8610 risultati
2006187 pages. "Documents the nearly sixty works in this exhibition... which reflect and elaborate on the spiritual aspects of Morrisseau's art... Greg hill provides an enlightening account of how Morrisseau's shamanistic practice and spiritual journey have shaped his art. Ruth Phillips offers a thoughtul analysis of the conditions in which this artist emerged as a major figure in Canadian art. Armand Ruffo provides an evocative description of Morrisseau's life and work that blends insight and biography from an Anishnaabe perspective. This exhibition marks the first time the National Gallery of Canada has had the privilege to present a solo exhibition by a First Nations artist." - Pierre Theberge, Director, National Gallery of Canada. 59 colour plates. Clean, bright and unmarked with negligible wear. Unread. A superb copy. Book
1966rif. 13293Kunstverein, Hamburg, 1966. ca 50 nnSeiten, ca 18x17cm, illustrierter OBroschur, großer s/w-Abbildungsteil. Auf dem Vorsatz und der Titelseite datierte Widmung und ganzseitige Zeichnung von Seitz. Gewidmet für W.W. (d.i. Wilhelm Wagenfeld, Bauhaus). Katalog zur Ausstellung im Kunstverein HH vom 29. Oktober bis 27. November 1966. Vorwort: Alfred Hentzen. Gutes Exemplar. Unikat.
1950rif. 1471DLM n° 34. UBAC. Décembre 1950: 3 LITHOGRAPHIES ORIGINALES en couleurs. - DLM n° 74/75/76. UBAC. Avril-mai-juin 1955: 3 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en double page et 1 en quadruple page. - DLM n° 105/106. UBAC. Mai-juin 1958: 9 LITHOGRAPHIES ORIGINALES en couleurs dont 1 en double page. - DLM n° 130. UBAC. Novembre 1961: 7 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double page. - DLM n° 142. UBAC. Mars 1964: 8 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double page. - DLM n° 161. UBAC. Octobre 1966: 5 LITHOGRAPHIES ORIGINALES EN COULEURS. 2 LITHOGRAPHIES ORIGINALES EN NOIR en double page. - DLM n° 195. "MAEGHT ÉDITEUR". Décembre 1971: 1 lithographie originale en couleurs de Ubac et lithographies en couleurs de Mirò, Calder, Ubac, Tàpies, Chillida, Giacometti, Palazuelo, Bury, Riopelle, Gardy-Artigas, Le Yaouanc, Fiedler. - DLM n° 196. UBAC. Mars 1972: 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double page, 3 lithographies en noir. - DLM n° 251. UBAC. Février 1982: 2 LITHOGRAPHIES ORIGINALES. Très nombreuses reproductions photographiques d'œuvres (sculptures, pierres et ardoises gravées, peintures, dessins, etc.) en noir et en couleurs. Textes d' André Frénaud, Yves Bonnefoy, Georges Limbour, Jean Bazaine, Francis Ponge, Pierre Volboudt, Yves Bonnefoy, Gaëtan Picon, Claude Esteban. Premières éditions. Paris, Maeght éditeur. 9 volumes in-folio (380 x 280 mm) en feuilles.
