9 291 résultats
1906Saint-Cloud, Imprimerie Belin Frères, 1906. In-8 relié demi chagrin bleu à coins, dos à nerfs, couvertures conservées38 pages accompagnées de nombreuses photographies hors texte. Bel exemplaire
1974réf. 118387Stuttgart: Württembergischer Kunstverein, 1974. 36 S. ; 21,5 x 19,5 cm ; broschiert.
réf. 0260009431.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1979This is a very good softcover copy with just light wear. Completely clean inside, a bit of light soil to covers. Also a small art library handstamp on the inside front cover, no other marks. This monograph was prepared to accompany the exhibition at the Whitney Museum in 1979. Essay by Roland Barth. Contributions by Heiner Bastian and David White. Chronology. Bibliography. Exhibition checklist with 85 works catalogued. Illustrated in black & white, some color. 10" high X 9" wide, 118 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1977réf. 19391RMN - Musée de l’Orangerie 1977 In-8, broché couv. illustrée, photographies en noir et en couleurs, LVII-242 pp. Bon état.
réf. 111222aafBois-Charente, Institut de Recherches Viticoles, 1937, gr. in-8vo, brochure originale.
1989A clean, unmarked book with a tight binding. 338 pages.
2012Fine English Paperback. Pbo. Large Roy. 8vo. 96, [1] p. In English and Turkish. Fully color ills. 1000 copies were printed. Resul Aytemür. 657 and the others.= 657 ve digerleri. Beyoglu Akademililer Sanat Merkezi [Exhibition catalogue].
2012New English Paperback. Pbo. Large Roy. 8vo. 96, [1] p. In English and Turkish. Fully color ills. 1000 copies were printed. Resul Aytemür. 657 and the others.= 657 ve digerleri. Beyoglu Akademililer Sanat Merkezi [Exhibition catalogue].
2015New English Paperback. Pbo. 4to. (32 x 24 cm). In English and Turkish. 119, [1] p., fully color ills. Dogumunun 1444. yilinda Hz. Peygamber. Ask-i nebi. [Exhibition catalogue]. Texts by Iskender Pala, Zübeyde Cihan Özsayiner. TURKISH & ISLAMIC ART Traditional Ottoman / Turkish calligraphic art Calligraphy Hilye Prophet Mohammad.
2011New English Paperback. Pbo. 4to. (32 x 24 cm). In English, Italian, and Turkish. 178, [1] p., color ills. When love for the Prophet becomes art.= Quando l'amore per il Profeta diventa arte.= Ask-i Nebi sanat olunca. TURKISH & ISLAMIC ARTS Ottoman calligraphy Calligrapher Contemporary / Modern art Prophet Mohammad.
2016New Turkish Paperback. 4to. (28 x 23 cm). In Turkish. 107 p., b/w and color ills. Ask-i nebi. Hilye-i Serif.
2014New Turkish Paperback. Pbo. 4to. (32 x 24 cm). In Turkish. 85, [3] p., color ills. Dogumunun 1443. yilinda Hz. Peygamber. Ask-i nebi. [Exhibition catalogue]. Texts by M. Ugur Derman, Ali Riza Özcan. TURKISH & ISLAMIC ART Traditional Ottoman / Turkish calligraphic art Calligraphy Hilye Prophet Mohammad.
1988This is a very good softcover copy with a very good dust wrapper with just light wear. The back panel of the jacket is a little scuffed. Completely clean. All die cut pages intact. The last page is creased. Essay by Pedro Cuperman. Text in English and Spanish. This catalog was prepared to accompany the exhibition at the Holly Solomon Gallery in December 1988. 8" high X 5" wide, 108 pages. This book will be securely packed and shipped with tracking.
1988This is a very good softcover copy with just light wear. Completely clean inside and just a few faint tiny spots to the front cover, light scuffing to the rear cover and spine. This catalog was prepared to accompany the exhibition at the Grunwald Center for the Graphic Arts , Wight Art Gallery, UCLA, in the fall of 1988. Essays by James Cuno, Michel Melot, Lynn Hunt, Claude Langlois, Ronald Paulson, Albert Boime, and Klaus Herding. 190 works in the exhibition. All illustrated in black & white. Each work with extensive notes. Bibliography. 12" high X 9" wide, 280 pages.
1993réf. 265945Windsor Ontario: Art Gallery of Windsor 1993. Paperback. 85p. wraps 8.75x11 inches profusly illus. very good condition. Text in English and French. Catalogue for an exhibition of works by the multimedia artist. Art Gallery of Windsor paperback books
1969A clean, unmarked book with a tight binding. Full brown cloth boards with gilt illustration. Previous owner's name label inside. Price-clipped dust jacket. 8 1/4"w x 11 1/4"h. 140 pages. Many photos and illustrations.
