Or

Or — marelibri

réf. 11587By Tanekiyo Ryūsuitei 柳水亭種清. Two title-pages four pages of Preface one port. of Lady Murasaki and eleven double-page & 17 single-page woodcut color illus. 23.5; 16.5; 15 folding leaves. Three vols. 8vo orig. patterned semi-stiff wrappers decorated with Genji mon emblems wrappers a bit soiled orig. block-printed vignette labels pasted on upper covers new stitching. Japan: n.d. but WorldCat suggests 1861-64. This is apparently the only known complete set of the first series of two of this superbly illustrated shunga parody of The Tale of Genji. We can trace only two sets of the complete three-volume second series at the Royal Ontario Museum and the International Resource Center for Japanese Studies. Our set contains Chapters 1-27 while the second series consists of Chapters 28-54. This is a very late shunga and one of the last before the end of the Edo period. Almost all of the techniques that make Japanese illustrated books so remarkable are utilized here. Each illustration has in the upper right- or left-hand corner a picture scroll that shows the original scene from a chapter in The Tale of Genji with a label stating which chapter it is from. Our set is finely illustrated richly colored and employs bokashi the delicate variation of shading of pigment within the image; blind-embossing even tiny noses are in relief; and the very ample use of gold and silver. The depicted garments are a mixture of extremely complex textures colors and patterns all accentuated by blind-embossing and multiple woodblock impressions. There are two kinds of black flat black and shiny burnished black and the gold has been painted over with black pigment giving a most unusual appearance. Each of the woodcut illustrations has a border with the Genji mon symbols. Koikawa 1821-1907 was a prolific artist. He illustrated as well as wrote numerous books in using various pen names. The Preface in Vol. I is written by "Insuitei" a pen name for Koikawa. Very fine set. The title-page in Vol. I has a 90 mm. tear in the lower outer corner. This is occasionally catalogued under Utagawa Kunimori II. Colin Franklin attributes the illustrations to Kunisada. â§ See Colin Franklin Exploring Japanese Books and Scrolls p. 74-"one of Kunisada's wittily erotic interpretations of Genji's courtly love all stops pulled out for an organ-blast of color printing" & see plates 49 & 50. unknown

PARACELSUS, or Theophrastus Bombastus von HohenheimBiblio.com

FIRST EDITION OF THE FIRST TREATISE ON THE PLAGUE BY PARACELSUS “THE LUTHER OF MEDICINE” Zwey Bücher … von der Pestilentz und ihren Zufällen

1564réf. 60128vo. 112 ff pages 2 and 110-112 are blank. Bound in modern paneled calf with gilt-stamped fleurons on front and back covers raised bands. Generally good. The first edition of this plague treatise by Paracelsus Theophrastus Bombastus von Hohenheim 1493-1541 the "Luther of Medicine" and one of the key figures in the history of medicine. Written originally in Nördlingen in 1529-1530 it remained unpublished during Paracelsus' lifetime and subsequently taken up and edited for publication by the Paracelsian scholar Adam von Bodenstein 1528-1577. The latter dedicated it to Johann Rudolph Stör von Störenberg Abbot of Murbach and Luders. In addition to the study on pestilence the text includes two short works by Paracelsus: "Vom Preservatiff durch den Schwebel" and "Von der Mummia." In the primary tract Paracelsus for the first time presents his complex theory on the origins of the plague which he believed were the result of astrological and corporeal events set in motion by human sins. "This anthropocentric view of an individual disease is in harmony with Paracelsus' whole philosophy and indeed with Renaissance philosophy in general" Pagel p. 179. Paracelsus also postulates the importance of the principle of sulphur the corresponding agent of the planet Mars in pestilence's causation. He believed that sulphur hidden in three minerals—antimony arsenic and marcasite—affected three corresponding organs: the groin the axillae and the ears. The chapters on causation are followed by sections on remedies. The doctor must cure the agent causing the disease rather than the symptoms of the disease Paracelsus writes. Humoral pathology and its insistence on diet is of no use. "Paracelsus' plague remedies include sulphur spirit of vitriol sulphur sublimate and metals also—for external treatment of boils—toads and decoctions of beetles designed to remove the evil of magnetic attraction but herbs and drugs as prescribed by Ficino and Agrippa are greatly amplified and still appear in a prominent place" Pagel pp. 180-181 n. 151. The editor of this volume Adam von Bodenstein was one of the key figures in the revival of Paracelsian ideas in the German lands in the middle of the sixteenth century. A son of a radical reformer he believed in transmutation of metals into gold and played a key role in the publication of over 80 works by Paracelsus. For his Paracelsianism he was excluded from the faculty and council of Basel University. OCLC records US copies at NYAM NLM Wash. U and UMn. Karl Sudhoff Bibliographia Paracelsica Berlin 1894 60; Walter Pagel Paracelsus: An Introduction to Philosophical Medicine in the Era of the Renaissance Boston 1982 2nd revised edition; Georgiana D. Hedesan "Alchemy Potency Imagination Paracelsus's Theories of Poison" in John Arrizabalaga Ole Peter Grell Andrew Cunningham eds. It All Depends on the Dose: Poisons and Medicines in European History. The History of Medicine in Context Series New York 2018 pp. 81-102; Peter J. Forshaw "'Paradoxes Absurdities and Madness:' Conflict over Alchemy Magic and Medicine in the Works of Andreas Libavius and Heinrich Khunrath" Early Science and Medicine vol. 13 no. 1 2008 pp. 53-81. Paul Messerschmidt hardcover

