9294 risultati
1876rif. 60872Philadelphia: n.p. 1876. Oblong folio. 28.25 x 22.75 in. One woodblock-engraved printed linen scarf decorative borders large lozenge medallions for halls sewn at fore-edges minor age toning some spotting & soiling very slight foxing old pin-holes at corners still a VG exemplar. First edition of this wonderfully woodblock printed souvenir linen scarf for the 1876 Centennial International Exhibition held in Philadelphia that year. The large lozenge medallions feature the Main Exhibition Building which covered 21.5 acres constructed of wood & iron framework on 672 stone piers; the Horticultural Hall epitomized floral achievement in gardening and was designed in a Moorish style to be a permanent tribute to the Crystal Palace of London’s 1851 Great Exhibition -- it survived until severely damaged by Hurricane Hazel in 1954; and finally the Art Gallery now known as Memorial Hall and the only large exhibit building still standing on the Exposition site. President’s Washington & Grant anchored the upper corners with Centennial Medallions in the lower corners. [n.p.], unknown
1876rif. 757111876. CENTENNIAL EXHIBITION. Masterpieces of the Centennial International Exhibition. Volume I: Fine Art by Edward Strahan. Volume II: Industrial Art by Professor Walter Smith. Volume III: History Mechanics Science by Joseph M. Wilson. Phila.: Gebbie & Barrie 1876. 1st ed. 4to. Three vols. Profusely illus. with engraved plates and reproductions. 366; 521; 375pp. A very good set in cloth. unknown
1876rif. 154861876. CENTENNIAL EXHIBITION. The Masterpieces of the Centennial International Exhibition. Volume I: Fine Art by Edward Strahan. Volume II: Industrial Art by Professor Walter Smith. Volume III: History Mechanics Science by Joseph M. Wilson. Phila.: Gebbie & Barrie 1876. 1st ed. 4to. Three vols. Profusely illus. with engraved plates and reproductions. 366; 521; 375pp. A very good set in orig. 3/4 leather. unknown
1876rif. 60873Philadelphia: n.p. 1876. Oblong folio. 24.75 x 20.75 in. One woodblock-engraved printed linen scarf in red & black decorative borders sewn at left fore-edge minor age toning some spotting & soiling very slight foxing old pin-holes at corners still a VG exemplar. First edition of this nicely printed woodblock-engraved souvenir linen scarf for the 1876 Centennial International Exhibition held in Philadelphia that year featuring the Art Gallery now known as Memorial Hall and the only large exhibit building still standing on the Exposition site. The Memorial Hall was designed by Herman Schwarzmann in a beaux-arts style and reopened in 1877 as the Pennsylvania Museum of Art and included originally the Pennsylvania Museum School of Industrial Art. The building now houses the “Please Touch Museum” children’s museum and through assorted funding issues managed to emerge from bankruptcy in 2016 and continue to operate. [n.p.], unknown
1876rif. 47664Philadelphia PA: Thomas S. Hunter E. New Land Centennial Books Pictures 1876. Oblong 24mo. 52 pp unpaginated. 48 sepia-tinted lithograph plates 1 sepia-tinted lithograph map of the grounds. Embossed & decorated brick-red cloth gilt lettering on front cover E. Newland label pasted over Thomas Hunter publisher info at lower fore-edge of title slight rubbing an excellent copy. First edition of this wonderful view book of the buildings and sites at the first World’s Fair in the United States celebrating the Centennial. Thomas S. Hunter, E. New Land, Centennial Books, Pictures, hardcover
1876rif. 60905Philadelphia: Philadelphia Bank Note Company 1876. Oblong 32mo. 3.75 x 2.25 in. One engraved admission ticket on thick paper stock colour-tinted engraving on verso slight age toning very slight edgewear still NF copy from the library of Prof. Marvin Nathan. An original nicely engraved package ticket to the International Exposition in Philadelphia whose original face value was .50¢ each bearing the imprint of the Philadelphia Bank Note Company a depiction of Lady Liberty & Eagle on verso good for one admission at Money Gates. Philadelphia Bank Note Company, unknown
1876rif. 101959Small 3 1/2" x 5" oblong souvenir book embossed red cloth with gilt letters 24 accordion style panels with illustrations two double page. Some slight extremity wear internally bright and clean; very good plus. Somewhat scarce souvenir booklet with numerous illustrations of Philadelphia during the Centennial Exhibition. Illustrations include a panoramic view of Philadelphia Independence Hall the New Post Office Masonic Temple the United States Mint Girard College and the exhibition grounds for the Centennial Celebration. Geo. C. Renkauff,
1876rif. 303823Philadelphia Thomas Hunter 1876. 1876. Oblong small 4to 11 3/8" x 7 1/2". 6 color lithographs on 6 separate sheets. Very good few short tears. Views of Machinery Hall U.S. Government Building Horticultural Hall Agricultural Hall Judges Hall Main Building. No Binding. Very Good. Philadelphia, Thomas Hunter, 1876. unknown