1930rif. HAY380951930-1931. Hanoï Imprimerie d'Extrême-Orient et pour la 2ème partie et l'annexe : Imprimerie Mac-Dinh-Tu / Le-Van-Tan. brochés. Excellent état. 3 volumes gds in-8. les débuts les premiers avions l'aviation militaire création d'un service civil les premiers vols sur Bréguet les missions les terrains liaison Hanoi-Saigon une mission au Laos bombardement aérien du pays Moi les liaisons postales aériennes etc. illustré de nombreuses planches de photos gravures et cartes dans et surtout hors-texte ; avec une grande gravure en frontispice et une grande photo du Sergent pilote Cao-Dac-Minh en frontispice du volume Annexe. unknown
rif. D17552Autograph diary written in pencil signed by Miss Elizabeth Woods of Bowling Green Kentucky. 135 pp. Well educated wealthy American woman's account of seeing Europe; mostly Paris France. Her Southern sensibilities were shocked at seeing a white woman at the same table with a black man. Turns out he was a minister from Haiti and the lady was his wife. Miss Woods saw the Paris Exposition several times; saw Sarah Bernhardt perform; saw President Kruger of South Africa; saw a street where Jews were not allowed to come out after 6pm; describes fancy balls and dinners; shopping for clothes.much of interest. Worn oil cloth binding. Numerous accounts of "charming" or "lovely" people. hardcover
rif. D17552Autograph diary written in pencil signed by Miss Elizabeth Woods of Bowling Green Kentucky. 135 pp. Well educated wealthy American woman's account of seeing Europe; mostly Paris France. Her Southern sensibilities were shocked at seeing a white woman at the same table with a black man. Turns out he was a minister from Haiti and the lady was his wife. Miss Woods saw the Paris Exposition several times; saw Sarah Bernhardt perform; saw President Kruger of South Africa; saw a street where Jews were not allowed to come out after 6pm; describes fancy balls and dinners; shopping for clothes.much of interest. Worn oil cloth binding. Numerous accounts of "charming" or "lovely" people. hardcover books
1876rif. 60903Philadelphia: Centennial Views New Excelsior American Views Peoples Series Underwood & Underwood George Barker H.L. Roberts & Co. American Scenery et al 1876-ca. 1926. Twenty-six albumen stereoview photographs 1 coloured sized 5.75 x 3 in. mounted on assorted stereograph boards sized 7 x 3.5 in. many w/ captions faintly w/in negative at lower fore-edge some w/ photographer’s imprint lower fore-edge of board many w/ decorative borders some w/ ink or pencil MS on verso occasional dustsoiling minor edgewear just a couple slightly over-exposed otherwise a good collection from the library of Prof. Marvin Nathan. The Centennial Board of Commissioners awarded the sole license for photography at the exposition just prior to the exhibition to Edward L. Wilson editor of The Philadelphia Photographer who partnered with his good friend William Notman a Scottish-Canadian Photographer as well as Adams of New York and John Fraser. The views included here include the Agricultural Building; Board of Finance Buildings; Machinery Hall interior with the Corliss Engine operating ni the distance; Horticultural Hall along with the Main Entrance and the Exposition grounds. One of the most interesting of the series shows the vast Main Building pavilion under construction with drainage pipes strewn around in the fore-ground while the immense trusses and structural elements slowly march towards the viewer. Most of these images were originally shot by the Centennial Photographic Co. who had proved to be quite successful during the Centennial and the photographers were in great demand through and after the Exhibition which featured over 10 million visitors. Released in a slightly reduced format and licensed out to Underwood & Underwood later Keystone and many others these offered visitors a cut-rate viewing experience. Barker 1844-1894 gained renown originally working for one of Ontario Canada’s leading photographers and later became well-known for his majestic photos of Niagara Falls before a Feb. 1870 destroyed his photo studio although the 800 stereoview negatives were preserved. He later began traveling to shoot views around the United States and released Exposition related images. See: Centennial Photographic Co. Free Library of Philadelphia Digital Collections 2022; James Cremer Woodmere Art Museum 2023; John L. Puckett Centennial Exposition of 1876: An Evolving Cultural Landscape 2023. Centennial Views, New Excelsior, American Views, Peoples Series, Underwood & Underwood, George Barker, H.L. Roberts & Co., Ameri hardcover