Martayan Lan, Inc. · États-Unis6 500,00 $US≈ 5 807,20 €

THE BRITISH MUSEUM [PHOTOGRAPHS BY OR AFTER ROGER FENTON AND STEPHEN THOMPSON]Biblio.com

50 Photographs of Antiquities including the Elgin Marbles British Museum Series

1897réf. 526A collection of 50 albumen prints from the British Museum Series numerous manuscript captions slight age-related toning photographs mounted to album occasional light marginal foxing not affecting image original maroon cloth with quarter morocco spine retaining studs title gilt to spine slightly rubbed folio London: W.A. Mansell c.1897 The 50 photographs of antiquities in the British Museum covering Greek Roman and Etruscan Statues and Vases including 24 of the Parthenon Frieze. Many of the images are accompanied by manuscript captions. Other photographs include: Horse of Selene Ilissos "Colossal Lion" The Piranesi Vase "Marble Vase found in the Villa of Hadrian at Tivoli" "Mercury" "Venus de Medici" "The "Townley" Venus" "Venus Entering Bath" "Apollo as a Player of the Lyre from Cyrene" "Hercules" Hercules found in Hadrian's villa at Tivoli Drum of Sculptured Column from Temple of Diana Artemision Ephesus "Casts from Balustrade of Temple of Wingless Victory - Athens -" Etruscan Sepulchral Monument in terracotta "Thalia" T. Aurelius Fulvius Antonius Pius Aurelius Antoni Satyr Apollo Demeter Ceres and Sepulchral Rites at the Tomb of a Hero. The Elgin Marbles are a collection of statues and architectural decoration acquired by the Earl of Elgin during his time as Ambassador to the Ottoman Empire. He successfully petitioned the authorities to be able to measure draw and remove figures in various ruins. The most extensive work was on the Parthenon or Temple of Athena but he also received permission to remove sculptural and architectural elements from a number of other ruins including the Acropolis and the Temple of Nike Athena. The most famous of the Elgin Marbles are the Parthenon Sculptures a collection of different types of marble architectural decoration on the Parthenon. The Parthenon Frieze 75 metres in length depicts various scenes including the battle between the Lapitas and the Centaurs at the marriage feast of Peirithoos. Elgin originally intended on using the Frieze as decoration in his private home but due to the collapse of his marriage he sold them to the British Museum. There have been debates over the legitimacy of Elgin's excavation. After an investigation from a Parliamentary Select Committee in 1816 Elgin's actions were found to be entirely legal. Since 1983 Greece has formally requested the British Museum to return all the Parthenon Sculptures in the Museum's collection the British Museum states there are no current discussions with the Greek Government on this issue. Roger Fenton is one of the most celebrated figures in the history of photography. He was a creative and highly influential photographer in the mediums "golden age" of the 1850s. In his role as the British Museum's first official photographer Fenton demonstrated his sure sense as a 'photo artist'. He was initially engaged to photograph cuneiform tablets but that soon developed into taking pictures of other antiquities. As early as 1852 Fenton received permission from the Trustees to photograph antiquities within the museum establishing a small studio inside the museum the following year. He left in 1854 to serve as a photographer in the Crimean War for which he is most widely known but he was re-appointed on his return in 1856 until the termination of his contract in July 1859. The Trustees decided that photography was not cost effective and after they failed to negotiate the South Kensington Museum now the V&A as an alternative Fenton terminated his association with the British Museum. References: The British Museum The Metropolitan Museum of Art Luminous-Lint. W.A. Mansell

Bruce Marshall Rare Books · Royaume-Uni5 000,00 £GB≈ 5 971,72 €

KOIKAWA (or INSUITEI), Shozan, artistBiblio.com

From the block-printed labels on upper covers of Vols. I & II: Mitsu no nagame one possible reading of the kanji: The View of the Beautiful City; Vol. I sub-title label: first characters indecipherable but from another copy we know the word is Sumidagawa no yuki Snow at Sumida River; Vol. II sub-title label: Musashino no tsuki Moon of Musashino; title at beginning of text: Hanakatsura nagame no gin sekai Flowers on the Tree in the Wintery Silver World

réf. 8347Vol. I: Illustrated "title-page" one double-page woodcut with foldouts to form a four-panel diptych with the addition of a "trick super flap" depicting three female genitalia young woman mistress & wife six double-page woodcuts & two single-page woodcuts all color-printed; & three double-page black & white woodcuts. Vol. II: Illustrated "title-page" five double-page woodcuts & two single-page woodcuts all color-printed; & four double-page black & white woodcuts. Vol. III: Illustrated "title-page" four double-page woodcuts & two full-page woodcuts all color-printed; & three black & white double-page woodcuts. All leaves have color-printed borders. .5 1 folding leaf of preface color-printed 13 folding leaves; .5 13 folding leaves; .5 12 folding leaves. Three vols. 8vo orig. decorated semi-stiff patterned boards with color-printed symbols of the moon flowers & snowflakes orig. block-printed title labels on upper covers of Vols. I & II lacking on Vol. III but there is no evidence a label was ever there new stitching. Japan: Preface dated 1850. First edition and very rare; we can find no copy in WorldCat or NIJL. Almost all of the techniques that make Japanese illustrated books so remarkable are utilized here. Finely illustrated and richly colored this late shunga employs bokashi the delicate variation of shading of pigment within the image; blind-embossing; and the very ample use of metallic pigments. The depicted garments are a mixture of extremely complex textures colors and patterns all accentuated by blind-embossing and multiple woodblock impressions. In Vol. I the folding woodcuts - which reveal a man and woman engaging in sex - open to reveal a fine and complex four-panel scene in which we see three couples also having sex: a young couple a man with his mistress and the same man with his wife. On the third panel from the right a hidden "trick" flap is revealed depicting and comparing the genitalia of these three women. This "trick" panel has the title printed with seven kanji characters the first two are indecipherable: ".mitate setsugekka" ".Visual Puns of Snow Moon Flower". Each volume begins with a finely colored paste-down leaf artistically depicting the themes of snow moon and flower with poems. Facing each of these leaves is a portrait of a woman: mistress young and wife. All the black & white woodcuts also depict men and women engaging in sex and self-pleasuring. Koikawa 1821-1907 was a prolific artist. He illustrated as well as wrote numerous books under various pen names. At the end of the Preface in Vol. I we find "Insuitei" one of his pen names. Fine set with fresh coloring. The four-panel diptych has several small burn holes on the right-hand side. One black & white illustration has been "heightened" with red ink in a very minor way. Slight thumbing and a few minor stains. unknown

