IPOUSTÉGUY [ROBERT (Jean) pseud.]Livre Rare Book
9 276 résultats
réf. 23545Genève, Artel galerie, 1974. In-4, non paginé, broché, couverture originale muette, jaquette originale illustrée (légère insolation, petits frottements).
1893réf. 70375brChicago 1893. Book. Very Good. Soft cover. Folio - over 12 - 15" tall. Softcover booklet with colour-printed front cover. Much local advertising in addition to the programme listSome slight toning to covers; rear cover panel partly obscured by paste/paper residue from being previously pasted in a scrapbook. Otherwise clean tight and unmarked. Very neat -- still a sound and handsome copy. Measures 309x236mm. 10 coverspp. Paperback
réf. 0484155326.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1334545782.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1996réf. 755611996 Editions The Miyagi Museum of Art - 1996 - 1 vol in-4 broché dans une couverture tissu synthétique blanc / titre en relief - 135 pages - Illustrations en couleurs - Textes en angais et en japonais
1997This is a very good hardcover copy bound in black moire cloth boards and pink cloth spine. The spine and edges of the black cloth front board are sunned. Completely clean inside. Text in Basque and Spanish, with English summaries at the end. This catalog was prepared to accompany the exhibition in Spain in 1997. The title of the exhibition translated to English would be: "The Veiled Face: Transvestism and Identity in Art". Artists included in the exhibition: Claude Cahun, Robert Gober, Nan Goldin, Juan Hidalgo, Michel Journiac, Jurgen Klauke, Zoe Leonard, Urs Luthi, Lisette Model, Pierre Molinier, Catherine Opie, Pierre et Gilles, Man Ray, Humberto Rivas, August Sander, Cindy Sherman, Andy Warhol, and Joel-Peter Witkin. Illustrated in black & white and color. Bibliography. Filmography. 10" high X 8" wide, 341 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1998This is a fine softcover copy with no wear at all. Completely clean. Text in English and Polish. This catalog was prepared to accompany the exhibition in Warsaw at the Center for Contemporary Art, Ujazdowski Castle, from July 12, 1998 to January 24, 1999. Curator Milada Slizinska. Illustrated in black & white and color. Bibliography. Exhibition history. 10" high X 7" wide, 76 pages. Passport application form laid in. This book will be securely wrapped and shipped with tracking.
2000A clean, unmarked book with a tight binding. Slight wear to cover. 7 1/4"w x 10 1/4"h. Many color photos.
2006New Turkish Paperback. 4to. (30 x 21 cm). In Turkish. 120 p., b/w and color ills. Isiga tutunmak.
1966réf. 58960Washington DC: Smithsonian Institution Traveling Exhibition Service. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 106 pp. With 75 ills. 5 col. . 23 x 22 cm. In English. -- with a bonus offer-- . 1966. Smithsonian Institution Traveling Exhibition Service paperback
réf. B202310-3Washington D.C. 1966. 96pp. 90 illus. Sm. sq. 4to. Wraps. Washington, D.C., 1966. paperback books
réf. B202310-4Washington D.C. 1966. 96pp. 90 illus. Sm. sq. 4to. Wraps. Washington, D.C., 1966. paperback books
réf. 3041Le Caire, 1969 336 p., 55 planches, broché. 7 x 24
19688vo., First Edition, with numerous plates; original pictorial wrappers, crease-mark on upper cover else a very good, clean copy. Scarce catalogue of an important loan exhibition that ran from 7 December 1968 to 26 January 1969.
2011réf. 117786Somogy 2011 Somogy, 400p, 2011, in-4 broché. Bon état.
