9 262 résultats
réf. D17552Autograph diary written in pencil signed by Miss Elizabeth Woods of Bowling Green Kentucky. 135 pp. Well educated wealthy American woman's account of seeing Europe; mostly Paris France. Her Southern sensibilities were shocked at seeing a white woman at the same table with a black man. Turns out he was a minister from Haiti and the lady was his wife. Miss Woods saw the Paris Exposition several times; saw Sarah Bernhardt perform; saw President Kruger of South Africa; saw a street where Jews were not allowed to come out after 6pm; describes fancy balls and dinners; shopping for clothes.much of interest. Worn oil cloth binding. Numerous accounts of "charming" or "lovely" people. hardcover
réf. D17552Autograph diary written in pencil signed by Miss Elizabeth Woods of Bowling Green Kentucky. 135 pp. Well educated wealthy American woman's account of seeing Europe; mostly Paris France. Her Southern sensibilities were shocked at seeing a white woman at the same table with a black man. Turns out he was a minister from Haiti and the lady was his wife. Miss Woods saw the Paris Exposition several times; saw Sarah Bernhardt perform; saw President Kruger of South Africa; saw a street where Jews were not allowed to come out after 6pm; describes fancy balls and dinners; shopping for clothes.much of interest. Worn oil cloth binding. Numerous accounts of "charming" or "lovely" people. hardcover books
1876réf. 60903Philadelphia: Centennial Views New Excelsior American Views Peoples Series Underwood & Underwood George Barker H.L. Roberts & Co. American Scenery et al 1876-ca. 1926. Twenty-six albumen stereoview photographs 1 coloured sized 5.75 x 3 in. mounted on assorted stereograph boards sized 7 x 3.5 in. many w/ captions faintly w/in negative at lower fore-edge some w/ photographer’s imprint lower fore-edge of board many w/ decorative borders some w/ ink or pencil MS on verso occasional dustsoiling minor edgewear just a couple slightly over-exposed otherwise a good collection from the library of Prof. Marvin Nathan. The Centennial Board of Commissioners awarded the sole license for photography at the exposition just prior to the exhibition to Edward L. Wilson editor of The Philadelphia Photographer who partnered with his good friend William Notman a Scottish-Canadian Photographer as well as Adams of New York and John Fraser. The views included here include the Agricultural Building; Board of Finance Buildings; Machinery Hall interior with the Corliss Engine operating ni the distance; Horticultural Hall along with the Main Entrance and the Exposition grounds. One of the most interesting of the series shows the vast Main Building pavilion under construction with drainage pipes strewn around in the fore-ground while the immense trusses and structural elements slowly march towards the viewer. Most of these images were originally shot by the Centennial Photographic Co. who had proved to be quite successful during the Centennial and the photographers were in great demand through and after the Exhibition which featured over 10 million visitors. Released in a slightly reduced format and licensed out to Underwood & Underwood later Keystone and many others these offered visitors a cut-rate viewing experience. Barker 1844-1894 gained renown originally working for one of Ontario Canada’s leading photographers and later became well-known for his majestic photos of Niagara Falls before a Feb. 1870 destroyed his photo studio although the 800 stereoview negatives were preserved. He later began traveling to shoot views around the United States and released Exposition related images. See: Centennial Photographic Co. Free Library of Philadelphia Digital Collections 2022; James Cremer Woodmere Art Museum 2023; John L. Puckett Centennial Exposition of 1876: An Evolving Cultural Landscape 2023. Centennial Views, New Excelsior, American Views, Peoples Series, Underwood & Underwood, George Barker, H.L. Roberts & Co., Ameri hardcover
