8 802 résultats
1904réf. 110230Official Photographic Company. Very Good. 1904. Softcover. A book that is used but still very attractive minor edgewear; Beautful photo reproductions of the fair and the buildings . Official Photographic Company paperback
2006This is a very good hardcover copy with almost no wear, without dust jacket, as issued. Completely clean inside and out. This catalog was prepared to accompany the exhibition at the Michael Werner Gallery in New York from November 7, 2006 toi January 13, 2007. Essay by Faya Causey. Descritions by Georg Laue of the Kustkammer in Munich. Illustrated in color. Bibliography. 12" high X 9" wide, 106 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
réf. c5177Lisboa, 1977; in-8° carré broché, couverture bleue et noir (portrait de Freud sur le 1er plat), titre en noir au 1er plat, manuscrit au dos; 79pp. ( 318 notices), avec Bibliographie et Table.Nombreuses illustrations photographiques (portraits, sites, documents).
réf. 120833Giverny et Montpellier et Paris, Musée des impressionismes et Musée Fabre et Gallimard 2013, 285x230mm, 235pages, broché. Couverture à rabats. Très bel exemplaire.
2001réf. 19363Centre Georges Pompidou ; Mithra 2001 In-8, broché couv. illustrée, photographies en couleurs, 180 pp. Bilingue français/anglais. Très bon état.
2003réf. 19370Centre Georges Pompidou 2003 In-8, broché couv. illustrée, photographies en couleurs, 189 pp. Bilingue français/anglais. Très bon état.
réf. 66603CBo.J. Ludwig Wilding, geboren 19. Mai 1927 in Grünstadt, gestorben 4. Januar 2010 in Buchholz.
2002" A succinct presentation in the third millennium AD of the picture we have of the Cycladic islanders in the third millennium BC. Cycladic works of art speak to the modern audience both through their silence, as objects of unique conception and beauty, and as testimonies of a brilliant and significant culture that flourished in the Cyclades at the dawn of Western Civilization." Catalogue of an exhibit at the Alexander S. Onassis Public Benefit Foundation, New York April 9 - June 15, 2002. 119p. illus. bibliography, Publicity flyer laid in Book
1867réf. List01217Boston Paris: J.P. Whitney 1867. First Edition Thus. . 8vo publisher’s green cloth 107 pp. Some tearing and fraying to boards particularly at head of spine text block excellent very good minus overall. Very Good. The scarce Paris Universal Exposition edition of J.P. Whitney’s early title on the silver mines of Colorado. Whitney a wealthy sportsman from Boston with investments in Colorado traveled as the sole commissioner from Colorado to the Paris Universal Exposition in an effort to entice foreign investment in the mining industry which was suffering from a poor reputation as the costs of extraction grew higher. Whitney had published this title in pamphlet form a year earlier. Whitney shipped his own collection of Colorado minerals to France where it was the most extensive of any of the North American regions to be displayed receiving a gold medal from Napoleon III. A new title on Colorado minerals Colorado in the United States of America: Schedule of Ores Contributed by Sundry Persons to the Paris Universal Exposition of 1867 With Some Information about the Region and its Resources. Whitney also brought with him copies of his pamphlet in a special hardcover edition which we offer here. This is the second example we find on the market. Whitney would gain great popularity in Colorado for his efforts which did much to improve its standing. J.P. Whitney unknown
1867réf. List01217Boston Paris: J.P. Whitney 1867. First Edition Thus. . 8vo publisher’s green cloth 107 pp. Some tearing and fraying to boards particularly at head of spine text block excellent very good minus overall. Very Good. The scarce Paris Universal Exposition edition of J.P. Whitney’s early title on the silver mines of Colorado. Whitney a wealthy sportsman from Boston with investments in Colorado traveled as the sole commissioner from Colorado to the Paris Universal Exposition in an effort to entice foreign investment in the mining industry which was suffering from a poor reputation as the costs of extraction grew higher. Whitney had published this title in pamphlet form a year earlier. Whitney shipped his own collection of Colorado minerals to France where it was the most extensive of any of the North American regions to be displayed receiving a gold medal from Napoleon III. A new title on Colorado minerals Colorado in the United States of America: Schedule of Ores Contributed by Sundry Persons to the Paris Universal Exposition of 1867 With Some Information about the Region and its Resources. Whitney also brought with him copies of his pamphlet in a special hardcover edition which we offer here. This is the second example we find on the market. Whitney would gain great popularity in Colorado for his efforts which did much to improve its standing. J.P. Whitney unknown books
réf. 120659Berlin et Romont, De Gruyter et Vitromusée 2023, 240x240mm, 123Seiten, broschiert. Einband mit Klappen. Sehr schönes Exemplar.
