9 258 résultats
1894réf. LIST109Various Places 1894. Sammelband of thirteen reports each with original front wrapper or wrappers bound-in; in half-calf with gilt titles on spine. Very Good. Includes: Guillouard Louis. Rapport sur les travaux du comiteÌ deÌpartemental du Calvados. Caen: Ch. Valin 1893. 19 pp. printed gray wrapper; Drouet Paul. Souvenir du neuvième Congrès international des ameÌricanistes tenu en 1892 à Huelva Espagne et de l'exposition reÌtrospective de Madrid. Caen: Delesques 1893. 56 pp. printed pink wrapper; Bazenerye Armand. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌs du Cher et de l'Indre chargeÌs d'assurer la participation. Bourges; M.H. Sire 1894. 38 pp. with illus. b/w frontispiece in printed green wrapper; Kerros Ernest de. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌ du Finistère…. Brest: A. Dumont 1894. 35 pp. in printed gray wrapper; Sarran d'Allard Louis de. Le Quatrième centenaire de la deÌcouverte de l'AmeÌrique dans les CeÌvennes. Anduze: Castagnier 1893. 35 pp. in printed wrapper; Couret Alphonse. Rapport d'ensemble sur les travaux du comiteÌ orleÌanais pour la ceÌleÌbration du quatrième centenaire de la deÌcouverte de l'AmeÌrique. OrleÌans: G. Michau 1893. 15 pp. printed wrapper; Couret Alphonse. L’Exposition Hispano-Orleanaise de la rue Jeanne-d’Arc. Orleans: Michau 1892. 15 pp. printed wrapper; Couret Alfonse. Les Relations d'OrleÌans avec l'Espagne et les Espagnols au siège d'OrleÌans en 1428-1429. Orleans: Michau 1892. 13 pp. printed wrapper; Plante Adrien. Le Congrès de Huelva. Orthez: J. Goude-Dumesnil 1893. 44 pp. printed wrapper; Hospital Pierre. Quatrième centenaire de la deÌcouverte de l'AmeÌrique . Rapport à M. le marquis de Croizier . sur les travaux du ComiteÌ en 1892-93…. Clermont-Ferrand: G. Mont-Louis 1894. 16 pp. printed wrapper; Barghon de Fort-Rion François de. Le Portugal au quatrième centenaire de la deÌcouverte de l'AmeÌrique et à l'Exposition de Madrid 1892. Paris: Chez les principaux libraires 1895. 38 pp. printed wrapper; Laville Auguste. Quatrième centenaire de la deÌcouverte de l'AmeÌrique … Comite du Var …. Toulon: Isnard 1894. 26 pp. with two albumen prints of decorative medallions tipped in printed wrappers; Terris Jules de. Quatrième centenaire de la deÌcouverte de l'AmeÌrique. Comite de Vaucluse. Bar-le-Duc: Bertrand 1894. 16 pp. printed wrappers. An interesting collection of imprints showing the French involvement in the Columbian Exposition. All reports related to the 400th anniversary of the discovery of America by Christopher Columbus given by various governmental or academic committees documenting French participation in the exposition celebrating the same in Madrid and Huelva the Spanish port from which Columbus departed. Some with manuscript signatures or dedications from the author to the Marquis de Croizier. Volume presumably from Croizier’s library. One see above Laville with photographic prints tipped in. Generally very good with boards rubbed corners bent one pamphlet tearing at fore-edge. OCLC finds no or fewer than five North American holdings for most reports one unrecorded. unknown
1898réf. 61010Chicago: Rand McNally Co. 1898. 8vo. 497 1 pp. 1 large folding Birds-eye colour pictorial map bound in at rear sized 25.5 x 20.5 in. with only slight edgewear. Original three-quarter brown calf over dark blue pebbled cloth gilt lettering & bands on spine t.e.g. minor shelfwear light rubbing ex-lib markings on endpapers stamp embossed in blind on title still a VG crisp copy. First edition of this surprisingly scarce report which served to provide the final history and financial analysis of the 1893 Columbian Worlds Fair. Higinbotham provides numerous tables explaining expenses amount of visitors to the fair specific exhibition costs final disposition of exhibits and much more. Of particular interest is that this copy still retains the original pictorial map Birds-Eye view based upon earlier versions and issued with this report. The pictorial map features a numbered list of attractions listed below which carefully correspond to those depicted in the map such as the “Ferris Wheel” erected by George Washington Gale Ferris Jr. as the centerpiece to the Midway Plaisance. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 221 3 different versions issued. [Rand McNally Co., hardcover