1894réf. LIST109Various Places 1894. Sammelband of thirteen reports each with original front wrapper or wrappers bound-in; in half-calf with gilt titles on spine. Very Good. Includes: Guillouard Louis. Rapport sur les travaux du comiteÌ deÌpartemental du Calvados. Caen: Ch. Valin 1893. 19 pp. printed gray wrapper; Drouet Paul. Souvenir du neuvième Congrès international des ameÌricanistes tenu en 1892 à Huelva Espagne et de l'exposition reÌtrospective de Madrid. Caen: Delesques 1893. 56 pp. printed pink wrapper; Bazenerye Armand. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌs du Cher et de l'Indre chargeÌs d'assurer la participation. Bourges; M.H. Sire 1894. 38 pp. with illus. b/w frontispiece in printed green wrapper; Kerros Ernest de. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌ du Finistère…. Brest: A. Dumont 1894. 35 pp. in printed gray wrapper; Sarran d'Allard Louis de. Le Quatrième centenaire de la deÌcouverte de l'AmeÌrique dans les CeÌvennes. Anduze: Castagnier 1893. 35 pp. in printed wrapper; Couret Alphonse. Rapport d'ensemble sur les travaux du comiteÌ orleÌanais pour la ceÌleÌbration du quatrième centenaire de la deÌcouverte de l'AmeÌrique. OrleÌans: G. Michau 1893. 15 pp. printed wrapper; Couret Alphonse. L’Exposition Hispano-Orleanaise de la rue Jeanne-d’Arc. Orleans: Michau 1892. 15 pp. printed wrapper; Couret Alfonse. Les Relations d'OrleÌans avec l'Espagne et les Espagnols au siège d'OrleÌans en 1428-1429. Orleans: Michau 1892. 13 pp. printed wrapper; Plante Adrien. Le Congrès de Huelva. Orthez: J. Goude-Dumesnil 1893. 44 pp. printed wrapper; Hospital Pierre. Quatrième centenaire de la deÌcouverte de l'AmeÌrique . Rapport à M. le marquis de Croizier . sur les travaux du ComiteÌ en 1892-93…. Clermont-Ferrand: G. Mont-Louis 1894. 16 pp. printed wrapper; Barghon de Fort-Rion François de. Le Portugal au quatrième centenaire de la deÌcouverte de l'AmeÌrique et à l'Exposition de Madrid 1892. Paris: Chez les principaux libraires 1895. 38 pp. printed wrapper; Laville Auguste. Quatrième centenaire de la deÌcouverte de l'AmeÌrique … Comite du Var …. Toulon: Isnard 1894. 26 pp. with two albumen prints of decorative medallions tipped in printed wrappers; Terris Jules de. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. Comite de Vaucluse. Bar-le-Duc: Bertrand 1894. 16 pp. printed wrappers. An interesting collection of imprints showing the French involvement in the Columbian Exposition. All reports related to the 400th anniversary of the discovery of America by Christopher Columbus given by various governmental or academic committees documenting French participation in the exposition celebrating the same in Madrid and Huelva the Spanish port from which Columbus departed. Some with manuscript signatures or dedications from the author to the Marquis de Croizier. Volume presumably from Croizier’s library. One see above Laville with photographic prints tipped in. Generally very good with boards rubbed corners bent one pamphlet tearing at fore-edge. OCLC finds no or fewer than five North American holdings for most reports one unrecorded. unknown
1894réf. LIST109Various Places 1894. Sammelband of thirteen reports each with original front wrapper or wrappers bound-in; in half-calf with gilt titles on spine. Very Good. Includes: Guillouard Louis. Rapport sur les travaux du comiteÌ deÌpartemental du Calvados. Caen: Ch. Valin 1893. 19 pp. printed gray wrapper; Drouet Paul. Souvenir du neuvième Congrès international des ameÌricanistes tenu en 1892 à Huelva Espagne et de l'exposition reÌtrospective de Madrid. Caen: Delesques 1893. 56 pp. printed pink wrapper; Bazenerye Armand. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌs du Cher et de l'Indre chargeÌs d'assurer la participation. Bourges; M.H. Sire 1894. 38 pp. with illus. b/w frontispiece in printed green wrapper; Kerros Ernest de. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌ du Finistère…. Brest: A. Dumont 1894. 35 pp. in printed gray wrapper; Sarran d'Allard Louis de. Le Quatrième centenaire de la deÌcouverte de l'AmeÌrique dans les CeÌvennes. Anduze: Castagnier 1893. 35 pp. in printed wrapper; Couret Alphonse. Rapport d'ensemble sur les travaux du comiteÌ orleÌanais pour la ceÌleÌbration du quatrième centenaire de la deÌcouverte de l'AmeÌrique. OrleÌans: G. Michau 1893. 15 pp. printed wrapper; Couret Alphonse. L’Exposition Hispano-Orleanaise de la rue Jeanne-d’Arc. Orleans: Michau 1892. 15 pp. printed wrapper; Couret Alfonse. Les Relations d'OrleÌans avec l'Espagne et les Espagnols au siège d'OrleÌans en 1428-1429. Orleans: Michau 1892. 