9 242 résultats
réf. 415522 June and 1 October 1935; both on House of Commons embossed letterheads and from 5 Carlton Gardens S.W.1. English politician 1881-1965 and architect much of whose work was done in the United States. Both letters two pages quarto. Both letters docketed the first heavily so bearing the Society's stamp and with pin and staple holes in top left-hand corner. Second letter good first lightly creased and grubby. Revealing documents relating to the Royal Society's 'British Art in Industry' exhibition held at the Royal Academy in 1935. The Society's website describes this as a 'resounding success' but as these letters show the matter was not so clear cut. Bossom is one of a number of the Society's members to have provided financial guarantees for the exhibition and to have been asked to pay £68 15s 0d as a result. LETTER ONE: '. How much did the exhibitors pay towards the abnormal expense in connection with this Exhibition and what profit did they make out of it in the way of sales etc . Of course hind-sight is always better than foresight but looking at the matter now doesn't it seem very obvious that the ones who were to gain by this situation were those who were getting their goods out for sale and certainly they should be the ones who guaranteed the amount of the exhibition and not private members of the Society of Arts to anything like the extent they have been called upon to do. It does seem an example of rather unfortunate management don't you think for we had nothing whatever to gain by the matter and they had everything; and I must admit that when I went round the exhibition I was very much impressed by the great expense that had been undertaken to equip and arrange special lighting etc. . Needless to say I thought such expense was being born sic by the exhibitors otherwise I must frankly say I should have called the attention of the Society to what appeared to me to be a very expensive way of handling the situation.' LETTER TWO: Blossom encloses a cheque but asks that the point he has raised be brought before the Society's council. '. it is an abnormal situation for a learned body to hold and finance an exhibition which in fact in certain respects becomes a show-room for various manufacturers and who on this accound make considerable profit and yet the learned Society - . - bears the expense of providing not only the rooms for exhibition purposes but also the expense of erecting special stands etc. . I was for many years the Chairman of the Foreign Exhibitions Committee of the Architectural League of New York . I find that where the manufacturers have their goods exhibited they have to bear the expense of the setting . where the manufacturers have their names displayed on their goods I cannot see any possible reason why they should not bear the expense involved in the physical arrangements for the exhibition. It obviously is the most valuable advertising and in addition has caused sales to be made and by no process of reasoning can it be diverted into being a strictly artistic exhibition - it did resolve itself into a commercial one. . I was while on the Council of the Royal Society of Arts exceedingly keen on such an . Exhibition . Purely as a matter of interest is there existing any precedent at all for the expense of such a commerical exhibition being borne by a strictly learned body' Both letters signed 'Alfred C Bossom'. 22 June and 1 October 1935; both on House of Commons embossed letterheads, and from 5, Carlton Gardens, S.W.1. unknown
réf. 8517Paris, Galerie Durans-Ruel, 29 mai - 20 septembre 1957 grand in 8 agrafé de 24 pages sur papier fort
réf. 8517Paris, Galerie Durans-Ruel, 29 mai - 20 septembre 1957 grand in 8 agrafé de 24 pages sur papier fort
2018This is a fine softcover copy with nowear at all. Completely clean inside and out. Text in English and Italian. Monograph on the work of Italian artist Sissi (Daniela Olivieri 1977- ) Illustrated in color and black & white. 10" high X 6" wide, 127 pages. This book will be securely packed and shipped with tracking.
2000This is a very good softcover copy with almost no wear. Completely clean inside and out. TEXT IN SWEDISH. This catalog was prepared to accompany the exhibition at Waldemarsrudde, Stockholm during the late summer and fall of 2000. Organized by Ingrid Ehrhardt and Simon Reynolds. The exhibition also travelled to Birmingham, England and Frankfurt, Germany. In English the title of the exhibition is: 'Kingdom of the Soul - Symbolist Art in Germany, 1870 - 1920'. Essays by a dozen art historians on different aspects of the German Symbolist art movement. The largest section concerns painting, but also an extensive section on sculpture. Briefer reviews of graphic arts and book design and fine bindings. Bibliography. Exhibition checklist has over 195 works (some numbers have a, b, c etc. parts). Hundreds of illustrations including dozens of color plates. 12" high X 10" wide, 333 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
réf. 0364876107.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1980réf. 143172Couverture souple. Broché. 180 pages.
