Vels Heijn, AnnemarieAntiquariat.de
South Wing. A new Museum within a Museum. Rijksmuseum Amsterdam
1996réf. 80106Rijksmuseum Amsterdam, 1996. 28 cm ; kart.
Antiquariat Weber · Allemagne20,00 €
9 242 résultats
1988réf. 35308München; Cambridge: Bayerische Staatsbibliothek; Houghton Library Harvard University 1988. Paperback. HELL Hellmut; MOISY Sigrid von; WOLFF Barbara eds. 138 pp. In English and German. Catalog of a joint exhibition of the Bayerische Staatsbibliothek and the Houghton Library issued by the Bavaria-Harvard Committee for 20th Century Music History. Bayerische Staatsbibliothek; Houghton Library, Harvard University paperback books
grand in-8°, 128 pp., illustrations n/b, broche, couverture illustree. Catalogue des expositions organisees par la Bibliothèque Publique et Universitaire de Neuchâtel et l'Association Pôle Nord, a Bruxelles. Bel exemplaire [DV-7] Bel exemplaire
1993réf. 2091502133904177Kobunsha 1993. Soft Cover. Fine. Volume: 1 Kobunsha paperback
1996réf. 80106Rijksmuseum Amsterdam, 1996. 28 cm ; kart.
1939réf. 43914San Francisco: Southern Pacific Railroad 1939. White paper printed in black color illustration to front. Modest general wear and occasional minor soiling; minor spotting and toning to rear of two menus; light musty odor. VG. Bifolia. Menu fare printed to inner and rear pages. Different color illustration of one of the fair's exhibits to the front of each menu. 8-1/2" x 5-1/2" Set of four promotional menus -- one breakfast two lunch one dinner -- each featuring a series of meal selections and a la carte options; little variance between the two lunch menus with the exception of the vegetable offering and front illustration. Beverages cigars and cigarettes playing cards and "dietetic service" notice remains the same for all menus and is printed on the last page of each. Southern Pacific Railroad unknown books
1895réf. 48150Portland: Leighton and Frey Souvenir View 1895. Hardcover. Very good. 9 by 5.75 inches 9 by 48 inches unfolded. Publisher's cloth back boards lettered in gilt. Lettering dulled with some minor spots of loss to the spine else a very good example with images in fine condition. Containing nine 9 by 5 black and cards most with multiple images each labeled: "General View; Fine Arts Building; Agricultural Building Manufactures and Liberal Arts Building Machinery Hall; Transportation Building AuditoriumGovernment Building; Fire Building Women's Building Georgia State Building and Negro Building; Administration Building and Main Entrance Minerals and Forestry Building; Peachtree Street Henry W. Grady Monument Post Office & Custom House; Aragon Hotel Grand Opera House Marietta Street Kimball House; Ballard House W.H. Inman's Residence Equitable Building Residence of Major Mimms Grady Hospital. Leighton and Frey Souvenir View hardcover books
1905réf. 60417Portland OR: Official Photographic Co. Press of The German Publishing Co. 202 1/2 Second St. 1905. Oblong 4to. 12 x 9 in. 24 leaves unnumbered. glossy sized paper printed photo illustrations of Lewis & Clark Exposition throughout. Blue printed & decorated softcovers gilt & black lettering gilt decorative borders ad for Yellowstone Park Line Lewis & Clark Exposition with the Northern Pacific on back cover minor sunning darkening to fore-edges minor soiling pencil marks to blank recto back cover still VG- copy. First edition of this nicely-illustrated souvenir distributed at the Lewis & Clark Centennial Exposition marking the anniversary of the famed exploration over the Louisiana Purchase. These images illustrate the wonders of the Exposition including views of the Sunken Gardens European Forestry & California Buildings Agriculture Machinery & Mines Buildings the view of the Exposition lit up at night and more. Fred H. Kiser was an accomplished mountaineer and promoter who was one of the most successful and widely known landscape and commercial photographers in the American West during the opening decades of the 20th century. He and his brother Oscar operated the Lewis & Clark Official Photographic Company at the Exposition which gave them their start and he became well known for his images of National Parks and the picturesque Columbia River Gorge. Worldcat locates 4 copies Cal State Fresno Rutherford Hayes Presidential Centr RI School of Design Wash State Lib. [Official Photographic Co., Press of The German Publishing Co., 202 1/2 Second St.], paperback