1893réf. 60899Chicago & Philadelphia PA: Globe Bible Publishing Co. 1893. Thick oblong 4to. 11.25 x 9 x 2.25 in. 528 2 pp. including over 250 photo plates all w/ facing explanatory text and Exposition map. Half-black embossed calf over blue cloth gilt lettering front cover spine decorated in blind gilt lettering decorated endpapers expertly rebacked very minor chipping loss head of spine some scuffing offsetting from inner-joint glue at gutters still a VG copy from the library of Prof. Marvin Nathan. First edition of this splendidly illustrated photographic guidebook of the 1893 Columbian Exposition and perhaps the most detailed of all of the illustrated view books to the Chicago World’s Fair. The majority of the pavilions are well-detailed and the Arnold photographs meticulously document the splendor of the Fair. Along with the immense Ferris Wheel which towered over the Exposition there also are images of the Street in Cairo Egyptian Wedding Sudanese villagers Egyptian belly-dancers the Chinese theatre and the Alaskan Kwakiutl Indians together with their totem polls and native dress. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1667. Globe Bible Publishing Co., hardcover
1893réf. 60749New York: Charles Scribner’s Sons 1893. 8vo. 10 123 1 pp. Title w/ sepia-tinted vignette. With frontisp. plates and illustrations throughout. Beige-coloured softcovers w/ gray illustrated linen d.j. flaps folded and affixed on versos of front & back covers cover art of young woman at the 1893 World’s Fair fresh in Morning tired and seated at Noon and asleep in a chair by Night minor dustsoiling thumbing splitting at joints of spine ex-lib stamps on pastedown title and rear still G/G- copy w/ The Library Company of Philadelphia bookplate on front pastedown dated 12/5/1893 stamped “Duplicate Sold” from the library of Prof. Marvin Nathan. First edition of this nicely illustrated anthology detailing each artist’s experiences and visits to the Columbian Exposition. Millet 1848-1912 displayed work at the 1893 Columbian Exposition and died with the Titanic; Mitchell 1845-1918 was a publisher architect & artist who records his observations of Fair visitors; Low 1853-1932 was a noted Albany NY muralist and Barbizon landscape painter; Gibson 1850-1896 was a noted magazine artist and natural history illustrator whose illustrations graced Harper’s Weekly Scribner’s Monthly and Century magazines and noted for his drawings of the buildings and landscape at the 1893 World’s Fair published by Scribner’s; Smith 1838-1915 traveled extensively exhibited later at the 1901 Pan-American Exposition in Buffalo and also had contributed earlier to the 1876 Centennial Exposition in Philadelphia. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 930. Charles Scribner’s Sons, paperback
1893réf. 60955Chicago & New York: Rand McNally & Co. 1893. Oblong 4to. 11.5 x 9 in. 226 pp unpaginated. with photo plates throughout. Publisher’s maroon-coloured cloth over beveled boards decorative gilt lettering & illustration on front cover minor soiling light bumping to corners minor spotting & very light stain spot on back cover still VG- copy from library of Prof. Marvin Nathan w/original purchase invoice dated Jan. 30 1996 from the inimitable Charles B. Wood III bookseller. First edition of this nicely illustrated photographic souvenir of the 1893 Columbian Exposition including many depicting the ethnic villages and groups which acted as curiosities on the Midway Plaisance including West Africans Samoan singers Syrians Inuit the Turkish bazaar tent Ceylon tea house and more. Rand McNally issued this in several formats although this 226 pp. version was the most expansive. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1596. Rand, McNally & Co., hardcover
1893réf. 60192Chicago IL: C.D. Arnold World’s Columbian Exposition Department of Photography 1893. Oblong 4to. Seventeen albumen photographs mounted sized from 7 x 8 up to 7 x 8.5 in. on 9.5 x 8 in. printed studio board photographer’s imprint w/in negative of image and lower corners of board titles imprinted at lower blank board of each image Columbian Exposition medal stamped on versos minor edgewear slight rubbing very minor over-exposure on a few images still a VG bright set of original images. A group of very scarce mounted souvenir albumen photographs shot at the World’s Columbian Exposition in 1893 when patrons carrying small Kodak cameras were required to pay $ 2.00 license fee to bring a camera onto the grounds and no cameras or tripods able to shoot larger than 4 x 5 in. images were allowed. Most visitors bought the printed photo album versions wealthier ones would buy entire souvenir photo albums filled with Arnold images and yet others could buy them as individual mounted shots depicting their favorite or preferred venues. The 1893 Chicago World’s Fair ran almost six months featured grounds and gardens laid out by Fredrick Olmsted covering 630 acres and a Midway skyline dominated by the 250-foot Ferris wheel