1 389 résultats
1976Roy. 8vo., duplicated typescript; original printed wrappers, wire-stitched as issued, a near fine copy. The catalogue lists 79 exhibits, from a fifteenth-century 'Theologia' to the Gregynog 'Aesop' of 1932. As the exhibition title implies, the valuable descriptions are contextual rather than bibliographical. SCARCE.
184412mo., title mildly spotted; handsomely bound in contemporary green full calf, sides with double frame border in gilt surrounding an elaborate frame border comprising double rules stopped at corners by arabesques, the whole enclosing the royal arms of Belgium (including the lion of Brabant) all in gilt, back gilt extra with four flat bands ruled in gilt, second compartment framed and lettered in gilt, all other compartments framed in gilt, all edges gilt, gilt doublures, gilt dentelles, marbled silk endpapers, a very good, crisp copy in splendid royal binding of the period. A RARE SURVIVAL IN SPLENDID STATE.
19974to., First Edition, with 41 coloured reproductions (a number full-page) in the text; original pictorial wrappers, a near fine copy. This major exhibition is sponsored by Sotheby's. Loosely inserted are the separately printed flier bearing a personal message from Henry Wyndham, Chairman of Sotheby's, and exhibition admission ticket no. 329 (which misspells 'Sotheby's'). The extensive introduction is by Stephen Green, curator of the MCC Museum. With index.
1951Sm. 4to., First Edition, original printed wrappers, fine coloured facsimile mounted on upper cover. This is the English language issue of a scarce catalogue detailing work by Moreau le Jeuene, Eisen, Cochin, Delacroix and others. SCARCE.
19714to., First Edition, text on laid paper, with a coloured frontispiece and numerous coloured and monochrome reproductions (a number full-page) in the text; original printed wrappers, wire-stitched as issued, coloured illustration mounted on front wrapper, covers lightly dust-soiled else a very good, clean copy. The catalogue lists 75 items, including works by Cotman, Pyne, Daniell, Rowlandson, Palmer, Girtin, Turner, Flint, Allingham. Howitt and others.
1911Large and elaborate coloured engraved plan measuring approx. 1270mm x 1010mm (50.0 ins x 39.75 ins), folding in 20 panels to approx. 320mm x 210mm (12.5 ins x 8.0 ins); housed in original printed cartridge envelope with self-sealing flap (short tear in flap), A REMARKABLY CLEAN, NEAR FINE COPY. This is an engraved and coloured plan of the Crystal Palace prepared for the intended sale at auction of the buildings and grounds in 1911 (see below). The retaining envelope is printed 'PLAN OF THE CRYSTAL PALACE 1851-1911. Solicitors: Messrs Janson Cobb, Pearson & Company, 22 College Hill, E.C.; Receiver and Manager: Mr. Ernest I Husey (Messrs Jackson, Pixley & Co., Chartered Accountants, 58 Coleman Street, E.C; Auctioneers: Mr. Howard Frank (Messrs Knight, Frank & Rutley), 20 Hanover Sq, London W; and Mr. John Roy Lancaster (Messrs Horne & Co), 85 Gresham Street, E.C.' The plan in well executed and colour-coded to indicate the various leases and tenancies involved. It shows the scale and local context of the magnificent building, together with its world-famous gardens and grounds, including the tiered sculptural terraces, the patios, and the renowned lakes and fountains. Key features such as the Flying Machine, the Maze, Brunel's Polygonal Water Towers, the Lower Lake area housing Waterhouse Hawkins' recreations of dinosaurs (still present today) and the Sports Grounds are clearly highlighted. HISTORICAL CONTEXT. After the Great Exhibition of 1851, the Crystal Palace was re-erected in a considerably enlarged form in 1854 at Sydenham in South London. During the next half century it continued as a major metropolitan tourist attraction attracting visitors from all over the world to marvel at the building, its contents and gardens, and to witness a wide variety of entertainment including music, acrobatics, circuses and fireworks. By the turn of the century, however, the novelty was wearing thin and the number of visitors declined to the point where in 1911 the Palace was declared bankrupt and placed in the hands of a receiver. 'On 28 November it was to be sold by auction, to be offered in one lot as a going concern. This was a fateful period in its history. There was grave danger that it would pass into the hands of the developers. Every jerry builder within striking distance was eager for the moment when he might be in a position to swoop down on the beautiful grounds and reduce them to terms of bricks and mortar. But that ultimate indignity was not to be. The Earl of Plymouth produced £230,000 to buy the Palace as a going concern; at the same time the Lord Mayor of London opened a fund to purchase the Crystal Palace for the nation, and to reimburse Lord Plymouth. This was completed in 1913 and the Crystal Palace was saved.' [A.R. Warwick: The Phoenix Suburb (1972)]. During the Great War the revitalised Palace served as a Royal Naval base (HMS VICTORY VI). At the end of hostilities it became for a short time the home of the Imperial War Museum and then reverted to tourism with exhibitions of early flying, pioneer television, dirt-track racing, music festivals, dog and cat shows, dancing and fireworks. In this way it continued until completely destroyed by the tragic fire of 30 November 1936 - the end of a great era. IT IS UNCERTAIN HOW MANY OF THESE ELABORATE PLANS WERE PRODUCED, BUT THE NUMBER CANNOT HAVE BEEN GREAT. GIVEN THAT £230,000 (VERY APPROXIMATELY £7M BY TODAY'S STANDARDS) WAS REQUIRED TO OBVIATE THE NEED FOR SALE, THE NUMBER OF INTENDING BIDDERS MUST HAVE BEEN FEW INDEED. IN ANY CASE IT IS UNLIKELY THAT MANY COPIES SURVIVE, ESPECIALLY IN THIS VIRTUALLY UNOPENED STATE COMPLETE WITH ORIGINAL ENVELOPE. A DOCUMENT OF CONSIDERABLE SIGNIFICANCE IN THE HISTORY OF SOUTH LONDON, AND A VIVID REMINDER OF ONE OF LONDON'S GREATEST HISTORIC ATTRACTIONS.
