9255 risultati
1974rif. 109241974 Olonne - Beauvoir, Imprimerie S.I.T.O.L., 1974; livret in-8° agrafé, couverture de papier couché blanc décor orange au 1er plat; 36pp. - (1)f. Illustré en noir dans le texte. Exposent les peintres Yves Brayer Jean Chabot, Roger Chapelain-Midy, Jean Chevrolleau, Pierre Eugène Clairin, Joel Dabin, Emile Grau Sala, René Levrel, Paul Nassivet, Jean Rigaud , Henry Simon, Louis Toffoli. Tous les artistes (sauf Jean Chevrolleau) ont apposé leurs signature autographe au niveau de l' article qui leur est consacré.
1979rif. 59146Santa Barbara CA: Santa Barbara Museum of Art 1979. 4to. 82 pp unpaginated. With over 100 printed photo illustrations multiple prints tipped-in and laid-in offset photograph by Don Worth on glossy stock embossed photographer’s signature at lower corner; signed print by Karen Truax screenprinted magazine page by Robert Heinecken signed screen print by Keith Smith signed print by Todd Walker signed print by Alex Sweetman and 20 colour transparency slides w/ printed frames inserted into mylar sleeve pockets. Colour-illustrated softcovers plastic-comb binding as issued minor shelfwear slight tear head of spine signed & numbered by Parker at end of forward. First edition No. 508 of 1000 copies printed numbered & signed of this exceptional catalogue documenting this groundbreaking photography exhibition as the decade of the 1970’s closed featuring some of the most significant 20th-Century photographer’s works. Walker Smith Sweetman Worth Truax and Heinecken all included their limited edition unique prints for this volume and most signed by the artist. Featured in the exhibition were such photographers as Robert Adams Diane Arbus Michael Bishop Ellen Brooks Jo Ann Callis Joyce Cohen Steven Cortright Robert Flick Nancy Gass Robert Mapplethorpe Jeffrey Silverthorne Mike Mandel Lew Thomas Brett Weston and many more. Santa Barbara Museum of Art, paperback
1965rif. 276-2Paris, Maeght éditeur, 1965. In-folio (380 x 280 mm) en feuilles, 40 pages, couverture illustrée, chemise et étui de l’éditeur. 8 LITHOGRAPHIES ORIGINALES de Capdeville, Garache et Fromanger dont 3 en double page. Lithographies d'après Arias et Matieu. Textes originaux de Jacques Prévert, Georges Badin, Amable Arias, Dora Vallier, Alain Badiou er Denys Chevalier. Exposition de 6 jeunes artistes ARIAS, CAPDEVILLE, FROMANGER, GARACHE, MATIEU et GARDY-ARTIGAS à la Galerie Maeght. TIRAGE ORIGINAL DE LUXE numéroté sur Rives et signé par les 6 artistes.
1895rif. 23041Paris E. Bernard et Cie 1895 -in-8 bradel un volume, reliure pleine-toile bradel bleu-gris in-octavo (cloth-bound in-8) (23 x 15 cm), reliure XXème, dos long (spine without raised band), décoré "or" (gilt decoration), titre frappé or (gilt title) dans le sens de la hauteur, pièce de titre sur fond bordeaux avec 2 filets "or" de part et d'autre (label of title with gilt line ), plats muets (cover without title), tête lisse - gouttière et tranche de queue non rognées (top edge smooth - fore-edge and edge of bottom no smooth), couverture illustrée conservée mais légèrement fanée, Illustrations dans le texte et à pleine page en noir + 2 planches hors-texte en noir sur papier glacé, XII-163-16 pages, 1884 Paris E. Bernard et Cie Editeurs,
1855rif. 277681855 L'Artiste, Journal de la Littérature et des Beaux-Arts.1855- du N°2-13 mai 1855 au 23 septembre 1855,IN4 brochés,19 fascicules en feuilles sous chemises jaunes, très rare,
