9305 risultati
2006rif. 2090502113717058Not Available 2006. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1876rif. 60903Philadelphia: Centennial Views New Excelsior American Views Peoples Series Underwood & Underwood George Barker H.L. Roberts & Co. American Scenery et al 1876-ca. 1926. Twenty-six albumen stereoview photographs 1 coloured sized 5.75 x 3 in. mounted on assorted stereograph boards sized 7 x 3.5 in. many w/ captions faintly w/in negative at lower fore-edge some w/ photographer’s imprint lower fore-edge of board many w/ decorative borders some w/ ink or pencil MS on verso occasional dustsoiling minor edgewear just a couple slightly over-exposed otherwise a good collection from the library of Prof. Marvin Nathan. The Centennial Board of Commissioners awarded the sole license for photography at the exposition just prior to the exhibition to Edward L. Wilson editor of The Philadelphia Photographer who partnered with his good friend William Notman a Scottish-Canadian Photographer as well as Adams of New York and John Fraser. The views included here include the Agricultural Building; Board of Finance Buildings; Machinery Hall interior with the Corliss Engine operating ni the distance; Horticultural Hall along with the Main Entrance and the Exposition grounds. One of the most interesting of the series shows the vast Main Building pavilion under construction with drainage pipes strewn around in the fore-ground while the immense trusses and structural elements slowly march towards the viewer. Most of these images were originally shot by the Centennial Photographic Co. who had proved to be quite successful during the Centennial and the photographers were in great demand through and after the Exhibition which featured over 10 million visitors. Released in a slightly reduced format and licensed out to Underwood & Underwood later Keystone and many others these offered visitors a cut-rate viewing experience. Barker 1844-1894 gained renown originally working for one of Ontario Canada’s leading photographers and later became well-known for his majestic photos of Niagara Falls before a Feb. 1870 destroyed his photo studio although the 800 stereoview negatives were preserved. He later began traveling to shoot views around the United States and released Exposition related images. See: Centennial Photographic Co. Free Library of Philadelphia Digital Collections 2022; James Cremer Woodmere Art Museum 2023; John L. Puckett Centennial Exposition of 1876: An Evolving Cultural Landscape 2023. Centennial Views, New Excelsior, American Views, Peoples Series, Underwood & Underwood, George Barker, H.L. Roberts & Co., Ameri hardcover
1988Catalogue de l'exposition présentée en 1988 à la Galerie Werlé du Palais de l'Europe (Strasbourg), consacrée à l'oeuvre de Slobodan Jevtic, dit Slobo, scénographe, réalisateur de décors puis peintre né en Serbie en 1934, installé en Auvergne en 1969, devenu en 1984 directeur artistique de l’A.M.A.C. et se consacrant alors plus particulièrement à la recherche de l’espace et du cosmos, réalisant de nombreuses peintures murales en trompe l’œil; publié par Robert LIRIS avec extraits de textes du journaliste et critique d'art Jean Louis GAUTHIER, vice-président de l’A.M.A.C., de l'écrivain et critique d'art René de SOLIER (1914-1974), de l'écrivain de science-fiction et critique Philippe CURVAL, de la critique d'art, spécialiste de l'art contemporain, Anne TRONCHE, du peintre et poète Michel SAURET (1930-1987), du journaliste Jacques KERMOAL; chronologie; très nombreuses reproductions couleurs. Français
rif. 19121Chamalières, Association musée d'art contemporain de Chamalières, 1988 1 volume 22 x 22cm Broché sous couverture à rabats. Non paginé (1,5cm d'épaisseur), sur papiers de différentes qualités; très nombreuses illustrations couleurs, vignettes, pleines et doubles pages, dont 4 planches couleurs dépliantes. Bon état.
1981A clean, unmarked book with a tight binding. Light wear and fading to cover. 8 7/8"w x 11 3/8"h. 56 pages. Essays by Therese Heyman and Ted Hedgpeth. Includes these photographers: Robert Adams, Lewis Baltz, Laurie Brown, Bill Z. Dane, Joe Deal, William Eggleston, A.W. Ericson, Robert Flick, Lee Friedlander, Hamish Fulton, John Gossage, Anthony Hernandez, Cynthia kanstein, David Maclay, Eadweard Muybridge, Timo Pajunen, A.J. Russell, Stephen Shore, Catherine Wagner, C.E. Watkins, Charles Weed, and Henry Wessel, Jr.
2005rif. 13082005 - broché - Editions La passe du vent - Collection HLM - Espace Pandora / Espace arts plastiques de la ville de Vénissieux - 2005 - In-12 (18 x 13 cm) broché - Sans pagination - Nombreuses photographies - ISBN : 2-84562-081-0 / 9782845620810 - Ouvrage faisant suite à la résidence de Slimane Raïs et à l'exposition Le bal
rif. 17415, Berg en Dal, Afrika Museum, 2003**, Paperback , oblong formaat : 235 x 230mm., 372pp., zeer uitgebreide illustratie in ( voornamelijk ) z/w en kleur.