13 pp. printed wrapper; Plante Adrien. Le Congrès de Huelva. Orthez: J. Goude-Dumesnil 1893. 44 pp. printed wrapper; Hospital Pierre. Quatrième centenaire de la deÌcouverte de l'AmeÌrique . Rapport à M. le marquis de Croizier . sur les travaux du ComiteÌ en 1892-93…. Clermont-Ferrand: G. Mont-Louis 1894. 16 pp. printed wrapper; Barghon de Fort-Rion François de. Le Portugal au quatrième centenaire de la deÌcouverte de l'AmeÌrique et à l'Exposition de Madrid 1892. Paris: Chez les principaux libraires 1895. 38 pp. printed wrapper; Laville Auguste. Quatrième centenaire de la deÌcouverte de l'AmeÌrique … Comite du Var …. Toulon: Isnard 1894. 26 pp. with two albumen prints of decorative medallions tipped in printed wrappers; Terris Jules de. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. Comite de Vaucluse. Bar-le-Duc: Bertrand 1894. 16 pp. printed wrappers. An interesting collection of imprints showing the French involvement in the Columbian Exposition. All reports related to the 400th anniversary of the discovery of America by Christopher Columbus given by various governmental or academic committees documenting French participation in the exposition celebrating the same in Madrid and Huelva the Spanish port from which Columbus departed. Some with manuscript signatures or dedications from the author to the Marquis de Croizier. Volume presumably from Croizier’s library. One see above Laville with photographic prints tipped in. Generally very good with boards rubbed corners bent one pamphlet tearing at fore-edge. OCLC finds no or fewer than five North American holdings for most reports one unrecorded. unknown books
1901réf. 60932Buffalo NY & Littleton NH: C.D. Arnold B.W. Kilburn 1901. Nine original stereoview albumen Woodburytype photographs sized 6 x 3 in. mounted on beige-coloured studio boards sized 7 x 3.5 in. all w/ printed captions & photographer’s imprints a couple w/ former ownership markings on versos in ink manuscript 7 w/ scalloped upper fore-edges minor dustsoiling minor wear to fore-edges still a VG set of images from the library of Prof. Marvin Nathan. Nine scarce and original albumen stereoview photographs detailing the exhibits sights and the sensational lighting effects achieved at the Pan-American Exposition in Buffalo NY in 1901. Many of the Exposition buildings including the prominent Electric Tower were covered in approximately 2 million 100 watt incandescent light bulbs producing an incredible display when turned on each night attracting millions of people who visited. This Exposition marked a defining moment in Buffalo history with the city becoming the focus of international architectural artistic technological and industrial attention at the Fair. Arnold 1844-1927 was previously the official photographer of the 1893 World’s Columbian Exposition in Chicago and it appears Kilburn contracted to produce and distribute stereoview images using Arnold photos. See: The Pan-American Exposition: Selected Sources in the Grosvenor Room RBR T485.C1 F5; Opening of the New York Electrical Society Season Electrical World & Engineer Vol. XXVIII No. 17 Oct. 26 1901 p. 674. [C.D. Arnold], B.W. Kilburn, hardcover
1930réf. HAY380951930-1931. Hanoï Imprimerie d'Extrême-Orient et pour la 2ème partie et l'annexe : Imprimerie Mac-Dinh-Tu / Le-Van-Tan. brochés. Excellent état. 3 volumes gds in-8. les débuts les premiers avions l'aviation militaire création d'un service civil les premiers vols sur Bréguet les missions les terrains liaison Hanoi-Saigon une mission au Laos bombardement aérien du pays Moi les liaisons postales aériennes etc. illustré de nombreuses planches de photos gravures et cartes dans et surtout hors-texte ; avec une grande gravure en frontispice et une grande photo du Sergent pilote Cao-Dac-Minh en frontispice du volume Annexe. unknown
réf. 1522Impression offset. Dim: 69 x 49,5 cm. Légers frottements aux coins. Peu courante.
réf. 1522Impression offset. Dim: 69 x 49,5 cm. Légers frottements aux coins. Peu courante.
2007réf. 24841Christian DESBOIS Editions. 2007 Affiche. Affiche offset signée en bas à gauche dans la planche, envoi signé par l'artiste, Christian Desbois éditions, 120 x 80 cm., 2007.