rif. 9985Principaux engins,modes de pêche autorisés ou interdits. Renseignements fournis par les agents des eaux et forêts et coordonnés sous la direction de M.L DAUBREE par M Raoul de DROUIN DE BOUVILLE.Exposition Universelle internationale de 1900.Fort in 4 demi-cuir vert, titre, roulette, filets, dorés. faux-titre, titre, VII, 652 pages, nombreuses illustrations hors-texte, figures dans le texte. Paris Imprimerie Nationale 1900. Edition originale. Marge extérieure effrangée page 95. Sinon très bon exemplaire
199589 pages. Bibliography. List of Exhibitions. List of works in this exhibition. Printed upon glossy stock. Illustrated in colour and black and white. Contents include: Artist's Statement; The Salvation Art of Yuxweluptun; Yuxweluptun and the West Coast Landscape; Yuxweluptun - A Philosophy of History; The Modernist Past of Lawrence Paul Yuxweluptun's Landscape Allegories; Time Line. "I work from the native perspective that all shapes and any elements can be changed to anything to present a totally native philosophy. It allows me to express my feelings freely and show you a different view." - Artist's Statement. Unmarked with average wear. Binding intact. A sound copy. Book
1893rif. 047438New York: De Wolfe Fiske & Co. DeWolfe 1893. First edition 1893. Scarce item likely issued as a souvenir. Full color chomolithograph presentation of notable scenes of American history geared for young people with the rear cover a birds' eye view of the Columbian Exposition and President Cleveland opening the World's Fair. Oblong hardcover 8.25 x 12 inches eight pages of scenes including the covers Independence Hall on the front cover having doors you can open. Covers rubbed and spotted some dampstaining to upper corner right hand door of Independence Hall on the front cover detached but present left door chipped binding sound but not tight fair but complete. First Edition. Hard Cover. Fair. Oblong 4to. De Wolfe, Fiske & Co. [DeWolfe] Hardcover
rif. 202201921Paris, La lilbrairie illustrée , 1889 ; in folio, 324 pp., cartonnage de l'éditeur. Les 2 volumes. 4 tomes relier en 2 volumes : volume 1&2.
rif. 230884Paris, Vve A. Morel, 1874 21 fascicules in-8, brochés, la plupart non coupés. Quelques couvertures détachées.
1848rif. S121167Bruxelles, Imprimerie et Lithographie des Beaux-Arts 1848 78pp. + 20 planches (eaux-fortes et lithographies), 36x26cm., reliure cart. d'éditeur solide (coins frottés, qqs. traces d'usage), peu de rousseurs occasionnelles, bon exemplaire, 1kg., [Contient 78 pages de textes explicatifs sur les oeuvres d'art des dizaines d'artistes participant à l'exposition], S121167
18953 tomes: ensemble de 26 rapports, 24cm., reliures cart. uniformes (plats marbrés, dos en cuir avec titre dorés), feuilles de garde marbrées, [Contenu: Jury international des récompenses Notice générale (31pp.), Enseignement primaire Rapport par Ed. De Geynst (14pp.), Enseignement moyen et supérieur Rapport par Fr. Van Hoof (22pp.), Objets scientifiques, cartographie etc. rapport de m. Gillis (40pp.), Photographie rapport de H. Wouwermans (24pp.), Application usuelle des arts du dessin et de la plastique. Rapport de F. De Beeckman (13pp.), La céramique. Rapport de Camille Renard (88pp.), Verrerie, cristallerie, glacerie, gobletterie et vitraux. Rapport de m. Emile Vauthier (18pp.), Métallurgie du fer et de l'acier. Rapport de H. Ponthière (95pp.), Industries textiles. Rapports (111pp.), Bonneterie, boutons, ganterie, lingerie et passementerie. Rapport de Léon Chaussette-Delgouffre (36pp.), Dentelles, Tulles, broderies, passementeries (24pp.), Cuirs & peaux (26pp.), Les meubles (42pp.), Industrie du papier (63pp.), Produits chimiques (84pp.), Produits pharmaceutiques (35pp.), Distellerie (17pp.), Brasserie, matières premières, matériel et bières (95pp.), Tabacs (15pp.), Section des vins (274pp.), Génie civil (204pp.), Navigation et sauvetage (146pp.+ 6 grandes planches dépliantes), Statistique & bibliographie commerciales (11pp.), Musées commerciaux (51pp.), Les colonies et l'état indépendant du Congo (100pp.), Art militaire (65pp.), Sylviculture (18pp.), Peche et pisciculture (14pp.), Horticulture (9pp.)], poids: 5kg., bon état, rare, B86640
