9 255 résultats
1901réf. 60753Buffalo NY: Charles Ahrhart Gies & Co. Printers & Engravers 1901. 12mo. 5 x 7 in. 176 pp. 1 large folding colour map frontisp. Plan of the Pan-American Exposition drawn by C.E. Pelz numerous photo illustrations and plates 1 large folding map “New Map of the City of Buffalo.” Embossed forest-green softcovers raised & embossed gilt lettering & globe medal on front cover embossed fir & palm trees old tape repairs to closed tears at fold creases on frontisp. map some dustsoiling edgewear still VG- copy from the library of Prof. Marvin Nathan. First edition of this fairly uncommon travel guide book to the Pan-American Exposition featuring both the large folding maps. Included are descriptions of the range of acts and attractions featured at the Exposition which included Bostock’s Trained Wild Animals Akoun’s Beautiful Orient Venice in America with Italian Gondoliers Roltair’s House Upside Down or “Palace of Illusions” the “War Dance of Cape Lopez Blacks” the Philippine Village the Hawaiian Village which featured a representation of the Kilauea Volcano ever erupting and the Battle of Missionary Ridge Cyclorama. Augmenting the City of Buffalo map is a directory to all of the streets and cross streets and hotels restaurants and other services also receive mention. Sadly the Pan-American Exposition in Buffalo New York is best remembered today as the site of President McKinley’s assassination Sept. 6 1901. This guide book was released with issues containing just one plan to the exposition as well as this version which featured the City of Buffalo map as well. Charles Ahrhart, Gies & Co., Printers & Engravers, paperback
1901réf. 60932Buffalo NY & Littleton NH: C.D. Arnold B.W. Kilburn 1901. Nine original stereoview albumen Woodburytype photographs sized 6 x 3 in. mounted on beige-coloured studio boards sized 7 x 3.5 in. all w/ printed captions & photographer’s imprints a couple w/ former ownership markings on versos in ink manuscript 7 w/ scalloped upper fore-edges minor dustsoiling minor wear to fore-edges still a VG set of images from the library of Prof. Marvin Nathan. Nine scarce and original albumen stereoview photographs detailing the exhibits sights and the sensational lighting effects achieved at the Pan-American Exposition in Buffalo NY in 1901. Many of the Exposition buildings including the prominent Electric Tower were covered in approximately 2 million 100 watt incandescent light bulbs producing an incredible display when turned on each night attracting millions of people who visited. This Exposition marked a defining moment in Buffalo history with the city becoming the focus of international architectural artistic technological and industrial attention at the Fair. Arnold 1844-1927 was previously the official photographer of the 1893 World’s Columbian Exposition in Chicago and it appears Kilburn contracted to produce and distribute stereoview images using Arnold photos. See: The Pan-American Exposition: Selected Sources in the Grosvenor Room RBR T485.C1 F5; Opening of the New York Electrical Society Season Electrical World & Engineer Vol. XXVIII No. 17 Oct. 26 1901 p. 674. [C.D. Arnold], B.W. Kilburn, hardcover
1901réf. 60904Buffalo NY: Wagner Typewriter Co. 241 Broadway 1901. One chromolithograph cabinet-sized card 4.25 x 6.25 in. printed photo on verso minor dustsoiling slight edgewear still VG bright copy. First edition of this scarce promotional trade card from the Wagner Typewriter Co. which not only featured an elaborate display of their latest mechanical and electrical “Underwood” typewriters but also featured the prodigious competition by two Massachusetts women Mary Esther “Mae” Carrington 1878-1944 and Alice Mary Schreiner 1878-1961 renowned competitive speed typists earning $ 100.00 per week typing up to a 144 words per minute with accuracy. “Lady Betty” columnist of the Buffalo Evening Times wrote that the “exhibit of American typewriters at the Exposition was the most elaborate and comprehensive ever attempted at any exposition and that augmented by the presence of these two wizard-like operators.” No copies in Worldcat U of DE does hold a 4 pp. Underwood Typewriter Catalogue; See: Richard Polt The Classic Typewriter Page Underwood No. 5 2020; Buffalo Evening Times Women’s Realm May 18 1901; Robert Messenger ozTypewriter April 18 2019. [Wagner Typewriter Co.]., [241 Broadway], unknown
1996réf. 107410Tokyo, Bridgestone Museum of Art 1996 In-4 25,5 x 18,5 cm. Broché, couverture ivoire, titre doré sur le dos et le premier orné d’une vignette à l’identique, 133 pp., 112 reproductions, nombreux documents d’époque. Exemplaire en bon état.
