Laplace, Pierre-SimonAntiquariat.de
9 242 résultats
1796réf. 129611Imprimerie du Cercle-Social, Paris, 1796. 314, [6] S. ; 312, [6] S. ; 19 x 13,5 cm ; Halbleder.
1958réf. 339Paris, Maeght éditeur, 1958. In-folio (380 x 280 mm) en feuilles, 28 pages. 4 LITHOGRAPHIES ORIGINALES de MIRO, GIACOMETTI, TAL-COAT, MARC CHAGALL avec "PAYSAGE AU COQ", une exceptionnelle lithographie en couleurs à double page (M208) et des reproductions de Braque, Bonnard, Matisse, Picasso, Kandinsky, Mirò, Léger et Bazaine. Tirage original. DLM édité en juin 1958 pour l'exposition d'œuvres monumentales de Bonnard, Matisse, Braque, Chagall, Picasso, Kandinsky, Brancusi, Léger, Mirò, Giacometti, Bazaine, Tal Coat et Ubac.
1904réf. 2578VERMOT 1904 1 Paris, Vermot, 1904, fort in-8, maroquin rouge à grains longs, fin motif décoratif doré encadrant les plats, dos à quatre nerfs orné, double filets sur les coupes, décor intérieur doré, tranches dorées, couverture conservée, (RICHARDOT), 732 pp.
1936réf. 030111London 1936 Faber and Faber Hardcover 1st Edition
réf. 207589S.l., s.d. (1900) 176 cartes postales de format 9 x 14 cm,
1931Folio, in legatura originale con titolo impresso in oro ai piatti e al dorso. Ex libris Giovanni Treccani degil Alfieri.
1994réf. WRCLIT75713Toronto: Natural Heritage / Natural History 1994. 2782pp. Quarto. Full morocco details below original front wrapper bound in. Some tanning to binding extremities but a very good copy. First edition. Inscribed and signed by the authors on the half-title. This copy is in a special binding executed by Stanley M. Sherman commissioned by the recipient and completed by Sherman in May of 1985. The binding is full gray morocco with six horizontal colored morocco onlays creating a body of water with a backdrop of land and snow-covered mountains and smaller onlays of two people with equipment in a canoe rowing from left to right and with a printed paper onlay on the rear board of a caribou. The title and authors' names are stamped in blind on the upper board and a smaller blindstamped label is affixed to the spine. The marbled endsheets incorporate two pockets on each pastedown made to accommodate various documents including three t.ls.s. 3pp and one a.l.s. 2pp. from Hoyle to the recipient leading up to publication relating to information the recipient provided for the book and to the books completion and publication. Copies of two letters from the recipient to Hoyle are present as are several related items. Also present is the itemized descriptive invoice handwritten in ink by Sherman for the preparation and binding of the book $810. Sherman whose training as a binder overlapped his distinguished career as an architect and city planner is a member of the Canadian Bookbinders and Book Artists Guild and the British Guild of Book Workers. He trained with Tom Albro and began making commissioned bindings in 1986. He has had one-man shows at the Walters Art Museum 2006 and the District of Columbia Public Library 2012. Natural Heritage / Natural History unknown books
1867réf. 129235Paris, E. Dentu, impr. Imprimerie générale Ch. Lahure 1867 2 volumes. In-folio 37,5 x 26,5 cm. Reliures demi-basane rouge, dos lisses ornés de filets dorés, 280-480 pp. 60 livraisons de 16 pp., imprimé sur 3 colonnes, moitié texte, moitié gravures., tables des matières, sommaires. Accrocs en tête et en pied de dos, intérieur très frais.
