1 655 résultats
1938réf. 016272Compagnie Française Cinématographique 1938 In-4 à l'italienne Broché
réf. RO30363170Editions Ciné Revue. Non daté. In-4. Broché. Etat passable, Couv. partiel. décollorée, Dos très frotté, Papier jauni. 79 pages. Nombreuses photos en noir et blanc et en couleurs, in et hors texte. Mouillures et traces de moisissures n'altérant pas la lecture.. . . . Classification Dewey : 791.431-Acteurs
1984réf. RO30156063PAC. 1984. In-4. Relié. Etat d'usage, Coins frottés, Mors fendus, Intérieur frais. 247 pages augmentées de nombreuses photos en noir et blanc dans et hors texte - coiffes abimées. . . . Classification Dewey : 791.431-Acteurs
2001réf. 115995Albin Michel 2001 In-4 reliure éd. sous jaquette 28,7 cm sur 21,7. 106 pages. Comme neuf. Jaquette en très bon état. Très bon état d’occasion.
1979réf. R320174092Pac. 1979. In-8. Broché. Etat d'usage, Coins frottés, Dos fané, Intérieur acceptable. 305 pages - couverture contrepliée - nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 791.431-Acteurs
2023réf. 143138MARTINIERE BL, coll. « Art Et Spectacle » 2023 In-4 broché 29,3 cm sur 23,1. 208 pages. Bon état d’occasion.
ISBN : 2853360067. Pac. 1982. In-8 Carré. Broché. Etat d'usage. Couv. convenable. Dos frotté. Intérieur frais. 344 pages. Illustré de nombreuses photos en noir et blanc hors texte. Collection 'Têtes d'affiche'. Nouvelle édition revue.
1992réf. 24528Westport : Greenwood, 1992. X, 276 S. ; 8° , roter Org.-Leinen / red cloth
1947381p. illus. Hardcover Very good condition good
1940réf. 225431940. Archive of African American entertainer photographs circa 1940s to 1970s documents the publicity performance and social spaces through which Black artists gained national visibility across film soul music jazz theater nightclub entertainment and stand-up comedy. Identified subjects include Isaac Hayes Harry Belafonte Sidney Poitier Dick Gregory Moses Gunn and John Marriott performers whose careers collectively illuminate the expanding but still restricted opportunities available to African Americans in twentieth-century entertainment. The group moves between controlled studio portraits motion-picture stills live-performance images and candid street photography showing how Black public identity was constructed both through commercial publicity and within community institutions. The survival of agency stamps press captions credits and editorial crop marks further documents how such photographs circulated through newspapers magazines studios and publicity departments; comparable institutional collections preserve these markings as evidence of publication and public-relations use. Twelve original silver gelatin photographs and halftone publicity prints circa 1940s to 1970s in various sizes the majority approximately 8 by 10 inches. Several bear photographer or agency stamps typed press captions printed credits or editorial markings on the versos or margins. Principal images include a tightly cropped portrait of Isaac Hayes with a caption identifying him as "composer singer actor black Moses of soul"; a film still of Harry Belafonte in a tense scene from the 1959 noir Odds Against Tomorrow; and Sidney Poitier embracing Barbara McNair in They Call Me Mister Tibbs! released in 1970. AFI records Belafonte's film as a November 1959 drama and Poitier's sequel as a July 1970 release filmed in San Francisco and Los Angeles. Additional portraits show comedian and civil-rights activist Dick Gregory; stage and screen actor Moses Gunn associated with the Negro Ensemble Company and Shaft; and veteran actor John Marriott. The unidentified material broadens the archive beyond established celebrity: a tuxedoed singer poses in a nightclub or theatrical setting; a well-dressed man stands before a facade displaying posters for entertainers identified as Kit Kara and Rio; two men shake hands beneath the marquee of Harlem's Savoy Ballroom; and smaller prints show a saxophonist performing and an image of a lobby card advertising comedian "Hot Ashes." The Savoy image is especially significant as a street-level record of a Harlem venue closely associated with Black social dance and jazz performance. Together the photographs trace several routes through which African American performers entered public view: Hayes through the assertive visual language of 1970s soul; Belafonte and Poitier through films that placed Black actors within politically charged dramatic narratives; Gregory through the union of comedy and civil-rights activism; and Gunn and Marriott through sustained stage and character work. The unidentified singer saxophonist theater facade and Savoy Ballroom scene preserve the broader entertainment culture surrounding nationally recognized artists preventing the archive from reducing Black performance history to celebrity alone. Light handling wear scattered corner creases and press crop marks; captions stamps credits and principal images remain legible and well preserved. Very good. A varied visual record connecting African American celebrity publicity with the theaters clubs films and performance networks that sustained Black entertainment across four decades. unknown books
