(EXHIBITION - 1862)Biblio.com
9 242 résultats
réf. 39840EXPOSITION--LONDON--1862 THE ART JOURNAL ILLUSTRATED CATALOGUE OF THE INTERNATIONAL EXHIBITION 1862. London: James S. Virtue 1862. Small folio. Contemporary quarter calf all edges gilt. xii 324 pages 10 lithographic plates. First edition. A profusely illustrated catalogue for the London 1862 exhibition the much enlarged successful followup to the original inaugural 1851 exhibition published by The Art Journal featuring articles on the fine and decorative arts such as "The International Exhibition" "The Mediaeval Court" "Notes on the Raw Materials used by Artists as seen in the Exhibition" "Machinery employed in Art-Manufactures" "Art in its Influence on Art-Manufacture" "Modern Sculpture of all nations in the Exhibition" among others. Every aspect of arts and manufactures is included and well illustrated: furniture jewellery iron steel and brass work porcelain terra-cotta etc. carpets tapestries glass silver stone and wood carving wall decoration works in sculpture etc. Very good. unknown
1900réf. 53064Paris: Publisher not identified 1900. First edition. 4to. 28 cm. x 19 cm 102 pp. portrait frontispiece with tissue guard illustrations in text 10 plates with tissue guards 1 of these in color. Original printed wrappers. Neat ownership signature of a member of the jury of classe 5 on the blank reverse of the half-title page. Fine as new. A history of photography and processes which includes two chapters by Léon Vidal - one is a history of photogravure and the other on color photography. Details several other photomechanical processes and their inventors. Illustrations include those by Robert Demachy and by Puyo. There are several issues of this report three of which vary only in size; a fourth a later issue has a slightly different wording to the title and is dated 1903. Étienne-Jules Marey was the president of the committee. Roosens and Salu No. 3704. Publisher not identified unknown
1911réf. 100851Souvenir pamphlet 8vo colored printed pictorial wrappers illustrated 16 pp. Folded and creased down the middle with a little wear at the fold some minor rubbing to wrappers normal aging; otherwise very good. This is a scarce piece of ephemera commemorating the 1911 groundbreaking ceremony by President William H. Taft for the exhibition in the Golden Gate Park. While the purpose of the exhibition was to celebrate the completion of the Panama Canal it seemed to function more as a worlds fair held in San Francisco. It took over three years to construct and the exhibition ran from February through December 1915. There are a number of black and white photographs in the booklet including a double page panoramic view of the city of San Francisco. The activities of the ceremony are recorded in this pamphlet which feature speakers songs marches and what they had for dinner Blair-Murdock Co.,
1895réf. 9279Atlanta: J. P. Stevens & Bro. ND circa 1895. 1st ed. 1895. 8vo. 8-panel accordian fold-out affixed to front pastedown each with multiple labeled engraved B & W illustrations of landmark buildings in Atlanta. Original embossed grey cloth with black decorative title and border front cover. Some soil covers a 2" tear top of spine else a very good book. A scarce fragile production. 1st Edition. Hardcover. Very Good. Atlanta: J. P. Stevens & Bro. (ND, circa 1895). 1st ed. hardcover
1851réf. 3220040Engraved panoramic view measuring 460×235mm overall image 415×145 mm. Steel-engraved panoramic view published by Boyd & Cannavan London Wall & J. H. Woodley in the City. Text beneath the image provides statistics for the building such as length 1848 feet and cost for use & maintenance £79800. the commity decided to add three feet of steps at on end to make the leanght up to a more satisfying 1851 feet Boyd & Cannavan
réf. 19697Arnold Rattenbury - 127 Kenilworth Court Lower Richmond Road SW15 London . For New Year 1971. 16pp. 16mo. Stapled. One minor manuscript correction. Aged and worn in lightly-stained card covers carrying six Bewick woodcuts in black with text lengthwise and upwards in red. The insides of the covers are red in colour and on the front inside cover is written 'love from Sim & Arnold'. Whether the hand is Rattenbury's or his wife's is not clear. Fourteen poems from 'Considering K 279 to K 284' to 'Koechel's Adoration'. John Lucas in his Guardian obituary 30 July 2007 singles out the present item as Rattenbury's finest poetic achievement: 'As a poet Arnold thought naturally in sequences and possibly the finest of these is Mozart Pieces a series of sonnets which began life in the early 1970s and which he went on adding to for the rest of his life.' Scarce: no copy on OCLC WorldCat apart from Ebook or COPAC. Arnold Rattenbury - 127 Kenilworth Court Lower Richmond Road SW15 [ London ]. For New Year 1971. unknown
184412mo., title mildly spotted; handsomely bound in contemporary green full calf, sides with double frame border in gilt surrounding an elaborate frame border comprising double rules stopped at corners by arabesques, the whole enclosing the royal arms of Belgium (including the lion of Brabant) all in gilt, back gilt extra with four flat bands ruled in gilt, second compartment framed and lettered in gilt, all other compartments framed in gilt, all edges gilt, gilt doublures, gilt dentelles, marbled silk endpapers, a very good, crisp copy in splendid royal binding of the period. A RARE SURVIVAL IN SPLENDID STATE.
