1333 risultati
1871590 p. + Portrait plates + Added chromolithographed title page. Thick 8vo. 22 cm. Original deeply embossed cloth binding, somewhat worn at extremities. Some foxing and age stain. Private library labels. Olive Logan was the daughter of a famous actor, dramatist, and theater manager who was most active in Ohio and the mid-West. She was a child actress who went on to a long stage career. She suppleme nted her income by working as a journalist, and later as a lecturer. Some of her accounts of the stage were sensational. As she unfolds her memoirs she gives a great many little details about the art of stage craft and the state of the American theater in the latter half of the 19th century. Much of this is accomplished by her portrayals of the great stage personalities of the age. She also tries to redeem the actors' profession from the still wide-held belief that it was immoral and dishonorable. "If (my work) strips off some of the 'gauze and vanity' from the 'show world' I hope it a l so e xhibits that world in a fairer and juster light to many who have hitherto looked on it with ungenerous and unenlightened eyes" -- From the Preface. LOC :W140-148
1990rif. 24142New York, Westport, London : Greenwood, 1990. XIII, 364 S. : Mit wenigen Abb. ; Gr.-8° , schwarzer Org.-Leinen /black cloth
rif. RO30156901LUDOVIC BASCHET. NON DATE. In-4. Broché. Etat d'usage, Coins frottés, Dos abîmé, Intérieur frais. environ 80 pages augmentées de nombreuses photos monochromes dans et hors texte - coins émoussés - ouvrage partiellement désolidarisé - 3 PHOTOS DISPONIBLES. . . A l'italienne. Classification Dewey : 791.431-Acteurs
193416 pages. Direktion: Paul Wolz, Otto Reimann. Includes black and white photos of Otto Reimann, Paul Wolz, Kappellmeister Karl Furmann, Franz Zwonik, Rudolf Seibold, Els Brandstatter, Mizzi Seibold, Fritz Radant, Hans Imhof - Spielleiter und Ballettmeister, Karl Gullich, Martin Kerble, Mathias Olschinski, Anny Horst, Franzi Heubl and Otto Guhl. Bits of writing on pages 8 and 9. Average wear. A sound vintage copy. Book
1928rif. AMA-605Delagrave, 1928. in 12, broché, couverture rempliée, petits défauts aux dos, envoi. 128 pp., illustrations.
1937(FT) Suede wraps. 4to. [4], 171, [2], 23 pages. 28 cm. First edition. In Yiddish and English. Added title-page: Ten years Artef; published for the tenth anniversary of the Artef, March, 1937. Extensively illustrated publication for the tenth year anniversary of the radical Yiddish theatre company: Artef, the radical Yiddish dramatic troupe based in New York during the heyday of the Yiddish theater in America. Begun in the mid-1920s as a study group of amateur worker-actors (at one time there were nine separate studios with over 120 students) , in the 1930s the troupe went professional, putting on at least two and often three new plays per season. With such plays as Jacob Mostel's Strike, Shmuel Godiner's Jim Kooperkop, Avrum Vevioka's Diamonds, and Maxim Gorky's Egor Bulychev and Dostigaev and Others, Artef spread propaganda to the masses. Ideologically Artef was far left; its hope was a Communist society here in America. As a troupe, its role was agit-prop, to agitate and propagandize, to serve as the cultural representative of radical workers. In fact, most of its tickets were pre-sold through worker unions and, at least in its early years, Artef gave presentations at political events. Its first large-scale production was Mass Play and Ballet of the Russian Revolution, which appeared at the Lenin memorial celebration in Madison Square Garden on January 21, 1928. Artef's greatest artistic and commercial successes were connected with the talented productions of director Benno Schneider. Schneider, who had been active in the Zionist Habima troupe in Moscow, wed aesthetic excellence to revolutionary ideology with his interpretation of Aristocrats, an adaptation of Sholem Aleichem's Mentshn. Incidentally, Schneider earned such a positive reputation with Artef that he received offers to direct on Broadway, a promotion that cost the radical Yiddish theater dearly. The end of the Artef was gradual, and its causes were closely associated with the reduced role of Yiddish in American life. But there were bright lights before the darkness. During the days of the Popular Front, when the Communists formed associations with less radical leftist parties, the Artef attracted a larger audience, which led to an optimistic expansion that later was responsible for huge financial losses. The darkness occurred at the end of the thirties, when the number of Yiddish speakers began to diminish. The last performance of the Artef was on July 7, 1941. (Review by Dr. Brian Horowitz of Yiddish Proletarian Theatre: The Art and Politics of the Artef, 19251940 written by Edna Nahshon) . Many of the actors and directors in Artef went on to establish solid careers on Broadway, Hollywood, and for those blacklisted, overseas. Subjects: Arbeiter theatre verband, New York. Jewish theater. Theater - New York (State) - New York. Artef - Anniversaries, etc. OCLC lists 29 copies worldwide. With previous owners bookstamp on endpage; that of Wolf Mercur, a playwright, actor, and director in Yiddish films and on Broadway. Very clean and fresh. Very good condition. (ART-18-15)
rif. c5940Ensemble de 12 numéros de la revue en 12 fascicules in folio agrafés, couvertures illustrées en couleurs; 28 pages par fascicule, avec de très nombreuses illustrations photographiques en noir.Ensemble en bon état.