1878réf. 004906Paris and London: No Publisher 1878. Two items both from the Exposition Universelle Paris in 1878. First item - embossed binding title in gilt to upper cover folding out to approximately 1330mm in length; second item - card cover 64mo in size folding out to approximately 735mm in length probably published by Bodega. Minor rubbing but generally fairly bright and clean. Concertina style view books of the exhibition the larger one showing several of the buildings for different countries and of Parisian landmarks the smaller one including Notre Dame and the Champs Elisees. First Edition. Hardback. Good. 16mo. No Publisher Hardcover
1910réf. 4072CBBern, Kaeser, Moilliet & Co., 1910. quer8°, 24 S. davon 23 s/w-Postkarten, farbig illustrierter Thermoplast-Celluloid-Einband mit zusätzlicher japanischer Kordelbindung und Metallösen, Erstausgabe Album an den Ecken minimal angestoßen, Titelseite am rechten Rand ganz leicht staubspurig, sonst altersgemäß schönes, sauberes Exemplar (prez)
1909réf. 60778Seattle WA: Seattle Electric Co. Publicity Dept. 1909. 12mo. 64 i.e. 62 pp. w/ 1 “memoranda” leaf removed. With numerous illustrations and maps including map keys. Illustrated softcovers A-Y-P Exposition logo on front cover lettering in red & black minor dustsoiling edgewear still G copy w/ pencil annotations prices and remarks in last few leaves and itemized lunch for $ 2.25 on back cover by Amelia S. Sullivan Helen Sullivan or Mrs. William Sullivan w/ additional notes on steamship visit to Vancouver and Victoria B.C. First edition of this rare souvenir handbook guide detailing how to see the sights in Seattle and at the Alaska-Yukon-Pacific Exposition. The maps include those for the Exposition Ballard Edgewater & Union Bay Queen Anne Hill Capitol & Renton Hill along with West Seattle and Beacon Hill. Worldcat locates 3 copies U of AK Fairbanks Claremont WA State Lib. Seattle Electric Co., Publicity Dept., paperback
réf. 1391641019.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1396649840.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1908réf. 488305Place of publication not identified : publisher not identified 1908. First Edition. Hardcover. Very good copy in the original blue gilt-blocked cloth somewhat dust-dulled and edge-torn. Beveled edges. Scuffed covers. Remains well-preserved overall. Physical description; 348 pages : illustrations ; 32 cm. Subjects; Art British Exhibitions. Art French Exhibitions. Art Modern 19th century Exhibitions. Franco-British Exhibition 1908 : London England. Spielmann Isidore Sir 1854-1925. [Place of publication not identified] : [publisher not identified] hardcover
1908réf. 374529Place of publication not identified : publisher not identified 1908. First Edition. Hardcover. Good copy in the original gilt-blocked cloth. Spine bands and panel edges slightly bumped and rubbed as with age. Internally bright and clean. Hinges starting. Remains quite well-preserved overall. Physical description: 348 pages : illustrations ; 32 cm. Subjects: Art British ; Exhibitions. Art French ; Exhibitions. Genre: Art. Language: English. [Place of publication not identified] : [publisher not identified] hardcover
réf. 0483815098.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 116923089X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0428538932.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0428076181.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 4873Paris, Pavillon de ouvrage couverture souple , 176 pages illustrations couleurs et noir et blanc
1988réf. 91304McLean VA: Exhibition Marketing & Management Co. Inc 1988. Presumed First Edition First Printing thus. Staplebound. Very good. The format is approximately 8.5 inches by 11 inches. 16 pages counting covers. Illustrated covers. Illustrations. Floorplan. Rare surviving copy. This was organized by the USSR Chamber of Commerce & Industry. This Exhibition was held December 8-20 1988 at the Jacob K. Javits Convention Center in New York City. As the New York Times noted Soviet salesmen ignoring United States barriers to trade have put their foot in the door. With displays of rugs furs robotic tools and some 4000 other items at the newly opened Soviet Export Goods Exhibition at the Jacob K. Javits Convention Center the Soviets hope to crack the American market. The Soviets have promoted the exhibition which will run through Dec. 20 as a trade show where all products are available for sale. But American visitors to the show get a sense of what it must be like for Russian shoppers: Goods are displayed but many are not really available for export like refrigerators which are in short supply in the Soviet Union. Other items would be very expensive in the U.S. because of punitively high import duties on Soviet products like