1894rif. LIST109Various Places 1894. Sammelband of thirteen reports each with original front wrapper or wrappers bound-in; in half-calf with gilt titles on spine. Very Good. Includes: Guillouard Louis. Rapport sur les travaux du comiteÌ deÌpartemental du Calvados. Caen: Ch. Valin 1893. 19 pp. printed gray wrapper; Drouet Paul. Souvenir du neuvième Congrès international des ameÌricanistes tenu en 1892 à Huelva Espagne et de l'exposition reÌtrospective de Madrid. Caen: Delesques 1893. 56 pp. printed pink wrapper; Bazenerye Armand. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌs du Cher et de l'Indre chargeÌs d'assurer la participation. Bourges; M.H. Sire 1894. 38 pp. with illus. b/w frontispiece in printed green wrapper; Kerros Ernest de. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌ du Finistère…. Brest: A. Dumont 1894. 35 pp. in printed gray wrapper; Sarran d'Allard Louis de. Le Quatrième centenaire de la deÌcouverte de l'AmeÌrique dans les CeÌvennes. Anduze: Castagnier 1893. 35 pp. in printed wrapper; Couret Alphonse. Rapport d'ensemble sur les travaux du comiteÌ orleÌanais pour la ceÌleÌbration du quatrième centenaire de la deÌcouverte de l'AmeÌrique. OrleÌans: G. Michau 1893. 15 pp. printed wrapper; Couret Alphonse. L’Exposition Hispano-Orleanaise de la rue Jeanne-d’Arc. Orleans: Michau 1892. 15 pp. printed wrapper; Couret Alfonse. Les Relations d'OrleÌans avec l'Espagne et les Espagnols au siège d'OrleÌans en 1428-1429. Orleans: Michau 1892. 13 pp. printed wrapper; Plante Adrien. Le Congrès de Huelva. Orthez: J. Goude-Dumesnil 1893. 44 pp. printed wrapper; Hospital Pierre. Quatrième centenaire de la deÌcouverte de l'AmeÌrique . Rapport à M. le marquis de Croizier . sur les travaux du ComiteÌ en 1892-93…. Clermont-Ferrand: G. Mont-Louis 1894. 16 pp. printed wrapper; Barghon de Fort-Rion François de. Le Portugal au quatrième centenaire de la deÌcouverte de l'AmeÌrique et à l'Exposition de Madrid 1892. Paris: Chez les principaux libraires 1895. 38 pp. printed wrapper; Laville Auguste. Quatrième centenaire de la deÌcouverte de l'AmeÌrique … Comite du Var …. Toulon: Isnard 1894. 26 pp. with two albumen prints of decorative medallions tipped in printed wrappers; Terris Jules de. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. Comite de Vaucluse. Bar-le-Duc: Bertrand 1894. 16 pp. printed wrappers. An interesting collection of imprints showing the French involvement in the Columbian Exposition. All reports related to the 400th anniversary of the discovery of America by Christopher Columbus given by various governmental or academic committees documenting French participation in the exposition celebrating the same in Madrid and Huelva the Spanish port from which Columbus departed. Some with manuscript signatures or dedications from the author to the Marquis de Croizier. Volume presumably from Croizier’s library. One see above Laville with photographic prints tipped in. Generally very good with boards rubbed corners bent one pamphlet tearing at fore-edge. OCLC finds no or fewer than five North American holdings for most reports one unrecorded. unknown
1894rif. LIST109Various Places 1894. Sammelband of thirteen reports each with original front wrapper or wrappers bound-in; in half-calf with gilt titles on spine. Very Good. Includes: Guillouard Louis. Rapport sur les travaux du comiteÌ deÌpartemental du Calvados. Caen: Ch. Valin 1893. 19 pp. printed gray wrapper; Drouet Paul. Souvenir du neuvième Congrès international des ameÌricanistes tenu en 1892 à Huelva Espagne et de l'exposition reÌtrospective de Madrid. Caen: Delesques 1893. 56 pp. printed pink wrapper; Bazenerye Armand. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌs du Cher et de l'Indre chargeÌs d'assurer la participation. Bourges; M.H. Sire 1894. 38 pp. with illus. b/w frontispiece in printed green wrapper; Kerros Ernest de. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌ du Finistère…. Brest: A. Dumont 1894. 35 pp. in printed gray wrapper; Sarran d'Allard Louis de. Le Quatrième centenaire de la deÌcouverte de l'AmeÌrique dans les CeÌvennes. Anduze: Castagnier 1893. 35 pp. in printed wrapper; Couret Alphonse. Rapport d'ensemble sur les travaux du comiteÌ orleÌanais pour la ceÌleÌbration du quatrième centenaire de la deÌcouverte de l'AmeÌrique. OrleÌans: G. Michau 1893. 15 pp. printed wrapper; Couret Alphonse. L’Exposition Hispano-Orleanaise de la rue Jeanne-d’Arc. Orleans: Michau 1892. 15 pp. printed wrapper; Couret Alfonse. Les Relations d'OrleÌans avec l'Espagne et les Espagnols au siège d'OrleÌans en 1428-1429. Orleans: Michau 1892. 13 pp. printed wrapper; Plante Adrien. Le Congrès de Huelva. Orthez: J. Goude-Dumesnil 1893. 44 pp. printed wrapper; Hospital Pierre. Quatrième centenaire de la deÌcouverte de l'AmeÌrique . Rapport à M. le marquis de Croizier . sur les travaux du ComiteÌ en 1892-93…. Clermont-Ferrand: G. Mont-Louis 1894. 