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1615réf. GEJ-13Paris, Jean Millot, 1615. In-12 : 109pp, (1). Full original vellum binding and endpapers with blank pages. Parchment with defects on the cover, few stains at the end of book. Shorter page 103/104 due to handmade paper inperfections. Some worm holes. Bright and complete copy. Two old ink different anotations on the first endpaper. This exceptionally rare 1615 Parisian first edition, published by Jean Millot, represents a foundational cornerstone in early modern demonological literature and the history of psychiatry. Written by the French physician Jean de Nynauld, De la lycanthropie, transformation et extase des sorciers is widely celebrated by historians Evans and Bartholomew as "the most extensive and detailed description of ointments in relation to both witchcraft and lycanthropy." Across four meticulous chapters dedicated entirely to the salves of sorcerers, Nynauld documents the grim contemporary lore surrounding these unguents, including the notorious belief that they utilized the fat of sacrificed children. However, rather than validating these horrors as supernatural reality, Nynauld applies a brilliant, early medical rationalism to the phenomenon. He boldly declares the numerous reports of murderous, cannibalistic shapeshifters and sabbat flights to be powerful hallucinations brought on by diabolical chemistry—specifically, the pharmacological effects of psychoactive herbs. Defying the harsh inquisitorial consensus of his era, he firmly regards those who claim they metamorphose into animals not as literal monsters or heretics, but as sufferers of severe mental disorders and clinical delusion. Consequently, this prized editio princeps stands as a crucial historical milestone, marking the transition from superstitious witch-hunting to a rational understanding of early pharmacology and mental health. Bibliography: "One of the "classic" works on Witchcraft and nevertheless one of the rarest." (Caillet 8124), The Encyclopedia of Extraordinary Social Behavior 333-39; Guaita, Bibliothèque occulte 774; Coumont, Demonology and Witchcraft: An Annotated Bibliography N38.3; Laehr, Die Literatur der Psychiatrie, Neurologie und Psychologie I: 159; Cioranescu 51435; Yve-Plessis, 975; USTC No. 6013581. Keywords : Keywords : Grimoire, Magie, Occultisme, Charmes, Sorcellerie, Diables
1561réf. GEJ-10Paris, apud Gilles Corrozet, 1561, [1], 40, [1] pp, 8°. Book in Latin. RARE AND UNCOMMON ON THE MARKET FIRST PARISIAN PRINTING! 17/18 century full calf binding, gold lettered spine, marbled endpapers, owner's ex libris of Emeric Bigot (?) on title page. Good antiquarian condition, woodcut printers device to title, woodcut initials. Few stains and discolorations. Complete. Published in Paris by Gilles Corrozet in 1561, this rare edition of Ulrich Molitor’s Tractatus de lamiis et pythonicis stands as a definitive cornerstone of early occult literature and a fascinating, skeptical counterpoint to fanatical witch-hunting manuals like the Malleus Maleficarum. Written by a prominent German jurist, the treatise is historically significant for its early skepticism, as Molitor boldly argued that supernatural acts like shape-shifting or flying to sabbaths were merely illusions and dreams induced by the Devil rather than physical realities. This text is equally famous for containing the earliest printed depictions of witches, establishing the modern iconography of the occult through striking woodcut imagery that includes scenes of witches brewing storms in cauldrons, a wizard riding a wolf, and the Devil corrupting a woman. Composed as a direct response to Europe's rising witchcraft hysteria, this treatise introduces cold legal logic and canonical jurisprudence into a debate previously dominated by religious fanaticism. Moving away from dry academic lecturing, the text adopts the dynamic structure of a scholarly dialogue between three real historical figures: Archduke Sigismund of Austria, the ruler of Tyrol, who acts as the voice of skepticism by raising logical doubts and challenging the validity of witch trials; Conrad Schatz, the