Exposition

Exposition — marelibri

DAN HOWARD: a RETROSPECTIVE ~ a Selection of Paintings from 1968 ~ 1982. Artist Signed Artist's Signed Letter Authenticating His Particular Style Of Signature On His Art Work.

1982réf. 021240Fort Dodge Iowa : Blanden Memorial Art Gallery 1982. Soft cover. Near Fine. 1982 Book: Near Fine/ . Book: Near Fine/ $210.81 DAN HOWARD: a RETROSPECTIVE ~ a Selection of Paintings from 1968 ~ 1982. Artist Signed Artist`s Signed Letter Authenticating His Particular Style Of Signature On His Art Work. Exhibition Catalog Blanden Memorial Art Gallery Fort Dodge Iowa 1982 UnStated 1sT Edition Tall Wide S/c 0ff~White Colored Spine With Title In Black Letters Soft Cover Book: Near Fine/ Slight Shelf Edge And Corner Wear. 45 Numbered Pages Printed On 0ff~White Paper In Fine/ Condition Slight Shelf Edge And Corner Wear. Age Spotting On Outside Edge Of Front Cover. Spine Is Tight Corners Are Square. D/j: None. = Description Applies To This B00K Only. = This Author Signed Book Has A Special Significance Is Hard To Find Will Be Wrapped In Plastic Taped Shut Packaged And Shipped = Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Discriminating Reader / Collector. = No Odors No Writing No Names No Rippling Not Stuck Together No Book Plate Not X~Library No Remainder Or Other Marks. This Item Will Be Sent Wrapped In Plastic Taped Shut And In A = New New Padded Mailing Envelope = To Prevent Shipping Damage So That It Will Arrive In The Description Described. Description Applies To This B00K Only. = WORLD WIDE SHIPPING AVAILABLE. == California State Law Now Requires The Following Notice Be Given: == Seller Did Not Personally Know This Person Or Persons And Did Not See And Was Not Present When This Item Was Signed. No Certificate Of Authenticity Is Implied Or Included In This Sale/Purchase Price. If You Would Like A Certificate Of Authenticity You Can Obtain One At Your Own Convenience And Expense Which Is Not Included In The Purchase Price Of This Item. == Blanden Memorial Art Gallery paperback

02/2006 · États-Unis124,35 $US≈ 111,10 €

[COLUMBIAN EXPOSITION]. HANSON, J[ohn] W[esley]. (Ed)Biblio.com

The World’s Congress of religions. The addresses and papers delivered before the Parliament and an abstract of the Congresses held in the Art Institute. . . .

1894réf. 60987Chicago: Wabash Publishing House W.B. Conkey Co. 1894. Tall thick 8vo. 1196 pp. Photo frontisp. nearly 100 photos & text illusts. illust. initials. Pictorial green cloth gilt illustration & lettering front cover & spine minor scuffing edgewear couple minor bumped corners front inner hinge starting still VG- copy from library of Prof. Marvin Nathan. First edition of this massive compilation of addresses and reports presented at the Colombian Exposition. Of particular interest is the amount devoted to eastern religions including Hinduism Buddhism Bramo-Somaj Shintoism Confucianism Zoroastrianism as well as Islam. The editor has included papers on the role of Buddhism in Siam and Japan the development of Confucianism extracts from the Koran and more. Of particular interest are the papers presented by African-Americans on the “American Negroe’s” role in Christianity including addresses by Bishop Arnett of the African Methodist Ethiopian Church as well as Fannie Barrier Williams on the “Religious Duty to the Negro” and “The Catholic Church and the Negro Race” by J.R. Slattery of Baltimore. Fannie Williams was a vociferous proponent of education for African-American women writing that in terms “of employment colored women bear a distressing burden of mean and unreasonable discrimination . . . colored women can find no employment in this free America.” As African-Americans were almost entirely excluded from the 1893 Columbian Exposition these papers and addresses offer just a few of the efforts by the Black community to engage with attendees. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 2256. Wabash Publishing House, [W.B. Conkey Co.], hardcover

Zephyr Used & Rare Books · États-Unis75,00 $US≈ 67,01 €

[PAN-AMERICAN EXPOSITION -- PHOTOGRAPHS]. LYMAN, [Samuel] & MACKSON, [Isadore].Biblio.com

A very scarce set of original albumen souvenir photos shot at the 1901 Pan-American World’s Fair in Buffalo New York. These “unofficial” photos capture the Midway the US Government Building the Electric Tower the Fine Arts Building the Temple of Music and night shots of the Exposition lit with electric light.