1887rif. boz_001905Eugène Burnand & Julia Antonine Girardet. Ensemble de deux lettres autographes signées et une invitation personnelle à une exposition, 1887 Peintres Suisses 1) Lettre autographe signée d'Eugène Burnand, peintre, adressée à Mademoiselle Ida Risler, datée du 18 Juin 1887 à Paris. Rédigée à l'encre noire sur un double feuillet de papier vergé filigrané. Dimensions : 11,4 x 17,7 cm État : Traces d'onglets sinon bel état de conservation. Nombre de pages : 4 pages 2) Lettre autographe signée de Julia Antonine Girardet, peintre, non datée. Rédigée à l'encre noire sur un double feuillet de papier vergé filigrané. Dimensions : 11,3 x 17,8 cm État : Traces d'onglets sinon bel état de conservation. Nombre de pages : 2 pages 3) Carte d'invitation personnelle pour Madame Cousin de la part de Mr Burnand pour une exposition à Paris du Panorama des Alpes Suisses, œuvre appartenant à M. Henneberg de Genève et destinée à l'Exposition Universelle de Chicago. Dimensions : 15,8 x 10,2 cm État : Traces d'onglets sinon bel état de conservation. Nombre de pages : 1 page Eugène Burnand Eugène Burnand est un peintre et graveur suisse né le 30 août 1850 à Moudon et mort le 4 février 1921 à Paris. D'un style naturaliste, son œuvre picturale se compose notamment de scènes religieuses et de paysages de campagne. Un musée lui est consacré à Moudon en Suisse. Julia Antonine Girardet Julia Antonine Girardet, née à Saint-Blaise le 20 septembre 1851 et morte à Paris le 8 mars 1921, est une aquarelliste, romancière et compositrice de musique.
rif. 27466Couverture rigide. Bon/1827. in-8. Paris Mme Huzard 1827 in-8 de 4 222 pages et 2 tableaux repliés exemplaire broché sous couverture muette couverture déchirée et salie Unique édition de ce rapport rédigé par Héron de Villefosse. mouillure en bas des 100 premières pages. unknown
rif. 85358G. Brun Marseille 1906 Portfolio in-4 oblong "à l'italienne" ( 325 X 410 mm ), pleine percaline grenat fermée par ruban, premier plat titré en lettres d'or, contenant 13 grandes illustrations en phototypie "volantes" sous serpentes. Premier tirage. Très bel exemplaire, fort rare.
1827rif. 27466Paris, Mme Huzard, 1827, in-8, de (4), 222 pages et 2 tableaux repliés, exemplaire broché, sous couverture muette (couverture déchirée et salie), Unique édition de ce rapport rédigé par Héron de Villefosse. mouillure en bas des 100 premières pages. de (4), 222 pages et 2
1932rif. 255ENVOI D’YVES HENRY Grand in-8 , 1/2 reliure à coins de cuir marron clair. Couvertures conservées. 696 p. BIEN COMPLET des grandes cartes dépliantes dont celles des rizières du Tonkin et du Thanh-Hoa, des rizières du delta du Mékong, des planches de la superficie des rizières en Cochinchine, des plantations d’Hévea, du Cours du paddy, des valeurs comparées du blé, des cartes des rizières de l’Indochine, du gd graphique dépliant et autres graphiques. Publié sous la Direction du Gouvernement de l’Indochine, Inspection générale de l’agriculture , de l’élevage et des forêts à l’occasion de l’Exposition coloniale internationale de Paris de 1931. [ Imprimerie d’Extrême - Orient] , Hanoï, 1932.