1866rif. 3824Lyon Nicolas Scheuring 1866 in-8 demi-reliure à coins Lyon, N. Scheuring, 1866. 21 x 15 cm (R), in-8, IX - 436 pp. - 2 ff. - 41 portraits gravés hors texte dont un en frontispice, une vignette dans le texte, reliure de demi-chagrin brun à coins, dos à 5 nerfs, tête dorée, couvertures bleues imprimées conservées.
rif. 22701'Thursday Morning. Feb 16/60. 16 February 1860 37. Ampthill Square. Hampstead Road. Regents Park.' London. The Times 16 February 1860 announces 'the new drama called A TALE OF TWO CITIES' at the Royal Lyceum Theatre 'Sole Lessee and Directress Madame Celeste'. 'Madame Céleste' Céline Céleste-Elliott c.1815-1882 was a French dancer and actress. 3pp 12mo. Bifolium. In good condition lightly aged. Folded three times. The recipient is not named. The letter has a large signature 'Henry Betty.' with florid underlining. It begins: 'Madam My Father I am happy to say has recovered from his severe and protracted illness and we feel anxious to visit the Lyceum Theatre upon Saturday next the 18th - therefore might I intrude upon you for the favour of an Order for that Evening' He concludes 'With a grateful recollection of your kindness and joined by my Father in most sincere wishes for the success of your arduous undertaking.' In a postscript he states that he will 'call for an Answer at the Stage Door upon Friday afternoon'. 'Thursday Morning. | Feb 16/60. [16 February 1860] | 37. Ampthill Square. | Hampstead Road. | Regents Park.' [London] unknown
rif. 11667Affiche de J.Z.P, du Film sorti en 1936, avec jeanne BOITEL-Henri ROLLAN, Jean DAX et Jadzia ANDREWSKA . Adaptation et dialogues de Roger FERDINAND. Les films LUTECIA imprimerie Monégasque Monte-Carlo Pub. A. JORIO Monaco. Format 80x118 cm. Papier très fragile avec des pliures renforcées.Le réalisateur BERNARD-ROLAND est né à Moulins dans l’allier le 22 novembre 1910 décédé le 10 novembre 1987 à Canicatini en Italie. Il s’agirait en fait d’un film polonais dans lequel BERNARD ROLAND aurait pratiqué quelques coupures et ajouté des séquences tournées en France
rif. 11669Affiche du film musical, sorti le 27 février 1946. Avec ALIBERT et GORLETT- René GENIN-Hélène GARAUD CHAMPI-AMATO … Francine BESSY. Musique de Vincent SCOTTO. Tiré de l’opérette de Marc CAB René VINCY et ALIBERT. Films Fernand RIVERS format 59,5x79,5 cm. Synopsis : Un éditeur de chansons Marseillais(GORLETT) rencontre la fille d’un forain Mariette (Francine BESSY), qu’un concurrent veut ruiner pour obtenir la main de la jeune femme… Après quelques péripéties, Henri finit par convoler sur un dernier refrain
rif. 6090année 1932 complète,revue in 4 broché,,couverture illustrée,16 pages y compris la couverture,texte sur 2 colonnes,nombreuses illustrations photos.Acteurs, actrices,scènes de film,du n°352 au n°404 du 30 décembre en un volume demi toile brique muette à la bradel et à coins,une petite décoloration en pied sinon Très bon état.