1985This is a very good softcover copy with just light cover wear. a few stray tiny spots to the covers, otherwise completely clean inside and out. Text in English and German. Statement by the artist. 19 sets of etchings illustrated with technical details of the edition + information on 2 bound in etchings for periodicals. Illustrated in color and black & white. One fold-out. 11" high X 7" wide. This book will be securely packed and shipped with tracking.
1854réf. BB120CRYSTAL PALACE aka GREAT EXHIBITION Descriptions of the Egyptian Court erected in the Crystal Palace by Owen Jones and Joseph Bonomi with an historical notice of the monuments of Egypt by Samuel Sharpe 71pp The Greek Court. 113pp An Apology for the Colouring of the Greek Court 56pp The Roman Court ii 86pp The Alhambra Court 119pp The Nineveh Court 80pp The Byzantine and Romanesque Court 116pp The Mediæval Court 123pp The Renaissance Court 108pp The Italian Court 91pp The Pompeian Court 73pp Guide to the Crystal Palace and Park by Samuel Phillips 193pp. London: Bradbury & Evans 1854 the last volume 1856. TWELVE volumes bound as three each of the dozen titles with a colored pictorial printed front wrapper folding frontispiece and profusely illustrated including additional folding plates. 8vo 3/4 leather scuffed marbled boards exterior worn internally near-fine. Individually issued as part of the Crystal Palace Library series rarely does one find such a large collection of these small titles bound together detailing the specific contents of each division. The Crystal Palace was a cast iron and plate glass structure originally built in Hyde Park London to house the Great Exhibition of 1851. After the exhibition the Palace was relocated to an area of South London known as Penge Place which had been excised from Penge Common. It was rebuilt at the top of Penge Peak next to Sydenham Hill an affluent suburb of large villas. It stood there from June 1854 until its destruction by fire in November 1936. The nearby residential area was renamed Crystal Palace after the landmark. The park still contains Benjamin Waterhouse Hawkins's Crystal Palace Dinosaurs which date back to 1854. Bradbury & Evans hardcover books
1911Large and elaborate coloured engraved plan measuring approx. 1270mm x 1010mm (50.0 ins x 39.75 ins), folding in 20 panels to approx. 320mm x 210mm (12.5 ins x 8.0 ins); housed in original printed cartridge envelope with self-sealing flap (short tear in flap), A REMARKABLY CLEAN, NEAR FINE COPY. This is an engraved and coloured plan of the Crystal Palace prepared for the intended sale at auction of the buildings and grounds in 1911 (see below). The retaining envelope is printed 'PLAN OF THE CRYSTAL PALACE 1851-1911. Solicitors: Messrs Janson Cobb, Pearson & Company, 22 College Hill, E.C.; Receiver and Manager: Mr. Ernest I Husey (Messrs Jackson, Pixley & Co., Chartered Accountants, 58 Coleman Street, E.C; Auctioneers: Mr. Howard Frank (Messrs Knight, Frank & Rutley), 20 Hanover Sq, London W; and Mr. John Roy Lancaster (Messrs Horne & Co), 85 Gresham Street, E.C.' The plan in well executed and colour-coded to indicate the various leases and tenancies involved. It shows the scale and local context of the magnificent building, together with its world-famous gardens and grounds, including the tiered sculptural terraces, the patios, and the renowned lakes and fountains. Key features such as the Flying Machine, the Maze, Brunel's Polygonal Water Towers, the Lower Lake area housing Waterhouse Hawkins' recreations of dinosaurs (still present today) and the Sports Grounds are clearly highlighted. HISTORICAL CONTEXT. After the Great Exhibition of 1851, the Crystal Palace was re-erected in a considerably enlarged form in 1854 at Sydenham in South London. During the next half century it continued as a major metropolitan tourist attraction attracting visitors from all over the world to marvel at the building, its contents and gardens, and to witness a wide variety of entertainment including music, acrobatics, circuses and fireworks. By the turn of the century, however, the novelty was wearing thin and the number of visitors declined to the point where in 1911 the Palace was declared bankrupt and placed in the hands of a receiver. 'On 28 November it was to be sold by auction, to be offered in one lot as a going concern. This was a fateful period in its history. There was grave danger that it would pass into the hands of the developers. Every jerry builder within striking distance was eager for the moment when he might be in a position to swoop down on the beautiful grounds and reduce them to terms of bricks and mortar. But that ultimate indignity was not to be. The Earl of Plymouth produced £230,000 to buy the Palace as a going concern; at the same time the Lord Mayor of London opened a fund to purchase the Crystal Palace for the nation, and to reimburse Lord Plymouth. This was completed in 1913 and the Crystal Palace was saved.' [A.R. Warwick: The Phoenix Suburb (1972)]. During the Great War the revitalised Palace served as a Royal Naval base (HMS VICTORY VI). At the end of hostilities it became for a short time the home of the Imperial War Museum and then reverted to tourism with exhibitions of early flying, pioneer television, dirt-track racing, music festivals, dog and cat shows, dancing and fireworks. In this way it continued until completely destroyed by the tragic fire of 30 November 1936 - the end of a great era. IT IS UNCERTAIN HOW MANY OF THESE ELABORATE PLANS WERE PRODUCED, BUT THE NUMBER CANNOT HAVE BEEN GREAT. GIVEN THAT £230,000 (VERY APPROXIMATELY £7M BY TODAY'S STANDARDS) WAS REQUIRED TO OBVIATE THE NEED FOR SALE, THE NUMBER OF INTENDING BIDDERS MUST HAVE BEEN FEW INDEED. IN ANY CASE IT IS UNLIKELY THAT MANY COPIES SURVIVE, ESPECIALLY IN THIS VIRTUALLY UNOPENED STATE COMPLETE WITH ORIGINAL ENVELOPE. A DOCUMENT OF CONSIDERABLE SIGNIFICANCE IN THE HISTORY OF SOUTH LONDON, AND A VIVID REMINDER OF ONE OF LONDON'S GREATEST HISTORIC ATTRACTIONS.