designed by George Ferris which could carry 2160 patrons when fully loaded. The “On the Midway” photo shows the Ferris wheel still under construction which much of the structure still clad in scaffolding. Others depict throngs of visitors individual exhibits and some Buildings just newly finished such as the U.S. Government Building featuring scaffolding off to the side for future installation to be completed. Arnold 1844-1927 was prior to the Fair an obscure Buffalo NY photographer who had been initially contracted to photograph the construction of the 1893 World’s Fair but proved to be an excellent architectural photographer so so became the Chief of the Fair’s Dept. of Photography. See; Thomas Yanul Charles Dudley Arnold Photographer 1844-1927 Official Photographer Chicago Columbian & Pan-American Expositions 2001. C.D. Arnold, [World’s Columbian Exposition, Department of Photography], unknown
1894réf. 60987Chicago: Wabash Publishing House W.B. Conkey Co. 1894. Tall thick 8vo. 1196 pp. Photo frontisp. nearly 100 photos & text illusts. illust. initials. Pictorial green cloth gilt illustration & lettering front cover & spine minor scuffing edgewear couple minor bumped corners front inner hinge starting still VG- copy from library of Prof. Marvin Nathan. First edition of this massive compilation of addresses and reports presented at the Colombian Exposition. Of particular interest is the amount devoted to eastern religions including Hinduism Buddhism Bramo-Somaj Shintoism Confucianism Zoroastrianism as well as Islam. The editor has included papers on the role of Buddhism in Siam and Japan the development of Confucianism extracts from the Koran and more. Of particular interest are the papers presented by African-Americans on the “American Negroe’s” role in Christianity including addresses by Bishop Arnett of the African Methodist Ethiopian Church as well as Fannie Barrier Williams on the “Religious Duty to the Negro” and “The Catholic Church and the Negro Race” by J.R. Slattery of Baltimore. Fannie Williams was a vociferous proponent of education for African-American women writing that in terms “of employment colored women bear a distressing burden of mean and unreasonable discrimination . . . colored women can find no employment in this free America.” As African-Americans were almost entirely excluded from the 1893 Columbian Exposition these papers and addresses offer just a few of the efforts by the Black community to engage with attendees. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 2256. Wabash Publishing House, [W.B. Conkey Co.], hardcover
1893réf. 60898Chicago & New York: Rand McNally & Co. 1893. Oblong 4to. 11.75 x 9.2 in. 100 pp unpaginated. with photo plates throughout. Cloth-backed publisher’s boards printed cyanotype lozenge illust. of the Columbian Exposition front cover decorative blue & white lettering minor soiling scuffing expertly rebacked rear flyleaf renewed faint tidemark to some leaves at fore-edges still G copy from library of Prof. Marvin Nathan. First edition of this nicely illustrated photographic souvenir of the 1893 Columbian Exposition including many depicting the ethnic villages and groups which acted as curiosities on the Midway Plaisance including West Africans Syrians Inuit the Turkish bazaar tent Ceylon tea house and more. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1723. Rand, McNally & Co., hardcover
1893réf. 60965Chicago IL: C.D. Arnold 1893. Oblong 4to. Two albumen photographs sized 4.5 x 3.75 in. featuring upper scalloped corners mounted on 10 x 8 in. embossed studio board w/o photographer’s imprint beveled edges textured boards simulating framed in board slight overexposure still two VG images from the library of Prof. Marvin Nathan. These two scarce souvenir albumen photograph capture World’s Columbian Exposition in 1893 with throngs of visitors strolling through the manicured grounds. Vernacular photography and personal cameras were strictly controlled at the 1893 White City with nearly all who had not paid the $ 2.00 camera fee forced to store them in lockers before entering the grounds. Arnold 1844-1927 was prior to the Fair an obscure Buffalo NY photographer who had shot the 1901 Pan-American Exposition and had been initially contracted to photograph the construction of the 1893 World’s Fair but proved to be such an excellent architectural photographer he became the Chief of the Fair’s Dept. of Photography. C.D. Arnold, hardcover