2007This is a fine softcover copy with no wear at all. Completely clean. This small catalog was prepared to accompany the exhibition/installation at the Centre for Contemporary Art, Ujazdowski Castle from March 10 to April 212, 2007. Illustrated in color. 5" high X 7" wide, about 35 pages. This catalog will be securely wrapped and shipped with tracking.
réf. 116523Genève, Galerie Engelberts 1977, 180x165mm, broché. Tirage à 700 exmplaires.
20094to., First Edition, with very numerous coloured reproductions (the majority full-page) throughout; original pictorial wrappers, a fine copy. With copies of the exhibition price list and private view invitation loosely inserted. Very scarce, especially in this condition.
réf. 25727<meta charset="utf-8">À l'occasion du centenaire de la naissance de Simon Hantaï (1922-2008), la Fondation Louis Vuitton organise une importante exposition rétrospective de l'œuvre de l'artiste (du 18 mai au 29 août 2022). D'origine hongroise, Hantaï s'installe à Paris en 1948, ville où il réalise l'ensemble de son œuvre, d'une fécondité et d'une originalité exceptionnelles, qui le conduira à représenter la France à la 40e Biennale de Venise en 1982. Avec en introduction deux entretiens avec Zsuzsa Hantaï et Daniel Burren, menés par Anne Baldassari, cet ouvrage réunit des essais de Jean-Luc Nancy, Georges Didi-Huberman, Jean Louis Schefer ainsi qu'une chronologie de la vie de Simon Hantaï par Anne Baldassari. Y sont reproduites plus de 130 œuvres de l'artiste qui couvre les grandes périodes successives depuis les Peintures à signes, Monochromes, Mariales, Catamurons, Panses, Meuns, Études, Blancs, Tabulas, Peintures polychromes, Sérigraphies et Laissées pour se conclure sur le « dernier atelier ». Paris, 2022 Gallimard / Fondation Louis Vuitton 370 p., très nombreuses illustrations couleur, cartonnage éditeur. 30 x 29,5
2002This is an about very good softcover copy with just light cover wear. Front cover creased. Completely clean. Text in English. Illustrated in black & white, and a color plate section with Alli Rufran's photographs of the tattoos on many of Erik Desmond's clients. 11" high X 8" wide, unpaginated. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1909réf. 64351New York NY & Seattle WA: Singer Sewing Machine Co. Alaska-Yukon-Pacific Exposition 1909. Oblong 12mo. 7.25 x 4.6 in. 10 photo plates unnumbered w/ red & black illustrated ads on versos yellow borders to photos on rectos slight dustsoiling shelfwear w/ original illustrated souvenir mailing envelope cover art view of the A-Y-P Exposition minor scuffing 1 closed tear minor chipping still VG bright set originally handed out by the Singer Sewing Machine Co. Main Store in Seattle WA located in 1909 at 1317 Third Ave. First edition of this exceedingly scarce complete set of souvenir images handed out as Singer Sewing Machine Co. promotional advertising packets featuring views of the Location of the Alaska-Yukon-Pacific Exposition; Panoramic View of Seattle; First Avenue & Pacific Avenue; Waterfront bluff and Eleventh St. in Tacoma WA; Shipmast loading at Port Blakely Mills; Logging photos by B.L. Singley; Satoosh Range from Mt. Rainier & Wheat Harvesting; Mt. Adams; Cape Horn on the Columbia River; Ranch in Crab Creek Valley near Sprague Washington. No copies in Worldcat 1 incomplete set w/ no envelope and only 9 images of similar Washington views at Yale. Singer Sewing Machine Co., [Alaska-Yukon-Pacific Exposition], unknown
réf. 18063, Sint - Truiden, Museum Vlaamse Minderbroeders, 1993, Paperback , 205 x 250mm., 208pp., uitgebreid geillustreerd in kleur en z/w. Zeer goede staat!!
