9 258 résultats
1972réf. Art8917,5 cm X 22 cm, non paginé, environ 50 pp, couverture souple et illustrée. Très grand nombre de photographies couleurs et N&B.
1985réf. lt2821,1 cm X 23,6 cm, non paginé, 114 pp, couverture souple et illustrée. Broché. Très grand nombre de reproduction d'oeuvres de Henri Cueco / Sert / Pierre-Marie Ziegler / Anne-Marie Milliot... (je peux donner une liste exhaustive des artistes sur simple demande). Certaines reproductions sont pleine page.
1962réf. Th4116 cm X 20,5 cm, 102 pp + 8 planches d'illustrations N&B (photographie, fac-similé de carnet de mise en scène, dessins de décor), couverture souple et illustrée. Broché. Le catalogue comprend : une préface de Julien Cain, des illustrations (voir plus haut), une chronologie, deux textes de Gordon Craig, l'inventaire des documents présentés.
1927réf. 23301NP 1927. Softcover. vg. Oblong 8vo. Unpaginated 24pp. Stapled printed wraps as issued. Rare exhibition catalogue of the "Erste Frühjahrsschau für angewandte Kunst" which was held in Berlin in 1927. Illustrated with 10 tipped-in b/w photographic reproductions of metal ceramic glas wood weaving and ivory art works. "Erste Frühjahrsschau für angewandte Kunst in Berlin zeigt Musterarbeiten aus verschiedenen Materialgruppen vorwiegend Einzelstücke.Angestrebt wird den Begriff und das Unterscheiden von gut und schlecht in Material Form Farbe und Ausführung weiten Kreisen näher zu bringen dadurch Produktion und Absatz wertvoller Dinge zu steigern wertloses zurückzudrängen. Vertreten sind Einzelarbeiten aus Keramik Glas Metall Holz Weberei und verwandten Materialgruppen." Photographs show art work by Prof. L. Gies O. Douglas Hill & A. Ehlers Prof. E. Scharff Prof. C. O. Czeschka E. Lettrè W. Raemisch Prof. M. Läuger Werkstätten der Stadt Halle Kunstgewerbeschule Burg Giebichenstein and Prof. Th. A. Winde. Minor creasing sunning and staining on wraps. Small stain on margins of bottom and fore edge of first 5 pages. Text in German. Overall very good condition. Scarce. NP unknown
1927réf. 23301NP 1927. Softcover. vg. Oblong 8vo. Unpaginated 24pp. Stapled printed wraps as issued. Rare exhibition catalogue of the "Erste Frühjahrsschau für angewandte Kunst" which was held in Berlin in 1927. Illustrated with 10 tipped-in b/w photographic reproductions of metal ceramic glas wood weaving and ivory art works. "Erste Frühjahrsschau für angewandte Kunst in Berlin zeigt Musterarbeiten aus verschiedenen Materialgruppen vorwiegend Einzelstücke.Angestrebt wird den Begriff und das Unterscheiden von gut und schlecht in Material Form Farbe und Ausführung weiten Kreisen näher zu bringen dadurch Produktion und Absatz wertvoller Dinge zu steigern wertloses zurückzudrängen. Vertreten sind Einzelarbeiten aus Keramik Glas Metall Holz Weberei und verwandten Materialgruppen." Photographs show art work by Prof. L. Gies O. Douglas Hill & A. Ehlers Prof. E. Scharff Prof. C. O. Czeschka E. Lettrè W. Raemisch Prof. M. Läuger Werkstätten der Stadt Halle Kunstgewerbeschule Burg Giebichenstein and Prof. Th. A. Winde. Minor creasing sunning and staining on wraps. Small stain on margins of bottom and fore edge of first 5 pages. Text in German. Overall very good condition. Scarce. NP unknown books
1977Le Havre, musée des Beaux-Arts André Malraux, 1977. In-8 broché, environ 50 pages non numérotées, la plupart des illustrations sont en noir et blanc. Bon état.
