1.708 Ergebnisse
Best.-Nr. 369264Japan Undated c.late 19th century. Fine Condition. An elegant and well preserved original colour woodblock print by Toyohara Kunichika 1835-1900 measuring 24 x 37 cm. Provenance: The Japanese Gallery London. Kunichika one of the final great exponents of the ukiyo-e tradition devoted much of his career to the world of kabuki. Apprenticed at thirteen to Utagawa Kunisada he developed an instinctive command of theatrical expression gesture costume and the heightened emotional register of performance. His celebrated yakusha-e actor portraits capture not only likeness but the charged atmosphere of the stage. Working during the transition from the Edo to the Meiji era Kunichika remained a loyal defender of traditional woodblock printing even as new technologies reshaped Japanese visual culture. His prints are distinguished by bold compositions saturated colour and a dramatic sensibility that reflects his deep affinity with the theatre. His characteristic use of rich reds and purples lends his work a distinctive intensity. This example portraying the actor Sawamura Tossho in a female role demonstrates Kunichika’s ability to convey poise elegance and theatrical presence with remarkable clarity. The refined palette and expressive detailing are hallmarks of his mature style. As one of the last masters of ukiyo-e Kunichika’s work forms a vital link between two transformative periods in Japan’s artistic history. Size: 24 x 37 cms. Text is in Japanese. Category: PRINTS : Antiquarian Interest; Antiquarian & Rare; Japanese Interest; Japanese Language; PRINTS : Historic Interest. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown
Best.-Nr. 369266Japan Undated c.late 19th century. Fine Condition. An engaging and well preserved original colour woodblock print attributed to Toyohara Kunichika 1835-1900 measuring 24 x 37 cm. Provenance: The Japanese Gallery London. Kunichika is widely regarded as one of the final great masters of ukiyo-e actor portraiture celebrated for his dynamic engagement with the kabuki stage. Apprenticed at thirteen to Utagawa Kunisada he developed a distinctive command of theatrical expression—gesture costume and the heightened drama of performance. His work particularly in the field of yakusha-e is marked by bold compositions saturated colour and a keen sensitivity to character. Although this print is catalogued as attributed to Kunichika” it displays many hallmarks associated with his mature style: strong outlines rich tonal contrasts and a vivid sense of movement. The subject a sword fighting scene reflects the theatrical intensity and choreographed dynamism that were central to kabuki performance and frequently explored in Kunichika's oeuvre. Size: 24 x 37 cms. Text is in Japanese. Category: PRINTS : Antiquarian Interest; Antiquarian & Rare; Japanese Interest; Japanese Language; PRINTS : Historic Interest. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown
Best.-Nr. 369269Japan Undated c.late 19th century. Unframed Print. Fine Condition. A vivid and well-preserved original colour woodblock print by Toyohara Kunichika 1835-1900 measuring 24 x 37 cm. Provenance: The Japanese Gallery London. Kunichika stands among the last great masters of ukiyoe celebrated for his dynamic portrayals of kabuki actors and the theatrical world they inhabited. Trained from the age of thirteen under Utagawa Kunisada he quickly distinguished himself through his instinctive grasp of stage gesture costume and dramatic expression. His lifelong fascination with kabuki led him to specialise in yakusha-e-actor portraits that captured both the physical presence and emotional intensity of performance. Working during the turbulent transition from the Edo to the Meiji period Kunichika remained a steadfast advocate for traditional woodblock printing even as new artistic technologies emerged. His prints are admired for their bold compositions saturated colours particularly his signature purples and deep reds and their ability to convey the heightened atmosphere of the theatre. Beyond actors his oeuvre spans folklore subjects sumo portraits travel scenes and landscapes all rendered with a distinctive dramatic flair. This example depicting the celebrated actor Ichikawa Danjuro in the role of a male spirit is characteristic of Kunichika’s late work: striking theatrical and richly coloured with a palpable sense of presence. His legacy endures as one of the final guardians of the ukiyo-e tradition bridging two defining eras of Japanese cultural and political change. Size: 24 x 37 cms. Text is in Japanese. Category: PRINTS : Antiquarian Interest; Antiquarian & Rare ; Japanese Interest; Japanese Language; PRINTS : Historic Interest. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. unknown
1980Best.-Nr. 22490France Empire 1980 Trad. Renée Tesniere - In-8, broché, 251pp. dont 2 cahiers de photographies en noir et blanc. Couverture légèrement frottée.
1982Best.-Nr. 2091202133001763Hayakawashobo 1982. Soft Cover. Fine. Number of books: 1 Hayakawashobo paperback
2002Best.-Nr. 500100260Flammarion 2002 372 pages 15x2 8x25 2cm. 2002. Broché. 372 pages.
