9 294 résultats
1958réf. 86681Kaiserslautern: Pfälzische Landesgewerbeanstalt, 1958. 21 cm ; broschiert
2003réf. EEzz7149eKöln, Walther König [u.a.] (2003). 4°. 23 S. Text u. 16 S. ganzseit, fotogr. Abb., Text in Engl. u. Dt., farb. ill. OPpbd., sauberes u. schönes Exemplar. (Anlässlich d. Ausstellung: AC: Richard Deacon. Museum Ludwig, Köln. 6. Juni - 22. September 2003). 1 Beigabe: Museum Ludwig, Köln u. a. (Hg.). AC: Aeronout Mik. Dispersion Room. Reversal Room. Köln, Walther König [u.a.] (2004). 40 S., 8 Bll. ganzseit, fotogr. Abb., Text in Engl. u. Dt., farb. ill. OPpbd., ob. Kap. bestoßen, sonst schönes Exemplar. (Anlässlich d. Ausstellung: AC: Aeronout Mik. Dispersion Room. Reversal Room. Museum Ludwig, Köln. 5. Juni - 3. Oktober 2004).
1979réf. 19438RMN ; Ministère des Affaires Etrangères ; AFAA 1979 In-8, broché couv. illustrée, illustrations en noir et en couleurs, 212 pp. Etat moyen.
grand in-8 carré, 27 pp., nombreuses illustrations n&b, broché, couverture illustree. Bel exemplaire. [WE-2] Ausstellungskatalog
1982réf. 19392RMN 1982 Fort in-8, broché couv. illustrée, photographies en noir et en couleurs, XX-397 pp. Bon état.
1985réf. L138Centro Di, 1985, 174 p.
1999réf. 1129771999 Editions Ludion / Stedelijk Museum, Amsterdam - 1999 - Petit in-4, broché couverture illustrée - 127 pages - Nombreuses illustrations et reproductions photographiques en couleurs et en N&B - Texte en anglais
2003réf. 781142003 Zacheta Panstwowa Galeria Sztuki - 2003 - 1 vol in-4 - broché - sans pagination - Illustrations en couleurs en et hors texte
1993réf. 20692Editions Alessandro Vivas 1993 In-4, broché, couv. illustrée rempliée, photographies à pleines pages en couleurs, 71 pp. Très bon état d’occasion.
1947réf. 19389La Connaissance ; Bruxelles 1947 Petit in-8, broché couv. illustrée, photographies en n. & b., 72 pp. Couverture salie - Intérieur propre.
1969A clean, unmarked book with a tight binding. Full brown cloth boards with gilt illustration. Previous owner's name label inside. Price-clipped dust jacket. 8 1/4"w x 11 1/4"h. 140 pages. Many photos and illustrations.
2016New Turkish Paperback. 4to. (28 x 23 cm). In Turkish. 107 p., b/w and color ills. Ask-i nebi. Hilye-i Serif.
2006Fine English Paperback. Pbo. Dust wrapper. 4to. (32 x 23 cm). In English and Turkish. 165, [2] p. B/w photos. "Who is a photographer? Any high-wire artist without a wire, any conductor without an orchestra, any realistic dreamer with a bit of persistence who, whether confusedly or not, has the feeling, the courage - it only takes a slight movement of the index finger - to stop the world. He blocks it, wedges it, lays it out. For good. Makes it solid. That is where the work of art begins: when it's over. When the photo has been taken, printed, chosen. Sold, I might say." F.M.R. "Photography means power. One of the greatest powers is that of writing History. This is dangerous ground for the honest practitioner. Now I come to a word I would have preferred never to use: responsibility. This time, the witness is the verdict. The penalty is severe: it defies time, gong well beyond those involved in the tragedy and affecting us and our children's children." (F.M.R.). François-Marie Banier became known as a poet and novelist in the 1960s, but later he shifted focus to play a central role in photography and painting. For Banier the streets are not just places where he takes photographs but at the same time his studio. Camera in hand he impulsively plunges into life, sometimes in the streets of Paris, sometimes in cities in other countries. For him the reality of life is more creative than the created. His portrait photographs, whether they depict people who are unknown, or artists and other famous figures, are masterpieces of light, expression and graphic balance. His portraits capturing people ranging from Beckett to Nicole Kidman completely expose their natural state. As he clicks the shutter release, everything is not over but instead newly beginning. It may cost Banier years for these photographs to mature and be accepted. He never views photography as capturing a frozen moment. At the end of the 1980s Banier began writing directly onto the image in seemingly disorganized sentences arranged one after the other or linked together, telling stories that might be dramatic, cheerful or melancholy. His photographs thereby acquired a completely new appearance and new story. Consequently these photographs are not observed in the ordinary way. Instead they sweep you into them and make you a part of the story. The words both alter the image and lend a completely different dimension of creativity. Banier began to combine writing, painting and photography in his work. Ink, paint and drawing are the new episodes in moments and stories that he captured in the past. In Banier's photographs, as words, paint and images spread over the photograph, syntheses that both conceal and reveal the image emerge as riddles that require solving afresh each time. François-Marie Banier's photographs are each works created from life and relating to life, presenting nobility, drama, happiness and unhappiness in a sensitive balance that may be ironic or tragic. Actually these works that express all times are a balance of the relationship between photography, light, writing and pictures. François-Marie Banier's photographs are 'True Stories' capturing images of a lost moment that will never return or be found again.