1957réf. 1009701957. Great Britain: The Arts Council of Great Britain 1957. Small 8vo 36pp. 4 tipped-in plates. Stapled illustrated wrappers. Very light soiling. A very good copy. § In addition to 62 works by Palmer pieces by Blake Calvert Finch Linnell Richmond Sherman and Walter were also included in what must have been an amazing exhibition. unknown books
1905réf. 60645Newport OR & New York: Photographed & Published by A.L. Thomas; Isaac H. Blanchard Printers Binders 1905. Oblong 8vo. 8.25 x 6 in. 16 leaves unnumbered. With 16 printed photographs. Photo-illustrated softcovers lozenge blue-tinted photo of the surf on Agate Beach front cover punch-sewn at gutter margin w/ BLACK silk braid minor dustsoiling edgewear very minor creasing to 1 corner slight scuffing back cover still VG copy. First edition of this surprisingly uncommon photo souvenir book for Newport Oregon issued in conjunction with the 1905 Lewis & Clark International Exposition in Portland OR. The images depict Newport Nye Beach digging for “Rock Oysters” swimming agate hunting and the Devil’s Punch Bowl from below. Thomas 1875-1940 was a native Oregonian who operated a jewelry store and photography studio and supplier in Newport OR from 1893 until his death. Worldcat locates 2 copies State Lib. OR SMU. Photographed & Published by A.L. Thomas; [Isaac H. Blanchard, Printers, Binders], paperback
1959réf. 60933Portland OR & Seattle WA: Smith 1959. Ten RPPC silver gelatin photographs all w/ description and inventory number w/in negative at lower fore-edge slight age toning very slight edgewear still VG. A nice set of 10 souvenir RPPC’s shot during the 100 day run of the Oregon Centennial Exposition. The 1859-1959 Centennial Exposition lasted from June 10 to Sept. 17 on 65 acres along the Columbia River formerly Vanport wiped away in the tragic 1948 flood and also featured a Gayway Amusement Park Garden of Tomorrow & Adventureland. The Exposition featured everything from Mossman’s Can-Can girl revue to steam locomotives Modernist sculptures and murals by Louis Bunce and other Oregon artists and the striking Hall of Religious History in the Garden of Tomorrow which featured murals of Carl Morris. This re-created town from the 1870’s Old West featured the Golden Nugget dance hall & saloon as well as livery stable church post office and hotel and proved to be the most successful attraction. The Oregon Centennial only attracted about 1.5 million visitors and largely operated at a loss which encouraged the nascent Seattle World’s Fair organizers to strip out their Western theme and focus instead on their later very successful Century 21 futurism theme. Smith, unknown
1905réf. 56241Portland: Lewis & Clark Official Photographic Co. F.H. Kiser Goodnough Building c. 1905. One large silver gelatin photograph sized 10.25 x 13.5 in. mounted on gray studio board 17 x 13.75 in. w/ embossed photographer’s stamp in lower right corner of the board in white some scuffing & wear to corners fore-edges couple very minor scuffs to the image still a VG- image w/ bright strong contrast. A very scarce original souvenir intending to promote the Pacific Northwest for the Lewis & Clark Centennial Exposition marking the anniversary of the famed exploration across the North American continent after the Louisiana Purchase. The Kiser Brothers Fred Kiser 1878-1955 and Oscar Kiser 1883-1905 began shooting photos as a hobby but very quickly became successful commercial photographers and one of the best artistic photographers in the country during the first three decades of the 20th century. They sold their images as prints photo albums stereoviews postcards glass lantern slides and even later hand-coloured many of them and sold them to tourists and collectors as framed or unframed art prints. Lewis & Clark Official Photographic Co., F.H. Kiser, Goodnough Building, unknown
2006réf. 4447Edition M 2006 In-8 (h. 24,5 cm.) 358 pp; reliure cartonnée. Texte en allemand et en français de Clemens Ruthner, Bruno Fornari, Bernadette Bonnier, Véronique Carpiaux, Peter Assmann, Monika Oberchristl, Catherine De Croës.
