9.305 Ergebnisse
1989This is a fine softcover set of all six volumes documenting the career of England's most famous watercolorist: J.M.W. Turner. The Tate Gallery mounted a number of small exhibitions devoted to Turners watercolors. Volume 1: Young Turner: Early work to 1800. Volume 2: The Second Decade. Volume 3: The Third Decade. Watercolours 1810 - 1820. Volume 4: The Fourth Decade: Watercolours 1820 - 1830: Volume 5: The Fifth Decade: Watercolors 1830- 1840. Volume 6: Turner the Final Years Watercolours 1840- 1851. Authors are Anne Lyles, Robert Upstone, Diane Perkins, and Ian Warrell. All volumes completely clean. Illustrated in color and black & white. 11" high X 8" wide, 45, 39, 48, 72, 86, and 67 pages. Volume 1 issued in 1989, volume six in 1993. All volumes were prepared to accompany exhibitions in the Clore Gallery at the Tate. Sold as a set only. Heavy set, foreign shipping will be extra. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
2008This is a fine hardcover copy without dust jacket, as issued, with no wear at all. Completely clean. This catalogue was prepared to accompany the exhibition at Gagosian in New York from November 8 to December 20, 2008. Essay by James Frey. Illustrated in color throughout. 11" high X 13" wide, unpaginated. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1862Best.-Nr. 100967AParis & London Mai 1862. 8vo. 182 x 120 cm. 31 pp. Illustrated with woodcuts including 2 full-page. Published for the London World Fair 1862 with map of the exibition halls on the inside front cover. The "Expositions Universelles" or World Fairs were intended to show the latest innovations and inventions. The earliest of these fairs were held in France but were national. The first one of 1798 was the start of eleven national fairs. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Callebaut shows different models and explains the technqiue of them. Both full page illustrations of the factory show us what factories looked like at the time. At the 1862 exhibition about 50 types of sewing machine were on show on over 20 stands. M. Callebaut from Paris showed 'several modifications of shuttle sewing machines of the Singer type.' Callebaut was the Singer licencee in France the only occasion on which the Singer Co granted a licence rather than manufacturing itself. Callebaut patented these modifications in France and Britain in his own name. Most of them apply to the Singer No. 2 machine and enabled it to have a reversible wheel feed for finishing seams and to produce a 'herring-bone stitch' zigzag by moving the top feed presser foot from side to side. Another machine had twin needles on the same needle bar for making two lines of stitches on the top side and a zigzag on the underneath with a single shuttle thread. Not content with all these variants M Callebaut exhibited some glove making machines of fearsome complexity using detached lengths of thread!
1862Best.-Nr. 1009671862. Paris & London Mai 1862. 8vo. 182 x 120 cm. 31 pp. Illustrated with woodcuts including 2 full-page. Published for the London World Fair 1862 with map of the exibition halls on the inside front cover. The "Expositions Universelles" or World Fairs were intended to show the latest innovations and inventions. The earliest of these fairs were held in France but were national. The first one of 1798 was the start of eleven national fairs. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Callebaut shows different models and explains the technqiue of them. Both full page illustrations of the factory show us what factories looked like at the time. At the 1862 exhibition about 50 types of sewing machine were on show on over 20 stands. M. Callebaut from Paris showed 'several modifications of shuttle sewing machines of the Singer type.' Callebaut was the Singer licencee in France the only occasion on which the Singer Co granted a licence rather than manufacturing itself. Callebaut patented these modifications in France and Britain in his own name. Most of them apply to the Singer No. 2 machine and enabled it to have a reversible wheel feed for finishing seams and to produce a 'herring-bone stitch' zigzag by moving the top feed presser foot from side to side. Another machine had twin needles on the same needle bar for making two lines of stitches on the top side and a zigzag on the underneath with a single shuttle thread. Not content with all these variants M Callebaut exhibited some glove making machines of fearsome complexity using detached lengths of thread! hardcover
Best.-Nr. 2882Affiche originale. Imp. S. A. Courbet - Paris. 1956. Impression en lithographie. Dim: 604 x 398 mm.
Best.-Nr. 2882Affiche originale. Imp. S. A. Courbet - Paris. 1956. Impression en lithographie. Dim: 604 x 398 mm.
1895Best.-Nr. 11780Washington Government Printing Office 1895 In-8 411 pp, (.) With special papers. Nombreuses figures in-texte et planches hors-texte dont une en quadrichromie. Intérieur très correct, quelques rousseurs sur les gardes. Reliure à la Bradel, titre estampé à chaud au dos ; ensemble frotté, avec une mouillure en tête du 2d plat.
