[ART] - COLLECTIFMareMagnum
9 254 résultats
1993New York (USA), Alfred A.Knopf, 1993; in-4 carré, 318 pp., broché, couverture illustrée.
1977Paris, Éditions des Musées nationaux, 1977; in-8 (217 x 240 mm), 280 pp., broché, couverture illustrée. Catalogue d'exposition, Paris, Galeries nationales du Grand Palais, 30 septembre 1977-2 janvier 1978, Londres, Royal Academy, 18 janvier-19 mars 1978. Très nombreuses illustrations en noir et blanc et en couleurs.
1967Paris, Éditions de la Réunion des Musées nationaux, 1967; in-8 carré (211 x 236 mm), 360 pp., broché, couverture illustrée. Catalogue d'exposition, Ministère d'État Affaires Culturelles, Ville de Paris. Paris, 27 octobre 1967-29 janvier 1968. Très nombreuses illustrations en noir et blanc.
1978Paris, Éditions de la Réunion des Musées nationaux, 1978; in-8 (216 x 240 mm), 376 pp., broché, couverture illustrée. Catalogue d'exposition, Paris, Galeries nationales du Grand Palais, 3 octobre 1978-8 janvier 1979. Très nombreuses illustrations en noir et blanc et en couleurs.
1976Paris, Direction des Musées de France, 1976; in-8, 130 pp. + planches, broché. Bon état.
1969S. l. (Paris), Direction des Musées de France, 1969; in-4, 18-142-12-30-12-6, broché. Avant-propos de G. de la Tour d'Auvergne, chef du Bureau d'Action Culturelle de la Direction des Musées de France. Ouvrage qui a l'aspect d'un document de travail. Quelques illustrations en noir et blanc. Bon état.
1966Paris, Ministère d'État Affaires Culturelles, 1966; in-8, 311 pp., broché. Reproductions en noir et blanc. Bon état.
1966Paris, Ministère d'État Affaires Culturelles, 1966; in-8, environ 250 pp., broché. Nombreuses illustrations en noir et blanc et quelques en couleurs. Bon état.
1959Paris, Association Française d'Action Artistique, 1959; in-8, 64 pp. + 70 pl. recto-verso hors-texte, broché (annoté au stylo à bille). Illustrations en noir et blanc Bon état.
1972Paris, Institut Néerlandais, 1972; in-8, L-196 pp. + 128 pl., broché, couverture illustrée. Exposition du 15 avril au 28 mai 1972. Collection Frits Lugt. Nombreuses illustrations en noir et blanc.
1974Paris, Institut Néerlandais, 1974; in-8, VI-206 pp. + 132 pl., broché, couverture illustrée. Exposition du 25 avril au 9 juin 1974. Collections : Musées de Belgique, Musée Boymans-Van Beuningen, Rotterdam. Nombreuses illustrations en noir et blanc.
1975Paris, Éditions des Musées Nationaux, 1975; in-8 carré, 156 pp., broché, couverture illustrée. LVIIème exposition du Cabinet des Dessins au Musée du Louvre, du 7 mars au 2 juin 1975. Nombreuses illustrations en noir et blanc.
1975Bruxelles, Palais des Beaux-Arts, 1975; A4, 20-18-20 pp., couverture à rabats collés, feuilles reliées sous un profil plastique (1-9 ff. + 1-8 ff.) 1 feuille dépliante (10 formats) 9 diapositives monochromes sous protection plastique. Bilingue flamand-français. Très bon état.
1974Paris, s.e., s.d. (vers 1974); in-4 (217 x 280 mm), environ 200 pp., broché. Exposition présentée au Musée du Louvre et au Musée Jacquemart-André. Nombreuses illustrations en noir et blanc et en couleurs. Très bon état.
1978Paris, l'Association Française d'Action Artistique, 1978; in-4 carré, 224 pp., broché. Bon état.
1958Paris, Art & Style, 1958; in-folio (251 x 320 mm), 92 pp., relié demi-percaline rouge d'éditeur, dos lisse et muet (nombreuses feuilles décollées). Publication N° 47. Introduction par S. E. monsieur Amory Houghton, ambassadeur des États-Unis d'Amérique en France. Préface, par Jacqueline Bouchot Saupique, conservateur au Cabinet des Dessins du Louvre. Très nombreuses illustrations en noir et blanc. État moyen.
