9 259 résultats
1993This is an almost very good softcover copy with just some wear and an abrasion to the front cover. Otherwise clean inside and out. This catalog was prepared to accompany the exhibition at the museum in Goianas which then travelled to Brasilia and finally the Espaco Cultural in Recife, Pernambuco at the end of 1993. Includes a letter from Blackwell to Lisa Phillips at the Whitney describing the exhibition and her last 12 years in Brazil. Short introductory essay by Laurie Weitzenkorn. Text in English, German and Portuguese. 12 paintings reproduced in color plates. Exhibition history. Biographical sketch. 12" high X 9" wide, about 25 pages.
2002This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. Text in English and German. Illustrated profusely in color, some black & white. This monograph was prepared to accompany the exhibition Bjarne Melgaard: 'Interface to God' at the Kunsthalle zu Kiel in 2002. 9" square, 125 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
réf. 14446Heule, 2010 Snoeck 96 p., 120 planches, broché. 22 x 28
réf. 5153février 1973 In8 broché (format 18,5cmX10,5cm) non paginé (38 pages) illustrations à chaque page
réf. 5723Paris, Galerie Jeanne Bucher, 10 juin au 12 juillet 1958 petit in 8 carré à l'italienne
réf. 5723Paris, Galerie Jeanne Bucher, 10 juin au 12 juillet 1958 petit in 8 carré à l'italienne
réf. 11206Paris, Musée des Arts Décoratifs, Pavillon de Marsan, 1966 petit in 4 reliure toile gaufrée imprimée de l'éditeur avec vignette en couleurs, non paginé (environ 150 pages)
réf. 11206Paris, Musée des Arts Décoratifs, Pavillon de Marsan, 1966 petit in 4 reliure toile gaufrée imprimée de l'éditeur avec vignette en couleurs, non paginé (environ 150 pages)
1997réf. 2091502135419755Osaka Prefectural Museum 1997. Soft Cover. Fine. Number of books: 1 Osaka Prefectural Museum paperback
1905réf. 62003Portland OR: Albert Hess & Co. Lewis & Clark Centennial Exposition 1905. One souvenir postcard. 11.25 x 3.25 in. With birds-eye view by Caughey on recto advertisement for Willson in lower right corner center crease fold as issued; postcard information and cancelled stamp & postmark for Portland addressed to W.H. Bilyen 90 1/2 - 5th St. City Portland Oregon minor dustsoiling slight toning very minor wear at fold crease still VG copy. First edition of this uncommon folding souvenir postcard celebrating the Lewis & Clark Centennial Exposition featuring and reproducing the famed Caughey birds-eye. The birds-eye depicts the Guild’s Lake area of the grounds up and operating now bounded by Reed to Thurston Streets and 31st to 24th Streets in NW Portland. Prof. Willson fl. 1904-1920 began as a dance instructor with the Academy of Dancing located in the Hirsch Building but within a few years of the Exposition set up his own dance studio and was noted instructor of Waltzes. This card advertises the fact that couples could dance for .50¢ while an “Extra Lady” for .25¢ and even better for men in the very hot and humid Portland Pavilion they could dance without their coats in Shirt Waists. Caughey 1851-1925 was an Ohio Civil War veteran an itinerant chalk plate artist and had just created the year before in Feb. 1904 a Birds-Eye view reproduced over two pages in the Lewis and Clark Journal with noted birds-eye artist and cartographer Fred Routledge 1871-1936. Caughey began producing birds eye views in and around Portsmouth NH in the 1880’s and eventually became a commercial artist and newspaper editor in Portland Oregon where he would often produce images for the Mutual Label & Lithographic Co. No copies in Worldcat. See: Birds-Eye View of Lewis and Clark Fair - Routledge-Caughey Lewis and Clark Journal Vol. 1 No. 2 Feb. 1904 pp. 16-17; Richard Candee Tracking the Little Known J.H. Rollin Caughey: Illustrator of New Hampshire’s Victorian Industries 2020; Craig Clinton The Pictorial Maps of Fred A. Routledge Oregon Historical Quarterly Vol. 117 No. 1 2016 pp. 38-75. [Albert Hess & Co., Lewis & Clark Centennial Exposition], unknown
1875réf. 60874Philadelphia PA: H.J. Toudy 621 & 623 Commerce Street 1875. One oblong atlas folio hand-coloured lithograph sized 25 x 20.5 in. still retaining fairly wide borders printing below centered image colour-tinted border to image some very minor age toning dustsoiling still an excellent copy preserved in the original quarter-sawn oak wood frame 33.5 x 25.5 in. retaining the original glass newly backed in archival foam core framed w/ archival matting. First edition of this impressive first edition birds-eye view of the buildings and sites Centennial International Exhibition with the fairgrounds set above the Schuykill River. This view depicts the Exposition before it was completed and the Halls featured include the Main Building Machinery Hall Memorial Hall Horticultural Hall and Agricultural Hall. Once the construction was complete Toudy issued another version with fuller buildings as well as some changes to the foreground and center of the image. Toudy fl. 1865-1878 first established with William Toudy his lithography firm at 503-505 Chestnut and later merged with Geroge Wl. Ward & Co. in 1872 lasting less than 2 years. Henry became the sole owner by 1875 and were well known for their atlases maps and city views and he worked on several Stone & Stewart County Atlases from 1866-1877 as well as many of the Mid-Atlantic general surveys. They also managed to outlast a lawsuit over a print based on the drawing by Hermann Schwarzmann architect of the Centennial grounds entitled “Bird’s Eye View” after copyrighting this image in 1875. Firm was destroyed by fire in 1878. Worldcat locates 2 copies AAS DLC another version located at Library Company of Philadelphia. H.J. Toudy, 621 & 623 Commerce Street, unknown