1890P. E. Dentu, éditeur, 1890. 4 vol. in-4. Cartonnage d'éditeur pleine percaline grise, plats et dos richement ornés, XXXI - 666 pages + 618 pages + VI- 670 pages + album contenant environ 70 planches en noir et blanc - nombreuses illustrations en noir et blanc dans et hors texte. Dos insolés, rousseurs sur les barbes et rousseurs éparses dans l'ouvrage ; l'album garde des traces de mouillures au dernier plat de couverture, et à l'inétrieur de celui-ci une mouillure centrale et sur le pourtour des pages, rousseurs également. L'ensemble est correct avec les défauts signalés.
1851Best.-Nr. 108971851 London : The Illustrated London news,1851,folio broché non rogné,12 numeros trés rare,sans le 3,pagination continue 208p.,bon etat texte,marges un peu effrangées,timbre rouge du Illustrated London news,bon état.
2000Best.-Nr. 91851Paris: Flammarion 2000. First English language edition. Hardcover. Fine in fine faintly spine-sunned jacket in fine dust-jacket. Large folio in multi-color illus jacket; 334 pages: illustrations some color folding plates; 30 cm. In English; Translated from the French. Contents: Foreword / Yvonne Brunhammer -- Preface / Jean-Pierre Seguin -- Reasons for silence / Odile Nouvel-Kammerer -- Precursors of the new mural art. From trompe-l'œil to panorama / Gérard Mabille -- Tapestry and scenic wallpaper: substitution or contamination / Colombe Samoyault-Verlet -- Scenic wallpaper in dollhouses / Barbara Spadaccini-Day -- An economic approach to scenic wallpaper. A study of the archives of J. Zuber & Cie / Bernard Jacqué -- Scenic wallpaper social mirror. Themes reflecting a new view of everyday life / Odile Nouvel-Kammerer -- An art in search of an identity. Scenic wallpaper's relationship to the visual arts / François Pupil -- Theatrical influences. From panoramas to panoramic wallpaper / François Robichon -- The Paris Opera and its stage sets / Nicole Wild -- The taste for bringing the outside in. The roving eye: panoramic décors and landscape theory / Monique Mosser -- Flora with an exotic accent / Jean-Claude Garnaud -- Scenic wallpaper and the other decorative arts. The decorative arts / Marie-Noëlle de Grandry -- Scenics and textiles in France: similarities and differences / Véronique de Bruignac-La Hougue -- Porcelain from the Sèvres Manufactory / Tamara Préaud -- A panoramic viewpoint. Photography and its relationship to space / Joachim Bonnemaison. Wallpaper -- France -- History -- 18th century. Wallpaper -- France -- History -- 19th century. Wallpaper -- France -- History -- 18th century -- Catalogs. Wallpaper -- France -- History -- 19th century -- Catalogs. 21.84 interior design and decoration. Wallpaper. Behangsel. Landschappen. Vergezichten. A large heavy book. Extra shipping charges may apply for international & expedited orders. Weighs almost 5.5 lbs before packing. Please inquire. . Flammarion hardcover
2004This is a very good softcover copy with just light wear. Completely clean. The spine has a crease, but binding still firm. Text in English and Italian. This catalog was prepared to accompany the exhibition at the Galleria d'Arte Moderna e Contemporanea in Bergamo, Italy from April 6 to July 18, 2004. The exhibition then traveled to Fundacion Proa in Buenos Aires from September through December 2004. Essays by Corrado Levi, Giacinto Di Pietrantonio, and Laura Cherubini. Texts by Alighiero Boetti curated by Emanuela De Cecco. Bio-Bibliography. Illustrated throughout in color. 11" high X 9" wide, 269 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2013This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition at the Guggenheim Museum in New York from October 25, 2013 to January 22, 2014. Curator Katherine Brinson. Contributions by Suzanne Hudson, James Rondeau, and Richard Prince. Illustrated in color. Bibliography. Exhibition history. 11" high X 8" wide, 270 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2002This is a fine softcover two volume set in a very good hardshell slipcase. Completely clean. Text in Italian. Stated first edition. Illustrated throughout in color. Essays and interviews by Germano Celant, Mario Perniola, Robert Storr, John Miller, Hudson, Glenn D. Lowery, Dennis Cooper and John Waters. Biographical sketch. Bibliography. 12" high X 9" wide, 316 & about 160 pages. Large heavy set foreign postage will be extra. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