Jonathan A. Hill, Bookseller, Inc. · États-Unis6 750,00 $US≈ 6 030,56 €

Falda, Giovanni Battista (c 1640-1678); Barriere or Barriere, Dominique, (c1618 or 1622-1678); Rossi, Giovanni Giacomo de 17th cBiblio.com

VILLA // PAMPHILIA // EIVSQVE // PALATIVM // CVM SVIS PROSPECTIBVS // STATVAE FONTES VIVARIA // THEATRA AREOLAE PLANTARVM // VIARVMQVE ORDINES // Cvm eivsdem Villae absolvta Delineatione. // Rossi’s printer’s device // ROMAE. // Formis Io. Iacobi de Rubeis apud Templum S. Mariae de Pace. // CVM PRIVILEGIO S. PONTIFICIS. // SVPERIORVM PERMISSV.

1650réf. B6295Rome/Romae: Formis Io. Iacobi de Rubei apud templum S. Mariae de Pace. Undated c.1650-latest c.1690 most probably c.1660 c.1675-1677. . Lacks folding double-page plan of the Villa Pamphilia and the first of 5 folding plates “Primus”. Otherwise a very good example plates are crisp and clean. . Edition: First and only edition. Italic and Roman type. Tex Binding: Contemporary panelled full burgundy morocco double-gilt filleted; spine with six 6 raised bands gilt lettered title on two with remaining compartments gilt ornamented; all edges gilt; contemporary endpapers with watermark of a fleur-de-lis within two concentric circles. Wide margin paper. Notes: An architectural plate book depicting statues and fountains displayed in Villa Pamphili an important 16th-17th century Roman villa designed by the painter Giovanni Francesco Grimaldi 1606 - 1680 and Alessandro Algardi 1598 - 1654 followed by the construction of the garden layout; …1652-1657. The publication of the present work printed by G.G. de Rossi possibly c.1675-1677 was commissioned by Pamphili’s son and heir Giambattista with the engraver Dominique Barrière documenting the statues placed both in cornices of the villa and the gardens and with further plates included such as some by Giovanni Battista Falda's ‘Le fontane di Roma’ fountains of Rome plus general views of the villa and its gardens. Giovanni Battista Falda c.1643 – 1678 Rome was an Italian architect engraver and artist. He is known for his engravings of both contemporary and antique buildings and structures of Rome. Falda studied and worked under Bernini; his draughtsmanship drew G. G. de Rossi’s attention. He became well-known for his “Le fontane di Roma” Fountains in Rome and “Palazzi di Roma” Palaces of Rome particularly popular with visitors to Rome. Giovanni Giacomo de Rossi Italian engraver and printer active in Rome during the second half of the 17th century. His father Giuseppe de Rossi 1570-1639 was the founder of the most important and active printing press of the 17th century in Rome. The press started in 1633 it was then passed to Giovanni Giacomo and his brother Giandomenico; and later to Lorenzo Filippo. In 1738 it became the “Calcografia Camerale” from 1870-1945 the “Regia Calcografica”; today it is known as the “Calcografia Nazionale”. Here are conserved amongst many others the plates of Giambattista Piranesi 1720-1778. Giovanni Giacomo de Rossi the most involved of all family members who ran the press from 1638-1691 took the company to its height of success. He printed etchings for artists including Giovanni Benedetto Castiglione 1609-1665 Pietro Testa 1612-1650 and Giovan. Francesco Grimaldi 1606–1680. Barrière c.1622–1678 was a French painter and engraver. Barrière was born at Marseilles in about 1622. He spent most of his career in Rome where he engraved a considerable number of plates after Claude and other landscape painters as well as other subjects. They are neatly etched in the manner of Stefano della Bella. He died in Rome in 1678. Size: Folio 434x312mm. Illustration: Fine illustrations of the famous Villa Pamphili the most important architectural constructions of Baroque Rome with its Italian garden and the fine collection of antiquities. Illustrated dedication with head- & tail-vignettes and a large rubricated initial; plus a total of 82 full page and double page oblong folding copper-engraved plates. References: Woodfall G.; British Museum: Catalogue of Maps Prints Drawings Etc. Forming the Geographical and Topographical Collection vol. II p. 146 1829. Rossetti 4827. Cicognara 3911. Berlin Katalog 3491. Kissner 394. Vinciana 4360. Giorgetta F. Hortus libro Category: Book Europe Italy; Book Art Architecture & Design; Book Plate Books General; Formis Io. Iacobi de Rubei, apud templum S. Mariae de Pace. hardcover

Alexandre Antique Prints, Maps & Books · Canada7 000,00 $US≈ 6 253,91 €

ANSON, George and Richard WALTER and/or Benjamin ROBINS (ed).Biblio.com

A voyage round the world in the years MDCCXL I II III IV.

