9305 risultati
1980rif. 012518Ahun, Suède Kalejdoskop Förlag 1980 In-8 Broché
rif. 120359Vevey, 2000, 230x165mm, 64pages, broché. Couverture à rabats. Bel exemplaire.
1965rif. 77376Her Majesty's Stationary Office, London, 1965. 24,5 cm ; Pp.
rif. 113667Vevey, 2000, 250x305mm, en feuille sous chemise à rabats. Format oblong. Très bel exemplaire.
1997rif. wq765LZ Publications Revue 1997 BoDoï est un magazine mensuel français consacré à la bande dessinée, créé en 1997 et abandonné en 2008. Un webzine est disponible sur Internet depuis lors. Le magazine présentait chaque mois un panorama complet de l'actualité de la bande dessinée (expositions, festivals, ventes), proposait des interviews et des portraits d'auteurs, des reportages et enquêtes, des critiques de BD, et se clôturait par la rubrique de Nicolas Pothier recensant les erreurs dans les BD. Le magazine proposait également des pré-publications d'albums complets, des histoires courtes et des strips. Le lot comprend les numéros allant du premier au soixante-et-unième. La publication de la revue c'est arrêté au numéro 121. Il a été également tiré 19 numéro hors-série ; État général très bon. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
rif. 2659Cagnes-sur-Mer, Verbes d' Etats, 1987. In-8, carré et agrafé. Couverture de couleur noire avec titre en blanc. 34 pages. Portrait de l' artiste. Reproductions des oeuvres exposées en noir et en couleurs. Textes collectifs. Liste des expositions de l' artiste. Exposition qui eut lieu à Cagnes-sur-Mer du 27 mars au 2 mai 1987. Peu courant. Très bon état.
1979rif. WOC-2908Exposition au Musée Rath 26 janvier – 4 mars 1979. Berne, Éditions Benteli, 1979. Grand in-4 (30x1,5x24cm) cartonnage souple noir imprimé et orné. 139pp.
1896rif. 61002Atlanta GA; Littleton NH & New York: B.W. Kilburn James M. Davis; Cotton States and International Exposition Co. 1896. Two original albumen stereoview photographs sized 6 x 3 in. mounted on pink-tinted studio board sized 7 x 3.5 in. photographer’s imprint & captions in blank alongside image and on verso former ownership markings in Spanish on one minor soiling to fore-edges of 2nd image some shelfwear still VG- exemplars from the library of Prof. Marvin Nathan. Two scarce original albumen stereoview photographs of livestock and horse tricks at the 1895 Cotton States & International Exposition which featured the resurgence of the “New South” including the first pavilion sponsored for and by African-Americans the Atlanta Negro Building which covered 25000 square feet and was filled with exhibits of Black workers artists authors and introduced by a Jubilee Singers performances. Unfortunately their accomplishments were largely overshadowed by Booker T. Washington’s notorious “Atlanta Compromise” speech which opened the Fair counseling African-Americans to seek economic security before political or social equality. Benjamin Kilburn 1827-1909. and his brother Edward b. 1830 initially operated their business together until Edward retired in the 1870’s and by 1872 they had a large photographic stereoview card factory one block from the Littleton trains station. Young salesmen carried the stereoviews on the trains and by the early 20th-Century the company was the most extensive producer of stereoview photographs purchasing images from such photographers as William H. Rau the Kiser Bros. and others. B.W. Kilburn, James M. Davis; Cotton States and International Exposition Co., unknown
1994rif. 80105Rijksmuseum Stichting, Amsterdam, 1994. 26 cm ; kart.
1993This is an almost very good softcover copy with just some wear and an abrasion to the front cover. Otherwise clean inside and out. This catalog was prepared to accompany the exhibition at the museum in Goianas which then travelled to Brasilia and finally the Espaco Cultural in Recife, Pernambuco at the end of 1993. Includes a letter from Blackwell to Lisa Phillips at the Whitney describing the exhibition and her last 12 years in Brazil. Short introductory essay by Laurie Weitzenkorn. Text in English, German and Portuguese. 12 paintings reproduced in color plates. Exhibition history. Biographical sketch. 12" high X 9" wide, about 25 pages.