1988This is an about very good softcover copy, the covers sunned near the spine. Essay by Andrea Fraser. Illustrated in black & white with 52 plates. Exhibition history. Bibliography. 6" square. This catalog will be securely wrapped and shipped with tracking.
2012New English Paperback. Oblong 4to. (23 x 29 cm). In English and Turkish. 120 p., 78 numerous b/w photos. Opium women.= Hashas kadinlari. [Album of photographs]. Peface by Melanie Light. The genre of documentary has been marked by a sense of the urgent photographer-camera as-virtual witness of the traces of wrongs being done which should be righted. The lingering sense of Melih Arican's book, however, is one of a sense of temporality encouraged to unfold. Ten years in the shooting, there is also an insistent sense that what is photographed is a trace of something which has been going on, who knows for how long, given space in the cultivation of the textures of these, images.
1997This is a very good hardcover copy without dust jacket as issued, with just light wear. Completely clean inside and out. Text in English. Illustrated in color. 10" high X 8" wide. This book will be securely packed and shipped with tracking.
2016This is a very good softcover copy with just light cover wear. Completely clean inside, a few faint marks on the rear cover. This catalog was prepared to accompany the exhibition at the Pulitzer Arts Foundation from July 29 to October 15, 2016. Exhibition curated by Tamara H. Schenkenberg. Illustrated in color and black & white. Checklist. 9" high X 6" wide, 32 pages. This book will be securely packed and shipped with tracking.
1998An Exhibition Held at the Thomas Fisher Rare Book Library, University of Toronto, 19 January -21 March, 1998 Book
1979This is a very good softcover copy in the original illustrated wrappers, printed with one of Penck's images in black and red. Very clean inside and out. Lower right rear corner bumped. This catalog was prepared to accompany the exhibition at the Museum Boymans-van Beuningen in the fall of 1979. Text in German and Dutch. Illustrated in black & white with installation photos of the exhibition of Penck's paintings. Texts by several scholars. 12" high X 9" wide, 83 pages.
2004This is a fine softcover copy in stiff white wrappers with the title in orange on the front cover. Completely clean inside and out. Text in Spanish and English. This catalog was prepared to accompany the exhibition at the Centro de Arte Contemporaneo de Malaga from September 3 to November 7, 2004. Includes transcript of a paper given by Art & Language members Michael Baldwin, Charles Harrison and Mel Ramsden at Kings College, London on June 4-5, 2004. Illustrated throughout in color with photographs of Miguel Cereceda's sculpture and paintings. 10" high X 8" wide, 123 pages.
2001réf. vd1086Editions Joca Seria Dos carré collé 2001 In-8 (15,2 x 20,1 cm), dos carré collé, 143 pages, photos en couleur ; quelques traces sur les plats, bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
19878vo., First Edition, with coloured and monochrome photographs throughout; pictorial wrappers, backstrip lightly sunned else a near fine copy. The catalogue lists 181 lots with index of artists.
1976Exhibition catalogue of photographs. 262 pages. Bibliography and Index of Photographers. Light wear to cover extremities and light scuffing to surface of back cover.
19468vo., with 50 sepia-toned plates (a number full-page) and folding plan coloured in outline; original wrappers printed in blue, covers lightly dust-soiled else a very good, clean copy. With the separately issued Corrigenda leaf (dated January 1946) printed in red, and a typescript sheet on The Mersey Tunnel loosely inserted. EARLY ISSUES ARE UNCOMMON IN THIS CONDITION.
19714to., First Edition, text on laid paper, with a coloured frontispiece and numerous coloured and monochrome reproductions (a number full-page) in the text; original printed wrappers, wire-stitched as issued, coloured illustration mounted on front wrapper, covers lightly dust-soiled else a very good, clean copy. The catalogue lists 75 items, including works by Cotman, Pyne, Daniell, Rowlandson, Palmer, Girtin, Turner, Flint, Allingham. Howitt and others.
