8 098 résultats
1929réf. 26786NANTES GALERIE D'ART DECRÉ 1929 une affiche originale imprimée en noir sur papier marron-clair et illustrée en noir et marron (chocolat) par HENRI BOUYER et DAAH , format : 101 x 66,5 cm), avec le texte suivant : "ALLEZ VOIR L'EXPOSITION BRÉGEON DAGOBERT DU 3 AU 17 DÉCEMBRE - 1929 - GALERIE D'ART DECRÉ" , 1929 NANTES GALERIE D'ART DECRÉ éditeur,
1894réf. 26359Lyon / Paris, B. Arnaud, 1894. Dimensions (à vue) : 782 x 168 mm + cadre.
1894réf. 26360Lyon / Paris, B. Arnaud, 1894. Dimensions (à vue) : 782 x 168 mm + cadre.
réf. 98880Philadeplhia, Women's Centennial Executive Commitee, (1876), in-8, 357 pp, Demi-chagrin brun à coins, tranches marbrées, Édition originale de ce recueil de recettes dédié aux femmes américaines par le Women's Commitees de la Centennial Exposition - l'Exposition universelle de 1876 à Philadelphie. Les recettes sont typiquement américaines : Rhode Island chowder, New Orleans courbouillon, Virginia spiced oysters, Baltimore oyster pie, Philadelphia chicken salad, Idaho smothered quail, hominy waffles, bread et croquettes, Indian pudding, Connectitut pumpkin pie, etc. Peu courant. Frottements sur les charnières et aux coins. Bitting 581. Couverture rigide
1953réf. 1466DLM n° 53-54. STEINBERG. Mars-Avril 1953: 22 reproductions en couleurs dont 4 en double page parmi 110 dessins inédits. - DLM n° 157. STEINBERG. Mars 1966: 19 reproductions dont 7 en couleurs et 2 en double page. - DLM n° 192. STEINBERG. Juin 1971: 1 LITHOGRAPHIE en couleurs en double page, 1 lithographie en noir. - DLM n° 205. STEINBERG 1973. Septembre 1973: 3 LITHOGRAPHIES ORIGINALES dont 2 en double page. - DLM n° 224 LITHOGRAPHIES ORIGINALES EN COULEURS. 22 reproductions dont 11 en couleurs. - DLM n° 241 . LINDNER-STEINBERG . Octobre 1980: 24 reproductions dont 11 en couleurs : 12 de Lindner et 12 de Steinberg. DLM n° 226 - LINDNER. Décembre 1977: 19 reproductions dont 10 en couleurs. Textes originaux de Saul Steinberg, Eugène Ionesco, Hubert Damish, Jacques Dupin, Italo Calvino, James Lord. Premiers tirages pour tous les numéros y compris le 53-54 très rare. Paris, Maeght éditeur. Volumes in-folio (380 x 280 mm) en feuilles.
1852réf. 53659London: William Clowes & Sons 1852. First Edition. First printing. Stout octavo 26cm. Publisher's red cloth-covered boards decoratively stamped in gilt and blind; a.e.g.; cxx1-86716pp; 3 inserted leaves of chromolithographic color plates. Mild foxing to preliminary leaves with occasional spots of scattered foxing to text margins. Else a remarkably bright and well-preserved copy of this massive volume easily Near Fine. Full transcript of expert jurors' verdicts on the thousands of entries of items in the Great Exhibition of 1851. Prefaced with an index to the divisions list of jurors and a complete list of the prizes awarded in subject areas ranging from raw materials first prize for "a process for washing and purifying coals" awarded to Bérard & Cie of France to decorative furnishings to the Gobelins-Beauvais Manufactory for "originality and beauty of design of the different specimens of tapestry exhibited". William Clowes & Sons unknown books
1905réf. 16204Paris Vermot 1905 1 in-12 Paris, Vermot, 1905, in-12, plein maroquin à grains longs rouge, dos à nerfs orné, titre doré, plats encadrés d'une double frise florale et ornés du macaron de la République française, gardes en papier marbré, bordées de maroquin rouge doré, tranches dorées, 872 pages, (Richardot).
