8 802 résultats
réf. 4976Catalogue d'exposition 30 juin -30 sepetembre 1984, Château de TANLAY (YONNE), broché, couverture illustrée d'un dessin en noir et blanc (Szafran 1966), 21x27 cm, 115 illustrations en noir et blanc.
réf. 14591Paris, Hachette, 1891 ; in-12, broché. 2 ff.-314 pp.-1 f.-31 pp. (Catalogue Hachette des publications géographiques). 18 planches hors-texte. Dos renforcé, petits manques marginaux à la couverture.
réf. 4873Paris, Pavillon de ouvrage couverture souple , 176 pages illustrations couleurs et noir et blanc
1988réf. 91304McLean VA: Exhibition Marketing & Management Co. Inc 1988. Presumed First Edition First Printing thus. Staplebound. Very good. The format is approximately 8.5 inches by 11 inches. 16 pages counting covers. Illustrated covers. Illustrations. Floorplan. Rare surviving copy. This was organized by the USSR Chamber of Commerce & Industry. This Exhibition was held December 8-20 1988 at the Jacob K. Javits Convention Center in New York City. As the New York Times noted Soviet salesmen ignoring United States barriers to trade have put their foot in the door. With displays of rugs furs robotic tools and some 4000 other items at the newly opened Soviet Export Goods Exhibition at the Jacob K. Javits Convention Center the Soviets hope to crack the American market. The Soviets have promoted the exhibition which will run through Dec. 20 as a trade show where all products are available for sale. But American visitors to the show get a sense of what it must be like for Russian shoppers: Goods are displayed but many are not really available for export like refrigerators which are in short supply in the Soviet Union. Other items would be very expensive in the U.S. because of punitively high import duties on Soviet products like automobiles and jewelry. Some Soviet services offered for sale such as satellite launchings for $33 million a shot or rental of a Soviet space lab for experiments at $20000 a kilogram are off limits to Americans by United States law. But a dozen exhibitors interviewed saw these problems as temporary trade barriers not like the roadblocks of the past. Even with the restrictions more trade is possible they said. The Soviets have scheduled some trade agreements to be signed during the 12-day exhibition. Derived from a New York Times story on this Exhibition: ''Every day we hope to have two or three contracts signed and some will be for more than $100 million'' said Bagrat N. Arutyunov chief of the Department of Soviet Exhibitions Abroad for the U.S.S.R. Chamber of Commerce and Industry. For instance a Canadian importer is enthusiastic about a Soviet electron microscope. Few consumer goods are covered by these agreements. But if some of these deals succeed trade between the countries could increase substantially in the next few years. According to the Commerce Department the Soviets last year exported to the United States $329 million in raw or semi-processed materials and $141 million in manufactured goods. ''This is the exhibition of perestroika'' Mr. Arutyunov said. ''This is the first the very first pure commercial show. It's not financed by the Government but by the participants at the exhibition.'' Soviet booths represent state-run factories state agencies cooperatives and regional trade associations. Visitors entering the exhibit immediately encounter a slick audio-visual show. Signs like ''Perestroika to success'' proclaim optimism and Russian-flavored English is heard everywhere. It is an eclectic display with giant tractors and earth excavators scattered among displays of nesting dolls furs and telescopes. There are computers software books crafts jewelry toys and rifles. Oil paintings decorate a stage area where the All Soviet Fashion House from Moscow puts on its daily show at 3 P.M. For all its variety the exhibit is relatively small as trade shows go and is tucked into a 60000-square-foot corner of the convention center which has 750000 square feet of space. The exhibit was planned 18 months ago but opening day was moved up from Dec. 14 to coincide with the Gorbachev visit. The exhibit was organized by Exhibition Marketing and Management a McLean Va. specialist in trade shows. Burson-Marsteller the New York public relations firm that is a unit of Young & Rubicam handled the publicity. The exhibition manager sent direct-mail brochures to about 230000 businesses. ''We've had a tremendous response'' said David