Livre Rare Book
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réf. ABE-1415457961DU N°79 (6 JUILLET 1889) AU N°104 (28 DECEMBRE 1889)-26 N°-LARGE PART CONSACREE A L'EXPOSITION UNIVERSELLE DE PARIS-TEXTES DE LUCIEN DESCAVES, EMILE MICHELET, CHARLES MISMER, MAURICE BARRES,.-ILLUSTRATIONS DE BAC, DOES, VALLET, LOUIS MORIN,.- NOMBREUSES GRAVURES ET PHOTOGRAPHIES-RELIURE EDITEUR-COUVERTURES CONSERVEES-DOS 5 NERFS-ROUSSEURS SUR 1 COUVERTURE-BEL ENSEMBLE
1951réf. 14565Madrid: Fábrica de Moneda 1951.- Con 465 pags. en numeración contínua para los 17 fascículos: Ilustraciones; 4° menor 21 x 15 cm; Cartulina Ed.- Rara colección completa de la publicación conmemorativa de esta exposición que fue organizada en la Biblioteca Nacional.- RARA COLECCION COMPLETA. Al fascículo 1 de falta un retrato de Franco que iba sobrepuesto a modo de cromo en la hoja siguiente a la portada. Por lo demás en muy buen estado. CRISTAL FORJADOS ORFEBRERÃA NUMISMÃTICA CURTIDOS TEJIDOS ARTES INDUSTRIALES ETC. Libro en español Fábrica de Moneda paperback
réf. 66603CBo.J. Ludwig Wilding, geboren 19. Mai 1927 in Grünstadt, gestorben 4. Januar 2010 in Buchholz.
1746réf. AUB-2574Paris, Chez Rollin 1746. 2 bons in-12 (17x10) reliés, reliures plein cuir d'époque, XXXIV + 548 pages et X + 573 p. avec annexes dont index. Traces d'usage, ex libris retirés.
réf. 235455Paris 1900. Leporelloalbum 19 x 135 cm. med 18 oppklebete fotografier på kartong. Orig. noe plettet lysegrønt helsjirtingb. uten ryggtittel. Kapitélene med et par små rifter og hjørnene med et par små sår. Kortene med fotografiene løse separert med unntak av det første som er oppklebet på fremre forsats med noen litt støtte hjørner og et par med en svak knekk. . unknown
1910réf. 216833東京. Tokyo.: 愛知縣協賛會. Aichiken Kyōsankai. Meiji 43 1910. Colour folding map text on reverse 39.3 x 54.5cm. A little light creasing and soiling but still a very attractive map. This guide map illustrates the venue for the 10th Allied Kyōshinkai Exposition of Kansai Prefectures held in Nagoya from March to June 1907. The exposition highlighted agricultural and industrial products with a notable section dedicated to silk. Numerous stalls offered local goods from each participating prefecture which extended beyond the Kansai region. The map marks key areas including agricultural industrial machinery and patent pavilions surrounded by local produce stalls. A special exhibition on the Port Arthur sea battle is positioned near movie and charity halls. Beer halls and food stalls are also indicated. The reverse side contains detailed information about the event along with a chart listing the types of produce exhibited by each prefecture. . 愛知縣協賛會. [Aichiken Kyōsankai]. unknown
2001This is a fine softcover copy with a fine dust wrapper. Completely clean. Binding firm. This is a catalogue raisonne of H.C. Westermann's prints. Essays by Dennis Adrian and Richard A. Born. Illustrated in color throughout. Chicklist of the exhibition with 109 prints catalogued. 12" high X 9" wide, 232 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1983This is a fine softcover copy with a fine dust wrapper with no wear at all. SIGNED by the artist, Roni Horn, in pencil, on the front endpaper and inscribed. This catalog was prepared to accompany Roni Horn's second exhibition in Munich at the Kunstraum Munchen in 1983. Essays by Luise Horn, Helmut Friedel and Barbara Hammann. Illustrated in black & white and color. Limited edition of 1000 copies. 11" high X 9" wide, 103 pages. Scarce signed. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1989This is a fine softcover set of all six volumes documenting the career of England's most famous watercolorist: J.M.W. Turner. The Tate Gallery mounted a number of small exhibitions devoted to Turners watercolors. Volume 1: Young Turner: Early work to 1800. Volume 2: The Second Decade. Volume 3: The Third Decade. Watercolours 1810 - 1820. Volume 4: The Fourth Decade: Watercolours 1820 - 1830: Volume 5: The Fifth Decade: Watercolors 1830- 1840. Volume 6: Turner the Final Years Watercolours 1840- 1851. Authors are Anne Lyles, Robert Upstone, Diane Perkins, and Ian Warrell. All volumes completely clean. Illustrated in color and black & white. 11" high X 8" wide, 45, 39, 48, 72, 86, and 67 pages. Volume 1 issued in 1989, volume six in 1993. All volumes were prepared to accompany exhibitions in the Clore Gallery at the Tate. Sold as a set only. Heavy set, foreign shipping will be extra. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