automobiles and jewelry. Some Soviet services offered for sale such as satellite launchings for $33 million a shot or rental of a Soviet space lab for experiments at $20000 a kilogram are off limits to Americans by United States law. But a dozen exhibitors interviewed saw these problems as temporary trade barriers not like the roadblocks of the past. Even with the restrictions more trade is possible they said. The Soviets have scheduled some trade agreements to be signed during the 12-day exhibition. Derived from a New York Times story on this Exhibition: ''Every day we hope to have two or three contracts signed and some will be for more than $100 million'' said Bagrat N. Arutyunov chief of the Department of Soviet Exhibitions Abroad for the U.S.S.R. Chamber of Commerce and Industry. For instance a Canadian importer is enthusiastic about a Soviet electron microscope. Few consumer goods are covered by these agreements. But if some of these deals succeed trade between the countries could increase substantially in the next few years. According to the Commerce Department the Soviets last year exported to the United States $329 million in raw or semi-processed materials and $141 million in manufactured goods. ''This is the exhibition of perestroika'' Mr. Arutyunov said. ''This is the first the very first pure commercial show. It's not financed by the Government but by the participants at the exhibition.'' Soviet booths represent state-run factories state agencies cooperatives and regional trade associations. Visitors entering the exhibit immediately encounter a slick audio-visual show. Signs like ''Perestroika to success'' proclaim optimism and Russian-flavored English is heard everywhere. It is an eclectic display with giant tractors and earth excavators scattered among displays of nesting dolls furs and telescopes. There are computers software books crafts jewelry toys and rifles. Oil paintings decorate a stage area where the All Soviet Fashion House from Moscow puts on its daily show at 3 P.M. For all its variety the exhibit is relatively small as trade shows go and is tucked into a 60000-square-foot corner of the convention center which has 750000 square feet of space. The exhibit was planned 18 months ago but opening day was moved up from Dec. 14 to coincide with the Gorbachev visit. The exhibit was organized by Exhibition Marketing and Management a McLean Va. specialist in trade shows. Burson-Marsteller the New York public relations firm that is a unit of Young & Rubicam handled the publicity. The exhibition manager sent direct-mail brochures to about 230000 businesses. ''We've had a tremendous response'' said David H. Wolstenholme the company's president. He said 11000 people have registered and new registrations arrive at the rate of 600 to 1100 a day. Many Soviet economic and trading problems are summed up by the auto exhibit. Lada the Soviet Union's largest auto maker is hoping to break into the American market with a four-wheel-drive vehicle the Niva. With United States import duties of 70 percent or more the no-frills Niva would be competing in a price range that could approach $20000 against comparable vehicles with more power and luxury. Should American dealers be interested they may have trouble obtaining much inventory because Lada makes only 100000 Nivas a year for domestic and foreign distribution Mr. Yakubson said. The Soviet ruble cannot be exchanged in the world market and this impedes the country's development and international trade. Sergei Olevsky president of the Iskatel Cooperative in Moscow which wants to export jewelry and painted boxes expressed optimism over the larger goals of show. He said the exhibition could promote trade by whetting the appetites of American importers and consumers who then could put pressure on the Government to eliminate high import tariffs. ''We hope the American people will try to help us come into the market'' Mr. Olevsky said through an interpreter. Their ability to trade in world markets could improve quickly if they are willing to harness the military industry to work for the civilian industry.''. Exhibition Marketing & Management Co., Inc unknown
1985réf. 989081985 ELAC - 1 vol in-4 - broché - 1985 - 78 pages - Album édité à l'occasion de l'exposition à l'ELAC du 28 février au 14 mai 1985 - Illustrations photographiques en noir et blanc et en couleur dans le texte et hors texte