H. Wolstenholme the company's president. He said 11000 people have registered and new registrations arrive at the rate of 600 to 1100 a day. Many Soviet economic and trading problems are summed up by the auto exhibit. Lada the Soviet Union's largest auto maker is hoping to break into the American market with a four-wheel-drive vehicle the Niva. With United States import duties of 70 percent or more the no-frills Niva would be competing in a price range that could approach $20000 against comparable vehicles with more power and luxury. Should American dealers be interested they may have trouble obtaining much inventory because Lada makes only 100000 Nivas a year for domestic and foreign distribution Mr. Yakubson said. The Soviet ruble cannot be exchanged in the world market and this impedes the country's development and international trade. Sergei Olevsky president of the Iskatel Cooperative in Moscow which wants to export jewelry and painted boxes expressed optimism over the larger goals of show. He said the exhibition could promote trade by whetting the appetites of American importers and consumers who then could put pressure on the Government to eliminate high import tariffs. ''We hope the American people will try to help us come into the market'' Mr. Olevsky said through an interpreter. Their ability to trade in world markets could improve quickly if they are willing to harness the military industry to work for the civilian industry.''. Exhibition Marketing & Management Co., Inc unknown
1985réf. 989081985 ELAC - 1 vol in-4 - broché - 1985 - 78 pages - Album édité à l'occasion de l'exposition à l'ELAC du 28 février au 14 mai 1985 - Illustrations photographiques en noir et blanc et en couleur dans le texte et hors texte
2004réf. 88551New York: Guggenheim Museum Publications 2004. Presumed First Softcover Edition First printing. Trade paperback. Very good. Photographs from The Buhl Collection. The format is approximately 9 inches by 10.5 inches. Illustrated front and back covers. With essays by Jennifer Blessing Kirsten A. Hoving and Ralph Rugoff. Contents include Photophilia Plates Photography in surrealism's Trip Plates The Telltale Hand Plats Catalogue Entries and Index of Reproductions. Jennifer Blessing Senior Curator Photography joined the curatorial staff at the Guggenheim in 2002 after previously working at the museum from 1989-97. She developed the Guggenheim's photography collection as well as organizing photography-based exhibitions. Most recently Blessing co-curated Gillian Wearing: Wearing Masks. In 2015 Photo-Poetics: An Anthology opened at the Deutsche Bank KunstHalle Berlin and subsequently appeared at the museum in New York. Prior to Photo-Poetics she organized the New York presentation of Carrie Mae Weems: Three Decades of Photography and Video an exhibition originating at the Frist Center for the Visual Arts in Nashville. In 2012 she collaborated with the San Francisco Museum of Modern Art to present Rineke Dijkstra: A Retrospective and Francesca Woodman. During her tenure with the museum she curated Haunted: Contemporary Photography/Video/Performance which opened in March 2010 before traveling to the Guggenheim Museum Bilbao; Catherine Opie: American Photographer; True North and Jeff Wall: Exposure 2007 for the Deutsche Guggenheim Berlin; Family Pictures; Speaking with Hands: Photographs from The Buhl Collection; and Rrose is a Rrose is a Rrose: Gender Performance in Photography. Kirsten Hoving is a photographer and multimedia artist from Charleston SC whose art balances on the edge between fact and fiction. Hers is an art of transcendence and she frequently combines photographs with unusual processes materials and presentations to evoke quiet dreams and half-remembered tales. Using unexpected viewpoints three-dimensionality and kinetic elements she expands photography's decisive moments into visionary states of wonder. Our imagination she believes is what makes us human and our ability to see the world through metaphors stories and poetic allusions connects our minds to our hearts. Over the last fifteen years Hoving has shown her work in galleries around the world and has published several books of her work including Svala's Saga a project done in collaboration with photographer Emma Powell. With a Ph.D. in art history from Columbia University Hoving had a long career as a professor and scholar of modern art with books and articles on many topics