EXPOSITION NATIONALE DE LONDRES DE 1892. LOWE (CLivre Rare Book
9.305 Ergebnisse
1892Best.-Nr. 673London The Gresham Press 1892 1 in-8 London, Fisher Unwin, The Gresham Press, Chilworth, 1892, in-8, percaline éditeur illustré, titre doré, 548 pages.
Best.-Nr. 51092Claude Lejeune 1971 in 4 (27x21) 1 volume broché, couverture illustrée, avec un feuillet de texte imprimé en rouge sur papier calque, et 15 planches volantes hors texte de reproductions de dessins en noir et blanc. Gérard Diaz, dit Gerardiaz, né à Mostaganem en 1938, artiste peintre. Tirage limité, celui-ci un des 100 exemplaires numérotés. Bel exemplaire
Best.-Nr. 65372CBo.J. [2 Warenabbildungen] (Friedensreich Hundertwasser Regentag Dunkelbunt, geb. 15.12.1928 als Friedrich Stowasser in Wien, gest. 19.02.2000 an B
Best.-Nr. 51060Bruxelles Ministère de l'Education Nationale et de la Culture (imprimerie Laconti) 1963 in 4 carré (24x21) 1 volume broché, couverture illustrée d'une lithographie originale en couleurs de Pierre Alechinsky (sur les 2 plats), non paginé, avec 4 lithographies originales de Pierre Alechinsky. Texte liminaire par Edouard Jaguer. Catalogue de 93 numéros décrits, illustré de reproductions d'oeuvres, dont hors-texte de ALECHINSKY, REINHOUD, MARCHOUL. Bel exemplaire
Best.-Nr. 65436CBo.J. [3 Warenabbildungen]
Best.-Nr. 421Belin, Saint-Cloud, circa 1900
1931P., Société d'éditions géographiques, maritimes et coloniales, 1931. In-4 broché avec couverture à rabats, 38-64-68 pp.- hors-textes photographiques. Petit manque de papier en bas du dos.
1889Best.-Nr. 232941889 PARIS - E. Dentu, 1890. IN4 pleine percaline dec.editeur,Tome 1: 664 pages, . Les trois volumes sont illustrés de gravures noir et blanc, dans et hors-texte. Relié toilé, titre doré. Grand ouvrage illustré, historique, encyclopédique, descriptif. Publié sous le patronage de M. le Ministre du Commerce, de l'Industrie et des Colonies. In-4 Cartonnage d'éditeurs. Bon état. ,
1889Best.-Nr. 232951889 PARIS - E. Dentu, 1890. IN4 pleine percaline dec.editeur,Tome 3: 667 pages, légères tâches sur les plats . Les trois volumes sont illustrés de gravures noir et blanc, dans et hors-texte. Relié toilé, titre doré. Grand ouvrage illustré, historique, encyclopédique, descriptif. Publié sous le patronage de M. le Ministre du Commerce, de l'Industrie et des Colonies. In-4 Cartonnage d'éditeurs. Bon état.
1897Best.-Nr. 1022441897 A Paris, Imprimerie Nationale. 1897. 1 vol Fort in-folio ( 40x29 cm) imprimé pour l'exposition Universelle de 1900. Broché + emboîtage marbré jaune et vert. Gravure de médaille en frontispice. 418 pages. Impression sur papier épais
1900Best.-Nr. S120812Bruxelles, Alexandre 1900 27pp. + 154 planches en n/bl, 18cm., brochure originale, bon état, S120812
Paris, Draeger-Vilo, 1975. In-4 ; XI-(préface)-143 pp plus 16 pages de reproduction d'affiches, table des matières. Plein cartonnage toîlé bleu, bien complet de sa jaquette illustrée en couleurs. Bel exemplaire, état neuf. Planches en noir et en couleurs hors-texte.
2002Best.-Nr. 29758Outremont, Editions du Trecarre, 2002. (Katalog zur Ausstellung Musee des beaux-arts de l'Ontario, Toronto / Musee des beaux-arts du Canada, Ottawa 2002/2003) 386 S. (28x29 cm) Großformat, Pappband mit Umschlag / gebundene Ausgabe
Best.-Nr. 1018461418.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1020747374.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 3896110586.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1920Best.-Nr. 74971920 plaquette grand in-octavo carré, couverture marron illustrée sur le recto, long papier, illustrations : 1 hors-texte de Joseph Bernard, sans pagination, 12 pages, 1920 sans lieu sans Editeur,
1942Best.-Nr. 2092902137701962Asahishinbunsha 1942. Soft Cover. Fine. The book is in fine condition. Asahishinbunsha paperback
2015A clean, unmarked book with a tight binding. Edge wear to bottom and corner of cover. 160 pages. 6 1/2"w x 9"h. From the publisher: "Since the 1970s, Vancouver-based multimedia artist Hank Bull has acted as a connecting figure between artists and artistic communities internationally. Inspired initially by experimental music, mail art, Fluxus, and the absurdist performances associated with Dada and pataphysics, much of his practice has been ephemeral and dialogic, produced for underground audiences in artist-run and improvised contexts. Performance, communication, and the building of networks have thus often eclipsed the production of material things. Yet, material things have played an important role in his career - as documents, as vehicles of communication, as props, and as aesthetic objects in their own right. This career overview considers the material traces of a life lived as art, reconfiguring the immense and varied collection of the artist as a sculptural installation. Running throughout Bull s practice is a re-examination of the notions of distributed authorship, an affront to received ideas ever more pertinent in the age of information technology. Hank Bull was born in Calgary, Alberta in 1949 and now lives in Vancouver. A multimedia artist as well as an arts administrator, he has been a member of the legendary Western Front Society since 1973. He is the also the founder and executive director of Centre A (Vancouver International Centre for Contemporary Asian Art) since 1999. His works have been collected by the National Gallery of Canada and many private collectors."