1900réf. 134984Paris, Direction des affaires municipales 1900 In-4 à l’italienne cartonnage illustré et imprimé, 191 planches sur onglet. Bon exemplaire.
1892réf. 474490Edinburgh : T. and A. Constable 1892. 1st edition. Hardcover. Provenance: Respective bookplates of Richard Campbell Eric N. Geijer and George Evans. From a limited edition of 250 copies. Very good copy in two-tone gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: xxiv 116 p. CXVIII leaves of plates : ill. some col. coats of arms ; 29 cm. Subjects: Heraldry Exhibitions. Heraldry Great Britain. Edinburgh : T. and A. Constable hardcover
2004This is a fine hardcover copy with a fine dust jacket with no wear at all. Virtually as new. Completely clean, no marks. This monograph was prepared to accompany the exhibition at the Tate Modern in London from February 5 to April 25, 2004. The exhibition then travelled to Dusseldorf in the summer of 2004 and finally the Kunstmuseum Basel in the late fall. Essays by Rudi Fuchs, Richard Schiff, David Batchelor, David Raskin, and Nicholas Serota. Statements by Judd. Chronology. Bibliography. Exhibition history. List of Works with 41 pieces catalogued. Illustrated throughout mostly in color. 12" high X 10" wide, 284 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1974réf. 109241974 Olonne - Beauvoir, Imprimerie S.I.T.O.L., 1974; livret in-8° agrafé, couverture de papier couché blanc décor orange au 1er plat; 36pp. - (1)f. Illustré en noir dans le texte. Exposent les peintres Yves Brayer Jean Chabot, Roger Chapelain-Midy, Jean Chevrolleau, Pierre Eugène Clairin, Joel Dabin, Emile Grau Sala, René Levrel, Paul Nassivet, Jean Rigaud , Henry Simon, Louis Toffoli. Tous les artistes (sauf Jean Chevrolleau) ont apposé leurs signature autographe au niveau de l' article qui leur est consacré.
1979réf. 59146Santa Barbara CA: Santa Barbara Museum of Art 1979. 4to. 82 pp unpaginated. With over 100 printed photo illustrations multiple prints tipped-in and laid-in offset photograph by Don Worth on glossy stock embossed photographer’s signature at lower corner; signed print by Karen Truax screenprinted magazine page by Robert Heinecken signed screen print by Keith Smith signed print by Todd Walker signed print by Alex Sweetman and 20 colour transparency slides w/ printed frames inserted into mylar sleeve pockets. Colour-illustrated softcovers plastic-comb binding as issued minor shelfwear slight tear head of spine signed & numbered by Parker at end of forward. First edition No. 508 of 1000 copies printed numbered & signed of this exceptional catalogue documenting this groundbreaking photography exhibition as the decade of the 1970’s closed featuring some of the most significant 20th-Century photographer’s works. Walker Smith Sweetman Worth Truax and Heinecken all included their limited edition unique prints for this volume and most signed by the artist. Featured in the exhibition were such photographers as Robert Adams Diane Arbus Michael Bishop Ellen Brooks Jo Ann Callis Joyce Cohen Steven Cortright Robert Flick Nancy Gass Robert Mapplethorpe Jeffrey Silverthorne Mike Mandel Lew Thomas Brett Weston and many more. Santa Barbara Museum of Art, paperback
1965réf. 276-2Paris, Maeght éditeur, 1965. In-folio (380 x 280 mm) en feuilles, 40 pages, couverture illustrée, chemise et étui de l’éditeur. 8 LITHOGRAPHIES ORIGINALES de Capdeville, Garache et Fromanger dont 3 en double page. Lithographies d'après Arias et Matieu. Textes originaux de Jacques Prévert, Georges Badin, Amable Arias, Dora Vallier, Alain Badiou er Denys Chevalier. Exposition de 6 jeunes artistes ARIAS, CAPDEVILLE, FROMANGER, GARACHE, MATIEU et GARDY-ARTIGAS à la Galerie Maeght. TIRAGE ORIGINAL DE LUXE numéroté sur Rives et signé par les 6 artistes.