1893réf. 50588N.P.: Printed in German 1893. 8vo. 12 pp unpaginated. 12 gray colour-tinted lithograph plates bound in accordion-style format nice sharp images and all captioned. Red cloth portfolio black lettering & decoration on front cover minor soiling shelfwear still VG- copy. First edition of this nicely printed lithographic souvenir album of the Columbian Exposition celebrating the 400th anniversary of Columbus’ arrival in the New World. The images include The Machinery Hall and the lagoon the Art Building Mining Building Agricultural Building Manufacture and Decorative Arts Building Gun Boat at the World’s Fair and many others. Printed in German, hardcover
1893réf. 60194Chicago: W.B. Conkey Co. Publishers to the Exposition 1893. Two vols. 8vo. 506; 506 pp. Frontisp. both vols. With maps photo plates. 1st vol. -- Full dark brown morocco over beveled boards gilt ornamented borders gilt lettering & ownership stamp on front cover gilt lettering on spine gilt inner dentelles marbled endpapers t.e.g. minor rubbing edgewear front hinge tender rear hinge just starting very slight uniform interior toning as usual still VG- copy w/ presentation ALS on Conkey private letterhead presenting to Charles M. Kurtz dated Oct. 28th 1893; 2nd vol. -- Full flexible Bible calf dark purple silk moire endpapers gilt lettering stamped front cover & spine a.e.g. w/ dark maroon cloth d.j. backed in dark purple silk moire a F/F presentation copy from Conkey to Kurtz w/ inscription on half-title preserved in open-backed slipcase. First editions thus presentation copies and the second copy with publisher’s note indicating this was No. 91 of 275 Editor’s Deluxe copies signed & presented to Charles McMeen Kurtz 1855-1909 at the time one of Halsey Ives’s Assistants in the Fine Arts Department of the 1893 World’s Columbian Exposition Art Director of the 1894 St. Louis Exposition and later Museum Director at the Buffalo Museum of Art 1905-1909. Conkey writes in the letter for the first volume to Charles Kurtz “I send you herewith a copy of the Catalogue which you may deem to file away as a reminder of many hours spent in order that others might see intelligently the grand work which you with others have done in the Art Department.” Walter Blakesley Conkey had founded the printing house in 1877 occupied many different job printers and in 1890 absorbed the Illinois Printing & Binding Co. and in Jan. 1893 signed the contracts awarding him exclusive rights for printing the myriad of catalogues and handbooks for the Columbian Exposition receiving a deposit of $ 10000. W.B. Conkey Co., Publishers to the Exposition, hardcover
1893réf. 61864Chicago IL & St. Louis MO: Union News Company Agents; Engraved and printed by Woodward & Tiernan Printing Co. 1893. 12mo. 6.4 x 5 in. 80 leaves unnumbered. including printed title 79 photo plates. Gray-blue cloth-backed cyanotype-illust. w/ illustrations minor edgewear slight dustsoiling minor wear to couple corners age-toning to back cover still VG copy w/ former ownership markings dated 1893 on ffep. First edition of this well-illustrated photographic souvenir of a visit to the Columbian Exposition by Todd 1858-1926 who at the time was a photographer for the British Columbia Dept. of Agriculture based in Victoria BC. He includes images of many of the buildings & halls the fountain attractions lighting at night the Midway Plaisance with view of the Ferris Wheel and other attractions as well as photos of most of the State buildings. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1676 revised & interchanged with other photos in bigger and smaller formats sometimes in cloth. Union News Company, Agents; Engraved and printed by Woodward & Tiernan Printing Co., hardcover
1867réf. List01217Boston Paris: J.P. Whitney 1867. First Edition Thus. . 8vo publisher’s green cloth 107 pp. Some tearing and fraying to boards particularly at head of spine text block excellent very good minus overall. Very Good. The scarce Paris Universal Exposition edition of J.P. Whitney’s early title on the silver mines of Colorado. Whitney a wealthy sportsman from Boston with investments in Colorado traveled as the sole commissioner from Colorado to the Paris Universal Exposition in an effort to entice foreign investment in the mining industry which was suffering from a poor reputation as the costs of extraction grew higher. Whitney had published this title in pamphlet form a year earlier. Whitney shipped his own collection of Colorado minerals to France where it was the most extensive of any of the North American regions to be displayed receiving a gold medal from Napoleon III. A new title on Colorado minerals Colorado in the United States of America: Schedule of Ores Contributed by Sundry Persons to the Paris Universal Exposition of 1867 With Some Information about the Region and its Resources. Whitney also brought with him copies of his pamphlet in a special hardcover edition which we offer here. This is the second example we find on the market. Whitney would gain great popularity in Colorado for his efforts which did much to improve its standing. J.P. Whitney unknown books