2003This is a very good hardcover copy without dust jacket as issued, with just some wear to the covers. Completely clean. Illustrated mainly in sepia. Text in English. Illustrated with full page and full color reproductions of the brothers' alterations of the Goya's Disasters of War suite. Stated first edition. 11" high X 15" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2000This is a very good softcover copy with just light wear. Completely clean inside and out. The spine is not creased, binding firm. Slight bump to lower right corner of text block. This monograph was prepared to accompany the exhibition at the San Francisco Museum of Art from February 19 to May 30, 2000. The exhibition then traveled to Chicago and New York. Essays by Gary Garrels, Brenda Richardson, Martin Friedman, Anne Rorimer, Andrea Miller-Keller, John S. Weber and Adam D. Weinberg. Illustrated profusely in color and black & white. Bibliography. 11" high X 10" wide, 416 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1994This is a fine hardcover copy without dust jacket, as issued, with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Gagosian Gallery in Soho from September 24, 1994 to January 7, 1995. Essay by Robert Pincus-Witten. Illuistrated in color, includes one fold-out. 12" high X 14" wide, 25 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1969This is an about very good hardcover copy, without dust jacket, as issued, with light wear. Very clean outside and inside. Previously owned by a collector of African American art from the Harlem Renaissance period, with his name on the front endpaper dated 1988. Also occasional faint pencil marks or underlinings, now barely visible. A few paperclip indentations to pages as well. Illustrated in black & white. An increasingly difficult book to find in decent condition. This is the Arno Press hardcover reprint of the 1943 original edition, now rare. 9" high X 6" wide, 272 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1900Best.-Nr. 23220Paris & Pise: Antonin L. Neurdein and Étienne Neurdein 1900. A good large-sized image of some of the buildings of this expo along the river with tour boats in the foreground and crowds of visitors along the opposite avenue; albumen process photograph mounted on pale ivory gilt-edged cardstock; with the studio stamp of N.D. Phot. at lower right margin Antonin L. Neurdein and Étienne Neurdein; photo is approx. 10 1/2" x 17" size the mount makes it 12 1/2" x 18 3/4" overall; light edge tips wear to the cardstock one corners' surface scraped away; image a bit faded still good; an interesting original Paris Exposition and photographic history photograph. Photograph. Not Bound. Very Good. Antonin L. Neurdein and Étienne Neurdein Paperback
1909Best.-Nr. 64351New York NY & Seattle WA: Singer Sewing Machine Co. Alaska-Yukon-Pacific Exposition 1909. Oblong 12mo. 7.25 x 4.6 in. 10 photo plates unnumbered w/ red & black illustrated ads on versos yellow borders to photos on rectos slight dustsoiling shelfwear w/ original illustrated souvenir mailing envelope cover art view of the A-Y-P Exposition minor scuffing 1 closed tear minor chipping still VG bright set originally handed out by the Singer Sewing Machine Co. Main Store in Seattle WA located in 1909 at 1317 Third Ave. First edition of this exceedingly scarce complete set of souvenir images handed out as Singer Sewing Machine Co. promotional advertising packets featuring views of the Location of the Alaska-Yukon-Pacific Exposition; Panoramic View of Seattle; First Avenue & Pacific Avenue; Waterfront bluff and Eleventh St. in Tacoma WA; Shipmast loading at Port Blakely Mills; Logging photos by B.L. Singley; Satoosh Range from Mt. Rainier & Wheat Harvesting; Mt. Adams; Cape Horn on the Columbia River; Ranch in Crab Creek Valley near Sprague Washington. No copies in Worldcat 1 incomplete set w/ no envelope and only 9 images of similar Washington views at Yale. Singer Sewing Machine Co., [Alaska-Yukon-Pacific Exposition], unknown
1990Best.-Nr. 159588San Francisco: Art Lick Gallery 1990. Vintage flyer advertising San Francisco-based Art Lick Gallery circa 1990. The Art Lick Gallery was opened by artists David Seibold and Luiz da Rosa in 1989 and was at that time the only art gallery located in the Castro District. Founded just as the catastrophic impact of the AIDS crisis was beginning to be fully appreciated in the national media and during an unprecedented attempt at censoring art particularly queer art the gallery served as a safe haven for the LGBTQ art community as well as a bulwark against attacks to the community. In Seibold's own words the gallery was "an alternative to 'downtown' gallery spaces places that sometimes present art work as being so precious and intimidating that it's really unapproachable." Notable among the exhibitions held at Art Lick were Christopher Enzi's "Inferno & Other Scenes" Jerome Caja's "Compact" and the group exhibition "Eros." The shows held at the gallery which included both group and one- and two-person shows proved essential not only to the Castro community but also to the queer community at large during a period often described by many without hyperbole as a time at war. The gallery closed after Seibold's death in 1992. 8.5 x 11 inches. Near Fine with some light edgewear. Art Lick Gallery unknown