including Surrealist photography and the assemblages of Joseph Cornell. Ralph Rugoff OBE born 12 January 1957 is an American-born curator the director of London's Hayward Gallery since 2006 and the curator of the Venice Biennale in 2019. He studied semiotics at Brown University. Rugoff was director of the Wattis Institute for Contemporary Arts in San Francisco for nearly six years before becoming the director of London's Hayward Gallery. Rugoff was artistic director of the 58th Venice Biennale in 2019. He was appointed Officer of the Order of the British Empire OBE in the 2019 Birthday Honours for services to art In October 1993 Henry M. Buhl purchased Alfred Stieglitz's photograph of Georgia O'Keeffe's hands. This photograph became the cornerstone of his private collection that now includes over 1000 images by the medium's foremost practitioners as well as little-known and emerging artists. From a photogenic drawing negative made in 1840 by William Henry Fox Talbot to serial Polaroids made in 2002 by Cornelia Parker the collection encompasses a wide range of photographic practices--scientific journalistic and fine art photography--with a strong component of contemporary art. Published on the occasion of a major exhibition at the Guggenheim Museum these beautiful and poetic reproductions demonstrate the prevalence of the hand as a photographic theme; a result of photography's easy ability to capture fragments details and ephemeral movement. The images are discussed through topical texts: why hands are a unique theme Jennifer Blessing the prevalence of hands in Surrealist photographs and prose Kirsten A. Hoving and the uncanny aspects of hands in contemporary art that uses photography Ralph Rugoff. Containing work from 150 artists this catalogue is both a visually stunning and haunting object and a handy resource for the study of photography. Guggenheim Museum Publications paperback
réf. 1334865612.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0265463742.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 026547762X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1981Over 200 pages. Text in English and Japanese. Catalogue for an exhibition of 203 works held April 29, 1981 through June 7, 1981. Printed on glossy stock. Illustrated primarily in black and white, with some colour plates. Light wear. Clean and unmarked. Binding tight. A quality copy. Book
réf. 860Ferrare, 1994 380 p., nombreuses ill. N/B et couleur, broché. 23 x 30
2005réf. N4769Tel Aviv: Eretz Israel Museum- Tel Aviv 2005. Original Decorative Wrappers. Very Good. 4to Oblong. Some 200pp English and Hebrew text. PROFUSELY ILLUSTRATED IN COLOUR. A VERY GOOD CLEAN AND FRESH COPY. Eretz Israel Museum- Tel Aviv unknown
réf. 534Bruxelles, 1982 281 p., nombreuses ill. N/B. et couleur, broché. 21 x 29,7
1985Catalogue de l'exposition présentée en 1985 au Palais des Beaux arts de Bruxelles dans le cadre du festival Europalia 85; réalisé sous la direction de l'historien belge Jean-Marie DUVOSQUEL et de l'historien d'art belge Ignace VANDEVIVERE (1938-2004), en 2 volumes: Tome I/ Recueil d'études de divers auteurs, réunies sous le titre "Aperçus historiques et artistiques sur l'Espagne et les Pays-Bas méridionaux aux XVIe et XVIIe siècles" (cadres géographiques et institutionnels, histoire politique, économie, religion, fêtes et réjouissances, humanisme, littérature, sciences et techniques, mécénat espagnol, art, musique dans les 2 pays), bibliographies; Tome 2/ Catalogue des oeuvres en classement thématique: le territoire (25 n°s), la politique (40 n°s), la religion (94 n°s), "Vie de cour et vie des gens" (37 n°s), avec notices, commentaires et nombreuses reproductions dont planches couleurs. Exemplaire complet en 2 volumes. Français
réf. 19207Bruxelles, Crédit communal, 1985 2 volumes 21 x 29,6cm Brochés sous couvertures à rabats aux 1ers plats illustrés couleurs. En pagination continue: Vol.1: 358p., 1 feuillet; Vol.2: 1 feuillet, puis paginé de [359] à 695; nombreuses illustrations in texte dans les 2 volumes, vignettes et pleines pages, en noir et en couleurs. Bon état sauf tranches un peu salies; petits ex-libris manuscrits.
réf. 18363Bruxelles, 1985 695 p., illustrations couleur et N/B, brochés. 21 x 29,7
réf. 14659, Bruxelles, SDZ et Groupe de Recherche et Art Moderne de l, Softcover, couverture d'editeur, frontispice, 240 x 295mm., 283pp., copieusement illustre en couleur et b/n. ISBN 9789053492208.