1895réf. 23041Paris E. Bernard et Cie 1895 -in-8 bradel un volume, reliure pleine-toile bradel bleu-gris in-octavo (cloth-bound in-8) (23 x 15 cm), reliure XXème, dos long (spine without raised band), décoré "or" (gilt decoration), titre frappé or (gilt title) dans le sens de la hauteur, pièce de titre sur fond bordeaux avec 2 filets "or" de part et d'autre (label of title with gilt line ), plats muets (cover without title), tête lisse - gouttière et tranche de queue non rognées (top edge smooth - fore-edge and edge of bottom no smooth), couverture illustrée conservée mais légèrement fanée, Illustrations dans le texte et à pleine page en noir + 2 planches hors-texte en noir sur papier glacé, XII-163-16 pages, 1884 Paris E. Bernard et Cie Editeurs,
1855réf. 277681855 L'Artiste, Journal de la Littérature et des Beaux-Arts.1855- du N°2-13 mai 1855 au 23 septembre 1855,IN4 brochés,19 fascicules en feuilles sous chemises jaunes, très rare,
1864réf. 53725London: Day & Son 1864. First Edition. Large octavo 26cm. Publisher's embossed cloth-covered boards decoratively titled in gilt on spine and front cover; xxiv447pp; 431 wood-engraved text-figures; 39 inserted leaves of engraved plates most folding. Neatly rebacked; some spotting and soiling to boards spine cloth slightly dulled. Endpapers soiled with faint marginal tidemark to preliminary leaves but in all a tight complete Very Good copy. Ownership signature on front endpaper of a William John Lafferty Belfast dated 1866. A significant work infrequent in commerce. Especially valuable for its coverage of early railway technology an area in which the author was himself expert as he had served as a Consulting Engineer for the Great North of Scotland Railway as early as 1853. The book's four divisions - Railways; Textile Machinery; Metal and Wood Manufacturing Machinery; and "Machinery in General" are each profusely illustrated with both text figures and folding plates. The final plate at end of text is a "General Plan of the Western Annex" where mechanical exhibits were housed. Day & Son unknown books
1880réf. 38783Washington: GPO 1880. GPO unknown books
réf. 9985Principaux engins,modes de pêche autorisés ou interdits. Renseignements fournis par les agents des eaux et forêts et coordonnés sous la direction de M.L DAUBREE par M Raoul de DROUIN DE BOUVILLE.Exposition Universelle internationale de 1900.Fort in 4 demi-cuir vert, titre, roulette, filets, dorés. faux-titre, titre, VII, 652 pages, nombreuses illustrations hors-texte, figures dans le texte. Paris Imprimerie Nationale 1900. Edition originale. Marge extérieure effrangée page 95. Sinon très bon exemplaire
199589 pages. Bibliography. List of Exhibitions. List of works in this exhibition. Printed upon glossy stock. Illustrated in colour and black and white. Contents include: Artist's Statement; The Salvation Art of Yuxweluptun; Yuxweluptun and the West Coast Landscape; Yuxweluptun - A Philosophy of History; The Modernist Past of Lawrence Paul Yuxweluptun's Landscape Allegories; Time Line. "I work from the native perspective that all shapes and any elements can be changed to anything to present a totally native philosophy. It allows me to express my feelings freely and show you a different view." - Artist's Statement. Unmarked with average wear. Binding intact. A sound copy. Book
1893réf. 047438New York: De Wolfe Fiske & Co. DeWolfe 1893. First edition 1893. Scarce item likely issued as a souvenir. Full color chomolithograph presentation of notable scenes of American history geared for young people with the rear cover a birds' eye view of the Columbian Exposition and President Cleveland opening the World's Fair. Oblong hardcover 8.25 x 12 inches eight pages of scenes including the covers Independence Hall on the front cover having doors you can open. Covers rubbed and spotted some dampstaining to upper corner right hand door of Independence Hall on the front cover detached but present left door chipped binding sound but not tight fair but complete. First Edition. Hard Cover. Fair. Oblong 4to. De Wolfe, Fiske & Co. [DeWolfe] Hardcover
réf. 202201921Paris, La lilbrairie illustrée , 1889 ; in folio, 324 pp., cartonnage de l'éditeur. Les 2 volumes. 4 tomes relier en 2 volumes : volume 1&2.
réf. 230884Paris, Vve A. Morel, 1874 21 fascicules in-8, brochés, la plupart non coupés. Quelques couvertures détachées.