1748réf. ABC_46957London 1748. Large 4to. printed for the author by John and Paul Knapton Bound by Marcus Ward & Co. founded 1833 with their bookbinder's label on the front paste-down in 19th-century calf gold-tooled and blind-tooled frame on both boards gold-tooled spine with red morocco spine label with title in gold gold-tooled board edges blind-tooled turn-ins red edges blue ribbon marker. With 42 engraved plates maps and plans all but one folding. 1 1 blank 32 1 blank 417 1 blank 2 pp. First edition of this important and popular account of the unfortunate and famous expedition of George Anson being considered as the one most sought after Borba de Moraes. It is an account of Ansons expedition to the western coast of South America to harass the Spanish trading territories and cutting off the Spanish supplies of wealth in this way after the outbreak of the War of Jenkinss Ear between Britain and Spain in 1739. Anson was the commander of 7 ships in 1740 including the Centurion but soon his expedition threatened to turn into a fiasco. His squadron was battered by storms and bad weather causing damage and shipwrecks and many of his crew died from scurvy typhus and dysentery. The remaining crew was transferred to the Centurion the last remaining vessel and Anson limped across the Pacific to Macao. In June 1743 he sailed to the Philippines were he achieved a substantial victory near Manila by capturing the Nuestra Senora de Covadonga a Spanish galleon filled with gold. After sailing around the world Anson returned to England in June 1744 and in spite of his enormous losses he returned with large profits.Ansons voyage being one of the greatest voyages in the history of exploration and naval warfare laid the foundation for British voyages and exploration of the Pacific and more specific for English trade in this area. The present account being based upon Ansons own ship journal describing this troubled expedition soon became highly popular in the 18th century and is even considered as the masterpiece of descriptive travel and the most popular book of maritime adventure of the eighteenth century Hill. With occasionally a correction of the text in brown ink and the name of Mr. Sweeting added to the list of subscribers. Binding slightly worn around the edges and with a few minor scratches on the boards some marginal foxing and staining to both the text leaves and plates especially in the first part barely affecting the plates except the map of the Pacific Ocean which is a little more stained folding lines of some plates especially all three large folding maps reinforced but sometimes still with some very small tears on the folding lines some corners of the folding plates slightly frayed but overall a copy of the first edition of this important 18th-century travelogue with all the plates which is still in good condition.l Alden/Landis 748/225; Borba de Moraes I p. 38; Cox I p. 49; ESTC T89475; Hill 1817; Howgego A-100; Kroepelien 1086; Sabin 101175 cf. 1625. hardcover

Asher Rare Books · Pays-Bas6 500,00 €

[California - Gold Rush - Surveying - Personal Archives] Williams, EdwardBiblio.com

Gold-Rush-era Archive of Surveyor Edward Williams including Thirteen Letters Written from Monterey in 1850 a Transcribed Copy of a Mexican Land Grant from 1834 and Notes Relating to his Work as a Surveyor

1850réf. List1929California 1850. With thirteen letters most multi-page written from Monterey in 1850 a 7 pp facsimile transcription of a 1834 Mexican land grant on cloth measuring 11 x 14 inches and and eleven page document on paper in Spanish relating to a Monterey land grant transcribing an 1841 document. Letters heavily worn with some loss at margins but mostly legible land grant in good to very good condition transcribed document in Spanish in fair condition with water damage to margins. Fair. An interesting archive of 1850s-era material relating to the life and career of the surveyor Edward Williams which recently surfaced in the central mother lode region. The group includes his personal letters from the California Gold Rush as well as well two interesting documents form his work for the Surveyor General J.W. Mandeville in 1858 where he transcribed two Mexican land grants. Lt. Edward Williams was a member of Company E New York Volunteers under Capt. Nelson Taylor. He came to California around 1847 and found employment as a deputy surveyor later working for the Office of the Surveyor General of the Unites States for California. In 1858 Surveyor General J.W. Mandeville commissioned a report on Mexican-era California Land Grants. Mandeville had Williams copy the original documents exactly - inclusive of an ink copy on linen that is an "exact tracing" of the original documents starting with 1834 up through about 1840. These "copies" were submitted to the Surveyor General in 1858 for use in the report. Williams continued the title work by copying other documents from about 1841 though this time not as a tracing but hand copied on the usual blue paper of the 1850s. The documents illustrate the length officials went to while they investigated Mexican Land Grant titles to California properties in the 1850s. The process was difficult and involved two distinctly separate cultures and legal systems that clearly conflicted. The Mexican Government granted rights for these large land parcels in California to various people but clearly stated they could not sell parts of the property. The wording was used many times in litigation of the period in both defense of the land grants and in opposition to how the land grants were handled. The issues were actually quite simple in that the Mexican legal standards for land grants was far different from those in the United States and the two differing forms of written land ownership and use clashed. These documents reflect a parcel of land granted to Francisco Mesa at "Corral de Tierra" a large parcel in Monterrey County California. Mesa had requested land for "his personal use and that of his family." In the Grant the title papers reflect "while the land is under Francisco's possession it cannot be divided mortgaged or a levy placed on it nor handed down." These original documents help illustrate the complex story of Mexican Land Grants in California. Also included are thirteen letters from Ed aka "Ned" to various family members primarily his mother and sister Alice and vice versa. About half are from Ed the other half are written to him. The dates of the letters are; 1850: February 10th April 15th April 16th April 28th June 10th July 30th October 11th and November 17th and 1851: September 9th. One undated letter with heavy loss is written from Panama. The letters are generally readable but the condition far from perfect with water stains throughout and chips abundant along edges and significant textual loss. The letters are generally at least two pages sometimes four or more inclusive of writing in the crossed line custom to save paper. Most are datelined at Monterrey where he discusses the people the customs setting and more. Despite the condition flaws there is much to be gleaned from his correspondence. In his April 15 1850 letter . he describes his trip to San Juan Bautista from Monterrey in detail while he was on his way to San Francisco. Williams writes of his great pleasure on tasting cooked beef by the Indians that he found was the best he ever tasted as they camped on the way to San Jose with the ultimate goal Mission Dolores in San Francisco: “this the beef they put on the embers of the fire and broiled it - I never tasted anything like it before so tender so juicyâ€¦” One of his first notes on San Francisco: "There are regular streets filled with all kinds of sorts of stores… The shipping covers the water as far as you can see. And those nearest the shore are converted into store houses the rigging being taken down and the and holes cut in the sides for doors.The best houses in town are occupied by gamblers . a large saloon filled with tables on which are played all kinds of games of chance - at some of the tables are displayed immense amounts of coin and gold in lumps worth from 1 to 5000 dollars which some poor infatuated fool of a miner has at some time lost to them." In his letter of April 16th he discusses both his difficulties with women in California and his lack of fitting in back east: “The Spanish Girls are very nice and all that sort of thing but the trouble is to find one that is educated. I can’t bear an uneducated wom an and I think I shall have to come to N.Y. and bring one out here… I know one or two in N.Y. but I don’t believe they would have such an uncouth specimen of an ‘hombre’ as meâ€¦” In his next letter he describes Carmel in detail. He states: “I haven’t been to the mines nor have I any inclination to go” though he intends to settle in California permanently. In his next letter he discusses the people he’s met and how he detests the anglophone community there: “How do I like the People Those of Spanish whom I call my friends I love with all my soul - there is not much society except among them… the Eng. and Am. population I detest from the bottom of my heart. This may sound strange but you will know the por que when you arrive.” He then praises the climate and scenery of Monterey. One letter written from Panama which has unfortunately sustained heavy losses at margins offers some details of the trip on the Chagres River. The replies to Williams from his family offer details on life in New York and are similarly compromised in condition but overall there is enough to glean from the group to provide a detailed example of family correspondence from the period. Overall a very interesting and unusual archive of a young professional who moved to California during the Gold Rush period and rejected the Anglophone mining community with particular interest to historians of Monterey and of the systems of land grants that shaped Mexican and American land policy in the nineteenth century. unknown