2008This is a fine hardcover copy without dust jacket, as issued, with no wear at all. Completely clean. This catalogue was prepared to accompany the exhibition at Gagosian in New York from November 8 to December 20, 2008. Essay by James Frey. Illustrated in color throughout. 11" high X 13" wide, unpaginated. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1862réf. 100967AParis & London Mai 1862. 8vo. 182 x 120 cm. 31 pp. Illustrated with woodcuts including 2 full-page. Published for the London World Fair 1862 with map of the exibition halls on the inside front cover. The "Expositions Universelles" or World Fairs were intended to show the latest innovations and inventions. The earliest of these fairs were held in France but were national. The first one of 1798 was the start of eleven national fairs. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Callebaut shows different models and explains the technqiue of them. Both full page illustrations of the factory show us what factories looked like at the time. At the 1862 exhibition about 50 types of sewing machine were on show on over 20 stands. M. Callebaut from Paris showed 'several modifications of shuttle sewing machines of the Singer type.' Callebaut was the Singer licencee in France the only occasion on which the Singer Co granted a licence rather than manufacturing itself. Callebaut patented these modifications in France and Britain in his own name. Most of them apply to the Singer No. 2 machine and enabled it to have a reversible wheel feed for finishing seams and to produce a 'herring-bone stitch' zigzag by moving the top feed presser foot from side to side. Another machine had twin needles on the same needle bar for making two lines of stitches on the top side and a zigzag on the underneath with a single shuttle thread. Not content with all these variants M Callebaut exhibited some glove making machines of fearsome complexity using detached lengths of thread!
1862réf. 1009671862. Paris & London Mai 1862. 8vo. 182 x 120 cm. 31 pp. Illustrated with woodcuts including 2 full-page. Published for the London World Fair 1862 with map of the exibition halls on the inside front cover. The "Expositions Universelles" or World Fairs were intended to show the latest innovations and inventions. The earliest of these fairs were held in France but were national. The first one of 1798 was the start of eleven national fairs. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Callebaut shows different models and explains the technqiue of them. Both full page illustrations of the factory show us what factories looked like at the time. At the 1862 exhibition about 50 types of sewing machine were on show on over 20 stands. M. Callebaut from Paris showed 'several modifications of shuttle sewing machines of the Singer type.' Callebaut was the Singer licencee in France the only occasion on which the Singer Co granted a licence rather than manufacturing itself. Callebaut patented these modifications in France and Britain in his own name. Most of them apply to the Singer No. 2 machine and enabled it to have a reversible wheel feed for finishing seams and to produce a 'herring-bone stitch' zigzag by moving the top feed presser foot from side to side. Another machine had twin needles on the same needle bar for making two lines of stitches on the top side and a zigzag on the underneath with a single shuttle thread. Not content with all these variants M Callebaut exhibited some glove making machines of fearsome complexity using detached lengths of thread! hardcover
réf. 2882Affiche originale. Imp. S. A. Courbet - Paris. 1956. Impression en lithographie. Dim: 604 x 398 mm.
réf. 2882Affiche originale. Imp. S. A. Courbet - Paris. 1956. Impression en lithographie. Dim: 604 x 398 mm.
1895réf. 11780Washington Government Printing Office 1895 In-8 411 pp, (.) With special papers. Nombreuses figures in-texte et planches hors-texte dont une en quadrichromie. Intérieur très correct, quelques rousseurs sur les gardes. Reliure à la Bradel, titre estampé à chaud au dos ; ensemble frotté, avec une mouillure en tête du 2d plat.
1890P. E. Dentu, éditeur, 1890. 4 vol. in-4. Cartonnage d'éditeur pleine percaline grise, plats et dos richement ornés, XXXI - 666 pages + 618 pages + VI- 670 pages + album contenant environ 70 planches en noir et blanc - nombreuses illustrations en noir et blanc dans et hors texte. Dos insolés, rousseurs sur les barbes et rousseurs éparses dans l'ouvrage ; l'album garde des traces de mouillures au dernier plat de couverture, et à l'inétrieur de celui-ci une mouillure centrale et sur le pourtour des pages, rousseurs également. L'ensemble est correct avec les défauts signalés.
1851réf. 108971851 London : The Illustrated London news,1851,folio broché non rogné,12 numeros trés rare,sans le 3,pagination continue 208p.,bon etat texte,marges un peu effrangées,timbre rouge du Illustrated London news,bon état.