1884réf. 2111902160200730Nakano Kei kura 1884. Soft Cover. Fine. Volume: 1 Nakano Kei kura paperback
réf. 60077aafParis, Imprimerie Impériale, 1857, gr. in-8vo, 2 ff. + 511 p. + 2 planches dépl. (Plan d'ensemble de l'exposition / Plan de la cérémonie de cloture le 15 novembre 1855), qqs rousseurs épars, qqs lignes rouges, tirage sur beau papier (Hollande?) epais, pt. timbre rouge ‘N’ avec tête d'aigle sur le faux-titre ainsi ce texte en bleu ‘Admirable travail / monument de la première exposition !’, reliure en demi-chagrin à nerfs verte, dos orné de caissons doré et orné d'une abeille, plat devant avec texte doré ‘Don de S.A.I. le Prince Napoléon Président de la commission impériale’, le verso aux armes de Napoleon. Qqs pt. traces d'usage et ou tâches, en tout un très bel exemplaire avec 3 tranches dorées.
1901réf. 63092Buffalo NY & Chicago IL: Mackson; Lyman 1901. Archive of 46 original albumen photographs sized from 3 x 6 in. up to 4 x 6 in. all of the images smaller than 4 x 5 in. on albumen paper stock many w/ embossed photographer’s stamps several w/ photographer’s imprint w/in negative some w/ small rubber stamp at lower fore-edge of verso as well as pencil manuscript annotations identifying subject inventory nos. w/ in negatives of several a few w/ evidence of having been previously mounted a couple w/very slight dog-eared corners 1 w/ closed tear at lower fore-edge a couple w/ image evidencing poor process chemicals still an exceptional group of images. This set of photographs was created by two different Illinois & Missouri photographers at the 1901 Pan-American Exposition in Buffalo NY -- both of whom had lived and worked in Chicago at the beginning of the 1890’s offering reasonably priced “unofficial” vernacular images of the 1893 Columbian Exposition World’s Fair followed by the Pan-American World’s Fair. The fair featured a range of acts and attractions featured at the Exposition which included Bostock’s Trained Wild Animals “A Trip to the Moon” “Cleopatra’s Temple” Henry Roltair’s illusionist show “House upside down” and the Battle of Missionary Ridge Cyclorama. Many of the Exposition buildings including the prominent Electric Tower were covered in approximately 2 million 100 watt incandescent light bulbs producing an incredible display when turned on each night attracting millions of people who visited. This Exposition marked a defining moment in Buffalo history with the city becoming the focus of international architectural artistic technological and industrial attention at the Fair. It is sadly largely remembered as the scene of the tragic assassination of President McKinley. Vernacular souvenir photos are quite scarce and these have an unusual sharpness in light of the fact that like the 1893 Columbian all were prevented from bringing in tripods to shoot the Exposition. One of the photographs captures African natives from the Midway’s “African Village” which incorporated Africans from the colonial empires of Great Britain Belgium Germany & France along with participants from Georgia who were “staged” in the “Old Plantation” representing the enslavement of African-Americans in North America. Another Black History exhibit included was the “Negro Exhibit” previously exhibited at the 1900 L’Exposition Universelle in Paris depicting the accomplishments of formerly enslaved people and languished at the far back of the Manufacturers and Liberal Arts Building. Samuel Lyman 1854-1939 was an intrepid tinkerer junk dealer and photographer who shot souvenir photos for his customers during the Columbian Exposition in 1893. Two of his sons Joseph Lyman 1887-1953 and Harry Lyman 1883-1940 became successful photographers in Kansas City MO during the Roaring 20’s. Mackson fl. 1885-1910 immigrated from Russia into Chicago in the 1880’s and operated a small photo studio there until about 1900 before relocating to Kansas City and St. Louis MO during the opening decade of the 20th Century operating photography studios in both cities. See: The Midway Buffalo New York Uncrowned Community Builders 2025. Mackson; Lyman, unknown