1987This is a very good hardcover copy in a very good dust jacket with a short closed tear on the rear cover lower edge. Completely clean inside and out. Text in Russian, with summaries in English and French. This monograph was published on the 50th anniversary of the exhibition of Vera Mukhina's famous sculpture 'The Worker and the Farmer' first exhibited in Paris in 1937 at the Exposition Internationale. Many black & white photographs of the large metal sculpture from all angles. 12" high X 11" wide, 156 pages. Scarce. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1989This is a very good softcover copy with almost no wear. Completely clean inside and out. Binding firm. Text in German. Illustrated throughout with black & white photographs. Full title 'Skulpturen fur Krefeld I: Richard Long, David Rabinowitch, Claes Oldenburg, Ulrich Ruckriem, Lawrence Wiener, Richard Serra'. 12" high X 9" wide, 72 pages.
1982réf. 2387Stadtmuseum, Düsseldorf, 1982. 36 S., Klapp-Broschur, Folio, durchgehend mit Abbildungen, Textteil (Wieland Koenig, Wolfgang Henze). Vorsatz von Werthmann gewidmet und signiert. Gutes Exemplar. Selten. Rare. Good copy. Handsigned and dedicated by the artist.
1966réf. 13293Kunstverein, Hamburg, 1966. ca 50 nnSeiten, ca 18x17cm, illustrierter OBroschur, großer s/w-Abbildungsteil. Auf dem Vorsatz und der Titelseite datierte Widmung und ganzseitige Zeichnung von Seitz. Gewidmet für W.W. (d.i. Wilhelm Wagenfeld, Bauhaus). Katalog zur Ausstellung im Kunstverein HH vom 29. Oktober bis 27. November 1966. Vorwort: Alfred Hentzen. Gutes Exemplar. Unikat.
réf. 17415, Berg en Dal, Afrika Museum, 2003**, Paperback , oblong formaat : 235 x 230mm., 372pp., zeer uitgebreide illustratie in ( voornamelijk ) z/w en kleur.
2005réf. 13082005 - broché - Editions La passe du vent - Collection HLM - Espace Pandora / Espace arts plastiques de la ville de Vénissieux - 2005 - In-12 (18 x 13 cm) broché - Sans pagination - Nombreuses photographies - ISBN : 2-84562-081-0 / 9782845620810 - Ouvrage faisant suite à la résidence de Slimane Raïs et à l'exposition Le bal
1981A clean, unmarked book with a tight binding. Light wear and fading to cover. 8 7/8"w x 11 3/8"h. 56 pages. Essays by Therese Heyman and Ted Hedgpeth. Includes these photographers: Robert Adams, Lewis Baltz, Laurie Brown, Bill Z. Dane, Joe Deal, William Eggleston, A.W. Ericson, Robert Flick, Lee Friedlander, Hamish Fulton, John Gossage, Anthony Hernandez, Cynthia kanstein, David Maclay, Eadweard Muybridge, Timo Pajunen, A.J. Russell, Stephen Shore, Catherine Wagner, C.E. Watkins, Charles Weed, and Henry Wessel, Jr.
réf. 19121Chamalières, Association musée d'art contemporain de Chamalières, 1988 1 volume 22 x 22cm Broché sous couverture à rabats. Non paginé (1,5cm d'épaisseur), sur papiers de différentes qualités; très nombreuses illustrations couleurs, vignettes, pleines et doubles pages, dont 4 planches couleurs dépliantes. Bon état.