1938réf. 120086Glasgow: Daily Record 1938. 1st edition. Nice copy. large octavo. card covers 120pp. b/w plates illusts. Nice catalogue copiously illustrated inc. much Royal content Daily Record unknown
1994réf. mon0004261882Harry N. Abrams 1994-01-01. Paperback. New. . Harry N. Abrams paperback
réf. 28903EXHIBITION HOMMAGE A DUNOYER DE SEGONZAC. Paris: Chateau de Blois 1967. 4to. Wrappers. 151 pages. Exhibition catalogue. Wrappers rubbed else very good. unknown
1992réf. 006564Taiwan: Taiwan Museum of Art. First edition. Softcover. Published Taiwan: Taiwan Museum of Art 1992 first printing. 4to. wrappers with french flaps 8" x 10 5/8" 244pp. illustrated with hundreds of plates many in color. Bi-lingual text English and Chinese. Near fine. . Near Fine. Soft cover. 1st. 1992. Taiwan Museum of Art paperback
1992réf. 006560Taiwan: Musee Des beaux-Arts De Taiwan. First edition. Trade softcover. Published: Musee Des beaux-Arts De Taiwan 1992 first printing. Small 4to. wrappers 8" x 10 5/8" 315pp. illustrated with 275 full page plates some in color. Bi-lingual text in French and Chinese. Near fine. . Near Fine. Soft cover. 1st. 1992. Musee Des beaux-Arts De Taiwan, paperback
1993réf. 11770Yongin- SI: Ho-Am Art Museum. Fine. 1993. Softcover. Pictorial black wrappers; 168 full page color photographs of bowls vessels dishes jars pots; duplicated with matching index of photographs and descriptive text. Titles in Korean and English; text in Korean. From the collection of Frank S. Bayley. ; 4to 11" - 13" tall; 205 pages . Ho-Am Art Museum paperback
2002réf. 11772Osaka: Museum of Oriental Ceramics. Fine. 2002. Softcover. 188pp. Iv-xxxi index; 122 full page color photographs of ceramic bottles plates bowls etc. Captions titles in Japanese & English; Forward Japanese and English. Joseon: The name of a Korean state founded in 1392 lasting about five centureis. Postcards: sixteen 8. 5" x 6" color photographic postcards in printed brown folder published by Hollym. 2012. From the collection of Frank S. Bayley. ; 4to 11" - 13" tall; 188 pages . Museum of Oriental Ceramics paperback
réf. 39840EXPOSITION--LONDON--1862 THE ART JOURNAL ILLUSTRATED CATALOGUE OF THE INTERNATIONAL EXHIBITION 1862. London: James S. Virtue 1862. Small folio. Contemporary quarter calf all edges gilt. xii 324 pages 10 lithographic plates. First edition. A profusely illustrated catalogue for the London 1862 exhibition the much enlarged successful followup to the original inaugural 1851 exhibition published by The Art Journal featuring articles on the fine and decorative arts such as "The International Exhibition" "The Mediaeval Court" "Notes on the Raw Materials used by Artists as seen in the Exhibition" "Machinery employed in Art-Manufactures" "Art in its Influence on Art-Manufacture" "Modern Sculpture of all nations in the Exhibition" among others. Every aspect of arts and manufactures is included and well illustrated: furniture jewellery iron steel and brass work porcelain terra-cotta etc. carpets tapestries glass silver stone and wood carving wall decoration works in sculpture etc. Very good. unknown
2016réf. 11805Tokyo: Nikkei Inc. Fine. 2016. Softcover. Black wrappers printed in white; 445 pp. text in Japanese; i -xx captions in English for 306 illustrations chiefly in full color many full page. Exhibition at the Kyoto National Museum and the Tokyo National Museum for the commemoration of the 115th Memorial of Linji Yixuan and the 250th Memorial for Hakuin Ekaku. Richly illustrated with reproductions of paintings ceramics sculpture artifacts. ; 4to 11" - 13" tall; Hakuin Ekaku 1686 1769 was one of the most influential figures in Japanese Zen Buddhism who regarded bodhicitta working for the benefit of others as the ultimate concern of Zen-training. Linji Yixuan died 866 CE was the founder of the Linji school of Chán Buddhism during Tang dynasty in China. Linji is perhaps best known for his iconoclasm hitting and shouting and the use of shocking language in his sermons to disrupt the tendency of his listeners to grasp at things like bodhi buddhas patriarchs bodhisattvas stages of practice and levels of attainment. He famously said "If you meet a buddha kill the buddha". John McCrae; Burton Watson . Nikkei Inc. paperback
1998réf. 11768Seoul: National Museum of Korea. Fine. 1998. Softcover. Pictorial self-wrappers; full page color reproductions throughout depicting the tiger in Korean painting ceramics sculpture. 12" x 7.5" stencil of hawk & tiger red on light yellow rice paper folded and laid in. Text in Korean. From the collection of Frank S. Bayley. ; 4to 11" - 13" tall; 217 pages . National Museum of Korea paperback
2001réf. 11787fukuoka: Nishinippon Shimbun. As New. 2001. Softcover. Illustrated white wrappers; color illustrations throughout; text in Japanese. ; 4to 11" - 13" tall; 187 pages . Nishinippon Shimbun paperback
1989réf. 11769Seoul: National Museum of Korea. Fine. 1989. Softcover. Pictorial gray wrappers; 215 black & white photographs of furniture in the collection; 42 in color; 6 pages of color photographs of architectural spaces and dwellings; 6 pages of schematic drawings of furniture. Captions in Korean & English text chiefly in Korean with a full page on Choson Furniture in English. From the collection of Frank S. Bayley. ; 4to 11" - 13" tall; 186 pages . National Museum of Korea paperback