1972réf. pp6420Ministère des affaires culturelles, Réunion des musées nationaux Broché 1972 In-4 (22 x 27,5 cm), broché, 179 pages, envoie de Man Ray à Dany Bloch, catalogue d'exposition (Musée national d'art moderne de Paris, 7 janvier - 28 février 1972) illustrations en noir et en couleurs ; couverture brunies, quelques traces sur les plats, par ailleurs intérieur frais, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1828réf. 59861Paris, Imprimerie Royale, 1828, in-8, XVI-573-(1) pp, Broché, sous couverture d'attente, Unique et rare édition de ce rapport rédigé par Héricart de Thury et Migneron qui donne la liste de tous les fabricants français ayant exposé à l'exposition de 1827. En fin de volume, les ordonnances et circulaires ayant trait à l'organisation de l'exposition. Large lacune angulaire à la couverture d'attente et galeries de vers affectant les derniers feuillets, avec légère atteinte au texte. Couverture rigide
réf. 51093Claude Lejeune 1971 in 4 (27x21) 1 volume broché, couverture illustrée, avec un feuillet de texte imprimé en rouge sur papier calque, et 15 planches volantes hors texte de reproductions de dessins en noir et blanc. Gérard Diaz, dit Gerardiaz, né à Mostaganem en 1938, artiste peintre. Tirage limité, celui-ci un des 100 exemplaires numérotés, avec un dessin original à pleine page signé par Gérardiaz et daté 1971 (dessin à la plume, avec 3 petits collages, feuillet de papier vergé de format 27cms x 24,5cms). Bel exemplaire
1961réf. 720Paris, Maeght éditeur, 1961. In-folio (380 x 280 mm) en feuilles, 32 pages. ÉDITION ORIGINALE. 14 LITHOGRAPHIES ORIGINALES EN NOIR dont 3 en double page. Texte de Olivier Larronde, Léna Leclercq et Isaku Yanaihara. Exposition de peintures et sculptures de GIACOMETTI à la Galerie Maeght. Tirage original sur Canson devenu très rare.
2006187 pages. "Documents the nearly sixty works in this exhibition... which reflect and elaborate on the spiritual aspects of Morrisseau's art... Greg hill provides an enlightening account of how Morrisseau's shamanistic practice and spiritual journey have shaped his art. Ruth Phillips offers a thoughtul analysis of the conditions in which this artist emerged as a major figure in Canadian art. Armand Ruffo provides an evocative description of Morrisseau's life and work that blends insight and biography from an Anishnaabe perspective. This exhibition marks the first time the National Gallery of Canada has had the privilege to present a solo exhibition by a First Nations artist." - Pierre Theberge, Director, National Gallery of Canada. 59 colour plates. Clean, bright and unmarked with negligible wear. Unread. A superb copy. Book
1966réf. 13293Kunstverein, Hamburg, 1966. ca 50 nnSeiten, ca 18x17cm, illustrierter OBroschur, großer s/w-Abbildungsteil. Auf dem Vorsatz und der Titelseite datierte Widmung und ganzseitige Zeichnung von Seitz. Gewidmet für W.W. (d.i. Wilhelm Wagenfeld, Bauhaus). Katalog zur Ausstellung im Kunstverein HH vom 29. Oktober bis 27. November 1966. Vorwort: Alfred Hentzen. Gutes Exemplar. Unikat.
1950réf. 1471DLM n° 34. UBAC. Décembre 1950: 3 LITHOGRAPHIES ORIGINALES en couleurs. - DLM n° 74/75/76. UBAC. Avril-mai-juin 1955: 3 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en double page et 1 en quadruple page. - DLM n° 105/106. UBAC. Mai-juin 1958: 9 LITHOGRAPHIES ORIGINALES en couleurs dont 1 en double page. - DLM n° 130. UBAC. Novembre 1961: 7 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double page. - DLM n° 142. UBAC. Mars 1964: 8 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double page. - DLM n° 161. UBAC. Octobre 1966: 5 LITHOGRAPHIES ORIGINALES EN COULEURS. 2 LITHOGRAPHIES ORIGINALES EN NOIR en double page. - DLM n° 195. "MAEGHT ÉDITEUR". Décembre 1971: 1 lithographie originale en couleurs de Ubac et lithographies en couleurs de Mirò, Calder, Ubac, Tàpies, Chillida, Giacometti, Palazuelo, Bury, Riopelle, Gardy-Artigas, Le Yaouanc, Fiedler. - DLM n° 196. UBAC. Mars 1972: 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double page, 3 lithographies en noir. - DLM n° 251. UBAC. Février 1982: 2 LITHOGRAPHIES ORIGINALES. Très nombreuses reproductions photographiques d'œuvres (sculptures, pierres et ardoises gravées, peintures, dessins, etc.) en noir et en couleurs. Textes d' André Frénaud, Yves Bonnefoy, Georges Limbour, Jean Bazaine, Francis Ponge, Pierre Volboudt, Yves Bonnefoy, Gaëtan Picon, Claude Esteban. Premières éditions. Paris, Maeght éditeur. 9 volumes in-folio (380 x 280 mm) en feuilles.