réf. 17982Cet ouvrage accompagne une exposition qui se déroulera au MuCEM à Marseille du 11 mars au 25 août 2014. Il présentera une collection de 28 grands bronzes de grande qualité – actuellement exposés au musée archéologique de Rabat, mais découverts à Volubilis, et datant essentiellement de la période hellénistique – et un certain nombre d’œuvres complémentaires : bronzes du cabinet du roi au cabinet des monnaies, médailles et antiques de la Bibliothèque nationale de France, bronzes de la collection Dutuit du Petit Palais, prêts du musée du Louvre. De nouvelles campagnes de prises de vue permettront de mettre en valeur les caractéristiques stylistiques et typologiques de ces bronzes, dans lesquels on peut reconnaître divers courants et écoles artistiques spécifiques. Ils témoignent d’un savoir-faire certain en vogue dans les classes aristocratiques et aisées de la société en Méditerranée à cette période. Cet ouvrage, richement illustré et d'une qualité de fabrication particulièrement soignée, proposera une analyse des goûts et pratiques d'une société particulière dans un temps donné en Méditerranée. Il présentera également l’origine des bronzes, les modèles et écoles, enfin le processus des opérations de fonte et les techniques, parfois très élaborées, des bronziers de l’Antiquité. Arles, 2014 Actes sud 192 p., illustrations couleur, cartonnage éditeur. 24,6 x 32,4
2015This is a fine hardcover copy with no wear at all. Signed by the artist, Salvatore LaRosa, on the last page. Illustrated in color with photographs of crosses. 7" high X 4" wide. Signed artists book. This book will be securely packed and shipped with tracking.
1888réf. EEzz5415nMchn., Behrens (1888). 64 S., mit zahlr. Textzeichn., ill. OBrosch., klammergeh., Einbd. abgegriff. m. kl. Braunfl., innen schwach gebr.; 24 S., ill. OBrosch., klammergeh., abgegriff., staubdunkel, kl. Randläs., innen gebr.
2015réf. 3115494London: Gagosian Gallery. Fine with no dust jacket. 2015. Folder with cards. Preview cards for the opening reception at the Gagosian Gallery in London on Wednesday June 10 6-8pm. Features 3 separate pictorial cards on heavy cardstock with the same image but different color tone enclosed in printed white folder. cards: 8" X 10" folder: 8 3/4" X 11 1/2" Fine. Work by Ed Ruscha was features in the exhibition. Uncommon ephemeral item. . Gagosian Gallery unknown
20094to., First Edition, with numerous coloured photographs and reproductions throughout; pictorial wrappers, a fine copy. With a copy of the price list loosely inserted. SCARCE, ESPECIALLY IN THIS CONDITION.
20104to., First Edition, with numerous coloured reproductions throughout; pictorial wrappers, pictorial endpapers, a fine copy. SCARCE, ESPECIALLY IN THIS CONDITION.
198924 pages. Circa 1989. From a limited edition of 500 copies. Bibliographical notes. List of works. Black and white photos. Unmarked. Moderate wear. A quality copy. Book
1904réf. 62227St. Louis MO: n.p. 1904. Oblong 4to. 10.25 x 7 in. 24 pp unpaginated. on thick black paper stock 27 mounted silver gelatin photographs nearly all sized 3.25 x 5.5 in. annotated below or alongside in white ink manuscript. Contemporary self-printed black paper covers white lettering printed on front cover title in white ink manuscript punch-sewn at spine w/ red silk braid minor edgewear slight bumping to 1 corner minor over-exposure to some of the images still a VG exemplar. An original vernacular souvenir photo album created by an unknown amateur photographer documenting their tour of the famed 1904 St. Louis World Louisiana Exposition World’s Fair using their own camera -- typically after paying an entrance fee as inaugurated at the 1893 Columbia Exposition over 10 years before. The album opens with views of the Palace of Liberal Arts Festival Hall and the fountains Terrace of the States Electricity Palace Education and more. Along with many of the general public fair-goers these photographs reflect a fascination with the ethnological “Human Zoo” exhibits at the Exposition including the Igarrote-Filipino Village with one young child striding in the fore-ground the Philippine Restaurant and view of the Village with huts temple and walled city. Also featured are a few of the Japanese tea garden and pavilion and the Chinese temple exterior and interior. The photographer also captured the Life-Saver’s Exhibit by the Lifesaving Service; the Jefferson City Guards marching in front of the Austria & Sweden Buildings as well as the entrance to “the Pike” with visits to the Japanese Roof Garden Restaurant Beer Garden and German Coffee House. [n.p.], unknown