1964réf. 744Paris, Maeght éditeur, 1964. In-folio (380 x 280 mm) en feuilles, 32 pages. 4 LITHOGRAPHIES ORIGINALES EN COULEURS D'ELLESWOTH KELLY dont 2 en double page (56 x 28 cm), 1 LITHOGRAPHIE ORIGINALE EN NOIR en double page. 9 reproductions. Exposition de 13 peintures et 2 sculptures de KELLY à la Galerie Maeght en novembre 1964. Texte de Dale Mc Conathy. Premier et unique tirage. Édition originale.
réf. 10524Paris, Imprimerie Nationale, 1902-1903 - 8/ 9 volumes(manque T. III) - in-4 - Brochés (T. IV débroché) - Couvertures blanches imprimées et illustrées d'une vignette en noir - Certaines couvertures jaunies - Exemplaire non coupé - Nombreuses Photographies & illustrations PP HT NB - Complet du Volume VIII, Pièces annexes & 9, sous emboîtage, Plans Généraux.Envoi autographe avec mention offert " à Monsieur DESTIEUX-JUNCA, Sénateur, Signé Alfred Picard
Paris, Imprimerie Nationale, 1902-1903 - 8/ 9 volumes(manque T. III) - in-4 - Brochés (T. IV débroché) - Couvertures blanches imprimées et illustrées d'une vignette en noir - Certaines couvertures jaunies - Exemplaire non coupé - Nombreuses Photographies & illustrations PP HT NB - Complet du Volume VIII, Pièces annexes & 9, sous emboîtage, Plans Généraux. Envoi autographe avec mention offert " à Monsieur DESTIEUX-JUNCA, Sénateur, Signé Alfred Picard Exemplaire comprenant 8/ 9 volumes de ce gigantesque rapport qui récapitule et décrit tous les travaux entrepris pour l' Exposition Universelle de 1900 ( restauration, créations, constructions), avec la table générale à la fin du Tome VII. Le tome VIII renferme toutes les pièces annexes : Actes officiels, Tableaux statistiques et financiers, le Tome IX sous étui formant boite, est formé de 4 très grands plans généraux se dépliant
1986réf. 1163751986 Jiang Nengwei / Southwest Normal University Press (Beibei, Chongqing) / Chongqing Xinhua Printing Factory - 1986 - Première édition en juillet 1986, Premier tirage à Chongqing en juillet 1986 - ISBN unifié : 8405.2 - In-folio, cartonné sous jaquette illustrée de l'éditeur, dans son emboitage cartonné - 80 pages - Très nombreuses illustrations en couleurs hors texte - Texte en anglais et en chinois - Contient :Chrysanthemum, White Rose, Paeonia Albiflora, Lotus, Morning-Glory, Purple Wistaria, Camellia, Myriad Rose-Red Clouds overflowing with spring sweet, Broad Bean Flower, Magpies and Willow, Lotus and Kingfisher, Rape-Seed Flowers and Chickens, Red Leaves and Si Xi Bird, Chrysanthemums and Pair of Doves Loquats,...
réf. 5702P., Editions Albert Lévy, circa 1925. Petit in folio en feuilles sous chemise cartonnée à lacets (petite tache sur le premier plat), 12 pp. et 75 planches (56 en couleurs, 19 en noir et blanc).