1867réf. List01217Boston Paris: J.P. Whitney 1867. First Edition Thus. . 8vo publisher’s green cloth 107 pp. Some tearing and fraying to boards particularly at head of spine text block excellent very good minus overall. Very Good. The scarce Paris Universal Exposition edition of J.P. Whitney’s early title on the silver mines of Colorado. Whitney a wealthy sportsman from Boston with investments in Colorado traveled as the sole commissioner from Colorado to the Paris Universal Exposition in an effort to entice foreign investment in the mining industry which was suffering from a poor reputation as the costs of extraction grew higher. Whitney had published this title in pamphlet form a year earlier. Whitney shipped his own collection of Colorado minerals to France where it was the most extensive of any of the North American regions to be displayed receiving a gold medal from Napoleon III. A new title on Colorado minerals Colorado in the United States of America: Schedule of Ores Contributed by Sundry Persons to the Paris Universal Exposition of 1867 With Some Information about the Region and its Resources. Whitney also brought with him copies of his pamphlet in a special hardcover edition which we offer here. This is the second example we find on the market. Whitney would gain great popularity in Colorado for his efforts which did much to improve its standing. J.P. Whitney unknown
réf. 200607269Paris, Augustin Challamel éditeur, 1900 ; in-8, 430 pp., demi-maroquin à coins. Exposition universelle de 1900 - les colonies françaises - ouvrage accompagné de nombreuses cartes, plans et graphiques - ex libris de Henri Malo (notice rédigé par les soins du service local de la colonie).
réf. 200607266Paris, Bureau de la revue des cultures coloniales, 1901 ; in-8, 107 pp., demi-maroquin à coins. Compte rendu in extemso des séances du congrès et du concours international de la Ramie (Juin Octobre 1900) avec une préface par Maxime Cornu - exposition universelle de 1900 - les colonies françaises - exlibris de Henri Malo.
1986Catalogue de l'exposition consacrée au peintre François Boucher (1703-1770) présentée en 1986-1987 au Metropolitan Museum of Art, à New York, au Detroit Institute of Arts et aux Galeries nationales du Grand Palais, à Paris: 118 n°s dont 85 peintures et 7 tapisseries présentées avec notices, importants commentaires et reproductions en noir et en couleurs; accompagné de textes de Pierre ROSENBERG sur les "mystérieux débuts" du jeune artiste, d'Alastair LAING sur l'art de François Boucher, de J. Patrice MARANDEL sur "Boucher et l'Europe", d'Edith A. STANDEN sur "Boucher et l'art de la tapisserie"; les 26 derniers n°s étant consacrés aux porcelaines de la manufacture de Vincennes-Sèvres avec un texte d'Antoinette FAY-HALLE sur l'influence de l'artiste sur cette production; chronologie; index; bibliographie. Titre réduit en couverture en "Boucher". Français
1990Catalogue de l'exposition présentée en 1990 au Musée du Petit Palais, à Paris, par l'Association française d'action artistique, mettant l'accent sur l'évolution et les thèmes dominants de l'oeuvre du peintre, dessinateur et graveur belge James Ensor (1860-1949): 232 n°s avec notices, commentaires et reproductions en noir et en couleurs (vignettes et planches), précédés de textes de Robert HOOZEE sur les débuts de la carrière de l'artiste ("paysages, intérieurs, natures mortes 1880-1887"), de Gisèle OLLINGER-ZINQUE sur "Le Christ-Ensor ou l'identification au Christ dans l'oeuvre d'Ensor", de Stephen Charles McGOUGH sur "L'entrée du Christ à Bruxelles en 1889", de Herwig TODTS sur le grotesque et les masques dans son oeuvre, de Lydia M.A. SCHOONBAERT sur ses dessins, de Sabine BOWN-TAEVERNIER sur ses eaux-fortes, de Dominique MOREL sur l'influence de l'art français sur sa peinture et sur sa fortune critique en France, avec citations; illustrés de vignettes en noir et d'1 planche couleurs double page; chronologie; bibliographie. Exemplaire accompagné du "petit guide" de l'exposition rédigé par Dominique MOREL et illustré de vignettes en noir. Français
réf. 19516Paris, Paris-Musées, 1990 1 volume 20,9 x 26,8cm Broché sous couverture au 1er plat illustré couleurs / fascicule agrafé. 2 feuillets, 257p., 1 feuillet; nombreuses illustrations in texte, vignettes et pleines pages, en noir et en couleurs, dont 1 planche couleurs double page + fascicule de 20 pages avec vignettes en noir. Très bon état.
