Exposicion Historico-EuropeaBiblio.com
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rif. 1169140610.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1921rif. 2092902137306648Japan Academy of Art 1921. Soft Cover. Fine. The book is in fine condition. Japan Academy of Art paperback
1904rif. 2307190005Palais du Louvre et Bibliotheque nationale Paris 1904. First Edition. Hardcover. Very Good. Fine binding: Exhibition catalogs Fine binding and cover. Bound in contemporary 3/4 morocco over marbled boards. Top edge gilt. Original wraps bound in. Hardcover. Clean unmarked pages. 29 plates. xxxii 160 viii 78 vi p. illus. 24 cm. du 12 avril au 14 juillet 1904. Palais du Louvre et Bibliotheque nationale, Paris, hardcover
1910rif. 113798Seattle Washington: Printed by the Pacific Press Inc. nd c1910. Softcover. very good. 1st Edition. 157pp. 2pp. indexpp. Octavo. Illustrations from photos. Original black cloth taped backed blue wrappers minor fading. very good Tourville 156. Illustrated report giving a history of the commission detailed statement of all disbursements summary of receipts and disbursements and description and costs of buildings and major exhibits. 1910 Printed by the Pacific Press, Inc. paperback
1893rif. 70375brChicago 1893. Book. Very Good. Soft cover. Folio - over 12 - 15" tall. Softcover booklet with colour-printed front cover. Much local advertising in addition to the programme listSome slight toning to covers; rear cover panel partly obscured by paste/paper residue from being previously pasted in a scrapbook. Otherwise clean tight and unmarked. Very neat -- still a sound and handsome copy. Measures 309x236mm. 10 coverspp. Paperback
1893rif. 26349Chicago. Rand McNally & Co. Publishers. 1893 1893. Hardcover. thick8vo 22.5cm 615p. in contemporary half brown morrow gilt ruled raised bands gilt decorations and titles in the panels marbled boards and endpapers library crest in gilt on the spine hinges cracked otherwise a very good internally sound copy ecds. ~ Includes an address "Banking in Canada" by B.E. Walker of Toronto. Sir Byron Edmund Walker 1848-1924 became general manager of the Canadian Bank of Commerce in 1886 and its president in 1907. He was prominent in the establishing of the National Gallery of Canada and the first president of the Champlain Society. Chicago. Rand, McNally & Co., Publishers. 1893 hardcover
rif. M1743bNational Gallery of Canada Ottawa 1994. First edition. Large in-4 606 pages. Orange softcover. Small bump on top left front cover otherwise in excellent condition. djh Language: English. This book ships from the USA shipping costs will be updated accordingly TXR. Relevant subjects: Egypt: Catalogue Sculpture Painting Music & Art. unknown
1969rif. 15995Galerie Felix Handschin, Basel, 1969. 20 Blatt und 11 Transparentfolien, quer, ca. 20x31 cm, Spiralbindung m. bedrucktem, transparente Deckblatt. Auflage: 500 Exemplare. Durchgehend mit farblich gestalteten Seiten (überwiegend Lithographien). Interessantes Buchobjekt im Stil der Pop-Art. Very interessing object. Limited. Hommage à Pop Art.
rif. 25171<meta charset="utf-8">Danseuse et chorégraphe, Loïe Fuller (1862-1928) révolutionna par ses recherches avant-gardistes sur la lumière, la couleur et le mouvement, les arts scéniques à la fin du XIXe siècle. Plus que son nom, c'est l'image irréelle d'une silhouette enveloppée de voiles virevoltants qui a marqué les mémoires. Dans ses célèbres spectacles, souvent imités, elle évoquait, à force d'inventivité et de maîtrise technique, le lys, l'orchidée, le papillon... Initiatrice d'une nouvelle esthétique, Loïe Fuller suscita l'admiration des milieux littéraires et artistiques, qui virent s'incarner en elle le mythe de l'idéal féminin. Son imagination puisée au répertoire de la nature, la gestuelle ondoyante de sa danse serpentine, son goût pour les effets colorés recherchés et les métamorphoses oniriques inspirèrent aux créateurs de l'Art nouveau quelques-unes de leurs réalisations les plus originales. Paris, 2002 RMN 183 pages, très nombreuses illustrations couleur, broché. 20,5 x 28
rif. 31103Couverture lithographique originale de Aki Kuroda. <!----> Paris, 1984 16 planches en phototypie presses Arte Adrien Maeght, en feuillet sous chemise. 26 X 37
rif. 13100Catalogue des œuvres exposées au XIème salon international de photographie du photo club de Paris du 16 juin au 15 juillet 1906 ; In 12 broché, 194x117mm. Couverture illustrée en couleurs de Henry de RENAUCOURT. Titre, 92 pages. 12 photographies hors texte Par J SCHNEIDER (l’aurore) , GUIDO REY (terre d’Italie) , A de MEYER (Rio Santa Marina Venise) ; G MAURY (reflets) etc. Plats légèrement frottés, en marges.