1988Catalogue de l'exposition présentée en 1988 à la Galerie Werlé du Palais de l'Europe (Strasbourg), consacrée à l'oeuvre de Slobodan Jevtic, dit Slobo, scénographe, réalisateur de décors puis peintre né en Serbie en 1934, installé en Auvergne en 1969, devenu en 1984 directeur artistique de l’A.M.A.C. et se consacrant alors plus particulièrement à la recherche de l’espace et du cosmos, réalisant de nombreuses peintures murales en trompe l’œil; publié par Robert LIRIS avec extraits de textes du journaliste et critique d'art Jean Louis GAUTHIER, vice-président de l’A.M.A.C., de l'écrivain et critique d'art René de SOLIER (1914-1974), de l'écrivain de science-fiction et critique Philippe CURVAL, de la critique d'art, spécialiste de l'art contemporain, Anne TRONCHE, du peintre et poète Michel SAURET (1930-1987), du journaliste Jacques KERMOAL; chronologie; très nombreuses reproductions couleurs. Français
1876réf. 60903Philadelphia: Centennial Views New Excelsior American Views Peoples Series Underwood & Underwood George Barker H.L. Roberts & Co. American Scenery et al 1876-ca. 1926. Twenty-six albumen stereoview photographs 1 coloured sized 5.75 x 3 in. mounted on assorted stereograph boards sized 7 x 3.5 in. many w/ captions faintly w/in negative at lower fore-edge some w/ photographer’s imprint lower fore-edge of board many w/ decorative borders some w/ ink or pencil MS on verso occasional dustsoiling minor edgewear just a couple slightly over-exposed otherwise a good collection from the library of Prof. Marvin Nathan. The Centennial Board of Commissioners awarded the sole license for photography at the exposition just prior to the exhibition to Edward L. Wilson editor of The Philadelphia Photographer who partnered with his good friend William Notman a Scottish-Canadian Photographer as well as Adams of New York and John Fraser. The views included here include the Agricultural Building; Board of Finance Buildings; Machinery Hall interior with the Corliss Engine operating ni the distance; Horticultural Hall along with the Main Entrance and the Exposition grounds. One of the most interesting of the series shows the vast Main Building pavilion under construction with drainage pipes strewn around in the fore-ground while the immense trusses and structural elements slowly march towards the viewer. Most of these images were originally shot by the Centennial Photographic Co. who had proved to be quite successful during the Centennial and the photographers were in great demand through and after the Exhibition which featured over 10 million visitors. Released in a slightly reduced format and licensed out to Underwood & Underwood later Keystone and many others these offered visitors a cut-rate viewing experience. Barker 1844-1894 gained renown originally working for one of Ontario Canada’s leading photographers and later became well-known for his majestic photos of Niagara Falls before a Feb. 1870 destroyed his photo studio although the 800 stereoview negatives were preserved. He later began traveling to shoot views around the United States and released Exposition related images. See: Centennial Photographic Co. Free Library of Philadelphia Digital Collections 2022; James Cremer Woodmere Art Museum 2023; John L. Puckett Centennial Exposition of 1876: An Evolving Cultural Landscape 2023. Centennial Views, New Excelsior, American Views, Peoples Series, Underwood & Underwood, George Barker, H.L. Roberts & Co., Ameri hardcover
2011réf. 2090502113714881Not Available 2011. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2006réf. 2090502113717058Not Available 2006. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2000réf. KULT1321Wien, Brandstätter 2000. 4°, 235 S. mit zahlreichen, teilweise farb. Abb., OPpbd m. OU., einwandfrei.
réf. 26437Hasselt , Cultureel Centrum Hasselt, 1990 Originele geillustreerde uitgeversomslag, 23.4x24.4 cm., pagina's niet genummerd, geillustreerd in kleur en z/w.
1915réf. 13350San Francisco: Amos Publishing Co 1915. Later printing. Staple bound wraps. Near Fine. 4.25x6.25in; Unpaginated 32 plates with 110 black and white images panoramic day and night image of Exposition; Light-blue paper wrappers with raised gilt lettering image of Tower of Jewels on front in gilt borders image of Palace of Fine Arts on back in gilt borders image of model of Woolworth building New York on inside back cover two staple binding; Minimal rubbing to covers and spine faint water spots on front very little staple rust small chip at bottom front and spine corners and edges clean and tight. Amos Publishing Co unknown books
1904réf. 73351Chicago: White City Art Company. Very Good. 1904. Softcover. SNAP SHOTS OF THE SAINT LOUIS EXPOSITION 1904 COMMEMORATING THE LOUISIANA PURCHASE OF 1803 ONE OF THE GREATEST EVENTS IN THE HISTORY OF OUR COUNTRY; Published and Copyrighted By The White City Art Company. Chicago IL. This photo album is soft-bound in brown paper wrappers with shiny green printing to the front cover. There is some edge-wear and wear to the spine with the rear cover loose but present. The contents are bright and clean filled throughout with numerous photo-illustrations from around the exposition. Overall Good condition. 38 pages. . White City Art Company paperback books
1936réf. 22537Alençon Imprimerie Alençonnaise 1936 In-8 188 pp
réf. 56133P., Launette, 1888, in 4° broché ; nombreuses reproductions.