19728vo., First Edition; original pictorial wrappers, wire-stitched as issued, covers very lightly age-soiled else a very good, clean copy. The catalogue lists 132 items; the exhibition ran from 26th May to 31 August 1972.
19688vo., First Edition, with numerous plates; original pictorial wrappers, crease-mark on upper cover else a very good, clean copy. Scarce catalogue of an important loan exhibition that ran from 7 December 1968 to 26 January 1969.
1997Roy. 8vo., First Edition, with 13 fine full-page coloured reproductions and illustrations in the text; original printed wrappers, a near fine copy.
1965Roy. 8vo., First Edition, text in French, with 24 fine photographic plates; original coloured pictorial wrappers, a near fine copy. The catalogues lists 158 notable items, with bibliography, and indexes by subject and artist.
19478vo., First Edition; original pictorial wrappers, a very good, crisp, clean copy. With the NBL bookplate, signed by Rosemary Bullett, on front inside wrapper. This copy contains a few relevant tipped-in cuttings. This major exhibition was sourced principally from Sadleir's own collection.
18878vo., First Edition, with a plan in the text; newly and strongly bound in blue cloth gilt, a near fine copy. The catalogue lists 206 notable works, together with 72 water-colours by Turner. With indexes of painters and contributors. SCARCE, ESPECIALLY IN THIS CONDITION.
19468vo., with 50 sepia-toned plates (a number full-page) and folding plan coloured in outline; original wrappers printed in blue, covers lightly dust-soiled else a very good, clean copy. With the separately issued Corrigenda leaf (dated January 1946) printed in red, and a typescript sheet on The Mersey Tunnel loosely inserted. EARLY ISSUES ARE UNCOMMON IN THIS CONDITION.
1961Oblong 4to., with portrait and 8 full-page monochrome facsimiles in the text; original pictorial wrappers, wire-stitched as issued, covers lightly soiled else a near fine copy. The exhibition comprised 28 works. The catalogue includes biographical notes, appreciations by Arp, Bosmans, Breton, Copley, Ernst, Man Ray and several others, an extended bibliography and a listing of exhibitions. SCARCE.
19868vo., First Edition, text in Italian, with numerous reproductions throughout; original printed wrappers, wire-stitched as issued, a near fine copy. VERY SCARCE.
1991Roy., 8vo., First Edition, with numerous reproductions throughout; original pictorial wrappers, a near fine copy.
19908vo., First Edition, with numerous coloured reproductions (many full-page) in the text; original pictorial wrappers, a near fine copy. With a copy of the room guide loosely inserted.
19594to., First Edition, with a portrait frontispiece, and numerous photographs in the text; original pictorial wrappers, a very good, bright, clean copy. Frye was manager of the factory and 'inventor and first manufacturer of porcelain in England'.
1981Roy. 8vo., First Edition, with numerous coloured and monochrome reproductions in the text; original pictorial wrappers, a near fine copy. Includes chronology, art critics, full-page pedigree, and bibliography. Scarce.
1991Oblong 4to., First Edition, with 52 fine coloured or tinted full-page reproductions and a full-page portrait in monochrome; original pictorial wrappers, a near fine copy. Extremely scarce.
1990Roy. 8vo., First Edition, with a coloured frontispiece and numerous fine coloured and tinted full-page reproductions throughout; original pictorial wrappers, a near fine copy. With the separately printed price list loosely inserted. Includes chronology. Scarce.
1989Roy. 8vo., First Edition, with 25 fine full-page coloured reproductions; original pictorial wrappers, a near fine copy.
19754to., First Edition, with numerous colour reproductions ( a number full-page) in the text; original pictorial wrappers, a near fine copy. Includes list of exhibitions showing the work of the French landscape artist.
19614to., with 8 full-page monochrome plates; original pictorial wrappers, wire-stitched as issued, a very good, clean copy. Lists a total of 90 works drawn from national and private collections.
19634to., First Edition, with title in blue and black; original pictorial wrappers, wire-stitched as issued, yapped edges, covers lightly age-soiled else a very good, bright, clean copy.