2008New New English Original bdg. Dust wrapper. 4to. (33 x 24 cm). In Turkish. 176 p. Color ills. Hüsn-i hat bulusmasi. 28 Ekim - 3 Kasim 2007.
1979This is a very good softcover copy with just light wear. Completely clean inside, a bit of light soil to covers. Also a small art library handstamp on the inside front cover, no other marks. This monograph was prepared to accompany the exhibition at the Whitney Museum in 1979. Essay by Roland Barth. Contributions by Heiner Bastian and David White. Chronology. Bibliography. Exhibition checklist with 85 works catalogued. Illustrated in black & white, some color. 10" high X 9" wide, 118 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2009New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 229 p., color and b/w ills. The logbook of the Ottoman navy: Ships, legends, sailors.= Osmanli donanmasinin seyir defteri: Gemiler, efsaneler, denizciler. Ottoman Principality was introduced to the dark sea of the Middle Ages early in the 14 th century. The battles with the Venetians and the Genoese, conquests in Rumelia, and the establishment of the first shipyards all occurred during this period. As the conquest of Istanbul marked the end of the period of transition from Principality to Empire, the foundations of a strong navy that would unite the Mediterranean and the Black Sea over a political geography were laid. The power of the corsairs diminished by the end of the Renaissance; Barbaros Hayreddîn Pasha personified the golden age of Ottoman sea power. The discovery of the New World had instigated a revolution in the maritime world. Traditional Venetian galleys gave way to Spanish galleons and manpower was replaced by wind power. The Ottoman navy assumed a pioneering role in the process of modernization that extended from the 18 th to the 20 th century. Naval education in the Western sense, the implementation of new technologies and the organization of a modern fleet were all consequences of this period. Advancing from the galley to the battlecruiser, Ottoman sea power had the final say in the affairs of the Empire. "The Logbook of the Ottoman Navy: Ships, Legends, Sailors" exhibition intertwines three distinct, yet integrated mythologies of the sea. The imprint of the ships in Ottoman seafaring history, the battles they were engaged in and the heroes who became legendary in these battles assume their places on the stage of civilization in all their historic magnitude. At the center of the construct lies the extraordinary adventure of the transition from traditional to modern seafaring methods. The quest for power, the demolished thrones and man's identification of his fate with the sea is perhaps the oldest story behind this adventure. The cornerstones of a long history that extends from the legacy of a 16 th century Ottoman galley to the battlecruiser, Yavuz, is brought to light through the memories of seamen.
1990A clean, unmarked book with a tight binding. 38 pages. 8 7/8"w x 10 7/8"h. The catalogue for the exhibition titled Insound/Instructure. Essays by Yoko Ono, artworks from the sixties and the seventies, many film scripts with the film stills and instruction pieces. An essay by Ina Blom in Finnish and in English. Black and white photographs of Yoko Ono's films and works
1993A clean, unmarked book with a tight binding. Very large format: 11 3/4"w x 11 3/4"h. 394 pages. Exhibition catalog for the Guggenheim Museum's second Lichtenstein retrospective of his paintings, sculptures, and works on paper.
1986Best.-Nr. 039391Los Angeles: Los Angeles County Museum of Art 1986 Square orientation. "The great epoch of the spiritual which is already beginning or in embryonic form began already yesterday. . . provides and will provide the soil in which a kind of monumental work of art must come to fruition." Wassily Kandinsky From the collection of Sanje Frank Elliott Buddhist mentor artist and friend to many. Condition notes: 435 numbered pp; TPB. Pages: clean bright tight black eps and edgestain color frontis; slightly cocked ghosts to front edge. Cover: black mat wraps gilt titles front/spine; light edge/shelfwear corners slightly thumbed shallow crease to front near head several small light ghosts front. Heavy. Los Angeles County Museum of Art paperback