1889réf. 206601889. Very good condition. An original pen and ink drawing showing Sir Edgar Boehm's 1834 - 1890 statue 'Young Bull and Herdsman' on a large plinth at the foot of the grand staircase at the Melbourne Centennial Exhibition of 1888. A stylishly-dressed Victorian crowd of exhibition viewers strolls about the great hall with the statue on a large plinth highlighted with white accents. With the title penned below the image. Sir Joseph Edgar Boehm 1834 - 1890 is recognized for his colossal statues including one of Queen Victoria executed in marble 1869 for Windsor Castle the monument of the duke of Kent in St. George's Chapel the statue of Carlyle on the Thames embankment at Chelsea and the equestrian statue of the Duke of Wellington at Hyde Park Corner. Boehm is also listed as a British exhibitor in the Reports of the United States Commissioners to the Centennial International Exhibition at Melbourne 1888 p111. The Young Bull and Herdsman was acquired by the Melbourne Art Gallery and Museum and was then gifted to the Royal Agricultural Society of Victoria where it is today outside the RASV offices in the show grounds. Unsigned with a small circular mark roughly at center of drawing and a closed tear through the caption but not affecting the drawing; mounted on an album page. 9 3/4 x 8 1/2" unknown
1819réf. 52180Portland OR: n.p. July 18 1902. One panoramic silver gelatin photograph printed on matte finish thick photographic stock sized 8 x 24 in. preserved in the original dark stained wood frame sized 10.25 x 26.5 in. with very faint title inscription in white ink below image in clear cursive hand very minor damage & loss to the very lower right corner of image still VG copy expertly cleaned with new archival backing. This exceedingly scarce original photograph records the site selection inspection by the Lewis & Clark Exposition Board of Directors July 18 1902 the day after the Site Subcommittee had recommended on July 17 1902 that the Board choose City Park for the Exposition site. In fact many different sites were proposed at the meeting including Henry Corbett’s preference for City park while the Ladd interests advocated for a site along Hawthorne Boulevard. Nonetheless the Board adjourned into executive session and as a result of a last minute proposal by Henry Dosch it decided that they would examine the Guild’s Lake site in detail as evidenced by this photograph showing the several board members standing upon the Electric Railway line tracks on the Willamette Heights next to the land proposed for development by the Scottish-American Investment Company. When the Board reconvened after an August hiatus the vote was 6-2 in favor of Guild’s Lake. Robert Livingstone who owned the Scottish-American Investment Company set about with his real estate development partners Russell & Blyth to build a group of Arts & Crafts homes designed by Emil Schacht in the Willamette Heights subdivision which would inspire Portland residential architecture in the decades following the Exposition. Peter Guild 1797-1870 led his family over the Oregon Trail in 1847 lost a herd of cattle to the Oregon Territorial militia during the Cayuse Indian War and eventually homesteaded on Guild’s Lake constructing a large octagon block house which proved to be a very popular Public House and later the site for the 1905 Lewis & Clark Exposition. See: Jim Heuer & Roy Roos The Emil Schacht Houses in Willamette Heights: The Cradle of Arts and Crafts Architecture in Portland 2002 pp. 2-10; Thacher The Site of the Lewis and Clark Exposition The Pacific Monthly Vol. 7 pp. 210-212; Finn J.D. John Long-lost Guild’s Lake was Once Portland’s Water Wonderland Offbeat Oregon October 21 2012. n.p., unknown
1929This is a very good copy of the original catalog for the 1929 Girl Scouts Loan Exhibition, which has been bound in dark gray cloth, with red and gilt title label on the spine. The original green and gilt printed catalog cover bound in. Completely clean outside. Inside covers generally clean, but a few marks to front cover lower left, and one page with old tape repairs. This repaired page has a plate on each side (no.570-71), and the repairs are on either side of the photograph just touching its' border. A few pages have very faint tan streaks on them, possibly from the binding process. Also a few abrasions to texts. Otherwise very clean and fresh. Preface. Short texts introduce the sections. Texts by George S. McKearin, Andrew Varick Stout, Louis Guerineau Meyers and E.T.H. 926 works in the exhibition. All reproduced in black & white photographs. This historic exhibition was held at the American Art Galleries in New York from September 25th to October 9, 1929. 10 1/2" high X 7 1/2" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1961réf. 350Paris, Maeght éditeur, 1961. In-folio (380 x 280 mm) en feuilles, 28 pages. 8 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en triple page et 3 en double page. Texte de René Char "Dansez, montagnes" et de Jacques Dupin "Nouvelles peintures de Miro. Exposition de 46 peintures récentes. Tirage original.
réf. 100091A Paris, chez Guillaume Desprez, Imprimeur & Libraire du Roi et chez Jean Desessartz, Libraire, 1732, 1 volume in-4 de 260x180 mm environ, xxx-740 pages, (4) ff. ( fautes et omissions, approbations et privilège), plein veau marbrée cognac, dos à nerfs portant titres dorés sur pièce de titre en maroquin bordeaux, gardes marbrées, tranches jaspées, impression sur 2 colonnes. FEUILLET X, EN DOUBLE APRES LA TABLE. Edition originale complète des 4 planches dépliantes annoncées. Une tache sur la tranche supérieure, traces brunes sur le cuir sur la bordure supérieure, petits trous et galerie de vers sur un nerf, des épidermures, rousseurs et pages légèrement brunies, manque de papier sur un coin p. 671, manque la première garde blanche, deux angles un peu "tapés" sinon bon état.