1958rif. 021283Ministère Des Colonies broché Bristol illustré Bruxelles 1958 111 pages en format 16 - 24 cm - photographies hors texte - TBE
rif. 10370Paris, Galerie Jérôme de Noirmont, 4 décembre 1998 - 30 janvier 1999 in 8 reliure cartonnée illustrée, 104 pages
rif. 10370Paris, Galerie Jérôme de Noirmont, 4 décembre 1998 - 30 janvier 1999 in 8 reliure cartonnée illustrée, 104 pages
2003rif. 14944Edition Braus / Museum Ratingen, Heidelberg, 2003. 240 Seiten, 22,5x21,5cm, OBroschur, signiert von Marie-Luise Otten, Horst Egon Kalinowski, Herbert Kaufmann, Friederich Werthmann. Beiträge von Karl-Heinz Hering, Klaus Jürgen-Fischer, Karl Ruhrberg. Durchgängig mit größtenteils farbigen Abbildungen. Katalog anlässlich der Ausstellung im Museum der Stadt Ratingen vom 14. September - 2. November 2003. Gutes Exemplar. Good copy. Signed by the editor and three artist.
1962rif. 21082Montevideo: Edita Arturo E. Xalambri 1962.- 108 p.: Ilustraciones; 4º; Tela Nueva. Con una dedicatoria autógrafa de Arturo E. Xalambri. LITERATURA ESPAÑOLA Y FILOSOFÃA DE LOS SIGLOS XVI Y XVII Libro en español [Edita Arturo E. Xalambri] hardcover
2003rif. 408403Milano : Silvana 2003. First Edition. Softcover. Fine paperback copy with French flaps. Particularly well-preserved; tight bright clean and especially sharp-cornered. Physical description; 539 pages : illustrations some color ; 30 cm. Notes; Catalog of an exhibition held at Santa Maria della Scala Museo dell'Opera del Duomo Siena Oct. 4 2003-Jan. 11 2004. ""I documenti"" in Italian or Latin: p. 507-516. Includes bibliographical references pages 521-539. Subjects; Duccio di Buoninsegna -1319 ; Exhibitions. Duccio di Buoninsegna -1319 Influence ; Exhibitions. 1300-1399. Painting Italian Italy Siena 14th century ; Exhibitions. Peinture italienne Italie Sienne 14e siecle ; Expositions. Esposizioni Siena 2003. Influence Literary artistic etc. Panel painting Gothic Italy Siena ; Exhibitions. Panel painting Italian Italy Siena ; Exhibitions. Painting Medieval Italy Siena ; Catalogs. Painting Gothic Italy ; Exhibitions. Milano : Silvana paperback
1884rif. 394743London : William Clowes for the International Health Exhibition 1884. 1st edition. Hardcover. Very good copy in the original decorated title-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Series: The Health Exhibition Literature. Physical description: 1 volume : 269 pages ill. ; 22 cm. Subjects: Public health; Civic Life; Health and well-being 19th century; Public Institutions 19th century; Health; Medicine. London : William Clowes for the International Health Exhibition hardcover
rif. 30970Christchurch NZ : s.n. July 1906. Small quarto 255 x 175 mm original thick grey paper covers the front with printed greeting in MÄori and English in silver lettering at head and foot with a shaped chromolithograph onlay 155 x 110 mm irregular at the centre depicting the welcoming figures of a MÄori woman and a European woman draped in the New Zealand flag standing before a MÄori carved gateway the rear with a printed silver fern and small shaped chromolithograph of the Exhibition seal onlaid; inside is the tipped-in lithograph printed invitation itself embellished with a MÄori motif at each corner and two bands of silver ribbon across the top and bottom with the name of the invitee in manuscript W. Lamb-Smith Esq. William Lamb Smith 1846-1910 Consul-General for Paraguay in Melbourne; a pristine example of this beautifully designed invitation. Other examples are held in the Alexander Turnbull Library and the Christchurch City Libraries. unknown
1986rif. 039391Los Angeles: Los Angeles County Museum of Art 1986 Square orientation. "The great epoch of the spiritual which is already beginning or in embryonic form began already yesterday. . . provides and will provide the soil in which a kind of monumental work of art must come to fruition." Wassily Kandinsky From the collection of Sanje Frank Elliott Buddhist mentor artist and friend to many. Condition notes: 435 numbered pp; TPB. Pages: clean bright tight black eps and edgestain color frontis; slightly cocked ghosts to front edge. Cover: black mat wraps gilt titles front/spine; light edge/shelfwear corners slightly thumbed shallow crease to front near head several small light ghosts front. Heavy. Los Angeles County Museum of Art paperback