1937(FT) Suede wraps. 4to. [4], 171, [2], 23 pages. 28 cm. First edition. In Yiddish and English. Added title-page: Ten years Artef; published for the tenth anniversary of the Artef, March, 1937. Extensively illustrated publication for the tenth year anniversary of the radical Yiddish theatre company: Artef, the radical Yiddish dramatic troupe based in New York during the heyday of the Yiddish theater in America. Begun in the mid-1920s as a study group of amateur worker-actors (at one time there were nine separate studios with over 120 students) , in the 1930s the troupe went professional, putting on at least two and often three new plays per season. With such plays as Jacob Mostel's Strike, Shmuel Godiner's Jim Kooperkop, Avrum Vevioka's Diamonds, and Maxim Gorky's Egor Bulychev and Dostigaev and Others, Artef spread propaganda to the masses. Ideologically Artef was far left; its hope was a Communist society here in America. As a troupe, its role was agit-prop, to agitate and propagandize, to serve as the cultural representative of radical workers. In fact, most of its tickets were pre-sold through worker unions and, at least in its early years, Artef gave presentations at political events. Its first large-scale production was Mass Play and Ballet of the Russian Revolution, which appeared at the Lenin memorial celebration in Madison Square Garden on January 21, 1928. Artef's greatest artistic and commercial successes were connected with the talented productions of director Benno Schneider. Schneider, who had been active in the Zionist Habima troupe in Moscow, wed aesthetic excellence to revolutionary ideology with his interpretation of Aristocrats, an adaptation of Sholem Aleichem's Mentshn. Incidentally, Schneider earned such a positive reputation with Artef that he received offers to direct on Broadway, a promotion that cost the radical Yiddish theater dearly. The end of the Artef was gradual, and its causes were closely associated with the reduced role of Yiddish in American life. But there were bright lights before the darkness. During the days of the Popular Front, when the Communists formed associations with less radical leftist parties, the Artef attracted a larger audience, which led to an optimistic expansion that later was responsible for huge financial losses. The darkness occurred at the end of the thirties, when the number of Yiddish speakers began to diminish. The last performance of the Artef was on July 7, 1941. (Review by Dr. Brian Horowitz of Yiddish Proletarian Theatre: The Art and Politics of the Artef, 19251940 written by Edna Nahshon) . Many of the actors and directors in Artef went on to establish solid careers on Broadway, Hollywood, and for those blacklisted, overseas. Subjects: Arbeiter theatre verband, New York. Jewish theater. Theater - New York (State) - New York. Artef - Anniversaries, etc. OCLC lists 29 copies worldwide. With previous owners bookstamp on endpage; that of Wolf Mercur, a playwright, actor, and director in Yiddish films and on Broadway. Very clean and fresh. Very good condition. (ART-18-15)
1991Best.-Nr. RO40129422France Loisirs. 1991. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 631 pages. Illustré de nombreuses photos en noir et blanc hors texte.. Avec Jaquette. . . Classification Dewey : 791.431-Acteurs
ISBN : 272426374X. France Loisirs. 1991. In-8 Carré. Relié, Jaquette. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 631 pages. Illustré de nombreuses photos en noir et blanc hors texte. 'C'est ça, c'est Montand, c'est son film, et tout le demi-siècle qui défile avec lui...'
Best.-Nr. 9058France, Raoul Solar, 1966 13 x 21, illustrations N/B, cartonnage éditeur, illustré, bon état
Best.-Nr. RO80057772TELERAMA S.A.. Non daté. In-4. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 98 pages. Nombreuses illustrations et photos en noir et blanc et en couleurs, dans le texte.. . . . Classification Dewey : 791.431-Acteurs
Best.-Nr. R240147263Télérama. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 pages augmentées de nombreuses photos en noir et blanc dans et hors texte. Non daté.. . . . Classification Dewey : 791.431-Acteurs
Best.-Nr. R200109469Télérama. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 pages. Nombreuses photos en noir et blanc, dans et hors texte.. . . . Classification Dewey : 791.431-Acteurs
Best.-Nr. R200109480Télérama. Non daté. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 98 pages. Nombreuses photos en couleur, dans le texte.. . . . Classification Dewey : 791.431-Acteurs
Best.-Nr. 47895Paris, Flammarion, 1952. 15 x 21, 251 pp., broché, très bon état.
2008Best.-Nr. 32525Pascal Pétiot éditions 2008 1 vol. in-8 broché. Assez bon état.
2003Best.-Nr. RO40124871Mango. 2003. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 237 pages. Illustré de nombreuses photos en couleur hors texte. Envoi manuscrit de l'auteur en page de faux-titre.. . . . Classification Dewey : 791.431-Acteurs
2012Best.-Nr. 97412Albin Michel 2012 In-8 broché 22 cm. 382 pages. Très bon état d’occasion.
1982Best.-Nr. RO30153103JULLIARD. 1982. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 279 pages. . . . Classification Dewey : 791.431-Acteurs
1982Best.-Nr. 32563Julliard 1982 1 vol. in-8 broché. 279 p. : couv. ill. en coul. ; 23 cm. Assez bon état.
1996Best.-Nr. 109369Flammarion 1996 In-8 broché 22 cm sur 13,5. 391 pages. Cahier central de photographies en noir et blanc. Plis de lectures sinon bon état d’occasion.
1973Best.-Nr. 32633Librairie Jules Tallandier 1973 in-8 cartonné. 211-29 p. : ill. En appendice, entretien de l'auteur avec Daniel Lasagne. Bon état.
ISBN : 2914353472. Mango. 2003. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 237 pages. Illustré de nombreuses photos en couleur hors texte. Envoi manuscrit de l'auteur en page de faux-titre. De Bagdad au Loft. Préface de Malek Boutih.
2015Best.-Nr. 500082672Fixot 2015 198 pages 13 6x2 6x21 2cm. 2015. Broché. 198 pages.
1928Best.-Nr. RO40231550La Bonne Idée. 1928. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 150 pages. Reproduction en noir et blanc en frontispice (portrait). Illustré de quelques reproductions en noir et blanc hors texte.. . . . Classification Dewey : 791.431-Acteurs