1876rif. 60903Philadelphia: Centennial Views New Excelsior American Views Peoples Series Underwood & Underwood George Barker H.L. Roberts & Co. American Scenery et al 1876-ca. 1926. Twenty-six albumen stereoview photographs 1 coloured sized 5.75 x 3 in. mounted on assorted stereograph boards sized 7 x 3.5 in. many w/ captions faintly w/in negative at lower fore-edge some w/ photographer’s imprint lower fore-edge of board many w/ decorative borders some w/ ink or pencil MS on verso occasional dustsoiling minor edgewear just a couple slightly over-exposed otherwise a good collection from the library of Prof. Marvin Nathan. The Centennial Board of Commissioners awarded the sole license for photography at the exposition just prior to the exhibition to Edward L. Wilson editor of The Philadelphia Photographer who partnered with his good friend William Notman a Scottish-Canadian Photographer as well as Adams of New York and John Fraser. The views included here include the Agricultural Building; Board of Finance Buildings; Machinery Hall interior with the Corliss Engine operating ni the distance; Horticultural Hall along with the Main Entrance and the Exposition grounds. One of the most interesting of the series shows the vast Main Building pavilion under construction with drainage pipes strewn around in the fore-ground while the immense trusses and structural elements slowly march towards the viewer. Most of these images were originally shot by the Centennial Photographic Co. who had proved to be quite successful during the Centennial and the photographers were in great demand through and after the Exhibition which featured over 10 million visitors. Released in a slightly reduced format and licensed out to Underwood & Underwood later Keystone and many others these offered visitors a cut-rate viewing experience. Barker 1844-1894 gained renown originally working for one of Ontario Canada’s leading photographers and later became well-known for his majestic photos of Niagara Falls before a Feb. 1870 destroyed his photo studio although the 800 stereoview negatives were preserved. He later began traveling to shoot views around the United States and released Exposition related images. See: Centennial Photographic Co. Free Library of Philadelphia Digital Collections 2022; James Cremer Woodmere Art Museum 2023; John L. Puckett Centennial Exposition of 1876: An Evolving Cultural Landscape 2023. Centennial Views, New Excelsior, American Views, Peoples Series, Underwood & Underwood, George Barker, H.L. Roberts & Co., Ameri hardcover
1876rif. 60793Philadelphia: Published for the Centennial Catalogue Co. by John R. Nagle & Co. Printed at the Riverside Press 1876. 8vo. 383 1 pp. With woodcut-engraved frontispiece woodcut engravings text illustrations floor plans illustrated ads. Illustrated printed softcovers cover art illust. of the Main Building minor chipping head & foot of spine wear to corners old ink price on front cover still G copy from the library of Prof. Marvin Nathan. Sixth & revised edition of this informative catalogue guide to the 1876 Centennial Exhibition main building which encompassed 21.5 acres constructed of prefabricated pieces with a wood and iron frame resting on a substructure of 672 stone piers and observation towers. It did manage to remain as an exhibit and community space until being demolished in 1881. Published for the Centennial Catalogue Co., by John R. Nagle & Co., Printed at the Riverside Press, paperback
rif. 56133P., Launette, 1888, in 4° broché ; nombreuses reproductions.
rif. 46253P., Ministère des affaires culturelles, 1964, in 8° broché, XLI-160 pages.
rif. 55233P., B. N., 1954, in 8° broché, 270 pages et 24 planches hors-texte ; couverture illustrée.
rif. 55756P., Musées Nationaux, 1954, in 8° broché ; illustrations.
rif. 55589In 8° carré broché, XIX-255 pages ; couverture illustrée en couleurs ; nombreuses illustrations en noir.
rif. 49398P., Musée du Petit Palais de la ville de Paris. 17 Novembre1978-28 Février 1979, grand in 8° carré, 120 pages ; illustrations en noir et en couleurs.
rif. 64947Stedelijk Museum, Amsterdam, 1985, in 4° broché, 351 pages ; couverture illustrée.
rif. 58117St Etienne, Musée d'Art et d'Industrie, 1982, in 4° broché, 95 pages.
rif. 55159P., Musée de l'Homme, 1976, grand in 8° carré, 147 pages ; couverture illustrée ; très nombreuses illustrations.
rif. 55774P., Ministère des Affaires Etrangères, 1973, in 8° carré ; couverture en couleurs.
rif. 56134P., Jouaust, 1885, in 4° broché ; nombreuses reproductions ; petites taches sur le titre et le premier feuillet.
rif. 49389P., 1980, grand in 8° carré ; très nombreuses illustrations en noir et en couleurs.
rif. 55768P., Musées Nationaux, 1967, in 8° carré ; couverture en couleurs.
1990rif. GF320221990 IVAN centre del carme, Generalitat Valenciana1990 - un album in-4 broché de de 158 pages, nombreuses reproductions en couleurs.
rif. 55767Martigny, 1984, in 8° carré, 239 pages ; couverture e couleurs.