1954Paris, Ministère d'État Affaires Culturelles, 1954; in-8, environ 250 pp., broché. Reproductions en noir et blanc. Bon état.
1966Paris, l'Association Française d'Action Artistique, 1966; in-4 carré, 26 pp. + 52 pl. hors-texte, broché. Bon état.
1970Munchen, Galerie Wolfgang Ketterer, s.d. (vers 1970); in-4, 172 pp., broché. En langue allemande. Nombreuses illustrations dont certaines en couleurs. Bon état.
1937Paris, Palais National des Arts, 1937; in-8 carré, 4-2 pp. + 162 pl. hors-texte, relié demi-basane naturelle, dos à nerfs, pièce de titre, tranches mouchetées. Une très belle reliure sur ce catalogue d'exposition. 212 illustrations en noir et blanc, imprimées en héliogravure. Très bon état.
1849réf. 38909New York. 1849. Promoting "the taste for the Fine Arts" this small pamphlet outlines the General Plan of the International Art-Union. In exchange for an annual fee of five dollars the subscriber received an engraving equal to the value of the subscription as well as the opportunity for an American student to study in Europe for two years subsidized by the Union. The final two pages advertise the engravings held by the Art-Union. Among those listed under the "Committee of Reference" are Washington Irving and N.P. Ellis. Minor creasing to edges. Near fine. unknown books
1990réf. 159588San Francisco: Art Lick Gallery 1990. Vintage flyer advertising San Francisco-based Art Lick Gallery circa 1990. The Art Lick Gallery was opened by artists David Seibold and Luiz da Rosa in 1989 and was at that time the only art gallery located in the Castro District. Founded just as the catastrophic impact of the AIDS crisis was beginning to be fully appreciated in the national media and during an unprecedented attempt at censoring art particularly queer art the gallery served as a safe haven for the LGBTQ art community as well as a bulwark against attacks to the community. In Seibold's own words the gallery was "an alternative to 'downtown' gallery spaces places that sometimes present art work as being so precious and intimidating that it's really unapproachable." Notable among the exhibitions held at Art Lick were Christopher Enzi's "Inferno & Other Scenes" Jerome Caja's "Compact" and the group exhibition "Eros." The shows held at the gallery which included both group and one- and two-person shows proved essential not only to the Castro community but also to the queer community at large during a period often described by many without hyperbole as a time at war. The gallery closed after Seibold's death in 1992. 8.5 x 11 inches. Near Fine with some light edgewear. Art Lick Gallery unknown books
1990réf. 159516San Francisco: San Francisco Art Institute 1990. Vintage flyer for a 1990 art exhibition and happening held on Friday May 4 1990 at the San Francisco Art Institute Lecture Hall. 11 x 8.5 inches. Very Good plus with eight small pinholes. San Francisco Art Institute unknown books
1990réf. 159516San Francisco: San Francisco Art Institute 1990. Vintage flyer for a 1990 art exhibition and happening held on Friday May 4 1990 at the San Francisco Art Institute Lecture Hall. 11 x 8.5 inches. Very Good plus with eight small pinholes. San Francisco Art Institute unknown
1990réf. 159588San Francisco: Art Lick Gallery 1990. Vintage flyer advertising San Francisco-based Art Lick Gallery circa 1990. The Art Lick Gallery was opened by artists David Seibold and Luiz da Rosa in 1989 and was at that time the only art gallery located in the Castro District. Founded just as the catastrophic impact of the AIDS crisis was beginning to be fully appreciated in the national media and during an unprecedented attempt at censoring art particularly queer art the gallery served as a safe haven for the LGBTQ art community as well as a bulwark against attacks to the community. In Seibold's own words the gallery was "an alternative to 'downtown' gallery spaces places that sometimes present art work as being so precious and intimidating that it's really unapproachable." Notable among the exhibitions held at Art Lick were Christopher Enzi's "Inferno & Other Scenes" Jerome Caja's "Compact" and the group exhibition "Eros." The shows held at the gallery which included both group and one- and two-person shows proved essential not only to the Castro community but also to the queer community at large during a period often described by many without hyperbole as a time at war. The gallery closed after Seibold's death in 1992. 8.5 x 11 inches. Near Fine with some light edgewear. Art Lick Gallery unknown