rif. 9362MON FILM année 1949 18 numéros. Revue. Format grand in 8 broché, 16 pages y compris la couverture. Nombreuses illustrations, texte sur 2 colonnes. Un film par numéro. N°139 20 avril Claire MAFFEI et marc CASSOT dans les dieux du dimanche. 142 : Jean CHEVRIER le droit de l’enfant. 143 Hélène PERDRIERE et Jean Louis BARRAULT d’hommes à hommes. 146 : Michèle MARTIN Paul MEURISSE le colonel Durand. 147 : Lana TURNER et Richard HART dans le pays du dauphin vert. 148 Renée Saint Cyr dans La voix du rêve. 149 : Arlette THOMAS et Paul BERNARD dans Pattes blanches. 155 : Pierre BLANCHAR dans la nuit de décembre ; 157 : Vivian LEIGH et Robert TAYLOR dans la valse dans l’ombre. 159 : Ginette LECLERC et Georges GUETARY dans Jo la romance. 161 : Greer GARSON dans la femme de l’autre. 162 : Michèle MORGAN dans FABIOLA. 166 : Lana TURNER et Clark GABLE dans Le retour. 168 : Loretta YOUNG et Clark GABLE dans l’appel de la forêt. 172 Montgomery CLIFT las anges marqués. 173 : Paulette GODDARD et Gary COOPER dans tuniques écarlates. 175 Gaby SYLVIA dans mission à Tanger. 2 exemplaires. MON FILM année 1951 34 numéros. Revue. Format grand in 8 broché, 16 pages y compris la couverture. Nombreuses illustrations, texte sur 2 colonnes. Un film par numéro. N°235 (21 février) GINGER RODGERS et Fred ASTAIRE dans entrons dans la danse. 237 : Lysiane REY et Jean Pierre AUMONT dans l’homme de joie. 238 Elisabeth TAYLOR et don TAYLOR dans le père de la mariée. 239 Martine CAROL et Raymond ROULEAU dans méfiez vous des blondes. 240 : Errol FLYNN dans la dynastie des Forsyte. 241 Renée Sait Cyr et Frank VILLARD dans fusillé à l’aube. 243 : Jeanne MOREAU et Gabriel CATTAND dans Pigalle-Saint Germain des Près. 244 : Simone SIMON dans femme sans nom. 245 : Jeanne HAGER dans quand la ville dort. 246 : Jennifer JONES dans le portrait de Jennie. 241 Virginia MAYO dans la fille du désert. 248 Jeannette SCOTT dans JENNIFER. 249 : Michèle MARTIN et Roger PIGAUT dans un sourire dans la tempête. 255 : Montgomery CLIFT dans la ville écartelée. 2451 Natacha NATTIER La rue sans loi (scénario et dialogues de DUBOUT) 253 : Barbara BATES dans Vive monsieur le maire. 254 : Bel GEDDE et Richard WIDMARK dans panique dans la rue. 255 : François PERIER dans mon phoque et elles. 257 Doris DAY et Gordon Mac Rae dans No no, Nanette! 2 exemplaires. N°259 : Tidda THAMAR, Yves VINCENT dans Porte d’Orient. 262 Vera NORMAN dans Les petites Cardinal. 264 : Geneviève PAGE et Michel AUCLAIR dans pas de pitié pour les femmes. 2exemplaire. 265 : Barbara STA NWYCK dans la femme à l’écharpe pailletée. Devient MON FILM Ciné pour Tous. 267 Gary COOPER dans le roi du tabac. 268 : Alida VALLI et Jean MARAIS dans les miracles n’ont lieu qu’une fois. 269 Gloria SWANSON et William HOLDEN dans boulevard du crépuscule n°271 Jane POWEL Amour en croisière 2 exemplaires. 272 : Michèle MORGAN dans l’étrange Madame X. 275 Ava GARD NER et James MASON dans Ville haute-ville basse. 