2018New English Paperback. 4to. (27 x 22 cm). Edition in English. 304 p., b/w photos. Ismail Saray. [Album of photographs]. Text by Begüm Akkoyunlu Ersöz, Duygu Demir, Antony Hudek, Sezin Romi, Yusuf Taktak. Although Ismail Saray participated in numerous exhibitions across Turkey and Europe throughout the 1970s until the 1990s, with an increasingly political conceptual practice, he remained on the fringes of the art system, both locally and internationally. Saray's dissident stance against the system and critical attitude towards art's institutionalization, his status as a state employee, his bohemian lifestyle, self-imposed exile in the aftermath of the 1980 coup d'état, as well as the short-term memory of the historiography of art in Turkey obscured his significant artistic practice. SALT has been researching the context of Saray's life and practice since late 2012 with the conviction that the he holds a canonical place in the artistic and cultural environment of the 1970s and early 1980s in Turkey. His works have an international resonance with the advanced practices of the time in addition to displaying an acute sense of place. Comprised of documents and audio-visual materials, the artist's archive was processed and digitized by SALT and made available online at SALT Research. The first phase of the project was shared in the form of an exhibition titled From England with Love, Ismail Saray at SALT Galata in Istanbul and later at SALT Ulus in Ankara (2014-2015). Aiming to rescue his artistic output from passing into oblivion, the exhibition brought together Saray's works and archival materials, and was his first and only retrospective in Turkey. Similarly, the Ismail Saray book, which is the first monographic publication on the artist, brings together artworks and selected documents from the Ismail Saray Archive at SALT Research, encompassing his output from his student years in the 1960s up to the SALT exhibition. The book is edited by Duygu Demir, an independent curator and PhD candidate in art history at MIT, and Sezin Romi, Senior Librarian and Archivist at SALT Research and Programs, and designed by Okay Karadayilar. Editions of the book will be available in both Turkish and English in March. In addition to texts by the editors, the book includes essays by Antony Hudek, Begüm Akkoyunlu, and Yusuf Taktak, along with excerpts from interviews conducted with Mustafa Altintas, Handan Börüteçene, Cengiz Çekil, Ahmet Öktem, and Saray himself during the research process. While Demir's article focuses on Saray's artist books and other paper-based works, Hudek examines And Journal of Art and Art Education, published by Saray and his wife and collaborator Jenni Boswell-Jones, within the context of the art world in the UK. Akkoyunlu takes a look at a series of seminal exhibitions Saray participated in Istanbul from the 1970s to the 1990s, tracing the transformation of exhibition-making into an independent practice among artists. Romi's interview with the artist around institutional historicization deliberates on the archival process and the making of the exhibition at SALT. Taktak's exhibition review from 1979, written under a pseudonym, combined with the periodical testimonies from fellow artists, falls in line with the book's fundamental purpose of providing a nuanced contextual background that allows for a more lucid assessment of Saray, as well as providing the grounds for historical analysis.
1968réf. 19404Les Presses Artistiques - Petit Palais 1968 Petit in-8, broché couv. illustrée, photographies en noir et en couleurs. Etat moyen.
réf. 5748Selbstverlag, Hamburg. 102 S., OBroschur. Zahlreiche s/w-Abbildungen und Faksimiles. Begleitpublikation zur Ausstellung der Jahnn-Wochen der Freien Akademie der Künste in Hamburg im Herbst 1984 anläßlich des 90. Geburtstages und 25jährigen Todestages Hans Henny Jahnns. Gutes Exemplar. Sehr selten. Very rare document. Good copy.
2007Fine English Paperback. Pbo. 4to. Fully color ills. 40 p. In Turkish. Istanbul. [=Istanbul Paintings Exhibition].
réf. 124481Henie Onstad Kunstsenter / Art Center, Høvikodden, Norway, 2020. 175 S. ; 27 x 21 cm , kart. ;
1978réf. 119470National Gallery of Scotland, Edinburgh, 1978. XIV, 220 S., 14 Bl. ; 24 cm ; kart. ;
1989réf. 4130Milan Bompiani 1989 In-4 (h. 30 cm.) 772 pp. couverture souple. Illustrations en noir et en couleurs. Nombreuses illustrations en couleurs.
1950réf. 118291The Trustees of the British Museum, London, 1950. 25,5 cm ; Leinen.
1950réf. 120311The Trustees of the British Museum, London, 1950. XIV, 230 S. ; 25,5 x 19,5 cm ; Leinen.
2020réf. 018587Founded in Genoa in 1926 MITA Manifattura Italiana Tappeti Artistici was a celebrated Italian textile firm that earned its reputation by collaborating with some of Italy's most talented artists and designers. Among these were Gio Ponti Fortunato Depero Arturo Martini Emanuele Luzzati Arnaldo Pomodoro Giò Pomodoro and Ettore Sottsass Jr. Organized in collaboration with the Wolfsoniana Genoa Italian Threads showcases 50 years of bold commissions produced for world art fairs private homes clubs and ocean liners encompassing the avant-garde movements of the day from futurism to abstract expressionism. The exhibition features original works designs and photographs illustrating the firm's remarkable output. It includes rugs carpets tapestries limited-edition art panels printed fabrics scarves and major commissions that carried the banner of modernism from the 1920s to the 1970s. Published on the occasion of the exhibition at the Estorick Collection of Modern Italian Art London 30 September 2020 - 20 June 2021. 138 pages : illustrations chiefly colour ; 18 cm. Slight shelf wear to edges no inscriptions tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Estorick Foundation paperback