Auger Down Books · États-Unis7 500,00 $US≈ 6 700,62 €

[KITANO], Kikuu (or Shuho)Biblio.com

Akino nanakusa ko Thoughts about Seven Herbs in Autumn

réf. 8333One full-page woodcut. .5 29 .5; 15.5 folding leaves. Two vols. 8vo orig. blue wrappers orig. block-printed title labels on upper cover later decorated wrappers later stitching. From the colophon at end of Vol. II: Edo Kyoto & Osaka: Hanabusaya Heikichi et al. 1812. with: —. Haru nanakusa ko Thoughts about Seven Herbs in Spring. Three full-page woodcuts & nine smaller woodcuts in the text. .5 36 folding leaves. 8vo orig. blue wrappers as above later decorated wrappers later stitching. From the colophon: Edo: Yamashiroya Sahei 1814. First editions a rare complete set of these two works which are concerned with two important seasonal celebrations. The first of the year is the Festival of Seven Herbs in Spring Nanakusa no sekku a traditional Japanese ritual of eating seven-herb rice porridge on the 7th of January; its consumption would bring longevity and health and ward off evil. The tradition derives from ancient China. The seven herbs are seri Japanese parsley nazuna shepherd’s purse gogyo cudweed hakobera chickweed tahirako nipplewort suzuna turnip and suzushiro daikon radish. The other is the Festival of Seven Autumn Herbs Akino nanakusa less well known then the spring celebration. These herbs are hagi bush clover obana/susuki Japanese pampas grass kuzu kudzu nadeshiko Japanese dianthus ominaeshi Patrinia scabiosifolia fujibakama Eupatorium fortunei and kikyo balloon flower. While many of them have medicinal qualities for this festival they are not for eating but for viewing and admiring. Kikuu Kitano 1762-1831 a native of Sendai came to Edo in the 1780s and opened an antiques gallery that enjoyed great success. In 1804 he purchased a large piece of land in the Mukojima section of Edo where he established a botanic garden today known as the Mukojima Hyakkaen Garden. It is Tokyo’s only surviving garden from the Edo period. There he planted a landscaped orchard of 360 plum trees and other plants including the seven herbs of both spring and autumn selected by Kitano and his literati friends both poets and painters. These works are very beautifully printed using a wide variety of character styles to express meanings and authorship. The first two volumes to be published — on the autumn festival — contain a fine full-page woodcut designed by the author showing all seven herbs. The text contains references to each herb in waka and kanshi Chinese poetry written by Japanese a guide to understanding the nuances of the poetry and the botanical literature. The spring festival volume published two years later describes each of the seven spring herbs and their uses in medicine and gastronomy with many references to the Japanese botanical literature. There is a long passage on how to prepare the springtime porridge. The woodcuts depicting each of the seven herbs are by prominent artists including Kita Busei 1776-1856 and an unidentified woman artist. PROVENANCE: With the seals of Mayori 1829-1906 and Mamichi 1866-1925 Kurokawa prominent father and son book collectors. Their collection was largely concerned with botanical and herbal books; most of the collection was destroyed in the great Kanto earthquake. Our set later entered the collection of Frank Hawley scholar and one of the most discerning collectors of Japanese books and manuscripts. His stamp appears on the first page of text. See R.H. van Gulik’s “In Memoriam. Frank Hawley 1906-1961” in Monumenta Nipponica Vol. 16 No. 3/4 Oct. 1960-Jan. 1961 pp. 434-47. Fine set preserved in a fine chitsu. With some mostly marginal worming much of which has been carefully repaired. unknown