1966rif. 13293Kunstverein, Hamburg, 1966. ca 50 nnSeiten, ca 18x17cm, illustrierter OBroschur, großer s/w-Abbildungsteil. Auf dem Vorsatz und der Titelseite datierte Widmung und ganzseitige Zeichnung von Seitz. Gewidmet für W.W. (d.i. Wilhelm Wagenfeld, Bauhaus). Katalog zur Ausstellung im Kunstverein HH vom 29. Oktober bis 27. November 1966. Vorwort: Alfred Hentzen. Gutes Exemplar. Unikat.
1982rif. 2387Stadtmuseum, Düsseldorf, 1982. 36 S., Klapp-Broschur, Folio, durchgehend mit Abbildungen, Textteil (Wieland Koenig, Wolfgang Henze). Vorsatz von Werthmann gewidmet und signiert. Gutes Exemplar. Selten. Rare. Good copy. Handsigned and dedicated by the artist.
1989This is a very good softcover copy with almost no wear. Completely clean inside and out. Binding firm. Text in German. Illustrated throughout with black & white photographs. Full title 'Skulpturen fur Krefeld I: Richard Long, David Rabinowitch, Claes Oldenburg, Ulrich Ruckriem, Lawrence Wiener, Richard Serra'. 12" high X 9" wide, 72 pages.
1987This is a very good hardcover copy in a very good dust jacket with a short closed tear on the rear cover lower edge. Completely clean inside and out. Text in Russian, with summaries in English and French. This monograph was published on the 50th anniversary of the exhibition of Vera Mukhina's famous sculpture 'The Worker and the Farmer' first exhibited in Paris in 1937 at the Exposition Internationale. Many black & white photographs of the large metal sculpture from all angles. 12" high X 11" wide, 156 pages. Scarce. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1980rif. 143172Couverture souple. Broché. 180 pages.
rif. 0364876107.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2000This is a very good softcover copy with almost no wear. Completely clean inside and out. TEXT IN SWEDISH. This catalog was prepared to accompany the exhibition at Waldemarsrudde, Stockholm during the late summer and fall of 2000. Organized by Ingrid Ehrhardt and Simon Reynolds. The exhibition also travelled to Birmingham, England and Frankfurt, Germany. In English the title of the exhibition is: 'Kingdom of the Soul - Symbolist Art in Germany, 1870 - 1920'. Essays by a dozen art historians on different aspects of the German Symbolist art movement. The largest section concerns painting, but also an extensive section on sculpture. Briefer reviews of graphic arts and book design and fine bindings. Bibliography. Exhibition checklist has over 195 works (some numbers have a, b, c etc. parts). Hundreds of illustrations including dozens of color plates. 12" high X 10" wide, 333 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2018This is a fine softcover copy with nowear at all. Completely clean inside and out. Text in English and Italian. Monograph on the work of Italian artist Sissi (Daniela Olivieri 1977- ) Illustrated in color and black & white. 10" high X 6" wide, 127 pages. This book will be securely packed and shipped with tracking.
rif. 8517Paris, Galerie Durans-Ruel, 29 mai - 20 septembre 1957 grand in 8 agrafé de 24 pages sur papier fort
rif. 8517Paris, Galerie Durans-Ruel, 29 mai - 20 septembre 1957 grand in 8 agrafé de 24 pages sur papier fort
rif. 415522 June and 1 October 1935; both on House of Commons embossed letterheads and from 5 Carlton Gardens S.W.1. English politician 1881-1965 and architect much of whose work was done in the United States. Both letters two pages quarto. Both letters docketed the first heavily so bearing the Society's stamp and with pin and staple holes in top left-hand corner. Second letter good first lightly creased and grubby. Revealing documents relating to the Royal Society's 'British Art in Industry' exhibition held at the Royal Academy in 1935. The Society's website describes this as a 'resounding success' but as these letters show the matter was not so clear cut. Bossom is one of a number of the Society's members to have provided financial guarantees for the exhibition and to have been asked to pay £68 15s 0d as a result. LETTER ONE: '. How much did the exhibitors pay towards the abnormal expense in connection with this Exhibition and what profit did they make out of it in the way of sales etc . Of course hind-sight is always better than foresight but looking at the matter now doesn't it seem very obvious that the ones who were to gain by this situation were those who were getting their goods out for sale and certainly they should be the ones who guaranteed the amount of the exhibition and not private members of the Society of Arts to anything like the extent they have been called upon to do. It does seem an example of rather unfortunate management don't you think for we had nothing whatever to gain by the matter and they had everything; and I must admit that when I went round the exhibition I was very much impressed by the great expense that had been undertaken to equip and arrange special lighting etc. . Needless to say I thought such expense was being born sic by the exhibitors otherwise I must frankly say I should have called the attention of the Society to what appeared to me to be a very expensive way of