magistrate of Constance, who champions the strict, traditional view by defending the physical reality of witchcraft and demanding harsh punishments; and Ulrich Molitor himself, the author, who serves as the impartial arbiter utilizing Roman and Canon law to systematically resolve the disagreements between his interlocutors. Ulrich Molitor (c. 1442–1507) was a pioneering German jurist, humanist, and diplomat who shaped early modern legal thought. After studying humanities in Basel, he earned a prestigious doctorate in civil and canon law from the University of Pavia, positioning him at the forefront of Renaissance jurisprudence. He spent the pinnacle of his career as a trusted legal advisor to Archduke Sigismund of Austria in Innsbruck and later served as chancellor to the Bishop of Worms. Molitor’s enduring legacy is his 1489 masterpiece, Tractatus de lamiis et pythonicis, which stands as one of history's earliest legal critiques of witch-hunt fanaticism. By utilizing rigorous Roman and Canon law to argue that witchcraft was largely a demonic illusion, he became a vehement opponent of judicial torture, forever marking his place as a trailblazer of European rationalism. Provenance: Emeric Bigot (?) - Ex Libris: Emeric Bigot (1626–1689) was a prominent French humanist, bibliophile, and a central figure in the 17th-century European intellectual network known as the Respublica Literaria (Republic of Letters). Born and based in Rouen, he used his substantial wealth to amass one of the most legendary private libraries in Europe, renowned for its rare Greek and Latin manuscripts and early printed books. Though he published little under his own name—focusing primarily on editing early Christian texts—Bigot served as an indispensable international scholarly coordinator. He maintained a vast correspondence with major thinkers like John Milton and Nicolas Heinsius, utilizing his unparalleled bibliographic expertise to source texts, verify translations, and generously assist scholars across the continent in preparing their own monumental works for print. Bibliography: Herbert M. Adams, M 1573; USTC, 153205; Pettegree i Walsby, 153205, only found in one US institution (Yale University, Beinecke Library), Not in VD 16, Yve-Plessis, Dorbon-Aîné and Bibliotheca Esoterica; Caillet, II, 7641; Grässe, p. 55; Bibliotheca Daemonologica (Robbins).
1900réf. G1ADNMOA0S9LKopenhagen 1900. Housed in the original publisher's wooden boxes. Includes 2 original projectors and 1 camera. More than 400 glass slides depicting various motifs related to coal mining chemical processes and astronomy as well as topographical motifs from Asia Africa China Europe and America. Remarkable all-encompassing collection of turn-of-the-century magic lantern slides. Several of the slides show cavalry horses: the "Krigen 1848-1864" set includes no. 45 an equestrian portrait of General Bülow victor of the 1849 Battle of Fredericia painted by Aug. Jerndorff; no. 29 Friedrich von Schleppegrell riding at the battle of Isted; no. 26 General Krogh on horseback all V. Richter Kopenhagen; no. 20. captioned "Pferdeablieferung" horse delivery.A box lebelled "København" includes: no. 21 Brandmajoren rykker ud; no. 20 a fire at the time of King Frederik VI of Denmark d. 1839.Other slides show workhorses in Denmark and Sweden during haying-time or spreading manure as well as works of the Danish painter Otto Bache: the Coronation of Christian IV in 1596; the conspirators escaping from Finderup on horseback after having murdered Eric V of Denmark in 1286. The collection also contains copies of paintings by various artists such as Leonardo da Vinci Raphael and Rembrandt. Among the remaining slides we find astronomical illustrations and pictures of observatories Greenwich Delhi Potsdam etc.; as well as numerous photographs and paintings of landscapes people and architecture in Africa Asia Europe China and America. unknown
réf. 14442(Venedig, de Zanis, nicht vor 1487). Romanische Type. 26 nn. Bll. (letztes weiss) mit 2 Spalten zu je 38 Zeilen mit unausgefüllten Initialspatien. 8°. Mod. HPgmt. unter Verwendung von Material des 18. Jahrhunderts.