1986réf. 5220Paris Réunion des Musées Nationaux 1986 In-8 (h. 20 cm.) 201 pp. couverture souple.
1854réf. 60414New York & London: G.P. Putnam and Co. Sampson Low Son & Co. John F. Trow Printer & Stereotyper 49 Ann Street 1854. Folio. xi 1 207 1 pp. Engraved frontisp. extra-illustrated engraved title 5 engraved plates 1 colour woodcut plate for tiles another engraved plate of Fresnel lenses integral to pagination with 500 woodcut-engraved text illustrations decorations. Elaborately decorated & gilt embossed cobalt-blue publisher’s cloth decorative gilt lettering front & back covers a.e.g. rebacked w/ upper portion of original spine laid-back down corners renewed resewn flyleaves expertly silked wear to lower fore-edges minor stain to a few leaves in rear of textblock upper fore-edge still a VG- copy. First edition possible first state including the colour plate & extra-illustrated title & frontispiece which are not present in some printings of this lavishly illustrated catalogue of America’s first exposition inspired and patterned after the 1851 Crystal Palace Great Exhibition in London. Mixed in with the familiar Arts & Crafts material which filled the early expositions including industrially produced glassware metalwork ceramics and more the 1853-54 Exposition served as a vital presentation of American invention and technology including Royal Earl House’s innovative printing telegraph with its piano-style keyboard a Henry Fitz refractor telescope John Whipple’s daguerreotypes shot of the Moon at Harvard College and even a publicity stunt featuring Elias Otis demonstrating his safety elevator by dramatically cutting the rope holding the cage preventing is descent when they deployed. The 1853-54 Exhibition was also vital to the development of iron construction in America including the striking octagonally planned domed structure by Castensen and Gildermeister as well as plans submitted by Paxton Downing & Vaux Bogardus and Hoppin all illustrated here. After the fair closed in November 1854 the New York Crystal Palace sporadically held tradefairs until 1858 when the iron and glass building burned to the ground in less than 30 minutes. See: Coleman The Exhibition in the Palace a Bibliographical Essay Bulletin of the New York Public Library Sept. 1960 pp. 459-477; William Ashworth Scientist of the Day -- New York Crystal Palace Linda Hall Library July 14 2022. G.P. Putnam and Co., Sampson Low, Son & Co., [John F. Trow, Printer & Stereotyper, 49 Ann Street], hardcover
1980réf. 4471Paris Réunion des Musées Nationaux 1980 Petit in-12 carré (h. 15,5 cm.) 380 pp. couverture souple. Ouvrage paru à l'occasion de l'exposition au Musée Réattu d'Arles et au Musée du Luxembourg.