1876réf. 57711Philadelphia PA: National Publishing Co. 1876. One oblong atlas folio hand-coloured lithograph sized 26 x 20.5 in. still retaining fairly wide borders printing above & below centered image w/ hand-coloured border some minor toning & aging from original backing minor tidemark to upper left corner edgewear slight tears very minor predation scuffing to blank right margin still a nice strong image retaining some of the original colouring. First edition variant issue of this scarce birds-eye view of the buildings and sites at the first World’s Fair in the United States celebrating the Centennial. This depicts the trees grass shrubs pedestrians horse-drawn carriages and walking paths with labels below for the Horticultural Hall Main Exhibition Building Memorial Hall Agricultural Hall Ladies Pavilion Machinery Hall and others. These beautiful birds-eye views were presented to subscribers of the “Centennial History” by sales agents who were also sent extra circulars and liberal commissions as indicated in the margins. These were apparently issued in different sizes and formats with the Huntington hand-coloured copy containing all the text including the imprint at the lower fore-edge and both the Huntington and American Antiquarian Society copies have smaller margins. Bourquin 1808-1897 was a Swiss-American pioneering Philadelphia lithographer who specialized in county maps and atlases but also was known for his innovative lithography and by 1876 maintained between 6 and 20 skilled lithographers to produce portraits and prints. National Publishing Co., unknown
réf. 5953Paris, Galerie Caroline Corre, 3 novembre - 3 décembre 1988 plaquette in 8 carrée agrafée de 12 pages avec les couvertures
réf. 5953Paris, Galerie Caroline Corre, 3 novembre - 3 décembre 1988 plaquette in 8 carrée agrafée de 12 pages avec les couvertures
réf. 1341337588.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0266872174.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0331755475.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1519réf. 60989Akron OH: Saalfield Publishing Co. c. 1915 1923. 4to. 192 pp. plus 2 pp. publisher’s ads. Colour frontisp. 5 colour internal plates numerous black & white illustrations. Quarter-tan cloth over pictorial boards cover art of Billy Whiskers at the Exposition with Nannie minor edgewear rubbing minor bumping to corners w/ d.j. cover art front & back covers by Murch minor shelfwear light rubbing couple very minor chips VG/VG bright copy from the library of Prof. Marvin Nathan. Early edition of this 17th title in the wonderful series about the misadventures of the famed goat including mishaps in San Francisco’s Chinatown and a rundown on the wonders of the 1915 Panama-Pacific International Exposition. Ads on front flap listing to Billy Whiskers’ Frolics 1923. Saalfield Publishing Co., hardcover
2016This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Venus in New York from September 29 to November 2, 2016. No text. Illustrated in black & white with photographs of Billy Al Bengston racing his B.S.A. motorcycle from 1960-66. Photographs taken by Ken Price and Walter Mahony. All of Billy Al Bengston's paintings are illustrated in color. Checklist of the exhibition. 10" high X 6" wide. This book will be securely packed and shipped with tracking.
1876réf. 39333Inquirer Book and Job Printing Softcover Philadelphia 1876
2000This is a very good softcover copy with just light cover wear. Completely clean. This catalog was prepared to accompany the exhibition at Marlborough Graphics in London from May 17 to June 17, 2000. Interview with Jacklin by Jill Lloyd. Checklist with 26 works listed. 22 color plates + numerous black & white illustrations. Biographical sketch. Exhibition history. Bibliography. 12" high X 10" wide, 39 pages. This book will be securely packed and shipped with tracking.
réf. 6698Vitry-sur-Seine, Galerie Municipale, 1998 in 12 carré broché de 48 pages
réf. 6698Vitry-sur-Seine, Galerie Municipale, 1998 in 12 carré broché de 48 pages
1990réf. 11060Braunschweig, 1990. 35 nn Seiten, OBroschur m. OU, auf dem Titelblatt gewidmet, datiert und signiert. Gutes Exemplar. Good copy. Signed, dedicated and dated by the artist.
1990réf. 11061Braunschweig, 1990. 35 nn Seiten, OBroschur m. OU, auf dem Titelblatt datiert und signiert. Gutes Exemplar. Good copy. Signed, dedicated and dated by the artist.