réf. 2081002109000092Living Dolls and Kisaburo Matsumoto Exhibition Executive Committee N.A. Soft Cover. Fine. Number of pages: 252p Size: 26cm Living Dolls and Kisaburo Matsumoto Exhibition Executive Committee paperback
1878réf. 58603Paris: E. Neurdein Editeur Photographie 1878. Seven albumen cabinet card photos. Oblong 8vo. 6 x 3.8 in. mounted on 6.5 x 4.6 in. beige studio cards red & black printed captions red woodcut borders all w/ manuscript annotations on versos minor bowing to boards still VG set w/ bright sharp images. Seven souvenir albumen cabinet card photos chronicling the third great Paris World’s Fair proclaiming through pomp and events that the Third Republic had rebounded from the Franco-Prussian War and the Commune Revolt. The Exposition was far larger than any previously held occupying over 66 acres featuring an Avenue des Nations elaborate exhibition palaces the completed head of the Statue of Liberty and the first Exposition to feature outdoor electric lighting with massive arc lights. These images include the an updated public aquarium featuring undersea grottoes inspired by Jules Verne stories the Palais de Trocadero the Palais du Champ de Mars statue of the Republic the Galerie du Travail showing stoves weaving machines and more; as well as the statuary in the Grande Galerie Italienne. Etienne Neurdein 1832-after 1915 and his brother Louis Antonin 1840-after 1915 were intrepid traveling photographers throughout French Northern Africa particularly the Sahara and Algeria in the 1870’s and also known for portraiture and monuments photos. They were later awarded the status as official photographers of both 1889 and 1900 Paris Exposition Universelle. See: Arthur Chandler Heroism in Defeat The Paris Exposition Universelle of 1878 World’s Fair Magazine Vol. VI No. 4 1986; Orientalist Photography: Part One -- 19th Century Neurdein Brothers Twicemodern in Photography Jan 27 2013. E. Neurdein, Editeur Photographie, hardcover
réf. 61190P., Georges Petit, plaquette in 4°, 6 pages de préface par L. Roger-Miles et 34 numéros décrits ; couverture très légèrement effrangée.
réf. 12143Paris, Centre Georges Pompidou, 1989 grand in 4 reliure toile de l'aditeur sous jaquette illustrée en couleurs, 272 pages
réf. 12143Paris, Centre Georges Pompidou, 1989 grand in 4 reliure toile de l'aditeur sous jaquette illustrée en couleurs, 272 pages
réf. 65301CBo.J. [3 Warenabbildungen] (Heinz Mack, geb. 08.03.1931 in Lollar. Mitbegründer der international einflussreichen Gruppe Zero).
réf. 39840EXPOSITION--LONDON--1862 THE ART JOURNAL ILLUSTRATED CATALOGUE OF THE INTERNATIONAL EXHIBITION 1862. London: James S. Virtue 1862. Small folio. Contemporary quarter calf all edges gilt. xii 324 pages 10 lithographic plates. First edition. A profusely illustrated catalogue for the London 1862 exhibition the much enlarged successful followup to the original inaugural 1851 exhibition published by The Art Journal featuring articles on the fine and decorative arts such as "The International Exhibition" "The Mediaeval Court" "Notes on the Raw Materials used by Artists as seen in the Exhibition" "Machinery employed in Art-Manufactures" "Art in its Influence on Art-Manufacture" "Modern Sculpture of all nations in the Exhibition" among others. Every aspect of arts and manufactures is included and well illustrated: furniture jewellery iron steel and brass work porcelain terra-cotta etc. carpets tapestries glass silver stone and wood carving wall decoration works in sculpture etc. Very good. unknown
réf. 39840EXPOSITION--LONDON--1862 THE ART JOURNAL ILLUSTRATED CATALOGUE OF THE INTERNATIONAL EXHIBITION 1862. London: James S. Virtue 1862. Small folio. Contemporary quarter calf all edges gilt. xii 324 pages 10 lithographic plates. First edition. A profusely illustrated catalogue for the London 1862 exhibition the much enlarged successful followup to the original inaugural 1851 exhibition published by The Art Journal featuring articles on the fine and decorative arts such as "The International Exhibition" "The Mediaeval Court" "Notes on the Raw Materials used by Artists as seen in the Exhibition" "Machinery employed in Art-Manufactures" "Art in its Influence on Art-Manufacture" "Modern Sculpture of all nations in the Exhibition" among others. Every aspect of arts and manufactures is included and well illustrated: furniture jewellery iron steel and brass work porcelain terra-cotta etc. carpets tapestries glass silver stone and wood carving wall decoration works in sculpture etc. Very good. unknown books