1995Catalogue de l'exposition présentée en 1995 au Musée Fabre, à Montpellier, organisée par la Réunion des musées nationaux et le Musée Fabre: rétrospective de l'oeuvre du peintre Jean Hugo (1894-1984) en 152 n°s avec courtes notices et reproductions, dessins en noir et peintures en couleurs; précédé de textes sur la vie et l'oeuvre de l'artiste: avant-propos de Michel HILAIRE, conservateur du Musée Fabre, ''En quête du bonheur'' par Frédéric Jacques TEMPLE, ''Le regard d'un peintre" par Vincent BIOULES, ''L'art de Jean Hugo" par Richard J. WATTENMAKER (traduit par Bernard HOEPFFNER); en annexes: "Jean Hugo illustrateur" suivi du catalogue des ouvrages illustrés par l'artiste, par Jean-Louis MEUNIER; chronologie des décors, vitraux, décorations et projets; nombreuses illustrations: photos et reproductions en noir et en couleurs. Exemplaire avec feuillet de présentation du musée. Français
1989Catalogue de l'exposition présentée en 1989 au Palais des Beaux-Arts de Bruxelles: 163 pages d'illustrations en noir et en couleurs suivies de textes sur l'art déco en Autriche, Belgique, Tchécoslovaquie, Allemagne, Danemark, France, Grande-Bretagne, Hongrie, Italie, Pays-Bas, Pologne, Suède et du catalogue raisonné (avec renvois aux illustrations du début du volume); index des noms des artistes; bibliographie. Français
1989réf. 18477Bruxelles, Société des Expositions du Palais des Beaux-Arts, 1989 1 volume 23 x 28cm Broché sous couverture noire au 1er plat orné d'une vignette couleurs. XXIp., 1feuillet, 283p., 2 feuillets; très nombreuses illustrations in texte, vignettes et pleines pages, en noir et en couleurs. Bon état.
1989Catalogue de cette "exposition européenne d'art", 20è exposition du Conseil de l'Europe, présentée en 1989 aux Galeries nationales du Grand Palais (Paris) par la Réunion des musées nationaux, le Musée du Louvre et les Galeries nationales du Grand Palais; en 3 volumes: 1/ "Introduction générale - L'Europe à la veille de la Révolution" (483 n°s), 2/ "L'Evénement révolutionnaire" (361 n°s), 3 "La Révolution créatrice" (300 n°), soit 1144 n°s (peintures, gravures, plans, objets scientifiques, etc) avec illustrations, notices et commentaires, et textes d'historiens de l'art, conservateurs et historiens européens; préface de Jack LANG; introduction de l'historien de l'art allemand Klaus HERDING: "Utopie concrète à l'échelle mondiale: l'art de la Révolution"; index; notes et références; bibliographie. Exemplaire bien complet des 3 volumes et de leur étui illustré. Français
réf. 20013Paris, Réunion des musées nationaux, 1989 3 volumes 23 x 30,5cm Brochés sous couvertures rouges aux 1ers plats ornés d'une vignette couleurs; en étui illustré couleurs. En pagination continue: Vol.1: LII + [368]p.; Vol.2 paginé de [369] à [640]; Vol.3: paginé de [641] à 971; très nombreuses illustrations in texte, vignettes et pleines pages, en noir et en couleurs. Très bon état sauf dos insolés.
1988Catalogue de l'exposition présentée en 1988-1989 au Musée d'Art et d'Histoire de Saint-Denis, au Musée des Beaux-Arts de Tourcoing, au Musée Toulouse-Lautrec d'Albi, et au Musée d'Art et d'histoire d'Auxerre: 86 n°s illustrant la représentation de Salomé dans l'art français du XIIè au XXè siècle (sculpture, dessin et gravure, peinture) avec vignettes en noir et 8 planches couleurs, notices et commentaires; textes sur Salomé dans la littérature et dans la musique; préface de Mireille DOTTIN sur "Le développement du "Mythe de Salomé"", de Flavius Josèphe au Women'Lib; inventaire par villes; répertoire des oeuvres de Gustave Moreau; bibliographie. Titre abrégé sur le plat de couverture en "Salomé". Français