2002DISPONIBILITÀ GARANTITA AL 99%; SFONDO DI MAGAZZINO PARI AL NUOVO. LIEVISSIMI SEGNI DEL TEMPO, GRAFFIETTI ALLA COPERTINA. Michel Zévaco (Ajaccio, 1º febbraio 1860, Eaubonne, 8 agosto 1918) è stato un romanziere, insegnante, giornalista, editore e attivista anarchico francese. Degno successore di Alexandre Dumas, Michel Zévaco, popolarissimo autore di feuilletons a cavallo tra Otto e Novecento, ci offre con Nostradamus, il primo romanzo del ciclo da lui dedicato alla figura del celebre autore delle profetiche Centurie. L'Autore dipinge il ritratto, cupo e sanguinoso, della Francia di Caterina de' Medici, delle guerre di religione, della caccia alle streghe... In un susseguirsi di duelli, agguati notturni, rapimenti, magie, evocazione di morti, prende corpo la trama della ventennale vendetta, con cui l'ormai anziano Nostradamus vuol punire coloro che gli hanno rovinato la giovinezza e sottratto Marie, la giovane sposa: re Enrico II di Valois, e i suoi infidi amici, Roncherolles e Saint-André. Recentemente ristampato in Francia dalla casa editrice Laffont, il romanzo ha riscosso un enorme successo. Descrizione bibliografica Titolo: Nostradamus Autore: Michel Zévaco Traduzione di: Marta Bellini Editore: Napoli: Tullio Pironti, 2002 Lunghezza: 685 pagine; 23 cm Peso: 1 Kg ISBN: 8879372939, 9788879372930 Soggetti: Romanzi storici, Fantasy, Letteratura francese, Ottocento, Classici, Eroi, Narrativa moderna e contemporanea (dopo il 1945), Streghe, Avventura, Magia, Previsioni, Futurologia, Futuro, Destino, Catastrofi, Racconti popolari, Intrighi, Duelli, Guasconate, Miguel de Zevaco, El hijo de Nostradamus, Gerfaut de Croixmart, Fran ois Ier, Romans populaires, écrivain français, Romanticismo, Cappa e spada, Cavalieri, Mantelli e spade, Pardaillan, Cape et d'épée, Suite romanesque, Cycle romanesque, Personnages romanesques, Cicli storici, Spagna, Francia, Filippo II, Roman-feuilleton, Le Matin, Fayard, Le Livre populaire, Romancier français du XXe siècle, Roman d'aventures, Affare Dreyfus, Romanzo d'appendice, Le Capitan, Borgia, Buridan, L'Héroïne, L'Hôtel Saint Pol, Parigi, Il Ponte dei sospiri, La marchesa di Pompadour, XX secolo, Ignazio di Loyola, Gesuiti, Carlo V, Caterina, Brabante, Enrico II, Re, Famiglie reali, Guerre, Battaglie, Corti, Regina, Cloak and dagger novels, Intrigue, Secrecy, Espionage, Mystery, Alexandre Dumas, Libri Vintage, Fuori catalogo, Magie, Morti, Evocazioni, Spiriti, Roncherolles, Valois, Cinquecento, Saint-André, Rapimenti, Vendette, Michel de Nostredame, Astrologia, Profezie, Medici, Montpellier, Montgomery, Myrtha, Montecuculi, Delfino, Marie, Chiaroveggenza, A posteriori, Beaurevers, Bouracan, Brabant, Trinquemaille, Renaud, Historical Novels, French Literature, Nineteenth Century, Classics, Heroes, Modern and Contemporary Fiction (after 1945), Witches, Adventure, Magic, Predictions, Futurology, Future, Destiny, Catastrophes, Popular Tales, Intrigues, Duels, Guasconades, Romance, Hood and sword, Knights, Cloaks and swords, Historical cycles, Spain, France, Philip II, Appendix novel, Paris, The Bridge of Sighs, The Marquise of Pompadour, 20th century, Ignatius of Loyola, Jesuits, Charles V, Catherine, Brabant, Henry II, Kings, Royal families, Wars, Battles, Courts, Queen, Books Out of print, Spells, Deaths, Evocations, Spirits, Saint-André, Abductions, Revenge, Astrology, Prophecies, Clairvoyance
réf. AMA-1201Paris, Les Belles Lettres, 1999. In 8°, broché. 304 pp., [1 f.].