1854réf. BB120CRYSTAL PALACE aka GREAT EXHIBITION Descriptions of the Egyptian Court erected in the Crystal Palace by Owen Jones and Joseph Bonomi with an historical notice of the monuments of Egypt by Samuel Sharpe 71pp The Greek Court. 113pp An Apology for the Colouring of the Greek Court 56pp The Roman Court ii 86pp The Alhambra Court 119pp The Nineveh Court 80pp The Byzantine and Romanesque Court 116pp The Mediæval Court 123pp The Renaissance Court 108pp The Italian Court 91pp The Pompeian Court 73pp Guide to the Crystal Palace and Park by Samuel Phillips 193pp. London: Bradbury & Evans 1854 the last volume 1856. TWELVE volumes bound as three each of the dozen titles with a colored pictorial printed front wrapper folding frontispiece and profusely illustrated including additional folding plates. 8vo 3/4 leather scuffed marbled boards exterior worn internally near-fine. Individually issued as part of the Crystal Palace Library series rarely does one find such a large collection of these small titles bound together detailing the specific contents of each division. The Crystal Palace was a cast iron and plate glass structure originally built in Hyde Park London to house the Great Exhibition of 1851. After the exhibition the Palace was relocated to an area of South London known as Penge Place which had been excised from Penge Common. It was rebuilt at the top of Penge Peak next to Sydenham Hill an affluent suburb of large villas. It stood there from June 1854 until its destruction by fire in November 1936. The nearby residential area was renamed Crystal Palace after the landmark. The park still contains Benjamin Waterhouse Hawkins's Crystal Palace Dinosaurs which date back to 1854. Bradbury & Evans hardcover
1995This is a very good or better softcover copy with virtually no wear. Completely clean inside and out. The Wexner Center invited artists Albert Oehlen and Christopher Williams to assume a curatorial guise in which they selected, edited, and designed an installation of each others most recent works. This comprehensive catalogue of the resulting exhibition features both Oehlens semi-abstract and computer-generated paintings and Williamss conceptual photographs. Illustrated mostly in black & white, some color plates. Essays by Thomas Crow, Diedrich Diedrichsen, Timothy Martin, Stephen Melville and Friedrich Petzel. Biographical sketches. Bibliography. 10" high X 8" wide, 172 pages. This book will be securely wrapped and shipped with tracking.
1965réf. 92171The Trustees of the Bristih Museum, London, 1965. 23,5 cm ; broschiert
1988Catalogue de l'exposition présentée en 1988-1989 au Museum of Modern Art d'Oxford: vies et oeuvres de 9 artistes (peintres et 2 sculpteuurs) morts pendant la 1ère guerre mondiale - Geoffrey S. Allfree, Henri Gaudier-Brzeska, Raymond Duchamp-Villon, Vladimir Burliuk, August Macke, Franz Marc, Wilhelm Morgner, Hermann Stenner, Albert Weisgerber - photos et reproductions en noir et en couleurs; bibliographies; texte d'introduction de Tim CROSS orné de vignettes en noir. Anglais
réf. 18913Oxford, Armistice Festival Limited, 1988 1 volume 20,7 x 27,2cm Broché sous couverture entièrement illustrée couleurs. 80p.; nombreuses illustrations in texte, vignettes et pleines pages, en noir et en couleurs. Très bon état.