1848réf. S121167Bruxelles, Imprimerie et Lithographie des Beaux-Arts 1848 78pp. + 20 planches (eaux-fortes et lithographies), 36x26cm., reliure cart. d'éditeur solide (coins frottés, qqs. traces d'usage), peu de rousseurs occasionnelles, bon exemplaire, 1kg., [Contient 78 pages de textes explicatifs sur les oeuvres d'art des dizaines d'artistes participant à l'exposition], S121167
18953 tomes: ensemble de 26 rapports, 24cm., reliures cart. uniformes (plats marbrés, dos en cuir avec titre dorés), feuilles de garde marbrées, [Contenu: Jury international des récompenses Notice générale (31pp.), Enseignement primaire Rapport par Ed. De Geynst (14pp.), Enseignement moyen et supérieur Rapport par Fr. Van Hoof (22pp.), Objets scientifiques, cartographie etc. rapport de m. Gillis (40pp.), Photographie rapport de H. Wouwermans (24pp.), Application usuelle des arts du dessin et de la plastique. Rapport de F. De Beeckman (13pp.), La céramique. Rapport de Camille Renard (88pp.), Verrerie, cristallerie, glacerie, gobletterie et vitraux. Rapport de m. Emile Vauthier (18pp.), Métallurgie du fer et de l'acier. Rapport de H. Ponthière (95pp.), Industries textiles. Rapports (111pp.), Bonneterie, boutons, ganterie, lingerie et passementerie. Rapport de Léon Chaussette-Delgouffre (36pp.), Dentelles, Tulles, broderies, passementeries (24pp.), Cuirs & peaux (26pp.), Les meubles (42pp.), Industrie du papier (63pp.), Produits chimiques (84pp.), Produits pharmaceutiques (35pp.), Distellerie (17pp.), Brasserie, matières premières, matériel et bières (95pp.), Tabacs (15pp.), Section des vins (274pp.), Génie civil (204pp.), Navigation et sauvetage (146pp.+ 6 grandes planches dépliantes), Statistique & bibliographie commerciales (11pp.), Musées commerciaux (51pp.), Les colonies et l'état indépendant du Congo (100pp.), Art militaire (65pp.), Sylviculture (18pp.), Peche et pisciculture (14pp.), Horticulture (9pp.)], poids: 5kg., bon état, rare, B86640
1887réf. boz_001905Eugène Burnand & Julia Antonine Girardet. Ensemble de deux lettres autographes signées et une invitation personnelle à une exposition, 1887 Peintres Suisses 1) Lettre autographe signée d'Eugène Burnand, peintre, adressée à Mademoiselle Ida Risler, datée du 18 Juin 1887 à Paris. Rédigée à l'encre noire sur un double feuillet de papier vergé filigrané. Dimensions : 11,4 x 17,7 cm État : Traces d'onglets sinon bel état de conservation. Nombre de pages : 4 pages 2) Lettre autographe signée de Julia Antonine Girardet, peintre, non datée. Rédigée à l'encre noire sur un double feuillet de papier vergé filigrané. Dimensions : 11,3 x 17,8 cm État : Traces d'onglets sinon bel état de conservation. Nombre de pages : 2 pages 3) Carte d'invitation personnelle pour Madame Cousin de la part de Mr Burnand pour une exposition à Paris du Panorama des Alpes Suisses, œuvre appartenant à M. Henneberg de Genève et destinée à l'Exposition Universelle de Chicago. Dimensions : 15,8 x 10,2 cm État : Traces d'onglets sinon bel état de conservation. Nombre de pages : 1 page Eugène Burnand Eugène Burnand est un peintre et graveur suisse né le 30 août 1850 à Moudon et mort le 4 février 1921 à Paris. D'un style naturaliste, son œuvre picturale se compose notamment de scènes religieuses et de paysages de campagne. Un musée lui est consacré à Moudon en Suisse. Julia Antonine Girardet Julia Antonine Girardet, née à Saint-Blaise le 20 septembre 1851 et morte à Paris le 8 mars 1921, est une aquarelliste, romancière et compositrice de musique.