2002This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. Text in English and German. Illustrated profusely in color, some black & white. This monograph was prepared to accompany the exhibition Bjarne Melgaard: 'Interface to God' at the Kunsthalle zu Kiel in 2002. 9" square, 125 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
rif. 5153février 1973 In8 broché (format 18,5cmX10,5cm) non paginé (38 pages) illustrations à chaque page
rif. 14446Heule, 2010 Snoeck 96 p., 120 planches, broché. 22 x 28
rif. 5723Paris, Galerie Jeanne Bucher, 10 juin au 12 juillet 1958 petit in 8 carré à l'italienne
rif. 5723Paris, Galerie Jeanne Bucher, 10 juin au 12 juillet 1958 petit in 8 carré à l'italienne
rif. 11206Paris, Musée des Arts Décoratifs, Pavillon de Marsan, 1966 petit in 4 reliure toile gaufrée imprimée de l'éditeur avec vignette en couleurs, non paginé (environ 150 pages)
rif. 11206Paris, Musée des Arts Décoratifs, Pavillon de Marsan, 1966 petit in 4 reliure toile gaufrée imprimée de l'éditeur avec vignette en couleurs, non paginé (environ 150 pages)
1997rif. 2091502135419755Osaka Prefectural Museum 1997. Soft Cover. Fine. Number of books: 1 Osaka Prefectural Museum paperback
1905rif. 62003Portland OR: Albert Hess & Co. Lewis & Clark Centennial Exposition 1905. One souvenir postcard. 11.25 x 3.25 in. With birds-eye view by Caughey on recto advertisement for Willson in lower right corner center crease fold as issued; postcard information and cancelled stamp & postmark for Portland addressed to W.H. Bilyen 90 1/2 - 5th St. City Portland Oregon minor dustsoiling slight toning very minor wear at fold crease still VG copy. First edition of this uncommon folding souvenir postcard celebrating the Lewis & Clark Centennial Exposition featuring and reproducing the famed Caughey birds-eye. The birds-eye depicts the Guild’s Lake area of the grounds up and operating now bounded by Reed to Thurston Streets and 31st to 24th Streets in NW Portland. Prof. Willson fl. 1904-1920 began as a dance instructor with the Academy of Dancing located in the Hirsch Building but within a few years of the Exposition set up his own dance studio and was noted instructor of Waltzes. This card advertises the fact that couples could dance for .50¢ while an “Extra Lady” for .25¢ and even better for men in the very hot and humid Portland Pavilion they could dance without their coats in Shirt Waists. Caughey 1851-1925 was an Ohio Civil War veteran an itinerant chalk plate artist and had just created the year before in Feb. 1904 a Birds-Eye view reproduced over two pages in the Lewis and Clark Journal with noted birds-eye artist and cartographer Fred Routledge 1871-1936. Caughey began producing birds eye views in and around Portsmouth NH in the 1880’s and eventually became a commercial artist and newspaper editor in Portland Oregon where he would often produce images for the Mutual Label & Lithographic Co. No copies in Worldcat. See: Birds-Eye View of Lewis and Clark Fair - Routledge-Caughey Lewis and Clark Journal Vol. 1 No. 2 Feb. 1904 pp. 16-17; Richard Candee Tracking the Little Known J.H. Rollin Caughey: Illustrator of New Hampshire’s Victorian Industries 2020; Craig Clinton The Pictorial Maps of Fred A. Routledge Oregon Historical Quarterly Vol. 117 No. 1 2016 pp. 38-75. [Albert Hess & Co., Lewis & Clark Centennial Exposition], unknown
1875rif. 60874Philadelphia PA: H.J. Toudy 621 & 623 Commerce Street 1875. One oblong atlas folio hand-coloured lithograph sized 25 x 20.5 in. still retaining fairly wide borders printing below centered image colour-tinted border to image some very minor age toning dustsoiling still an excellent copy preserved in the original quarter-sawn oak wood frame 33.5 x 25.5 in. retaining the original glass newly backed in archival foam core framed w/ archival matting. First edition of this impressive first edition birds-eye view of the buildings and sites Centennial International Exhibition with the fairgrounds set above the Schuykill River. This view depicts the Exposition before it was completed and the Halls featured include the Main Building Machinery Hall Memorial Hall Horticultural Hall and Agricultural Hall. Once the construction was complete Toudy issued another version with fuller buildings as well as some changes to the foreground and center of the image. Toudy fl. 1865-1878 first established with William Toudy his lithography firm at 503-505 Chestnut and later merged with Geroge Wl. Ward & Co. in 1872 lasting less than 2 years. Henry became the sole owner by 1875 and were well known for their atlases maps and city views and he worked on several Stone & Stewart County Atlases from 1866-1877 as well as many of the Mid-Atlantic general surveys. They also managed to outlast a lawsuit over a print based on the drawing by Hermann Schwarzmann architect of the Centennial grounds entitled “Bird’s Eye View” after copyrighting this image in 1875. Firm was destroyed by fire in 1878. Worldcat locates 2 copies AAS DLC another version located at Library Company of Philadelphia. H.J. Toudy, 621 & 623 Commerce Street, unknown
1876rif. 57711Philadelphia PA: National Publishing Co. 1876. One oblong atlas folio hand-coloured lithograph sized 26 x 20.5 in. still retaining fairly wide borders printing above & below centered image w/ hand-coloured border some minor toning & aging from original backing minor tidemark to upper left corner edgewear slight tears very minor predation scuffing to blank right margin still a nice strong image retaining some of the original colouring. First edition variant issue of this scarce birds-eye view of the buildings and sites at the first World’s Fair in the United States celebrating the Centennial. This depicts the trees grass shrubs pedestrians horse-drawn carriages and walking paths with labels below for the Horticultural Hall Main Exhibition Building Memorial Hall Agricultural Hall Ladies Pavilion Machinery Hall and others. These beautiful birds-eye views were presented to subscribers of the “Centennial History” by sales agents who were also sent extra circulars and liberal commissions as indicated in the margins. These were apparently issued in different sizes and formats with the Huntington hand-coloured copy containing all the text including the imprint at the lower fore-edge and both the Huntington and American Antiquarian Society copies have smaller margins. Bourquin 1808-1897 was a Swiss-American pioneering Philadelphia lithographer who specialized in county maps and atlases but also was known for his innovative lithography and by 1876 maintained between 6 and 20 skilled lithographers to produce portraits and prints. National Publishing Co., unknown
rif. 5953Paris, Galerie Caroline Corre, 3 novembre - 3 décembre 1988 plaquette in 8 carrée agrafée de 12 pages avec les couvertures
rif. 5953Paris, Galerie Caroline Corre, 3 novembre - 3 décembre 1988 plaquette in 8 carrée agrafée de 12 pages avec les couvertures
rif. 1341337588.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0266872174.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