Jonathan A. Hill, Bookseller, Inc. · États-Unis7 500,00 $US≈ 6 700,62 €

IHING (or YI-XING) 宜興Biblio.com

Ch.: Qing wen bu hui 清文補彙 Ma.: Manju gisun be niyeceme isabuha bithe Manchu Collected Supplemented

réf. 9990Eight vols. Large 8vo orig. wrappers orig. stitching. China: 1802 date of colophon. Second edition of this landmark Manchu-Chinese dictionary the last of the great Manchu dictionaries of the 18th century. Ihing first published his dictionary privately in 1786 the date of the Preface. We know of only one copy of this edition held at a Chinese library. All other copies in circulation are to the best of our knowledge of the second edition. In 1708 on the Kangxi emperor’s command a Mirror of the Manchu Language had been published at court. In 1724 Li Yanji published Ch.: Qingwen huishu 清文彙書 Ma.: Manju isabuha bithe Manchu Collected which translated the contents of the Mirror into Chinese and rearranged the entries in Manchu alphabetical order. Li’s book became outdated however when the Qianlong emperor reformed the Manchu lexicon and published a number of new lexicographical works the most important of which was the Mirror of the Manchu Language Expanded and Emended from 1772-73. Our book did to the “expanded and emended” Mirror what Li Yanji had done to Kangxi’s original: rearrange its contents in Manchu alphabetical order. Yet Ihing went further than that. He also culled words from other Manchu books published on imperial command in the preceding years including a book with phrases from pre-conquest Manchu sources and translations of the Confucian classics. The result is that Ihing’s dictionary contains words that were not in Qianlong’s expanded Mirror making it in these cases the more complete lexicographical resource. For example a term such as deyengge nimaha “flying fish” is included in our book but not in Qianlong’s Mirror. In such cases Ihing noted that the words had been announced by the Grand Secretariat on such-and-such a date. Our copy has slips on the outside cover of the volumes with Manchu syllables written in manuscript. The syllables indicate which word initials are covered in the volume in question facilitating searching the dictionary. There is a colophon by Fa-ke-jing-e æ³•å…‹ç²¾é¡ dated 1802. A nephew of Ihing Fa-ke-jing-e revised the book at his uncle’s request. Ihing Ch.: Yi-xing 1747-1809 belonged to the Bordered Yellow Manchu Banner and as a descendant of Nurhaci was a member of the imperial clan. He rose to the post of vice minister of several of the boards in the Qing secondary capital at Mukden and later served as governor of several southern provinces and as an imperial agent in Outer Mongolia. Very good set some light dampstaining in the final volume; preserved in a hantao. â§ Mårten Söderblom Saarela The Early Modern Travels of Manchu: A Script and Its Study in East Asia and Europe 109. unknown

Jonathan A. Hill, Bookseller, Inc. · États-Unis7 500,00 $US≈ 6 700,62 €

ISHIKAWA, Tomonobu 石川流宣 (or Ryūsen)Biblio.com

Nihon kaisan chÅrikuzu 日本海山潮陸図 or Nihon Åezu 日本大繪圖 or Dai Nihonkoku no zu 大日本繪圖 Maps of the Seas & Lands of Japan

réf. 10493Woodblock-printed map 830 x 1715 mm. finely hand-colored. Edo: Sagamiya Tahei 相模屋太兵衞 1697. The 1697 printing of Ishikawa’s famous map of Japan; a less complex printing was first issued in 1691 an earlier version with a different title appeared in 1689. The series of maps published by Ishikawa an ukiyo-e artist “established a model for woodblock maps throughout most of the eighteenth century. Works based on Ishikawa's original version and published mainly in the area of Edo are referred to as Ryūsen-type maps of Japan. Ishikawa’s maps were both decorative and practical and they served as a combined Who’s Who and travel map. Useful information to administrators travelers and the general public included the names of feudal lords the standard productivity of the land in koku of rice and important and scenic places along the routes. Each new edition tended to expand both the informative and ornamental aspects of the work.”â€“Kazutaka Unno “Cartography in Japan” in The History of Cartography Vol. 2 Book 2 Chicago: 1994 pp. 412-13. Our map is finely hand-colored showing fiefdoms and includes lists of important place names and shrines a chart of tidal variations and a chart of seasonal changes. Another chart gives distances from Nagasaki to far-away destinations such as Holland Indonesia Thailand the Philippines and several port cities of China. The main highways are shown as well as the inland and coastal sea routes. Also indicated are post stations on highways such as the TÅkaidÅ running from Edo present-day Tokyo to Kyoto and the distances between stations. Thanks to the beautiful colors and wealth of information Ryūsen’s maps became very popular and this style of map set the pattern for most published maps of Japan for the next century. In the extremities of the map small portions of China Korea Ryūkyū and Hokkaido are shown. Fine copy. Short clean splits in a couple of folds. Well-backed and minor worming mended. â§ Mary Elizabeth Berry Japan in Print. Information and Nation in the Early Modern Period California: 2006 pp. 2-3–The map is “so legible and packed with information that it has been revised and reissued annually since its first publication in 1689. It charts the nation’s provinces and castle towns land and water routes famous sites and scenic places. It labels every ferry crossing and every post station along the major highways listing the distances between stops in an index. Thick with social and political geography it also identifies all regional lords or daimyo with notes on the gross productivity of their domains.”. unknown

Jonathan A. Hill, Bookseller, Inc. · États-Unis7 500,00 $US≈ 6 700,62 €

JIANG, Weiqiao 蔣維喬 & ZHUANG, Yu 莊俞, authors, and ŽUNGDE (or RONGDE) 榮德, transBiblio.com