réf. PD59Oblong large Folio album ca. 26x339 cm. 45 paper album leaves 12 leaves blank. With 84 original gelatin silver photographs 3 loosely inserted with the larger ones ca. 252x202 cm 10x8 in smaller photos from ca. 104x82 cm 4x3 ¼ in to ca. 45x67 1 ¾ x 2 ¾ in and the rest of the photos ca. 82x139 cm 3 ¼ x 5 ½ in; with one printed postcard of the “Tower of Jewels” ca. 152x284 cm 6x11 ¼ in. No captions. Period style brown leather album fastened with a string; with the gilt-tooled generic title “Photographs” on the front cover. Covers slightly rubbed loss of two small fragments in the lower part of the front cover mild silvering but overall a very good album with strong interesting photos. Historically interesting collection of early well-executed photographs documenting the 1915 Panama Pacific International Exposition PPIE in San Francisco. The PPIE world fair held from February 20 to December 4 1915 celebrated the completion of the Panama Canal and highlighted San Francisco’s recovery from the 1906 earthquake. The fair occupied a 636-acre site along the northern shore now the Marina District attracting around 19 million visitors. It featured numerous grand structures built exclusively for the event most of which were dismantled shortly afterward except for the Palace of Fine Arts which still stands today. The album contains 84 vibrant views of the Panama International Exposition apparently taken by an American tourist during the summer of 1915. About thirty excellent photographs show the main architectural structures of the PPIE including palaces Horticulture Food Products Fine Arts Varied Industries Transportation international pavilions Siam Portugal Canada Netherlands buildings California & Ferry towers Jewels and Italian arches the Setting and Rising Sun and fountains Energy and Earth. Several candid urban scenes vividly portray dressed-up visitors busily strolling through the Court of the Universe and Court of Four Seasons. There are also two interesting portraits likely showing the compiler and his female companion proudly posing with the coveted visitors' medals. Most of the other photos are well-executed close-up views of exhibited statues - the End of Trail Pioneer Mother Prima Mater the Rising Sun Maidenhood Genius of Creation Fountain of Energy the Kiss etc. The album closes with vibrant photographs of the “Joy Zone” showing specially created attractions – Japan Beautiful Creation Ride and The Souvenir Watch Palace of the New Haven Clock Company. The collection also includes a large striking photograph of the Tower of the Sun at night with the inscription "Photo by Eachus! " on its verso. Overall historically interesting album illustrating the 1915 Panama Pacific International Exposition in San Francisco. hardcover
1967réf. 1493Paris, Maeght éditeur, 1967-1982. 7 volumes in-folio (380 x 280 mm) en feuilles, couvertures illustrées. ENSEMBLE DE 30 LITHOGRAPHIES D'ANTONI TÀPIES. - DERRIÈRE LE MIROIR n° 168. TAPIES. Novembre 1967 (7 lithographies originales en couleurs). - DERRIÈRE LE MIROIR n° 175 (5 lithographies originales en couleurs et 3 lithographies originales en noir). - DERRIÈRE LE MIROIR n° 180 (1 lithographie originale en couleur se déroulant sur 28 pages). - DERRIÈRE LE MIROIR n° 200 (4 lithographies originales en couleurs en double page). - DERRIÈRE LE MIROIR n° 210: MONOTYPES (24 pages entièrement réalisées en lithographie dont 4 lithographies originales et 3 d'interprétation). - DERRIÈRE LE MIROIR n° 234 (2 lithographies originales en couleurs en double page). - DERRIÈRE LE MIROIR n° 253 (1 lithographie originale en triple page. Ultime numéro de la revue). TIRAGES ORIGINAUX POUR TOUS LES VOLUMES. Très nombreuses reproductions d'œuvres et documents photographiques. Textes de: Michel Tapié, Jacques Dupin, Julio Cortazar, Pierre Volboudt, Georges Raillard, Poème de Joan Brossa.
1877réf. 39388Stockholm 1877. Tvær-folio. Samt. halvlæderbind med forgyldt tekst på permer. Med 55 plancher, de fleste vandskjoldede. Folio oblong. Contemporary half calf bindig with gilt lettering to boards. With 55 plates depicting the World exhibition of 1876. Most plates with dampstaining.