2004réf. 88551New York: Guggenheim Museum Publications 2004. Presumed First Softcover Edition First printing. Trade paperback. Very good. Photographs from The Buhl Collection. The format is approximately 9 inches by 10.5 inches. Illustrated front and back covers. With essays by Jennifer Blessing Kirsten A. Hoving and Ralph Rugoff. Contents include Photophilia Plates Photography in surrealism's Trip Plates The Telltale Hand Plats Catalogue Entries and Index of Reproductions. Jennifer Blessing Senior Curator Photography joined the curatorial staff at the Guggenheim in 2002 after previously working at the museum from 1989-97. She developed the Guggenheim's photography collection as well as organizing photography-based exhibitions. Most recently Blessing co-curated Gillian Wearing: Wearing Masks. In 2015 Photo-Poetics: An Anthology opened at the Deutsche Bank KunstHalle Berlin and subsequently appeared at the museum in New York. Prior to Photo-Poetics she organized the New York presentation of Carrie Mae Weems: Three Decades of Photography and Video an exhibition originating at the Frist Center for the Visual Arts in Nashville. In 2012 she collaborated with the San Francisco Museum of Modern Art to present Rineke Dijkstra: A Retrospective and Francesca Woodman. During her tenure with the museum she curated Haunted: Contemporary Photography/Video/Performance which opened in March 2010 before traveling to the Guggenheim Museum Bilbao; Catherine Opie: American Photographer; True North and Jeff Wall: Exposure 2007 for the Deutsche Guggenheim Berlin; Family Pictures; Speaking with Hands: Photographs from The Buhl Collection; and Rrose is a Rrose is a Rrose: Gender Performance in Photography. Kirsten Hoving is a photographer and multimedia artist from Charleston SC whose art balances on the edge between fact and fiction. Hers is an art of transcendence and she frequently combines photographs with unusual processes materials and presentations to evoke quiet dreams and half-remembered tales. Using unexpected viewpoints three-dimensionality and kinetic elements she expands photography's decisive moments into visionary states of wonder. Our imagination she believes is what makes us human and our ability to see the world through metaphors stories and poetic allusions connects our minds to our hearts. Over the last fifteen years Hoving has shown her work in galleries around the world and has published several books of her work including Svala's Saga a project done in collaboration with photographer Emma Powell. With a Ph.D. in art history from Columbia University Hoving had a long career as a professor and scholar of modern art with books and articles on many topics including Surrealist photography and the assemblages of Joseph Cornell. Ralph Rugoff OBE born 12 January 1957 is an American-born curator the director of London's Hayward Gallery since 2006 and the curator of the Venice Biennale in 2019. He studied semiotics at Brown University. Rugoff was director of the Wattis Institute for Contemporary Arts in San Francisco for nearly six years before becoming the director of London's Hayward Gallery. Rugoff was artistic director of the 58th Venice Biennale in 2019. He was appointed Officer of the Order of the British Empire OBE in the 2019 Birthday Honours for services to art In October 1993 Henry M. Buhl purchased Alfred Stieglitz's photograph of Georgia O'Keeffe's hands. This photograph became the cornerstone of his private collection that now includes over 1000 images by the medium's foremost practitioners as well as little-known and emerging artists. From a photogenic drawing negative made in 1840 by William Henry Fox Talbot to serial Polaroids made in 2002 by Cornelia Parker the collection encompasses a wide range of photographic practices--scientific journalistic and fine art photography--with a strong component of contemporary art. Published on the occasion of a major exhibition at the Guggenheim Museum these beautiful and poetic reproductions demonstrate the prevalence of the hand as a photographic theme; a result of photography's easy ability to capture fragments details and ephemeral movement. The images are discussed through topical texts: why hands are a unique theme Jennifer Blessing the prevalence of hands in Surrealist photographs and prose Kirsten A. Hoving and the uncanny aspects of hands in contemporary art that uses photography Ralph Rugoff. Containing work from 150 artists this catalogue is both a visually stunning and haunting object and a handy resource for the study of photography. Guggenheim Museum Publications paperback
réf. 1334865612.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0265463742.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 026547762X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