Ma. Manju monggo nikan ilan acangga šu-i tacibure hacin-i bithe; Mo. Manǰu mongγol kitad γurban neiÄetü udq-a-yin surγaqu ǰüil-ün biÄig; Ch. Man Meng Han san wen he bi jiao ke shu æ»¿è’™æ¼¢ä¸‰æ–‡åˆç’§æ•™ç§‘æ›¸ Textbook in the Three Juxtaposed Languages of Manchu Mongolian & Chinese

réf. 10372Ten vols. 8vo orig. wrappers old stitching. China: 1909-12. An important one-of-a-kind trilingual textbook. In 1905 the Qing government took the radical move to abolish the civil service examinations which had been contested for a long time and reformed in 1901. Rather than a system of examinations supported by schools preparing students for the lowest level of the exams the court instituted a tiered system of schools from elementary to advanced with students across the country using new textbooks. Our book is a product of the extension of this new educational regime to “present-day” Inner Mongolia. One of the two textbooks chosen for the new Chinese schools — and the most popular — was Zuixin chudeng xiaoxue guowen jiaokeshu æœ€æ–°åˆç‰å°å¸åœ‹æ–‡æ•™ç§‘æ›¸ The Up-to-Date National Language Reader for Lower Primary Schools which Jiang Weiqiao 1873-1958 and Zhuang Yu 1878-1940 published in 1905 with the Commercial Press in Shanghai. Jiang was a low-level examination graduate who had been exposed to Western learning through the publications of the Jiangnan arsenal. After a first career as a teacher in new-style schools he entered the translation department at the Commercial Press in 1903 where he planned and wrote many of the textbooks that the press published. His later career was spent in education administration at the national provincial and university levels. Zhuang was trained in geography and entered the Commercial Press on Jiang’s recommendation. He too later worked in school administration while continuing to write textbooks. The purpose of Jiang and Zhuang’s book was as they explained in the Preface to “provide everyone basic moral values and knowledge and enable them to learn about important thoughts of ancient sages and academics arts and skills of all countries in the world.” Like others in the genre this book “touched on a wide range of topics such as science history geography and civics” and included “the newest terms concerning every subject at the time and reflected the most recent findings of scholars” He pp. 100-01. As the Qing government attempted to bring the empire’s Inner Asian possessions closer to China proper in the face of foreign aggression new schools were instituted in parts of Inner Mongolia. What textbooks to use presented a problem. Ungde or Rongde who was appointed as honorary supervisor of the Fengtian Mongolian Language School in what is now the city of Shenyang was aware of this issue. Ungde also taught Mongolian at the school. He noted that the school used Gao E’s 高鶚 Lizhi jiyao åæ²»è¼¯è¦ Essentials of Administrative Discipline which Tongšui 通瑞 had translated into Manchu and Meng boo å¤¢ä¿ in turn translated into Mongolian. Gao’s text had been written sometime before his death in 1814 and it was not a textbook fit for molding an informed citizenry in the early 20th century. Ungde therefore decided to translate Zuixin chudeng xiaoxue guowen jiaokeshu into Mongolian. Mongolia had traditionally been administered in the two languages of Mongolian and Manchu the Qing dynastic language and not in Chinese. Accordingly most of the Mongolian pedagogical literature that circulated in China — as opposed to the Tibeto-Mongolian literature that circulated in the Buddhist milieus of Mongolia itself — contained Manchu as a bridge language between Chinese and Mongolian. Ungde felt the need to keep Manchu in the new textbook as well. Translating a textbook concerned with modern industrial society meant that Ungde had to invent many new terms for which there were no Manchu or classical Mongolian equivalents. Scholars who have studied this issue in reference to Manchu have pointed out new words such as “society” ba-i acan “civilization” šu genggiyen “automobile” sukdun-i sejen “machine” šurdere tetun “telephone” talkiyan-i gisun and “telegraph” talkiyan-i serkin Qu p. 62. Before the translation received official endorsement Ungde translated four volumes between 1907 and 1909. These four were subsequently published along with two more in 1909 for distribution to the new schools. In 1910 Volumes 5 to 8 were published. Volumes 9 and 10 appeared only at the very end of 1912 when the Manchu dynasty had already fallen and China had been declared a republic. These different printings were presented to the throne and subsequently the president’s office. Reportedly an additional eight volumes were translated but they were never printed and do not appear to have survived Li first article p. 41. Our copy is a later printing. The Preface contains the list of Ungde’s students who assisted by writing the fair copy of the book which is missing in the early printings Li second article p. 67. The book is rare today; we are able to only locate four copies in North American libraries Walravens no. 248 WorldCat. Nice set with minor browning. Preserved in two hantao. â§ Li Qinpu æŽå‹¤ç’ž Man-Meng-Han sanwen hebi jiaokeshu de fanyi banxing shang ã€Šæ»¡è’™æ±‰ä¸‰æ–‡åˆç’§æ•™ç§‘ä¹¦ã€‹çš„ç¿»è¯‘é¢è¡Œï¼ˆä¸Šï¼‰ Manyu yanjiu 2014 No. 1: pp. 34-42; idem “.xia” 下 Manyu yanjiu 2014 No. 2: pp. 67-74; Qu Liusheng 屈六生 “Lun Qingmo Manyu de fazhan: Jianping Man-Meng-Han sanwen jiaokeshu” è«–æ¸…æœ«æ»¿èªžçš„ç™¼å±•â€”â€”å…¼è©•ã€Šæ»¿è’™æ¼¢ä¸‰åˆæ•™ç§‘æ›¸ã€‹ Manyu yanjiu 2004 No. 2: pp. 60-65; He Jiani “From Empire to Nation: The Politics of Language in Manchuria 1890-1911” PhD dissertation Cambridge 2018; Hartmut Walravens “Vorläufige Titelliste der Mandjurica in Bibliotheken der USA” Zentralasiatische Studien 10 1976: pp. 551-613. unknown