handling the situation.' LETTER TWO: Blossom encloses a cheque but asks that the point he has raised be brought before the Society's council. '. it is an abnormal situation for a learned body to hold and finance an exhibition which in fact in certain respects becomes a show-room for various manufacturers and who on this accound make considerable profit and yet the learned Society - . - bears the expense of providing not only the rooms for exhibition purposes but also the expense of erecting special stands etc. . I was for many years the Chairman of the Foreign Exhibitions Committee of the Architectural League of New York . I find that where the manufacturers have their goods exhibited they have to bear the expense of the setting . where the manufacturers have their names displayed on their goods I cannot see any possible reason why they should not bear the expense involved in the physical arrangements for the exhibition. It obviously is the most valuable advertising and in addition has caused sales to be made and by no process of reasoning can it be diverted into being a strictly artistic exhibition - it did resolve itself into a commercial one. . I was while on the Council of the Royal Society of Arts exceedingly keen on such an . Exhibition . Purely as a matter of interest is there existing any precedent at all for the expense of such a commerical exhibition being borne by a strictly learned body' Both letters signed 'Alfred C Bossom'. 22 June and 1 October 1935; both on House of Commons embossed letterheads, and from 5, Carlton Gardens, S.W.1. unknown
1979rif. 52541979 Imprimerie Tridon-gallot 1979 Plaquette In8 broché non paginée (32 pages) Illustrations
1985rif. 106552Réunion des Musées Nationaux 1985 Editions de la Réunion des Musées Nationaux, Ministère de la Culture, 1985, 269 p., broché, environ 24x21cm, dos insolée, des frottements sur la couverture, bon état pour le reste et intérieur bien propre.
1909rif. 64351New York NY & Seattle WA: Singer Sewing Machine Co. Alaska-Yukon-Pacific Exposition 1909. Oblong 12mo. 7.25 x 4.6 in. 10 photo plates unnumbered w/ red & black illustrated ads on versos yellow borders to photos on rectos slight dustsoiling shelfwear w/ original illustrated souvenir mailing envelope cover art view of the A-Y-P Exposition minor scuffing 1 closed tear minor chipping still VG bright set originally handed out by the Singer Sewing Machine Co. Main Store in Seattle WA located in 1909 at 1317 Third Ave. First edition of this exceedingly scarce complete set of souvenir images handed out as Singer Sewing Machine Co. promotional advertising packets featuring views of the Location of the Alaska-Yukon-Pacific Exposition; Panoramic View of Seattle; First Avenue & Pacific Avenue; Waterfront bluff and Eleventh St. in Tacoma WA; Shipmast loading at Port Blakely Mills; Logging photos by B.L. Singley; Satoosh Range from Mt. Rainier & Wheat Harvesting; Mt. Adams; Cape Horn on the Columbia River; Ranch in Crab Creek Valley near Sprague Washington. No copies in Worldcat 1 incomplete set w/ no envelope and only 9 images of similar Washington views at Yale. Singer Sewing Machine Co., [Alaska-Yukon-Pacific Exposition], unknown
2002This is an about very good softcover copy with just light cover wear. Front cover creased. Completely clean. Text in English. Illustrated in black & white, and a color plate section with Alli Rufran's photographs of the tattoos on many of Erik Desmond's clients. 11" high X 8" wide, unpaginated. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
rif. 18063, Sint - Truiden, Museum Vlaamse Minderbroeders, 1993, Paperback , 205 x 250mm., 208pp., uitgebreid geillustreerd in kleur en z/w. Zeer goede staat!!
20094to., First Edition, with very numerous coloured reproductions (the majority full-page) throughout; original pictorial wrappers, a fine copy. With copies of the exhibition price list and private view invitation loosely inserted. Very scarce, especially in this condition.
rif. 25727<meta charset="utf-8">À l'occasion du centenaire de la naissance de Simon Hantaï (1922-2008), la Fondation Louis Vuitton organise une importante exposition rétrospective de l'œuvre de l'artiste (du 18 mai au 29 août 2022). D'origine hongroise, Hantaï s'installe à Paris en 1948, ville où il réalise l'ensemble de son œuvre, d'une fécondité et d'une originalité exceptionnelles, qui le conduira à représenter la France à la 40e Biennale de Venise en 1982. Avec en introduction deux entretiens avec Zsuzsa Hantaï et Daniel Burren, menés par Anne Baldassari, cet ouvrage réunit des essais de Jean-Luc Nancy, Georges Didi-Huberman, Jean Louis Schefer ainsi qu'une chronologie de la vie de Simon Hantaï par Anne Baldassari. Y sont reproduites plus de 130 œuvres de l'artiste qui couvre les grandes périodes successives depuis les Peintures à signes, Monochromes, Mariales, Catamurons, Panses, Meuns, Études, Blancs, Tabulas, Peintures polychromes, Sérigraphies et Laissées pour se conclure sur le « dernier atelier ». Paris, 2022 Gallimard / Fondation Louis Vuitton 370 p., très nombreuses illustrations couleur, cartonnage éditeur. 30 x 29,5