277 Pier ANGELI et John ERICSON dans Thérèse. N°275 Danielle DARRIEUX dans Toselli MON FILM année 1954 18 numéros. Revue. Format grand in 8 broché, 16 pages y compris la couverture. Nombreuses illustrations, texte sur 2 colonnes. N°392 Marlon BRANDO dans Jules CESAR. 394 William HOLDEN dans stalag 17. 395 Jean SIMMONS et Staley GRANGER dans la reine vierge. 397 Errol FLYNN dans le vagabond des mers. 400 Gary COOPER dans le souffle sauvage. 402 Arlène DAHL et Fernando LAMAS dans Sangaree. 412 Alexis SMITH et William HOLDEN dans cran d’arrêt. 420 Alida VALLI dans dernier rendez-vous. 421 Glenn FORD dans les milliards de Mexico. 424 Audrey HEPBURN dans vacances romains. 425 Pierre BRASSEUR dans Raspoutine. 426 John WAYNE dans Hondo l’homme du désert. 427 Nicole COURCEL et Marc CASST dans le grand pavois. 428 Nicole MUREY et Bing GROSBY dans le petit garçon perdu. 430 Michèle MORGAN et Jean MARAIS dans le château de verre. 431 Yvonne de CARLO dans La Castiglionne. 432 Jean WELDON et Guy MADISON dans la poursuite dura sept jours. 435 Gina LOLLOBRIDGIDA la marchande d’amour. 436 John WAYNE dans écrit dans le ciel MON FILM année 1955 33 numéros. Revue. Format grand in 8 broché, 16 pages y compris la couverture. Nombreuses illustrations, texte sur 2 colonnes. N°437 Jean RICHARD dans la mort en fuite. 437 Grace KELLY et Ray MILLAND dans le crime était presque parfait. 439 Jean MARAIS dans le Comte de Monte Christo. 440 Elisabeth TAYLOR et Dana ANDREWS La piste des éléphants. 442 Mai ZETTERLING et Danny KAYE dans un grain de folie. 443 Eddie CONSTANTINE dans votre dévoué BLAKE. 444 Virginia MAYO et Laurence HARVEY dans Richard Cœur de Lion. 445 Jean SIMMONS et Robert MITCHUM dans un si doux visage. 446 Marian CARR et John BROMFILED dans les géants du cirque. 447 Michel AUCLAIR dans double destin. 449 François ARNOUL et Daniel GELIN dans les amants du Tage. 450 Ann BLYTH et Farley GRANGER dans celle de nulle part. 452 Judy GARLAND et James MASON dans une étoile est née 456 Michèle MORGAN dans Oasis. 457 Pedro ARMENDARIZ dans fortune carrée. 461 Nicole BERGER et FERNADEL dans le Printemps, l’automne et l’amour. Marilyn MONROE dans rivière sans retour. 462 Pier ANGELI dans le calice d’argent. 461 Nicole MAUREY et Charlton HESTON dans le secret des incas ; 467 Micheline PRESLES les impures. 468 Myriam BRU et Franco INTERLENGHI dans les deux orphelines. 470 Tab HUNTER le cri de la victoire. 471 Linda DARNELL dans femmes damnées. 472 Myriam BRU et Amadeo NAZZARI dans l’amour viendra. 475 Maurice CHEVALIER dans j’avais sept filles. 476 Monique Van VOOREN et Henri VIDAL dans série noire. 477 Grace KELLY dans une fille de la province. 478 Ingrid BERGMAN dans quand la chair est faible 479 Eddie CONSTANTINE dans ça va barder ; 480 Joan COLLINS et Jack HAWKINGS dans la terre des Pharaons 481 James CAGNEY et John DEREK dans à l’ombre des potences. 485 Marina VLADY et Peter Van EYCK dans Sophie et le crime. 487 Jane RUSSEL La Vénus des mers chaudes. 488 Gina LOLLOBRIDGIDA dans la belle Romaine.