2015A clean, unmarked book with a tight binding. Edge wear to bottom and corner of cover. 160 pages. 6 1/2"w x 9"h. From the publisher: "Since the 1970s, Vancouver-based multimedia artist Hank Bull has acted as a connecting figure between artists and artistic communities internationally. Inspired initially by experimental music, mail art, Fluxus, and the absurdist performances associated with Dada and pataphysics, much of his practice has been ephemeral and dialogic, produced for underground audiences in artist-run and improvised contexts. Performance, communication, and the building of networks have thus often eclipsed the production of material things. Yet, material things have played an important role in his career - as documents, as vehicles of communication, as props, and as aesthetic objects in their own right. This career overview considers the material traces of a life lived as art, reconfiguring the immense and varied collection of the artist as a sculptural installation. Running throughout Bull s practice is a re-examination of the notions of distributed authorship, an affront to received ideas ever more pertinent in the age of information technology. Hank Bull was born in Calgary, Alberta in 1949 and now lives in Vancouver. A multimedia artist as well as an arts administrator, he has been a member of the legendary Western Front Society since 1973. He is the also the founder and executive director of Centre A (Vancouver International Centre for Contemporary Asian Art) since 1999. His works have been collected by the National Gallery of Canada and many private collectors."
2008New New English Original bdg. Dust wrapper. 4to. (33 x 24 cm). In Turkish. 176 p. Color ills. Hüsn-i hat bulusmasi. 28 Ekim - 3 Kasim 2007.
1979This is a very good softcover copy with just light wear. Completely clean inside, a bit of light soil to covers. Also a small art library handstamp on the inside front cover, no other marks. This monograph was prepared to accompany the exhibition at the Whitney Museum in 1979. Essay by Roland Barth. Contributions by Heiner Bastian and David White. Chronology. Bibliography. Exhibition checklist with 85 works catalogued. Illustrated in black & white, some color. 10" high X 9" wide, 118 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2009New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 229 p., color and b/w ills. The logbook of the Ottoman navy: Ships, legends, sailors.= Osmanli donanmasinin seyir defteri: Gemiler, efsaneler, denizciler. Ottoman Principality was introduced to the dark sea of the Middle Ages early in the 14 th century. The battles with the Venetians and the Genoese, conquests in Rumelia, and the establishment of the first shipyards all occurred during this period. As the conquest of Istanbul marked the end of the period of transition from Principality to Empire, the foundations of a strong navy that would unite the Mediterranean and the Black Sea over a political geography were laid. The power of the corsairs diminished by the end of the Renaissance; Barbaros Hayreddîn Pasha personified the golden age of Ottoman sea power. The discovery of the New World had instigated a revolution in the maritime world. Traditional Venetian galleys gave way to Spanish galleons and manpower was replaced by wind power. The Ottoman navy assumed a pioneering role in the process of modernization that extended from the 18 th to the 20 th century. Naval education in the Western sense, the implementation of new technologies and the organization of a modern fleet were all consequences of this period. Advancing from the galley to the battlecruiser, Ottoman sea power had the final say in the affairs of the Empire. "The Logbook of the Ottoman Navy: Ships, Legends, Sailors" exhibition intertwines three distinct, yet integrated mythologies of the sea. The imprint of the ships in Ottoman seafaring history, the battles they were engaged in and the heroes who became legendary in these battles assume their places on the stage of civilization in all their historic magnitude. At the center of the construct lies the extraordinary adventure of the transition from traditional to modern seafaring methods. The quest for power, the demolished thrones and man's identification of his fate with the sea is perhaps the oldest story behind this adventure. The cornerstones of a long history that extends from the legacy of a 16 th century Ottoman galley to the battlecruiser, Yavuz, is brought to light through the memories of seamen.
1990A clean, unmarked book with a tight binding. 38 pages. 8 7/8"w x 10 7/8"h. The catalogue for the exhibition titled Insound/Instructure. Essays by Yoko Ono, artworks from the sixties and the seventies, many film scripts with the film stills and instruction pieces. An essay by Ina Blom in Finnish and in English. Black and white photographs of Yoko Ono's films and works