1796réf. 129611Imprimerie du Cercle-Social, Paris, 1796. 314, [6] S. ; 312, [6] S. ; 19 x 13,5 cm ; Halbleder.
1958réf. 339Paris, Maeght éditeur, 1958. In-folio (380 x 280 mm) en feuilles, 28 pages. 4 LITHOGRAPHIES ORIGINALES de MIRO, GIACOMETTI, TAL-COAT, MARC CHAGALL avec "PAYSAGE AU COQ", une exceptionnelle lithographie en couleurs à double page (M208) et des reproductions de Braque, Bonnard, Matisse, Picasso, Kandinsky, Mirò, Léger et Bazaine. Tirage original. DLM édité en juin 1958 pour l'exposition d'œuvres monumentales de Bonnard, Matisse, Braque, Chagall, Picasso, Kandinsky, Brancusi, Léger, Mirò, Giacometti, Bazaine, Tal Coat et Ubac.
1904réf. 2578VERMOT 1904 1 Paris, Vermot, 1904, fort in-8, maroquin rouge à grains longs, fin motif décoratif doré encadrant les plats, dos à quatre nerfs orné, double filets sur les coupes, décor intérieur doré, tranches dorées, couverture conservée, (RICHARDOT), 732 pp.
1936réf. 030111London 1936 Faber and Faber Hardcover 1st Edition
réf. 207589S.l., s.d. (1900) 176 cartes postales de format 9 x 14 cm,
1931Folio, in legatura originale con titolo impresso in oro ai piatti e al dorso. Ex libris Giovanni Treccani degil Alfieri.
1994réf. WRCLIT75713Toronto: Natural Heritage / Natural History 1994. 2782pp. Quarto. Full morocco details below original front wrapper bound in. Some tanning to binding extremities but a very good copy. First edition. Inscribed and signed by the authors on the half-title. This copy is in a special binding executed by Stanley M. Sherman commissioned by the recipient and completed by Sherman in May of 1985. The binding is full gray morocco with six horizontal colored morocco onlays creating a body of water with a backdrop of land and snow-covered mountains and smaller onlays of two people with equipment in a canoe rowing from left to right and with a printed paper onlay on the rear board of a caribou. The title and authors' names are stamped in blind on the upper board and a smaller blindstamped label is affixed to the spine. The marbled endsheets incorporate two pockets on each pastedown made to accommodate various documents including three t.ls.s. 3pp and one a.l.s. 2pp. from Hoyle to the recipient leading up to publication relating to information the recipient provided for the book and to the books completion and publication. Copies of two letters from the recipient to Hoyle are present as are several related items. Also present is the itemized descriptive invoice handwritten in ink by Sherman for the preparation and binding of the book $810. Sherman whose training as a binder overlapped his distinguished career as an architect and city planner is a member of the Canadian Bookbinders and Book Artists Guild and the British Guild of Book Workers. He trained with Tom Albro and began making commissioned bindings in 1986. He has had one-man shows at the Walters Art Museum 2006 and the District of Columbia Public Library 2012. Natural Heritage / Natural History unknown books
1867réf. 129235Paris, E. Dentu, impr. Imprimerie générale Ch. Lahure 1867 2 volumes. In-folio 37,5 x 26,5 cm. Reliures demi-basane rouge, dos lisses ornés de filets dorés, 280-480 pp. 60 livraisons de 16 pp., imprimé sur 3 colonnes, moitié texte, moitié gravures., tables des matières, sommaires. Accrocs en tête et en pied de dos, intérieur très frais.