1977rif. 310240NP: UNITED ARTISTS. Fine with no dust jacket. 1977. Printed cards. Set of 8 full-color PHOTO STILLS. 8" X 10" All fine. A Michael Ritchie film based on Dan Jenkins novel. B . UNITED ARTISTS. unknown
1965rif. 34840New York: 1965. 1965. Very good. - A letter penned in dark blue ink filling a little more than one side of a sheet of Anne Jackson Wallach's blue 10-1/2 inch high by 7-1/4 inch wide personalized letterhead. There are a few light ink smudges to the letter with a small ink blot & red pencil notation at top right. Folded twice for mailing. Stapled to the letter is a carbon copy of a note about publishing part of the letter. Very good. Anne Jackson Wallach and Eli Wallach were American film television and stage actors who often co-starred on and off Broadway. They were one of the best known acting couples in American theatre. This is a splendidly impassioned letter addressed to Dick Ficks attacking a Saturday Evening Post article by James Atwater which hashed over at length the failure of "Has Anybody Here Seen Kelly" produced by Joseph E. Levine and David Susskind. The production ran one night and lost $650000. "What earthly good does it do to rehash mistakes and place blame Those of us who work in the theater know the odds when we sign contracts. Nobody sets out to fail. The most knowledgeable practitioners goof.Much more loot is invested in oil wells which are dry.trips to the moon which never come off.and wars which never pay off.why advertise the figures for a play which bombs" The attached note is from a Post letters editor to LUV Press expressing her appreciation for the Wallachs giving permission to publish part of their letter. The Saturday Evening Post article appeared in the April 24 1965 issue. New York: (1965). unknown
rif. 6089année 1928 1929 complète,revue in 4 broché,couverture illustrée,16 pages y compris la couverture,texte sur 2 colonnes,nombreuses illustrations photos. Acteurs, actrices,scènes de film, du n° 191 30 novembre 1928 au n° 294 du 27 décembre 1929 en un volume demi toile rouge muette à la bradel et à coins, façon cuir. Très bon état
rif. 483941/2 Reliure basane - Dos lisse havane à filets dorés - accroc à la coiffe supérieureI) 1818 - PARIS, Imp. A. Beraud - Frontispice gravure de Madeleine-Rosalie Thourein - 55 Pages II) 1811- PARIS, Imp. L.G. Michaud - 32 Pages.III) 1822 - PARIS, Chez A. Boucher - 241 Pages.IV) 182. -XIV-89 pages.Légères traces de mouillures en page de titre- Bon exemplaire
1924rif. 3114986NP: Warner Bros. Fine with no dust jacket. 1924. Photograph. On-set publicity PHOTOGRAPH from "How to educate a wife." 1924 Depicts actors Monte Blue and Marie Prevost hugging in bed with director Monta Bell in suit leaning into the shot. Fine. 7 1/4" X 9 1/2" White margins trimmed. Terrific behind the scenes publicity still. ; 7 1/4" x 9 1/2" . Warner Bros. unknown
rif. 5932nouvelle édition augmentée de quatre pièces de théâtre et de documents divers inédits avec une introduction par M. Edmond FOURNIER.In 4 demi-chagrin rouge à nerfs,titre, filets,caissons dorés,plats percaline rouge chagrinée, filets à froid en encadrement.Faux-titre,frontispice en couleurs sous serpente,d’Emile BAYARD,titre orné d’une vignette,LVII,780 pages sur 2 colonnes,20 portraits en pied, en couleurs,sous serpente,d’Emile BAYARD, y compris le frontispice. Tranches dorées.Paris Laplace,Sanchez & Cie librairie éditeur 1876 Un cahier légèrement décalé, quelques rousseurs en début et fin de volume.Coloris frais
1958rif. C1049441958. Original. Very Good. Original Twelve signatures in ink and pencil on lined exercise paper dimensions 220mm x 170mm. Circa 1958; no date given. Signatures include: Errol Flynn 1909Ã1959; Patricia Wymore 1926-2014 actress wife of Errol Flynn; Hermione Baddeley 1906Ã1986; Richard Attenborough 1923Ã2014; Dennis Price 1915Ã1973; Margaret Lockwood 1916Ã1990; Pat Kirkwood 1921Ã2007; Helene Cordet 1917Ã1996; Gilbert Harding 1907Ã1960; Marjorie Main 1890-1975; Dora Brian 1923Ã2003 Very good. Some general fading. unknown
rif. 16898Félix Juven et Cie, Editeurs "Paris, 1896, in-8 carré, demi-veau vert à coins, dos rond très orné de fers dorés, tête dorée. Couvertures illustrées en couleurs conservées. Reliure de l'époque non signée. 4ff.-278pp.-1fbl. 109 illustrations et portraits in et hors-texte. Edition originale. Notre exemplaire est l'un des 15 sur papier du Japon, seul grand papier, ici relié à toutes marges. ""Il a été tiré 15 exemplaires sur papier du Japon numérotés, au prix de 10fr. l'exemplaire."" Bibliographie de la France, 1897, p.75. Le théâtre sous l'Ancien Régime / Les théâtres sous l Révolution et sous l'Empire / Les théâtres sous la Restauration et sous le gouvernement de Juillet / Le théâtre moderne. Très bel exemplaire dans son rare tirage de luxe. De raymond poisson à Sarah Bernhardt."