1877réf. 39388Stockholm 1877. Tvær-folio. Samt. halvlæderbind med forgyldt tekst på permer. Med 55 plancher de fleste vandskjoldede. Folio oblong. Contemporary half calf bindig with gilt lettering to boards. With 55 plates depicting the World exhibition of 1876. Most plates with dampstaining. hardcover
1954réf. 25036Paris Mourlot 1954 Affiche lithographiée signée à droite dans la planche, Paris, Mourlot, 1954, 70 x 50 cm.
1893réf. 60194Chicago: W.B. Conkey Co. Publishers to the Exposition 1893. Two vols. 8vo. 506; 506 pp. Frontisp. both vols. With maps photo plates. 1st vol. -- Full dark brown morocco over beveled boards gilt ornamented borders gilt lettering & ownership stamp on front cover gilt lettering on spine gilt inner dentelles marbled endpapers t.e.g. minor rubbing edgewear front hinge tender rear hinge just starting very slight uniform interior toning as usual still VG- copy w/ presentation ALS on Conkey private letterhead presenting to Charles M. Kurtz dated Oct. 28th 1893; 2nd vol. -- Full flexible Bible calf dark purple silk moire endpapers gilt lettering stamped front cover & spine a.e.g. w/ dark maroon cloth d.j. backed in dark purple silk moire a F/F presentation copy from Conkey to Kurtz w/ inscription on half-title preserved in open-backed slipcase. First editions thus presentation copies and the second copy with publisher’s note indicating this was No. 91 of 275 Editor’s Deluxe copies signed & presented to Charles McMeen Kurtz 1855-1909 at the time one of Halsey Ives’s Assistants in the Fine Arts Department of the 1893 World’s Columbian Exposition Art Director of the 1894 St. Louis Exposition and later Museum Director at the Buffalo Museum of Art 1905-1909. Conkey writes in the letter for the first volume to Charles Kurtz “I send you herewith a copy of the Catalogue which you may deem to file away as a reminder of many hours spent in order that others might see intelligently the grand work which you with others have done in the Art Department.” Walter Blakesley Conkey had founded the printing house in 1877 occupied many different job printers and in 1890 absorbed the Illinois Printing & Binding Co. and in Jan. 1893 signed the contracts awarding him exclusive rights for printing the myriad of catalogues and handbooks for the Columbian Exposition receiving a deposit of $ 10000. W.B. Conkey Co., Publishers to the Exposition, hardcover
1937réf. 238631937 Pastel signé en haut à gauche, (1937), 50 x 64.6 cm.
1992réf. 278401992 Une gouache originale en couleurs, Format : 62 centimètres de haut par 47,5 centimètres de large, sur papier canson crème, signée à la mine de plomb en bas à droite : JOEL DABIN et en haut à droite : JOEL DABIN 1992, affiche réalisée (pour un Concours organisé en 1992 par le C.I.E.R [Réfectoire et Cellier des Moines de labbaye de Tournus] et l'Ecole des Beaux-Arts de Nantes, 5 rue Fénelon) par Joel DABIN Peintre,
1915réf. List1003Chicago: National Half Century Anniversary Exposition and Lincoln Jubilee 1915. Felt pennant measuring 38 x 15 inches. Lettering slightly faded very good condition overall. In celebration of the fiftieth anniversary of Lincoln's death the city of Chicago hosted the National Half Century Anniversary Exposition and Lincoln Jubilee to celebrate emancipation and the cultural achievements of African-Americans. The event was held at the Coliseum on August 23 - September 22 1915. The Illinois legislature appropriated $75000 for the month-long celebration. Seventeen states appointed African American delegates to attend the event as representatives. Delegates from other countries participated as well. Bishop Samuel Fallows the English-born clergyman and Union Army Colonel spent a decade promoting and organizing the event urging states such as New York to appoint representatives and encouraging Chicago's religious leaders to attend. Several hundred pastors from African-American churches did attend along with members of their congregations and most contemporary accounts of the jubilee advertise speeches by African-American religious leaders. Charles F. Gunther a local candy manufacturer and collector of Lincoln memorabilia lent his collection to the event it was later purchased by the Chicago Historical Society. The event's organizers anticipated close to half a million attendees. Though we find