1927rif. 23301NP 1927. Softcover. vg. Oblong 8vo. Unpaginated 24pp. Stapled printed wraps as issued. Rare exhibition catalogue of the "Erste Frühjahrsschau für angewandte Kunst" which was held in Berlin in 1927. Illustrated with 10 tipped-in b/w photographic reproductions of metal ceramic glas wood weaving and ivory art works. "Erste Frühjahrsschau für angewandte Kunst in Berlin zeigt Musterarbeiten aus verschiedenen Materialgruppen vorwiegend Einzelstücke.Angestrebt wird den Begriff und das Unterscheiden von gut und schlecht in Material Form Farbe und Ausführung weiten Kreisen näher zu bringen dadurch Produktion und Absatz wertvoller Dinge zu steigern wertloses zurückzudrängen. Vertreten sind Einzelarbeiten aus Keramik Glas Metall Holz Weberei und verwandten Materialgruppen." Photographs show art work by Prof. L. Gies O. Douglas Hill & A. Ehlers Prof. E. Scharff Prof. C. O. Czeschka E. Lettrè W. Raemisch Prof. M. Läuger Werkstätten der Stadt Halle Kunstgewerbeschule Burg Giebichenstein and Prof. Th. A. Winde. Minor creasing sunning and staining on wraps. Small stain on margins of bottom and fore edge of first 5 pages. Text in German. Overall very good condition. Scarce. NP unknown
1927rif. 23301NP 1927. Softcover. vg. Oblong 8vo. Unpaginated 24pp. Stapled printed wraps as issued. Rare exhibition catalogue of the "Erste Frühjahrsschau für angewandte Kunst" which was held in Berlin in 1927. Illustrated with 10 tipped-in b/w photographic reproductions of metal ceramic glas wood weaving and ivory art works. "Erste Frühjahrsschau für angewandte Kunst in Berlin zeigt Musterarbeiten aus verschiedenen Materialgruppen vorwiegend Einzelstücke.Angestrebt wird den Begriff und das Unterscheiden von gut und schlecht in Material Form Farbe und Ausführung weiten Kreisen näher zu bringen dadurch Produktion und Absatz wertvoller Dinge zu steigern wertloses zurückzudrängen. Vertreten sind Einzelarbeiten aus Keramik Glas Metall Holz Weberei und verwandten Materialgruppen." Photographs show art work by Prof. L. Gies O. Douglas Hill & A. Ehlers Prof. E. Scharff Prof. C. O. Czeschka E. Lettrè W. Raemisch Prof. M. Läuger Werkstätten der Stadt Halle Kunstgewerbeschule Burg Giebichenstein and Prof. Th. A. Winde. Minor creasing sunning and staining on wraps. Small stain on margins of bottom and fore edge of first 5 pages. Text in German. Overall very good condition. Scarce. NP unknown books
1876rif. 57711Philadelphia PA: National Publishing Co. 1876. One oblong atlas folio hand-coloured lithograph sized 26 x 20.5 in. still retaining fairly wide borders printing above & below centered image w/ hand-coloured border some minor toning & aging from original backing minor tidemark to upper left corner edgewear slight tears very minor predation scuffing to blank right margin still a nice strong image retaining some of the original colouring. First edition variant issue of this scarce birds-eye view of the buildings and sites at the first World’s Fair in the United States celebrating the Centennial. This depicts the trees grass shrubs pedestrians horse-drawn carriages and walking paths with labels below for the Horticultural Hall Main Exhibition Building Memorial Hall Agricultural Hall Ladies Pavilion Machinery Hall and others. These beautiful birds-eye views were presented to subscribers of the “Centennial History” by sales agents who were also sent extra circulars and liberal commissions as indicated in the margins. These were apparently issued in different sizes and formats with the Huntington hand-coloured copy containing all the text including the imprint at the lower fore-edge and both the Huntington and American Antiquarian Society copies have smaller margins. Bourquin 1808-1897 was a Swiss-American pioneering Philadelphia lithographer who specialized in county maps and atlases but also was known for his innovative lithography and by 1876 maintained between 6 and 20 skilled lithographers to produce portraits and prints. National Publishing Co., unknown
1898rif. 61010Chicago: Rand McNally Co. 1898. 8vo. 497 1 pp. 1 large folding Birds-eye colour pictorial map bound in at rear sized 25.5 x 20.5 in. with only slight edgewear. Original three-quarter brown calf over dark blue pebbled cloth gilt lettering & bands on spine t.e.g. minor shelfwear light rubbing ex-lib markings on endpapers stamp embossed in blind on title still a VG crisp copy. First edition of this surprisingly scarce report which served to provide the final history and financial analysis of the 1893 Columbian Worlds Fair. Higinbotham provides numerous tables explaining expenses amount of visitors to the fair specific exhibition costs final disposition of exhibits and much more. Of particular interest is that this copy still retains the original pictorial map Birds-Eye view based upon earlier versions and issued with this report. The pictorial map features a numbered list of attractions listed below which carefully correspond to those depicted in the map such as the “Ferris Wheel” erected by George Washington Gale Ferris Jr. as the centerpiece to the Midway Plaisance. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 221 3 different versions issued. [Rand McNally Co., hardcover