1901réf. 63092Buffalo NY & Chicago IL: Mackson; Lyman 1901. Archive of 46 original albumen photographs sized from 3 x 6 in. up to 4 x 6 in. all of the images smaller than 4 x 5 in. on albumen paper stock many w/ embossed photographer’s stamps several w/ photographer’s imprint w/in negative some w/ small rubber stamp at lower fore-edge of verso as well as pencil manuscript annotations identifying subject inventory nos. w/ in negatives of several a few w/ evidence of having been previously mounted a couple w/very slight dog-eared corners 1 w/ closed tear at lower fore-edge a couple w/ image evidencing poor process chemicals still an exceptional group of images. This set of photographs was created by two different Illinois & Missouri photographers at the 1901 Pan-American Exposition in Buffalo NY -- both of whom had lived and worked in Chicago at the beginning of the 1890’s offering reasonably priced “unofficial” vernacular images of the 1893 Columbian Exposition World’s Fair followed by the Pan-American World’s Fair. The fair featured a range of acts and attractions featured at the Exposition which included Bostock’s Trained Wild Animals “A Trip to the Moon” “Cleopatra’s Temple” Henry Roltair’s illusionist show “House upside down” and the Battle of Missionary Ridge Cyclorama. Many of the Exposition buildings including the prominent Electric Tower were covered in approximately 2 million 100 watt incandescent light bulbs producing an incredible display when turned on each night attracting millions of people who visited. This Exposition marked a defining moment in Buffalo history with the city becoming the focus of international architectural artistic technological and industrial attention at the Fair. It is sadly largely remembered as the scene of the tragic assassination of President McKinley. Vernacular souvenir photos are quite scarce and these have an unusual sharpness in light of the fact that like the 1893 Columbian all were prevented from bringing in tripods to shoot the Exposition. One of the photographs captures African natives from the Midway’s “African Village” which incorporated Africans from the colonial empires of Great Britain Belgium Germany & France along with participants from Georgia who were “staged” in the “Old Plantation” representing the enslavement of African-Americans in North America. Another Black History exhibit included was the “Negro Exhibit” previously exhibited at the 1900 L’Exposition Universelle in Paris depicting the accomplishments of formerly enslaved people and languished at the far back of the Manufacturers and Liberal Arts Building. Samuel Lyman 1854-1939 was an intrepid tinkerer junk dealer and photographer who shot souvenir photos for his customers during the Columbian Exposition in 1893. Two of his sons Joseph Lyman 1887-1953 and Harry Lyman 1883-1940 became successful photographers in Kansas City MO during the Roaring 20’s. Mackson fl. 1885-1910 immigrated from Russia into Chicago in the 1880’s and operated a small photo studio there until about 1900 before relocating to Kansas City and St. Louis MO during the opening decade of the 20th Century operating photography studios in both cities. See: The Midway Buffalo New York Uncrowned Community Builders 2025. Mackson; Lyman, unknown

Zephyr Used & Rare Books · États-Unis950,00 $US≈ 848,75 €

[LEWIS & CLARK EXPOSITION -- BIRDS-EYE VIEW POSTCARD]. [CAUGHEY, [James Harvey Rollin (Artist).]; WILLSON, Prof WalBiblio.com

Birds-Eye view of Lewis and Clark Centennial Exposition. . . “Assembly Club” Shirt Waist Dancing Party at Oregon Building the largest dancing space on the grounds every Tuesday. Grand March at 8:45 P.M. . . .

1905réf. 62003Portland OR: Albert Hess & Co. Lewis & Clark Centennial Exposition 1905. One souvenir postcard. 11.25 x 3.25 in. With birds-eye view by Caughey on recto advertisement for Willson in lower right corner center crease fold as issued; postcard information and cancelled stamp & postmark for Portland addressed to W.H. Bilyen 90 1/2 - 5th St. City Portland Oregon minor dustsoiling slight toning very minor wear at fold crease still VG copy. First edition of this uncommon folding souvenir postcard celebrating the Lewis & Clark Centennial Exposition featuring and reproducing the famed Caughey birds-eye. The birds-eye depicts the Guild’s Lake area of the grounds up and operating now bounded by Reed to Thurston Streets and 31st to 24th Streets in NW Portland. Prof. Willson fl. 1904-1920 began as a dance instructor with the Academy of Dancing located in the Hirsch Building but within a few years of the Exposition set up his own dance studio and was noted instructor of Waltzes. This card advertises the fact that couples could dance for .50¢ while an “Extra Lady” for .25¢ and even better for men in the very hot and humid Portland Pavilion they could dance without their coats in Shirt Waists. Caughey 1851-1925 was an Ohio Civil War veteran an itinerant chalk plate artist and had just created the year before in Feb. 1904 a Birds-Eye view reproduced over two pages in the Lewis and Clark Journal with noted birds-eye artist and cartographer Fred Routledge 1871-1936. Caughey began producing birds eye views in and around Portsmouth NH in the 1880’s and eventually became a commercial artist and newspaper editor in Portland Oregon where he would often produce images for the Mutual Label & Lithographic Co. No copies in Worldcat. See: Birds-Eye View of Lewis and Clark Fair - Routledge-Caughey Lewis and Clark Journal Vol. 1 No. 2 Feb. 1904 pp. 16-17; Richard Candee Tracking the Little Known J.H. Rollin Caughey: Illustrator of New Hampshire’s Victorian Industries 2020; Craig Clinton The Pictorial Maps of Fred A. Routledge Oregon Historical Quarterly Vol. 117 No. 1 2016 pp. 38-75. [Albert Hess & Co., Lewis & Clark Centennial Exposition], unknown

Zephyr Used & Rare Books · États-Unis100,00 $US≈ 89,34 €

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