no record of actual attendance contemporary reports show crowds of tens of thousands attending at a time. The Colored Women's Civic League closed the exposition with a ceremony involving children. Despite the large undertaking and historical significance of the event few relics of the exhibition have survived. OCLC lists two copies of the official program for the event. The official report of the event History and Report of the Exhibition and Celebration to Commemorate the Fiftieth Anniversary of the Emancipation of the Negro has around 20 holdings. We find no other record of this commemorative pennant an unusual survival. Condition is very good with some light wear. National Half Century Anniversary Exposition and Lincoln Jubilee unknown books
1905réf. 43816divers places: divers publishers 1905. Most white or buff cardstock illustrated to recto with printed address block to verso. Light general wear; occasional minor soiling; mix of used and unused cards. Many used cards posted and stamped 1905; some cards have writing to both sides. Many with old prices penciled thereon. Overall VG condition or better. 245 postcards 142 color 103 b/w including 25 duplicates. ~3-1/2" x 5-1/2" A large collection of used and unused postcards from the Lewis and Clark Centennial Exhibition in Portland Oregon held June 1 - October 14 1905. The archive includes color and b/w photographic and lithographic images of the fair's exhibits and the surrounding scenery as well as humorous illustrations and eight combination portraits in which a fairgoer's head has been photographed and printed on a cartoon body. Several of the color postcards have been neatly embellished with glitter. Partial series contained within the collection include three half-tone b/w reproductions of Lee Moorhouse photographs of Native American chiefs; six cards illustrated by Murray Wade signed in the plate; five monotone cards from "Colfax Week" three of which are the same image but in different colors; three b/w cards for the "Great Baltimore Fire on the Trail"; 12 color and b/w cards advertising a specific product a product's association with an exhibit or simply promoting an area business designated via printed information or stamp; a color image of the Forestry Building cropped and affixed to a hand-soldered wooden backing with an address block to the verso; and of course the many numbered images particular to each exhibit; in several cases the same image seems to have been used by two different publishers. Publishers include B. B. Rich Official Stationer Lewis and Clark Official Photograph Company E. P. Charlton & Co. Lewis and Clark Exposition Co. D. M. Averill and Co. and J. K. Gill Co. all of Portland OR; Edward H. Mitchell Pub. and Britton & Rey Lithographers of San Francisco; Frank S. Thayer Pub. Denver; A. Selige Pub. St. Louis; Tom Jones Pub. Cincinnati; and others. In most cases duplicates here are markedly different from their counterparts e. g. decorated with glitter sent from two different people etc. (divers publishers) unknown books
1981réf. 216885Beijing. Circa1981. A complete set of 50 black and white photographs of the trial of the Gang of Four during 1980-81. Images clearly show the judges the courtroom and the accused. In excellent condition each photograph is loosely inserted within an A5 polypropylene sleeve all contained in an archival-grade cardboard box. All images measure approximately 20.5 x 15cm. A fascinating series of photos from the trial of the Gang of Four and the so-called remnants of Lin Biao's Central Cultural Revolution Group including images of the court physical evidence and the accused themselves - including though not limited to Jiang Qing Zhang Chunqiao Wang Hongwen and Yao Wenyuan. Included are photos of the accused - in clearly poorer physical health compared to their peak in 1976 - after having reputedly given emotive vitriolic and stubborn statements to the court. Though Jiang Qing and Zhang Chunqiao appear openly hostile or contemptuous to the court - both in their own unique way - Wang Hongwen Yao Wenyuan and the other defendants appear more subdued and mournful in their demeanour seemingly having resigned themselves to their fate. Of particular note is the inclusion of a single page of images of what appears to be the badly charred and broken corpse of Lin Biao as well as the wreckage of his ill-fated flight. These images were presumably supplied to the court by the KGB who had very controversially handled the investigation at the time of the crash despite it having taken place over and within the territory of the Mongolian People's Republic not the Soviet Union. Perhaps to further affirm the position that the corpse was indeed Lin's a forensic-like comparison is made between an image of the body's skull and his distinctive forehead and brow ridge. . unknown