1940réf. 225431940. Archive of African American entertainer photographs circa 1940s to 1970s documents the publicity performance and social spaces through which Black artists gained national visibility across film soul music jazz theater nightclub entertainment and stand-up comedy. Identified subjects include Isaac Hayes Harry Belafonte Sidney Poitier Dick Gregory Moses Gunn and John Marriott performers whose careers collectively illuminate the expanding but still restricted opportunities available to African Americans in twentieth-century entertainment. The group moves between controlled studio portraits motion-picture stills live-performance images and candid street photography showing how Black public identity was constructed both through commercial publicity and within community institutions. The survival of agency stamps press captions credits and editorial crop marks further documents how such photographs circulated through newspapers magazines studios and publicity departments; comparable institutional collections preserve these markings as evidence of publication and public-relations use. Twelve original silver gelatin photographs and halftone publicity prints circa 1940s to 1970s in various sizes the majority approximately 8 by 10 inches. Several bear photographer or agency stamps typed press captions printed credits or editorial markings on the versos or margins. Principal images include a tightly cropped portrait of Isaac Hayes with a caption identifying him as "composer singer actor black Moses of soul"; a film still of Harry Belafonte in a tense scene from the 1959 noir Odds Against Tomorrow; and Sidney Poitier embracing Barbara McNair in They Call Me Mister Tibbs! released in 1970. AFI records Belafonte's film as a November 1959 drama and Poitier's sequel as a July 1970 release filmed in San Francisco and Los Angeles. Additional portraits show comedian and civil-rights activist Dick Gregory; stage and screen actor Moses Gunn associated with the Negro Ensemble Company and Shaft; and veteran actor John Marriott. The unidentified material broadens the archive beyond established celebrity: a tuxedoed singer poses in a nightclub or theatrical setting; a well-dressed man stands before a facade displaying posters for entertainers identified as Kit Kara and Rio; two men shake hands beneath the marquee of Harlem's Savoy Ballroom; and smaller prints show a saxophonist performing and an image of a lobby card advertising comedian "Hot Ashes." The Savoy image is especially significant as a street-level record of a Harlem venue closely associated with Black social dance and jazz performance. Together the photographs trace several routes through which African American performers entered public view: Hayes through the assertive visual language of 1970s soul; Belafonte and Poitier through films that placed Black actors within politically charged dramatic narratives; Gregory through the union of comedy and civil-rights activism; and Gunn and Marriott through sustained stage and character work. The unidentified singer saxophonist theater facade and Savoy Ballroom scene preserve the broader entertainment culture surrounding nationally recognized artists preventing the archive from reducing Black performance history to celebrity alone. Light handling wear scattered corner creases and press crop marks; captions stamps credits and principal images remain legible and well preserved. Very good. A varied visual record connecting African American celebrity publicity with the theaters clubs films and performance networks that sustained Black entertainment across four decades. unknown
1971240 p., illus. Hardcover Very good condition good
réf. GF16826Numéro 85 du journal "Camées Artistiques" - Paris - 1881 - Journal Hebdomadaire paraissant le samedi - Portraits et Biographies des Célébrités Contemporaines - 4 pages in folio avec portrait en photoglyptie Goupil (format 12 x 8,5 cm) collé dans un encadrement au centre du premier feuillet -
réf. GF16812Numéro 71 du journal "Camées Artistiques" - Paris - 1881 - Journal Hebdomadaire paraissant le samedi - Portraits et Biographies des Célébrités Contemporaines - 4 pages in folio avec portrait en photoglyptie Goupil (format 12 x 8,5 cm) collé dans un encadrement au centre du premier feuillet -
1984réf. 65568Ramsay 1984 In-4 relié. 127 pages. Bon état d’occasion.
1983réf. RO20175152RAMSAY. 1983. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages - nombreuses photos en noir et blanc dans et hors texte - frontispice en noir et blanc.. Avec Jaquette. . . Classification Dewey : 791.431-Acteurs
réf. GF16756Numéro 14 du journal "Camées Artistiques" - Paris - 1880 - Journal Hebdomadaire paraissant le samedi - Portraits et Biographies des Célébrités Contemporaines - 4 pages in folio avec portrait en photoglyptie Goupil (format 12 x 8,5 cm) collé dans un encadrement au centre du premier feuillet -
réf. 1508733074.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985réf. LFA-126748767Un ouvrage de 260 pages, format 170 x 250 mm, illustré, broché, publié en 1985, Autrement, bon état
1970réf. 5660Presses Universitaires de France 1970 358 pages in12. 1970. broché. 358 pages. Ouvrage en deux volumes de Léo Hamon politiste et homme politique qui analyse les acteurs et les données de l'histoire. L'auteur combine son expérience pratique et sa réflexion savante pour étudier les forces et les éléments constitutifs de l'histoire politique
réf. 38677Paris, Librairie des Bibliophiles, 1880. 16 x 25, 20 pp., en feuillets, bon état (dos restauré).
réf. 38678Paris, Librairie des Bibliophiles, 1880. 16 x 25, 20 pp., en feuillets, bon état (dos restauré).
réf. 38679Paris, Librairie des Bibliophiles, 1881. "16 x 25, 24 pp., en feuillets, état moyen (dos restauré; quelques petits accrocs à la couverture)."
réf. 38680Paris, Librairie des Bibliophiles, 1881. 16 x 25, 32 pp., en feuillets, état moyen (couverture déchirée avec manques).
réf. 38681Paris, Librairie des Bibliophiles, 1881. 16 x 25, 16 pp., en feuillets, bon état.