1990Best.-Nr. 159588San Francisco: Art Lick Gallery 1990. Vintage flyer advertising San Francisco-based Art Lick Gallery circa 1990. The Art Lick Gallery was opened by artists David Seibold and Luiz da Rosa in 1989 and was at that time the only art gallery located in the Castro District. Founded just as the catastrophic impact of the AIDS crisis was beginning to be fully appreciated in the national media and during an unprecedented attempt at censoring art particularly queer art the gallery served as a safe haven for the LGBTQ art community as well as a bulwark against attacks to the community. In Seibold's own words the gallery was "an alternative to 'downtown' gallery spaces places that sometimes present art work as being so precious and intimidating that it's really unapproachable." Notable among the exhibitions held at Art Lick were Christopher Enzi's "Inferno & Other Scenes" Jerome Caja's "Compact" and the group exhibition "Eros." The shows held at the gallery which included both group and one- and two-person shows proved essential not only to the Castro community but also to the queer community at large during a period often described by many without hyperbole as a time at war. The gallery closed after Seibold's death in 1992. 8.5 x 11 inches. Near Fine with some light edgewear. Art Lick Gallery unknown books
1893Best.-Nr. 59216Chicago: A. Wittemann 67 & 69 Spring St. 211 & 213 Wabash Ave. The Albertype Co. 1893. Oblong 12mo. 7.25 x 4.25 in. 13 leaves unnumbered. With 12 sepia- and aqua-tinted photogravure plates. Embossed limp brown covers raised lettering w/ gilt highlights on front cover punch-sewn at gutter margin w/ blue silk ribbon yapp edges slight curving to cover very minor shelfwear still NF copy. First edition of these nicely executed photogravure images of the magnificent Columbian Exposition in 1893. The historic World’s Fair which ran almost six months with grounds and gardens laid out by Fredrick Olmsted covering 630 acres and a Midway skyline dominated by the 250-foot Ferris wheel designed by George Ferris. These photogravures depict the Machinery Hall Admin Building and Court of Honor the Lagoon The Art Palace Woman’s Building the Japanese Hooden Palace on Wooded Island The Krupp Gunworks building and even the Monastery of “La Rabida.” Adolph Wittemann and his brother Herman began working as printers in New York in 1867 and first started printing books and postcards under the Albertype name in 1887. Adolph acted not only as agent finding customers for their services but taking photographs across the country to be made into postcards. See: World’s Columbian Exposition Collection Ryerson & Burnham Archives Art Institute of Chicago 2002; Annie Schentag Photography at the World’s Fair: Construction “Official” Images Architourism Cornell University 2011. A. Wittemann, 67 & 69 Spring St., 211 & 213 Wabash Ave., The Albertype Co., unknown
1890Best.-Nr. 50922NY: Radtke Lauckner & Co 1890. Single sheet of thin laid paper 10 3/8 x8 inches with a copper etching of a rustic cabin on a lake with a sail boat in the background. In holograph on the lower margin is " At Brennan & Davis' Monday & Tuesday Apr 20th & 21st." Faint foxing which is less pronounced than in the scan; else very good. The firm of Radtke Lauckner & Co. were publishers and importers of etchings engravings and photographs located at 6 East 18th Street New York during the 1890's. Apparently they arranged traveling exhibitions of their wares at various locations; this elaborate invitation was for a showing at Brennan & Davis' a jewelry stationery and book store in Bradford Pennsylvania. Radtke, Lauckner & Co unknown
1900Best.-Nr. 32023Paris: Piublisher not identified 1900. First edition. 4to. 102 pp. portrait frontispiece with tissue guard illustrations in text 10 plates with tissue guards 1 of these in color. Printed wrappers expertly repaired with a new paper spine. Moderate wear; a very good copy. Housed in a new cloth clamshell box. A history of photography and processes which includes two chapters by Léon Vidal - one is a history of photogravure and the other on color photography. Details several other photomechanical processes and their inventors. Illustrations include those by Robert Demachy and by Puyo. There are several issues of this report three of which vary only in size; a fourth a later issue has a slightly different wording to the title and is dated 1903. Étienne-Jules Marey was the president of the committee. Roosens and Salu No. 3704. Piublisher not identified unknown
1905Best.-Nr. 56241Portland: Lewis & Clark Official Photographic Co. F.H. Kiser Goodnough Building c. 1905. One large silver gelatin photograph sized 10.25 x 13.5 in. mounted on gray studio board 17 x 13.75 in. w/ embossed photographer’s stamp in lower right corner of the board in white some scuffing & wear to corners fore-edges couple very minor scuffs to the image still a VG- image w/ bright strong contrast. A very scarce original souvenir intending to promote the Pacific Northwest for the Lewis & Clark Centennial Exposition marking the anniversary of the famed exploration across the North American continent after the Louisiana Purchase. The Kiser Brothers Fred Kiser 1878-1955 and Oscar Kiser 1883-1905 began shooting photos as a hobby but very quickly became successful commercial photographers and one of the best artistic photographers in the country during the first three decades of the 20th century. They sold their images as prints photo albums stereoviews postcards glass lantern slides and even later hand-coloured many of them and sold them to tourists and collectors as framed or unframed art prints. Lewis & Clark Official Photographic Co., F.H. Kiser, Goodnough Building, unknown