réf. 39840EXPOSITION--LONDON--1862 THE ART JOURNAL ILLUSTRATED CATALOGUE OF THE INTERNATIONAL EXHIBITION 1862. London: James S. Virtue 1862. Small folio. Contemporary quarter calf all edges gilt. xii 324 pages 10 lithographic plates. First edition. A profusely illustrated catalogue for the London 1862 exhibition the much enlarged successful followup to the original inaugural 1851 exhibition published by The Art Journal featuring articles on the fine and decorative arts such as "The International Exhibition" "The Mediaeval Court" "Notes on the Raw Materials used by Artists as seen in the Exhibition" "Machinery employed in Art-Manufactures" "Art in its Influence on Art-Manufacture" "Modern Sculpture of all nations in the Exhibition" among others. Every aspect of arts and manufactures is included and well illustrated: furniture jewellery iron steel and brass work porcelain terra-cotta etc. carpets tapestries glass silver stone and wood carving wall decoration works in sculpture etc. Very good. unknown books
1982réf. 1039941982 Amsterdam, ABN-gallery, 1982, 133x120mm, 15 leporellos, each leperello with a sequence of images. Sequences have differ in number of images (2 – 11 images per sequence). Lighlty soiled but good. First edition. This copy inscribed in 1982 by Margot Pilz on first text page, and signed on the rear. Margot Pilz is Duch born and lives in Austria.(103994)
1989réf. 1040091989 Haarlem, Joh. Enschede en Zonen, 1989, 245x305mm, unpaginated, numerous illustrations. Grey blind stamped cloth. In cardboard slipcase. Fine copy. First edition of this catalogue published on the occasion of an exhibition in the Beyerd gallery in Breda. One of 150 copies with 1 original signed and numbered photograph added.(104009)
réf. 28903EXHIBITION HOMMAGE A DUNOYER DE SEGONZAC. Paris: Chateau de Blois 1967. 4to. Wrappers. 151 pages. Exhibition catalogue. Wrappers rubbed else very good. unknown books
réf. 6362Imprimerie scientifique CH. Bulens éditeur Bruxelles 1897. Petit in/4 reliure demi-chagrin rouge dos à nerfs avec titres dorés et fleurons à froid photographies in et hors-texte 719 pages. Ouvrage rédigé suite à lexposition internationale de Bruxelles en 1897 et concernant la forêt chasse et pêche belges. Forêts : législation utilité statistique culture aménagement terrains incultes bois insectes collections diverses - chasse : collections quadrupèdes de la chasse LOUP renard sanglier. oiseaux BECASSE.; pêche fluviale : législation coup doeil historique engins de pêche table alphabétique des poissons et crustacés de la faune deau douce de la Belgique ; pêche maritime. unknown
1862réf. 100967AParis & London Mai 1862. 8vo. 182 x 120 cm. 31 pp. Illustrated with woodcuts including 2 full-page. Published for the London World Fair 1862 with map of the exibition halls on the inside front cover. The "Expositions Universelles" or World Fairs were intended to show the latest innovations and inventions. The earliest of these fairs were held in France but were national. The first one of 1798 was the start of eleven national fairs. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Callebaut shows different models and explains the technqiue of them. Both full page illustrations of the factory show us what factories looked like at the time. At the 1862 exhibition about 50 types of sewing machine were on show on over 20 stands. M. Callebaut from Paris showed 'several modifications of shuttle sewing machines of the Singer type.' Callebaut was the Singer licencee in France the only occasion on which the Singer Co granted a licence rather than manufacturing itself. Callebaut patented these modifications in France and Britain in his own name. Most of them apply to the Singer No. 2 machine and enabled it to have a reversible wheel feed for finishing seams and to produce a 'herring-bone stitch' zigzag by moving the top feed presser foot from side to side. Another machine had twin needles on the same needle bar for making two lines of stitches on the top side and a zigzag on the underneath with a single shuttle thread. Not content with all these variants M Callebaut exhibited some glove making machines of fearsome complexity using detached lengths of thread!
1862réf. 1009671862. Paris & London Mai 1862. 8vo. 182 x 120 cm. 31 pp. Illustrated with woodcuts including 2 full-page. Published for the London World Fair 1862 with map of the exibition halls on the inside front cover. The "Expositions Universelles" or World Fairs were intended to show the latest innovations and inventions. The earliest of these fairs were held in France but were national. The first one of 1798 was the start of eleven national fairs. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Callebaut shows different models and explains the technqiue of them. Both full page illustrations of the factory show us what factories looked like at the time. At the 1862 exhibition about 50 types of sewing machine were on show on over 20 stands. M. Callebaut from Paris showed 'several modifications of shuttle sewing machines of the Singer type.' Callebaut was the Singer licencee in France the only occasion on which the Singer Co granted a licence rather than manufacturing itself. Callebaut patented these modifications in France and Britain in his own name. Most of them apply to the Singer No. 2 machine and enabled it to have a reversible wheel feed for finishing seams and to produce a 'herring-bone stitch' zigzag by moving the top feed presser foot from side to side. Another machine had twin needles on the same needle bar for making two lines of stitches on the top side and a zigzag on the underneath with a single shuttle thread. Not content with all these variants M Callebaut exhibited some glove making machines of fearsome complexity using detached lengths of thread! hardcover