1996rif. LFA-126747638Un ouvrage de 528 pages, format 245 x 330 mm, illustré, relié cartonnage sous jaquette couleurs, publié en 1996, La Mémoire du Cinéma Français, bon état
rif. 369268Japan Undated c.late 19th century. Fine Condition. An appealing and well preserved original colour woodblock print by Toyohara Kunichika 1835-1900 measuring 24 x 37 cm. Provenance: The Japanese Gallery London. Kunichika one of the final great masters of the ukiyo-e tradition devoted his career to capturing the vitality of the kabuki stage. Apprenticed at thirteen to Utagawa Kunisada he developed a keen sensitivity to theatrical gesture costume and the emotional charge of performance qualities that define his celebrated yakusha-e actor portraits. Working during the transition from the Edo to the Meiji period Kunichika remained a steadfast advocate for traditional woodblock printing even as new technologies reshaped Japanese visual culture. His prints are distinguished by bold compositions saturated colour and a dramatic sensibility rooted in his deep affinity with the theatre. His characteristic palette rich reds purples and luminous contrasts heightens the expressive force of his subjects. This example depicting Nakamura Shikan in the role of a shamisen player showcases Kunichika’s ability to convey poise musicality and stage presence with remarkable clarity. The refined detailing and theatrical immediacy are hallmarks of his mature style. As one of the last great practitioners of ukiyo-e Kunichika’s work forms a vital bridge between two transformative eras in Japan’s artistic history. Size: 24 x 37 cms. Text is in Japanese. Category: PRINTS : Antiquarian Interest; Japanese Language; Japanese Interest. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown
rif. 369267Japan Undated c.late 19th century. Unframed Print. Fine Condition. A bright and finely preserved original colour woodblock print by Toyohara Kunichika 1835-1900 measuring 24 x 37 cm. Provenance: The Japanese Gallery London. Kunichika ranks among the most compelling late masters of ukiyo-e renowned for his vivid portrayals of kabuki actors and the theatrical world that shaped his artistic life. Apprenticed at thirteen to Utagawa Kunisada he quickly absorbed the expressive vocabulary of the stage gesture costume and dramatic tension elements that became central to his celebrated yakusha-e actor portraits. His work flourished during the profound cultural shift from the Edo to the Meiji period a time when traditional woodblock printing faced increasing competition from new technologies. Kunichika remained a loyal defender of the ukiyo-e tradition producing prints distinguished by their bold compositions saturated palettes and emotional immediacy. His characteristic use of deep reds and purples combined with a keen sensitivity to theatrical presence allowed him to capture not only likeness but atmosphere. This print depicting the actor Kawarazaki in the role of a female spirit exemplifies Kunichika’s ability to convey both the supernatural and the performative with striking clarity. The heightened expression rich colour and dramatic poise are hallmarks of his mature style. As one of the final great practitioners of the ukiyo-e technique Kunichika’s work forms a vital bridge between two transformative eras in Japanese visual culture. Size: 24 x 37 cms. Text is in Japanese. Category: PRINTS : Antiquarian Interest; Japanese Interest; Japanese Language; This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown
rif. 369264Japan Undated c.late 19th century. Fine Condition. An elegant and well preserved original colour woodblock print by Toyohara Kunichika 1835-1900 measuring 24 x 37 cm. Provenance: The Japanese Gallery London. Kunichika one of the final great exponents of the ukiyo-e tradition devoted much of his career to the world of kabuki. Apprenticed at thirteen to Utagawa Kunisada he developed an instinctive command of theatrical expression gesture costume and the heightened emotional register of performance. His celebrated yakusha-e actor portraits capture not only likeness but the charged atmosphere of the stage. Working during the transition from the Edo to the Meiji era Kunichika remained a loyal defender of traditional woodblock printing even as new technologies reshaped Japanese visual culture. His prints are distinguished by bold compositions saturated colour and a dramatic sensibility that reflects his deep affinity with the theatre. His characteristic use of rich reds and purples lends his work a distinctive intensity. This example portraying the actor Sawamura Tossho in a female role demonstrates Kunichika’s ability to convey poise elegance and theatrical presence with remarkable clarity. The refined palette and expressive detailing are hallmarks of his mature style. As one of the last masters of ukiyo-e Kunichika’s work forms a vital link between two transformative periods in Japan’s artistic history. Size: 24 x 37 cms. Text is in Japanese. Category: PRINTS : Antiquarian Interest; Japanese Language; Japanese Interest. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown