International Exposition in Portland OR. The images depict Newport Nye Beach digging for “Rock Oysters” swimming agate hunting and the Devil’s Punch Bowl from below. Thomas 1875-1940 was a native Oregonian who operated a jewelry store and photography studio and supplier in Newport OR from 1893 until his death. Worldcat locates 2 copies State Lib. OR SMU. Photographed & Published by A.L. Thomas; [Isaac H. Blanchard, Printers, Binders], paperback
1916réf. 60787San Diego & Brooklyn NY: The Albertype Company 1916. Oblong folio. 13 x 10.5 in. 22 leaves unnumbered. With 22 Albertype photos tipped-in sized 8.25 x 6.25 in. all w/ captions in blank margin below. Textured tan softcovers yapp fore-edges minor dampstaining & soiling to fore-edges front cover lower fore-edge back cover still a Fair copy. First edition of this wonderful travel souvenir for the Panama-California Exposition held in San Diego CA March 1915 through Dec. 1916 to celebrate the opening of the Panama Canal and San Diego as the first port-of-call. Of particular interest is the opening photo featuring Clyde Osborn’s Electriquette which were electric-powered cards that 1916 visitors used to travel around the park with rides costing a $1 apiece and battery life of 8 hours. Adolph Wittemann and his brother Herman began working as printers in New York in 1867 and first started printing books and postcards under the Albertype name in 1887. Adolph acted not only as agent finding customers for their services but taking photographs across the country to be made into postcards. The Albertype Company, paperback
1936réf. 60871Dallas TX: Texas Centennial Central Exposition Alco Gravure Inc. 1936. 4to. 12 pp unpaginated. triptych which folds out to text & photos and then large pictorial map on verso of the Centennial Exposition sized 24 x 18 in. Self-printed softcovers featuring Art Deco cover art in sepia of the Exposition minor shelfwear slight creasing still VG copy. First edition of this uncommon souvenir map to the 1936 Texas Centennial Exposition held to commemorate the 100th Anniversary of Texan Independence and after Dallas had won the right to host the Exposition over Houston & San Antonio because their leadership team was superior. The Exposition coordinated with the WPA to erect permanent buildings monuments statues and grave markers and the Hall of State was part of the funding. Billed as the first World’s Fair in the Southwest the Cavalcade of Texas and The Hall of Negro Life proved to be two of the most popular attractions. The unofficial Fort Worth Texas Centennial was a competing attraction produced by Billy Rose with nearly 1 million attendees while the Dallas Texas Centennial achieved nearly 6.4 million visitors. Worldcat locates 5 copies Baylor SMU Hardin-Simmons UT Austin Yale. Texas Centennial Central Exposition, Alco Gravure, Inc.], paperback
1936réf. 60783Dallas TX: Texas Centennial Central Exposition 1936. 8vo. 2 112 pp. Colour Frontisp. TLS on Exposition letterhead photos illustrations throughout with 1 large folding colour map at rear. Colour-illustrated softcovers Art Deco cover art of cowgirl on rearing horse w/ Art Deco Exposition buildings in background photo illustrations of Hollywood Stars making movies on the Midway minor creasing to couple corners edgewear slight scuffing to spine annotations for attractions visited within still VG- copy from library of L.L. Pflueger w/ ownership marking on first leaf. First edition of this uncommon souvenir guide to the 1936 Texas Centennial Exposition held to commemorate the 100th Anniversary of Texan Independence and after Dallas had won the right to host the Exposition over Houston & San Antonio because their leadership team was superior. The Exposition coordinated with the WPA to erect permanent buildings monuments statues and grave markers and the Hall of State was part of the funding. Billed as the first World’s Fair in the Southwest the Cavalcade of Texas and The Hall of Negro Life proved to be two of the most popular attractions. The unofficial Fort Worth Texas Centennial was a competing attraction produced by Billy Rose with nearly 1 million attendees while the Dallas Texas Centennial achieved nearly 6.4 million visitors. Texas Centennial Central Exposition, paperback
1898réf. 61000Omaha NE & Medford OR: F.H. Hull photographer 1898. One original albumen stereoview photograph sized 7.25 x 3.75 in. scalloped upper fore-edge mounted on 7.25 x 4.25 in. gray studio board photographer’s imprint and image number on verso minor scuffing minor edgewear still a VG exemplar from the library of Prof. Marvin Nathan. A very scarce original albumen stereoview of the 1898 World’s Fair which like the 1894 California Midwinter Fair was inspired by the 1893 Columbian Exposition and spread across 184 acres at the northern edge of Omaha near the Missouri River. The Grand Court known as “The New White City” consisted of majestic temporary structures and statuary largely covered in plaster along with lush gardens and a canal with fountains and gondolas in contrast to Omaha which was still a fairly small frontier city. Hull 1880-1949 was an 18-year-old Kansas photographer who subsequently moved with his mother Sarah Adeline Hull 1843-1932 to Medford Oregon where he established himself as a scenic photographer & printer for over 20 years before moving to Chico CA. F.H. Hull, photographer, unknown
1977réf. 2082402113510364Not Available 1977. Soft Cover. Fine. Volume: 1 Not Available paperback
1977réf. 2090502113710902Not Available 1977. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1983réf. 2080502106505944Japan Ceramic Society 1983. Soft Cover. Fine. Volume: 1 Japan Ceramic Society paperback
1988réf. 2081502112304814Admiration for Nature Exhibition Executive Committee 1988. Soft Cover. Fine. Number of pages: 169p Size: 26cm Admiration for Nature Exhibition Executive Committee paperback
1999réf. 2080202105302059Agata Art Exhibition Executive Committee 1999. Soft Cover. Fine. Volume: 1 Agata Art Exhibition Executive Committee paperback
réf. 2091502133532181TBS Britannica N.A. Soft Cover. Fine. Number of books: 1 TBS Britannica paperback
2004réf. 2090202120101780Not Available 2004. Soft Cover. Fine. Number of pages: 184p Size: A4 size Number of books: 1 Not Available paperback
2004réf. 2090202120301779Not Available 2004. Soft Cover. Fine. Number of pages: 184p Size: A4 size Number of books: 1 Not Available paperback
2020réf. 2081502111903407Anhui University Publishing House 2020. Soft Cover. Fine. The book is in fine condition. Anhui University Publishing House paperback
2011réf. 2090502113714881Not Available 2011. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1999réf. 2080202105201059White PR released 1999. Soft Cover. Fine. Number of pages: 120p White PR (released) paperback
1939réf. 0484744Art Handicraft Association; Permanent Exposition of Danish Art Handicraft and Industrial Art 1939. First Edition. Wraps. Very Good. 12mo - over 6¾" - 7¾" tall. Catalog of the exhibition of modern Danish industrial art furniture textiles ceramics & porcelain silver etc. at the New York World's Fair in 1939. This exhibition and the catalog that documented it are key factors in the evolution of Scandinavian Modern design into one of the dominant themes of 20th-century design. 693pp. in original cream printed wraps. Illustrated with b/w reproductions. Light darkening and a 1 in. tear down the front cover else Very Good. Art Handicraft Association; Permanent Exposition of Danish Art Handicraft and Industrial Art unknown
1989réf. 2080502106511081Japan Ceramic Society 1989. Soft Cover. Fine. Volume: 1 Japan Ceramic Society paperback
2013réf. 2090502126904886Asahishinbunsha 2013. Soft Cover. Fine. Size: A4 Asahishinbunsha paperback