1903réf. 216817大阪. Osaka.: 大阪朝日新聞. Ōsaka Asahi Shinbun. Meiji 36 1903. Folding colour guide map to the site of the 5th Domestic Industrial Promotion Exposition held in Osaka in 1903 text on top right 54 x 78.5cm. Reverse a little soiled minor wear folds a very good copy. This guide map of the 5th Domestic Promotion Exposition depicts the layout of the exposition grounds and provides detailed information about the various pavilions. The exposition was held at the site where Tennoji Park now stands. Over 5 million people visited the event between March and July 1903. The map highlights agricultural and industrial pavilions along with a pavilion showcasing a refrigeration machine. The Taiwan pavilion features produce from the recently acquired territory. Displays of local produce and numerous food stalls offered entertainment and refreshments for visitors. An inset map of an aquarium in Sakai is also included. . 大阪朝日新聞. [Ōsaka Asahi Shinbun]. unknown
1947réf. 25968nantes GALERIE MIGNON-MASSART 1947 une carton d'invitation, couleur beige imprimée en vieux d'un seul côté , format : 13,6 x 10,6 cm, pour le vernissage de l'EXPOSITION RÉTROSPECTIVE : ÉMILE DEZAUNAY 1854-1938, le mercredi 16 Avril 1947 à 16 Heures, Nantes Galerie Mignon-Massart Editeur,
1906réf. 28837nantes 1906 une carte-photo originale albuminée en noir , format : 14 x 9 cm , PHOTOGRAPHIE ORIGINALE : EXPOSITION DE NANTES 1906 - VUE DE LA GALERIE DES MACHINES (animée) LE 29 MAI 1906, A. SIMON PHOTOGRAPHE A NANTES,
1906réf. 28838nantes 1906 une carte-photo originale albuminée en noir , format : 14 x 9 cm , PHOTOGRAPHIE ORIGINALE : EXPOSITION DE NANTES 1906 - L'ENTREE DE L'EXPOSITION (animée) , LE 29 MAI 1906, A. SIMON PHOTOGRAPHE A NANTES,
1929réf. 26786NANTES GALERIE D'ART DECRÉ 1929 une affiche originale imprimée en noir sur papier marron-clair et illustrée en noir et marron (chocolat) par HENRI BOUYER et DAAH , format : 101 x 66,5 cm), avec le texte suivant : "ALLEZ VOIR L'EXPOSITION BRÉGEON DAGOBERT DU 3 AU 17 DÉCEMBRE - 1929 - GALERIE D'ART DECRÉ" , 1929 NANTES GALERIE D'ART DECRÉ éditeur,
1958réf. 23275Nantes Musée des beaux-arts 1958 in-12 broché un catalogue d'Exposition, broché blanc in-douze Editeur(paperback duodecimo Editor)(13,5 x 19,2 cm), dos muet, 1ère de couverture cartonnée souple blanche imprimée en bleu-marine et rouge et illustrée d'une reproduction d'une gravure de Ciceri représentant le chateau de Clisson en 1848 en bleuté (cover printed and illustrated), légeres traces de mouillures anciennes en marge droite, toutes tranches lisses, orné de 16 illustrations hors-texte en noir in-fine sur papier couché, 48 pages, 1958 à Nantes Musée des beaux-arts Editeur,
réf. 5011In-4 (h. 30 cm.) 374 pp; couverture souple.
1930réf. 172100New York: The Museum of Modern Art MOMA 1930. First Edition. Softcover. First Edition. Published in conjunction with an exhibition held at MOMA from December 2 1930 through January 20 1931. MOMA office copy stamp to the title page rear wrapper detached from binding front hinge starting overall Fair in perfect-bound wrappers. The Museum of Modern Art [MOMA] unknown books
1933réf. 172101New York: The Museum of Modern Art MOMA 1933. First Edition. Softcover. First Edition. Published in conjunction with an exhibition held from December 11 1933 through January 7 1934 at MOMA. Illustrated in black-and-white. Very Good plus in perfect-bound wrappers. The Museum of Modern Art [MOMA] unknown books
1963réf. 21909Nantes Chiffoleau 1963 -in-8 broché une plaquette (programme), brochée (agraphée) marron-clair in-octavo Editeur (24,5 x 15,8 cm), dos muet, couverture imprimée en noir et illustrée d'une marque postale pour l'occasion imprimée en noir (marque imprimée en plus grand au centre de la 4ème de couverture, orné de 2 photographies in-texte en noir, 22 pages + 2 ff. de tables et errata, 1963 Nantes Chiffoleau Imprimeur Editeur,
1991réf. 5186Paris Réunion des Musées Nationaux 1991 In-4 (h. 29 cm.) 396 pp. reliure cartonnée, jaquette.
réf. 14084Montluçon, Imprimerie Deneuvy, 1931 ; plaquette in-8, brochée. 88 pp. + 1 f. bis (de publicités). Couverture illustrée en noir et rouge par Maurice Randuin. Parfait état.
réf. 14081Montluçon, Imprimerie Deneuvy, 1933 ; plaquette in-8, brochée. 72 pp. + 2 ff. bis (de publicités). 1 plan dépliant hors-texte. Couverture illustrée en noir et rouge. Parfait état.