16 pp. printed wrapper; Barghon de Fort-Rion François de. Le Portugal au quatrième centenaire de la deÌcouverte de l'AmeÌrique et à l'Exposition de Madrid 1892. Paris: Chez les principaux libraires 1895. 38 pp. printed wrapper; Laville Auguste. Quatrième centenaire de la deÌcouverte de l'AmeÌrique … Comite du Var …. Toulon: Isnard 1894. 26 pp. with two albumen prints of decorative medallions tipped in printed wrappers; Terris Jules de. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. Comite de Vaucluse. Bar-le-Duc: Bertrand 1894. 16 pp. printed wrappers. An interesting collection of imprints showing the French involvement in the Columbian Exposition. All reports related to the 400th anniversary of the discovery of America by Christopher Columbus given by various governmental or academic committees documenting French participation in the exposition celebrating the same in Madrid and Huelva the Spanish port from which Columbus departed. Some with manuscript signatures or dedications from the author to the Marquis de Croizier. Volume presumably from Croizier’s library. One see above Laville with photographic prints tipped in. Generally very good with boards rubbed corners bent one pamphlet tearing at fore-edge. OCLC finds no or fewer than five North American holdings for most reports one unrecorded. unknown books
1901rif. 60932Buffalo NY & Littleton NH: C.D. Arnold B.W. Kilburn 1901. Nine original stereoview albumen Woodburytype photographs sized 6 x 3 in. mounted on beige-coloured studio boards sized 7 x 3.5 in. all w/ printed captions & photographer’s imprints a couple w/ former ownership markings on versos in ink manuscript 7 w/ scalloped upper fore-edges minor dustsoiling minor wear to fore-edges still a VG set of images from the library of Prof. Marvin Nathan. Nine scarce and original albumen stereoview photographs detailing the exhibits sights and the sensational lighting effects achieved at the Pan-American Exposition in Buffalo NY in 1901. Many of the Exposition buildings including the prominent Electric Tower were covered in approximately 2 million 100 watt incandescent light bulbs producing an incredible display when turned on each night attracting millions of people who visited. This Exposition marked a defining moment in Buffalo history with the city becoming the focus of international architectural artistic technological and industrial attention at the Fair. Arnold 1844-1927 was previously the official photographer of the 1893 World’s Columbian Exposition in Chicago and it appears Kilburn contracted to produce and distribute stereoview images using Arnold photos. See: The Pan-American Exposition: Selected Sources in the Grosvenor Room RBR T485.C1 F5; Opening of the New York Electrical Society Season Electrical World & Engineer Vol. XXVIII No. 17 Oct. 26 1901 p. 674. [C.D. Arnold], B.W. Kilburn, hardcover
1982rif. 032825Japan: International Bonsai and Suiseki Exhibition. Nippon Bonsai Association 1982. 1st Edition. Hardcover. Near Fine. All hardcovers in pictorial slipcases. 7 volumes sold together. individual volumes can be bought for $100.00 each Each with over 200 to 350 colour illustrations. Generally books in about fine condition slipcases slightly worn and rubbed otherwise clean unmarked and square. Sm 8vo. International Bonsai and Suiseki Exhibition. Nippon Bonsai Association hardcover
1837rif. 1013971837. Paris imprimerie Crapelet 1837. 95 pp. 363 items described. Wrappers. The first 21 pages of the present catalogue contain a notice on Spanish painting. Don Alejandro María Aguado y Ramírez de Estenoz 1st Marquis de Las Marismas del Guadalquivir Seville June 29 1784 Gijon April 14 1842 Spanish banker was born of Old Christian parentage originally from La Rioja at Seville. He began life as a soldier fighting with distinction in the Spanish War of Independence first against French then on the side of Joseph Bonaparte. After the Battle of Baylen 1808 he entered the French army in which he rose to be colonel and aide-de-camp to Marshal Soult. He was exiled in 1815 and immediately started business as a commission-agent in Paris where chiefly through his family connections in Havana and Mexico he acquired in a few years enough wealth to enable him to undertake banking. The Spanish government gave him full powers to negotiate the loans of 1823 1828 1830 and 1831; and Ferdinand VII. rewarded him with the title of marquis the decorations of several orders and valuable mining concessions in Spain. Aguado also negotiated the Greek loan of 1834. In 1828 having become possessed of large estates in France including the Château Margaux famous for its wine he was naturalized as a French citizen. He died at in Spain on April 14 1842 leaving a fortune 'computed at 60000000 francs and a splendid collection of pictures which at his death was sold by auction.