2000réf. 91851Paris: Flammarion 2000. First English language edition. Hardcover. Fine in fine faintly spine-sunned jacket in fine dust-jacket. Large folio in multi-color illus jacket; 334 pages: illustrations some color folding plates; 30 cm. In English; Translated from the French. Contents: Foreword / Yvonne Brunhammer -- Preface / Jean-Pierre Seguin -- Reasons for silence / Odile Nouvel-Kammerer -- Precursors of the new mural art. From trompe-l'œil to panorama / Gérard Mabille -- Tapestry and scenic wallpaper: substitution or contamination / Colombe Samoyault-Verlet -- Scenic wallpaper in dollhouses / Barbara Spadaccini-Day -- An economic approach to scenic wallpaper. A study of the archives of J. Zuber & Cie / Bernard Jacqué -- Scenic wallpaper social mirror. Themes reflecting a new view of everyday life / Odile Nouvel-Kammerer -- An art in search of an identity. Scenic wallpaper's relationship to the visual arts / François Pupil -- Theatrical influences. From panoramas to panoramic wallpaper / François Robichon -- The Paris Opera and its stage sets / Nicole Wild -- The taste for bringing the outside in. The roving eye: panoramic décors and landscape theory / Monique Mosser -- Flora with an exotic accent / Jean-Claude Garnaud -- Scenic wallpaper and the other decorative arts. The decorative arts / Marie-Noëlle de Grandry -- Scenics and textiles in France: similarities and differences / Véronique de Bruignac-La Hougue -- Porcelain from the Sèvres Manufactory / Tamara Préaud -- A panoramic viewpoint. Photography and its relationship to space / Joachim Bonnemaison. Wallpaper -- France -- History -- 18th century. Wallpaper -- France -- History -- 19th century. Wallpaper -- France -- History -- 18th century -- Catalogs. Wallpaper -- France -- History -- 19th century -- Catalogs. 21.84 interior design and decoration. Wallpaper. Behangsel. Landschappen. Vergezichten. A large heavy book. Extra shipping charges may apply for international & expedited orders. Weighs almost 5.5 lbs before packing. Please inquire. . Flammarion hardcover
2004This is a very good softcover copy with just light wear. Completely clean. The spine has a crease, but binding still firm. Text in English and Italian. This catalog was prepared to accompany the exhibition at the Galleria d'Arte Moderna e Contemporanea in Bergamo, Italy from April 6 to July 18, 2004. The exhibition then traveled to Fundacion Proa in Buenos Aires from September through December 2004. Essays by Corrado Levi, Giacinto Di Pietrantonio, and Laura Cherubini. Texts by Alighiero Boetti curated by Emanuela De Cecco. Bio-Bibliography. Illustrated throughout in color. 11" high X 9" wide, 269 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2013This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition at the Guggenheim Museum in New York from October 25, 2013 to January 22, 2014. Curator Katherine Brinson. Contributions by Suzanne Hudson, James Rondeau, and Richard Prince. Illustrated in color. Bibliography. Exhibition history. 11" high X 8" wide, 270 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2002This is a fine softcover two volume set in a very good hardshell slipcase. Completely clean. Text in Italian. Stated first edition. Illustrated throughout in color. Essays and interviews by Germano Celant, Mario Perniola, Robert Storr, John Miller, Hudson, Glenn D. Lowery, Dennis Cooper and John Waters. Biographical sketch. Bibliography. 12" high X 9" wide, 316 & about 160 pages. Large heavy set foreign postage will be extra. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
2003This is a very good hardcover copy without dust jacket as issued, with just some wear to the covers. Completely clean. Illustrated mainly in sepia. Text in English. Illustrated with full page and full color reproductions of the brothers' alterations of the Goya's Disasters of War suite. Stated first edition. 11" high X 15" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2000This is a very good softcover copy with just light wear. Completely clean inside and out. The spine is not creased, binding firm. Slight bump to lower right corner of text block. This monograph was prepared to accompany the exhibition at the San Francisco Museum of Art from February 19 to May 30, 2000. The exhibition then traveled to Chicago and New York. Essays by Gary Garrels, Brenda Richardson, Martin Friedman, Anne Rorimer, Andrea Miller-Keller, John S. Weber and Adam D. Weinberg. Illustrated profusely in color and black & white. Bibliography. 11" high X 10" wide, 416 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1994This is a fine hardcover copy without dust jacket, as issued, with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Gagosian Gallery in Soho from September 24, 1994 to January 7, 1995. Essay by Robert Pincus-Witten. Illuistrated in color, includes one fold-out. 12" high X 14" wide, 25 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1969This is an about very good hardcover copy, without dust jacket, as issued, with light wear. Very clean outside and inside. Previously owned by a collector of African American art from the Harlem Renaissance period, with his name on the front endpaper dated 1988. Also occasional faint pencil marks or underlinings, now barely visible. A few paperclip indentations to pages as well. Illustrated in black & white. An increasingly difficult book to find in decent condition. This is the Arno Press hardcover reprint of the 1943 original edition, now rare. 9" high X 6" wide, 272 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