réf. 415522 June and 1 October 1935; both on House of Commons embossed letterheads and from 5 Carlton Gardens S.W.1. English politician 1881-1965 and architect much of whose work was done in the United States. Both letters two pages quarto. Both letters docketed the first heavily so bearing the Society's stamp and with pin and staple holes in top left-hand corner. Second letter good first lightly creased and grubby. Revealing documents relating to the Royal Society's 'British Art in Industry' exhibition held at the Royal Academy in 1935. The Society's website describes this as a 'resounding success' but as these letters show the matter was not so clear cut. Bossom is one of a number of the Society's members to have provided financial guarantees for the exhibition and to have been asked to pay £68 15s 0d as a result. LETTER ONE: '. How much did the exhibitors pay towards the abnormal expense in connection with this Exhibition and what profit did they make out of it in the way of sales etc . Of course hind-sight is always better than foresight but looking at the matter now doesn't it seem very obvious that the ones who were to gain by this situation were those who were getting their goods out for sale and certainly they should be the ones who guaranteed the amount of the exhibition and not private members of the Society of Arts to anything like the extent they have been called upon to do. It does seem an example of rather unfortunate management don't you think for we had nothing whatever to gain by the matter and they had everything; and I must admit that when I went round the exhibition I was very much impressed by the great expense that had been undertaken to equip and arrange special lighting etc. . Needless to say I thought such expense was being born sic by the exhibitors otherwise I must frankly say I should have called the attention of the Society to what appeared to me to be a very expensive way of handling the situation.' LETTER TWO: Blossom encloses a cheque but asks that the point he has raised be brought before the Society's council. '. it is an abnormal situation for a learned body to hold and finance an exhibition which in fact in certain respects becomes a show-room for various manufacturers and who on this accound make considerable profit and yet the learned Society - . - bears the expense of providing not only the rooms for exhibition purposes but also the expense of erecting special stands etc. . I was for many years the Chairman of the Foreign Exhibitions Committee of the Architectural League of New York . I find that where the manufacturers have their goods exhibited they have to bear the expense of the setting . where the manufacturers have their names displayed on their goods I cannot see any possible reason why they should not bear the expense involved in the physical arrangements for the exhibition. It obviously is the most valuable advertising and in addition has caused sales to be made and by no process of reasoning can it be diverted into being a strictly artistic exhibition - it did resolve itself into a commercial one. . I was while on the Council of the Royal Society of Arts exceedingly keen on such an . Exhibition . Purely as a matter of interest is there existing any precedent at all for the expense of such a commerical exhibition being borne by a strictly learned body' Both letters signed 'Alfred C Bossom'. 22 June and 1 October 1935; both on House of Commons embossed letterheads, and from 5, Carlton Gardens, S.W.1. unknown
1985réf. 106552Réunion des Musées Nationaux 1985 Editions de la Réunion des Musées Nationaux, Ministère de la Culture, 1985, 269 p., broché, environ 24x21cm, dos insolée, des frottements sur la couverture, bon état pour le reste et intérieur bien propre.
1979réf. 52541979 Imprimerie Tridon-gallot 1979 Plaquette In8 broché non paginée (32 pages) Illustrations
réf. 8517Paris, Galerie Durans-Ruel, 29 mai - 20 septembre 1957 grand in 8 agrafé de 24 pages sur papier fort
réf. 8517Paris, Galerie Durans-Ruel, 29 mai - 20 septembre 1957 grand in 8 agrafé de 24 pages sur papier fort
2018This is a fine softcover copy with nowear at all. Completely clean inside and out. Text in English and Italian. Monograph on the work of Italian artist Sissi (Daniela Olivieri 1977- ) Illustrated in color and black & white. 10" high X 6" wide, 127 pages. This book will be securely packed and shipped with tracking.
2000This is a very good softcover copy with almost no wear. Completely clean inside and out. TEXT IN SWEDISH. This catalog was prepared to accompany the exhibition at Waldemarsrudde, Stockholm during the late summer and fall of 2000. Organized by Ingrid Ehrhardt and Simon Reynolds. The exhibition also travelled to Birmingham, England and Frankfurt, Germany. In English the title of the exhibition is: 'Kingdom of the Soul - Symbolist Art in Germany, 1870 - 1920'. Essays by a dozen art historians on different aspects of the German Symbolist art movement. The largest section concerns painting, but also an extensive section on sculpture. Briefer reviews of graphic arts and book design and fine bindings. Bibliography. Exhibition checklist has over 195 works (some numbers have a, b, c etc. parts). Hundreds of illustrations including dozens of color plates. 12" high X 10" wide, 333 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