rif. 2789Impression en lithographie par l'Atelier Bellini. 1975. Dim: 740 x 500 mm
rif. 2789Impression en lithographie par l'Atelier Bellini. 1975. Dim: 740 x 500 mm
1900rif. _201900821Paris, Librairie Illustrée, Montgrédien & Cie, Éditeurs, 1900 ; in-folio (280 x 378 mm), 4-324 + 38 pl. hors-texte, 4-324 + 40 pl. hors-texte, 4-324 + 37 pl. hors-texte, relié demi-cuir, colorie vermillon, dos orné de filets et de fleurons dorés, à 5 nerfs, tranches jaspées. Les 3 volumes. Encyclopédie du Siècle, présentée par M. Alfred Picard, commissaire général de l'Exposition de 1900, avec la collaboration d'écrivains spéciaux et des meilleurs artistes. Ouvrage vendu sous forme de parution périodique. Sommaire: Tome 1. - Histoire - Organisation - Généralités; Organisateurs et Visiteurs; les Champs Élysées; les Quais de la Seine: ponts et passerelles; le Champ de Mars; l'Esplanade des Invalides; le Trocadéro; les Travailleurs de l'Exposition; Autour de l'Exposition; Encyclopédie du Siècle et Musées centennaux. Tome 2. - Histoire - Organisation - Généralités; Organisateurs et Visiteurs; les Champs Élysées; les Quais de la Seine: ponts et passerelles; le Champ de Mars; l'Esplanade des Invalides; le Trocadéro; le Bois de Vincennes; Colonies; les Nations étrangères; les Grandes attractions; Variétés; Visiteurs; les Musées et les Manufactures nationales; Encyclopédie du Siècle et Musées centennaux. Tome 3. - Histoire - Organisation - Généralités; les Champs Élysées; le Cours-la-Reine; les Rives de la Seine: ponts et passerelles; le Champ de Mars; l'Esplanade des Invalides; le Trocadéro; l'Annexe de Vincennes; Colonies; les Nations étrangères; les Grandes attractions; Variétés; Organisateurs et Visiteurs; les Musées et les Manufactures nationales. Très nombreuses illustrations en noir et blanc in et hors-texte doubles, dépliantes ou pas et quelques-unes en couleurs hors-texte doubles, dépliantes ou pas.
1900Paris, Librairie Illustrée, Montgrédien & Cie, Éditeurs, 1900; in-folio (280 x 378 mm), 4-324 + 38 pl. hors-texte, 4-324 + 40 pl. hors-texte, 4-324 + 37 pl. hors-texte, relié demi-cuir, colorie vermillon, dos orné de filets et de fleurons dorés, à 5 nerfs, tranches jaspées. Les 3 volumes. Encyclopédie du Siècle, présentée par M. Alfred Picard, commissaire général de l'Exposition de 1900, avec la collaboration d'écrivains spéciaux et des meilleurs artistes. Ouvrage vendu sous forme de parution périodique. Sommaire : Tome 1. - Histoire - Organisation - Généralités ; Organisateurs et Visiteurs ; les Champs Élysées ; les Quais de la Seine : ponts et passerelles ; le Champ de Mars ; l'Esplanade des Invalides ; le Trocadéro ; les Travailleurs de l'Exposition ; Autour de l'Exposition ; Encyclopédie du Siècle et Musées centennaux. Tome 2. - Histoire - Organisation - Généralités ; Organisateurs et Visiteurs ; les Champs Élysées ; les Quais de la Seine : ponts et passerelles ; le Champ de Mars ; l'Esplanade des Invalides ; le Trocadéro ; le Bois de Vincennes ; Colonies ; les Nations étrangères ; les Grandes attractions ; Variétés ; Visiteurs ; les Musées et les Manufactures nationales ; Encyclopédie du Siècle et Musées centennaux. Tome 3. - Histoire - Organisation - Généralités ; les Champs Élysées ; le Cours-la-Reine ; les Rives de la Seine : ponts et passerelles ; le Champ de Mars ; l'Esplanade des Invalides ; le Trocadéro ; l'Annexe de Vincennes ; Colonies ; les Nations étrangères ; les Grandes attractions ; Variétés ; Organisateurs et Visiteurs ; les Musées et les Manufactures nationales. Très nombreuses illustrations en noir et blanc in et hors-texte doubles, dépliantes ou pas et quelques-unes en couleurs hors-texte doubles, dépliantes ou pas.