1893rif. 60899Chicago & Philadelphia PA: Globe Bible Publishing Co. 1893. Thick oblong 4to. 11.25 x 9 x 2.25 in. 528 2 pp. including over 250 photo plates all w/ facing explanatory text and Exposition map. Half-black embossed calf over blue cloth gilt lettering front cover spine decorated in blind gilt lettering decorated endpapers expertly rebacked very minor chipping loss head of spine some scuffing offsetting from inner-joint glue at gutters still a VG copy from the library of Prof. Marvin Nathan. First edition of this splendidly illustrated photographic guidebook of the 1893 Columbian Exposition and perhaps the most detailed of all of the illustrated view books to the Chicago World’s Fair. The majority of the pavilions are well-detailed and the Arnold photographs meticulously document the splendor of the Fair. Along with the immense Ferris Wheel which towered over the Exposition there also are images of the Street in Cairo Egyptian Wedding Sudanese villagers Egyptian belly-dancers the Chinese theatre and the Alaskan Kwakiutl Indians together with their totem polls and native dress. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1667. Globe Bible Publishing Co., hardcover
1864rif. 53725London: Day & Son 1864. First Edition. Large octavo 26cm. Publisher's embossed cloth-covered boards decoratively titled in gilt on spine and front cover; xxiv447pp; 431 wood-engraved text-figures; 39 inserted leaves of engraved plates most folding. Neatly rebacked; some spotting and soiling to boards spine cloth slightly dulled. Endpapers soiled with faint marginal tidemark to preliminary leaves but in all a tight complete Very Good copy. Ownership signature on front endpaper of a William John Lafferty Belfast dated 1866. A significant work infrequent in commerce. Especially valuable for its coverage of early railway technology an area in which the author was himself expert as he had served as a Consulting Engineer for the Great North of Scotland Railway as early as 1853. The book's four divisions - Railways; Textile Machinery; Metal and Wood Manufacturing Machinery; and "Machinery in General" are each profusely illustrated with both text figures and folding plates. The final plate at end of text is a "General Plan of the Western Annex" where mechanical exhibits were housed. Day & Son unknown
1864rif. 53725London: Day & Son 1864. First Edition. Large octavo 26cm. Publisher's embossed cloth-covered boards decoratively titled in gilt on spine and front cover; xxiv447pp; 431 wood-engraved text-figures; 39 inserted leaves of engraved plates most folding. Neatly rebacked; some spotting and soiling to boards spine cloth slightly dulled. Endpapers soiled with faint marginal tidemark to preliminary leaves but in all a tight complete Very Good copy. Ownership signature on front endpaper of a William John Lafferty Belfast dated 1866. A significant work infrequent in commerce. Especially valuable for its coverage of early railway technology an area in which the author was himself expert as he had served as a Consulting Engineer for the Great North of Scotland Railway as early as 1853. The book's four divisions - Railways; Textile Machinery; Metal and Wood Manufacturing Machinery; and "Machinery in General" are each profusely illustrated with both text figures and folding plates. The final plate at end of text is a "General Plan of the Western Annex" where mechanical exhibits were housed. Day & Son unknown books
1900rif. 23855Paris 1900. Hardcover. Very good condition. A photographic record of a young American man's tour of Europe and the Paris Exposition accompanied by many beautiful street images of Paris. The silver gelatin prints of Paris by the unidentified photographer include wonderful images of Notre Dame cathedral the Eiffel Tower the Opera House Toreador Palace the Church of the Madeleine the Champs Esys and the Arc de Triumph. There are many street scenes including the Rue de Rival L'Avenue de loper Place de la Republic monuments and architecture. The tour begins in Scotland and includes a departure at the train station wonderful shot of the train and passengers waiting on the platform as well as thatched roof cottages and gardens castles Edinburgh and London. It concludes with images of the main square in Brussels the Belgian country side and Holland including the iconic windmill shot. The final shot is on board ship the photographer with 2 fellow travelers looking very proud of himself. The album 8 x 6". Images 3 x 3 1/2" loosely inserted into card stock mounts. Very good condition; previous owner book plate Michael E. Kate. Three quarter leather and buckram boards the spine leather lacking but the binding intact. hardcover