1862réf. 9027602London: Clay & Lea 1862. Hardcover. Very good. Expertly rebacked with original spine pieces. Gilt titling on spine is still bright. New endpapers. Clay & Lea hardcover
1889réf. 59410Paris: n.p. 1889. 4to. 10.5 x 10.75 in. Six individual puzzles individually postcard sized approx. 3.5 x 4.75 in. w/ colour chromolithograph image dissected onto nine wooden pieces each 1 small piece has been supplied in facsimile for upper corner of the Cairo street puzzle. All contained w/in the original deep red paper-covered wooden box raised bed w/in the box to hold the puzzles lid w/ decorative gilt title lettering minor shelfwear very minor rubbing still a VG nearly complete artifact. Very scarce original souvenir puzzle game issued for the fourth great Paris World’s Fair celebrating through pomp and events the Centennial of the French Revolution and the storming of the Bastille. The Exposition was intended to pull France out of a ruinous recession and attracted over 61000 exhibitors as well as 32 million visitors many of whom came to view the iconic Eiffel Tower. This puzzle celebrates several of the pavilions at the Exposition including Palais des Beaux-Arts designed by Joseph Brouvard filled with painting and flanking the Eiffel Tower providing visitors; the Palais de Trocadero held over from the famed 1878 Exposition celebrating the renewal of Paris following the Franco-Prussian War; as well as the Ministere de la Guerre which featured an Arms & Armour exhibition as well as displays of knightly tournaments assorted uniforms and cannon. The Maison Egyptienne and Rue au Caire would fuel the Orientalist movement and fascination with the Middle East among artists writers and the industrial arts well into the 20th Century. These boxed puzzle games were quite popular souvenirs as well as educational tools in the Belle Epoque and have become remarkably scarce. No copies in Worldcat. n.p., unknown
1851réf. 3220148Lithograph strip panorama consisting of four sheets conjoined measuring 12 x 230 cm overall some light dust-soiling in places; folding into publisher's original boards the upper cover with an illustration of a showman in military attire drumming up an audience for a show consisting of a Punch and Judy-style booth with what appear curiously to be marionettes rather than glove-puppets dancing on the stage spine expertly repaired covers slightly marked but nevertheless still a good example. Rare panorama consisting of 75 captioned vignettes of the people of many nationalities idly wasting time or misbehaving themselves in mostly harmless ways: "A Highland Gentleman practising the Art of Boozing" "John Bull sleeping on the National Debt" "A Hindoo Gentleman enjoying Hookah" "Young Irish Lady doing penance by walking on sharp stones round a well" "A New Zealand Chief polishing the skull of one of his enemies" and so on. It concludes with 'A French Patriot playing Battledoor i.e. battledore & Shuttlecock' the character hitting two crowns and a bonnet-rouge into the air. Although unsigned the artist for the work is clearly Benjamin Clayton 1809-1883 what little we know of him comes mainly from his daughter the writer and artist Ellen Creathorne 1834-1900. Benjamin was born in Dublin but moved his family to London in 1841 hoping to be a history painter however his gifts lay instead with illustration firstly producing his own periodicals gChatg and gPunchinello. A journal of wit wisdom and romanceg but later having to work for other publishers first with Ackermann & Co. and later for Dean and Son. The publisher George Mann at 39 Cornhill together with Dean & Son issued several panoramas at the time of the Great Exhibition the partnership ending with Mann's death in 1852. Dean & Son, Printers. [Published by] G. Mann, Cornhill [London].