1965rif. 16006Kestner Gesellschaft, Hannover, 1965. 182 Seiten + Abbildungsteil + Werbung, ca. 21x16,5 cm, OBroschur. Auf dem Vorsatz Zeichnung mit Kugelschreiber von Janssen (Motiv: Selbstporträt). Datiert (3.5.66), unleserlich gewidmet und signiert. Katalog zur Ausstellung vom 9.12 1965 - 9. 1.1966 in der Gesellschaft. Der empfindliche helle Einband etwas verschmutzt. Auf dem Titelblatt handschriftlicher unterhalb von Janssens Namen eine Adresse und Telefonnummer. Gutes Exemplar. With a dedicated and signed drawing by Janssen.
1888rif. 315096Edinburgh: Printed at the University Press by T.&A. Constable and Published by David Douglas 1888. 1st edition. Hardcover. Good copy in the original gilt-blocked cloth; elevated motif to the front board. Plates accompanied by guard sheets. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description: xxxvii 3 132 2 p. 15 leaves of plates: ill.; 35 cm. Notes:""The note on Romanticism the biographies and the descriptions of the pictures are by William Ernest Henley. The etchings and sketches are by William Hole A.R.S.A. and Philip Zilcken The Hague. The etching no. 108 is the gift of Bernardus Joh. Blommers"" -- P. i. ""This edition consists of 520 copies of which nos. 1 to 100 are large paper with etchings on Japanese"" -- T.p. verso. Title in red and black.Plates of etchings accompanied by guard sheets. List of etchings p. vii after Corot Diaz Dupre é Jacque Monticelli Rousseau Blommers Bosboom Israels Jacobus Maris Matthy ÿs Maris Mauve. Introd. by W.E. Henley. Subjects: Edinburgh International Exhibition 1886; Catalogs. Edinburgh International Exhibition. Romanticism in art France; Catalogs. Romanticism in art Netherlands; Catalogs.Art French 19th century; Catalogs. Art Dutch; Catalogs. Artists France; Biography. Artists Netherlands; Biography. Romanticism in art; Catalogs. Other names: Henley William Ernest 1849-1903. Hole William 1846-1917. Zilcken Ph. 1857-1930. T. & A. Constable Firm: Edinburgh. Genre: Biography. Catalogue. Illustrated. Edinburgh: Printed at the University Press by T.&A. Constable and Published by David Douglas hardcover
1924rif. 395515London : Fleetway Press 1924. 1st edition. Hardcover. Good copy in the original illustrated paper-covered boards. Boards dust-toned. Spine bands and panel edges somewhat bumped and rubbed as with age with tape to spine head and tail. Remains quite well-preserved overall. Physical description; 55 pp.: illustrations. Subjects; Exhibitions England London. British colonies. Pictorial works. London : Fleetway Press hardcover
1854rif. 199423London: Printed by W. Clownes and Sons 1854. First Edition. Hardback. Very good copy in later library bound gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges with scattered foxing and discolouration to some internal leaves. Remains particularly well-preserved overall. Ex-library - Blackburn Public Library Reference Department. ; 8vo 8"" - 9"" tall; 0 pages; Physical desc. : 7 vols in one edition with dates ranging from 1854 to 1860. 23 cm. Subject: Art -- History - 19th century - Great Britain - Exhibitions -- Sculptures -- East Room. Notes: editions run from the The Eighty-Sixth to The Ninety-Second. London: Printed by W. Clownes and Sons hardcover
rif. 75165aafMilano, Fratelli Treves, 1877, in-4to, 255 p. illustrado da 108 incisioni, rel. de.-cuir, dos orné or, bel exemplaire, pratiquement sans rousseur.
rif. 102105Paris, Librairie illustrée, Montgredien et Cie. 1900, 375x285mm, 320 + 320 + 324pages, reliure demi-chagrin à coins avec titre et tomaisons dorés au dos. Plats papier marbré. Bel exemplaire, intérieur propre.
rif. 141399aafFribourg, NTPrint, 1984, in-4to, 2 Bl. mit original Kreide-Zeichnungen beide signiert und datiert ,Baeriswyl B 84’ + 44 S. reich ill. + 1 Bl. illustrierte Original-Broschüre.
rif. 96684aafGenève, Commission du Village Suisse, 1896, in-4°, 150 p., richement ill. + 42 planches phot. de Fréd. Boissonnas, reliure en toile vert originale ill.
rif. 126436aafGenève, Imprimerie Suisse, (la Couv.: Lith. Fretz Frères Zürich), 1896, in-folio, VIII + 600 p. richement illustrée, reliure en cuir, couverture chromolithogr. du fasc. N° 4 montée sur le plat devant, tranches marbrées, bel exemplaire.