Jonathan A. Hill, Bookseller, Inc. · États-Unis7 500,00 $US≈ 6 700,62 €

NAKANISHI, Naokata (or WATARAI)Biblio.com

Hinaasobi no ki trans.: About the Hina Doll Play; title for Vol. II: Kaiawase no ki trans.: Playing the Shell Game; sub-title: Jokun eiri trans.: Illustrated Instruction for Women

réf. 6330Edited by Yusuishi Tanaka. Woodcut frontis. & eight fine double-page woodcut illus. 21; 18 folding leaves. Two vols. Large 8vo orig. blue wrappers wrappers rather worn & rubbed orig. block-printed title labels on upper covers rubbed new stitching. Osaka Edo & Kyoto: 1749. First edition of this beautifully illustrated book; the fine woodcuts are by Sukenobu Nishikawa 1671-1750 or -51 or -54 who “counts among the foremost masters of so-called ukiyo-e primitive prints. His subject matter like that of his contemporaries revolved around images of women walking. These images are stylised lending the rhythmic movement of the sumptuous robes an almost sculptural effect. Nishikawa also did many book illustrations…Nishikawa founded a whole school and according to his family archives Harunobu 1725-1770 was a follower of his.”â€“Oxford Art Online. This work is concerned with the education of women in its widest sense combining knowledge with taste. Four types of girls’ “play” are described and illustrated; each providing instruction in behavior and ethics. The fine woodcut frontispiece depicts a young woman reading a book surrounded symbols of knowledge and refinement: bookshelves and brushes for calligraphy. Her clothes and hairstyle are appropriate. The first volume is concerned with dolls hina. In Japan dolls are not for play but have high spiritual value which offer girls preparation for adulthood and marriage. For the Japanese dolls are living creatures possessing heart and soul from which girls can learn discipline obedience and control. Nakanishi 1634-1709 was a scholar and writer on Shintoism and the present text was edited and posthumously published by Yusuishi Tanaka who has contributed a preface. The theme of the text is instructional and written for girls and young women: there are many references to texts essential for proper behavior and ethics. Nakanishi draws on the Nihon Shoki the oldest chronicle of Japan; Man’yoshu the eighth-century anthology of Japanese poetry; the Tale of Genji; and Makura no Soshi the famous Pillow Book. There are four fine double-page woodcut illustrations in the first volume. The first illustration depicts an upper-class woman sending her dolls away in a boat thereby sending her suffering away. The second illustration depicts the hinamatsuri doll festival with dolls arranged on shelves. The following illustration depicts a young woman facing her suitor her dowry behind her all are objects of knowledge and culture: a calligraphy set fine papers in a box picture scrolls books etc. The final illustration in this volume depicts an offering made to the sky referencing tanabata the star festival. According to legend the Milky Way separates two lovers; they are allowed to meet only once a year on the seventh day of the seventh lunar month of the lunisolar calendar. The second volume is concerned with kai-awase the Japanese shell-matching game. Again there are four fine double-page illustrations each filled with deep meaning. Matching the shells symbolizes the unity of partners in a marriage. There are many references to the Tale of Genji and Lady Murasaki; scenes from this novel were often used to illustrate the shells. One of the illustrations depicts the traditional card game called uta-garuta being played by several women. A very good set and rare. Some carefully repaired worming mostly confined to the margins. The lower outer corners of many leaves are “thumbed.” â§ Brown Block Printing & Book Illustrations in Japan p. 131. unknown

Jonathan A. Hill, Bookseller, Inc. · États-Unis7 500,00 $US≈ 6 700,62 €

NINOMIYA, Ken 二宮獻 (or Genka 彦可 or Hikoyoshi)Biblio.com

Seikotsuhan 正骨範 Models of Orthopedic Manipulation

réf. 7010Many fine full-page woodcut illus. 46; 59 folding leaves. 8vo orig. yellow wrappers wrappers a little soiled orig. woodblock title-slips on upper covers labels a little soiled new stitching. Kyoto Osaka & Edo: 1808. First edition of one of the three most important Japanese works on orthopedic medicine. The book is based on Chinese medical science most notably the Sheng ji zong lu è–æ¿Ÿç¸½éŒ„ written in the 11th century and the Yi zong jin jian 醫宗金鑑 by Qian Wu active 1736-43 who also wrote the famous Yuzuan Yizong Jinjian 御纂醫宗金鑑 Imperially Commissioned Golden Mirror of Medical Learning published in 1742. Our work presents a system of surgical treatment to cure injuries to bones principally fractures and dislocations with instructions on how to stop bleeding and to bind or immobilize the injured part by bandaging. There is a substantial section on materia medica and the compounding of prescriptions considered essential to the treatment of bones in Japan. The numerous and fine woodcuts depict braces and corsets plasters manipulations bandaging techniques casts etc. Many of these techniques are clearly taken from Western medicine. Ninomiya 1754-1827 was a prominent medical doctor who laid down the foundations of orthopedic surgery in Japan. He studied in Nagasaki where he learned Western and Japanese techniques from Kogyu Yoshio 1724-1800 interpreter of Dutch and a famous physician and surgeon who had a "Western-style" room at his home in the city. After further study under a number of doctors throughout Japan including Gento Yoshiwara Ninomiya established himself in Edo where he had an extremely successful practice. After contracting syphilis as a baby from his wet nurse Ninomiya lost his nose and wore a artificial nose for the rest of his life. Nice set. Both volumes have some minor marginal dampstaining. â§ Mestler A Galaxy of Old Japanese Medical Books III p. 152. unknown

Jonathan A. Hill, Bookseller, Inc. · États-Unis7 500,00 $US≈ 6 700,62 €

SAINT-VALIER [or Vallier] eveque de, Jean-Baptiste [de la Croix de Chevrieres]; Catholic Church; Diocese of Quebec (1688-1727)Biblio.com

RITUEL// DU DIOCESE // DE QUEBEC // PUBLIÉ PAR L’ORDRE // DE MONSEIGNEUR // DE SAINT-VALIER // EVEQUE DE QUEBEC. // A PARIS // Chez SIMON LANGLOIS rue Saint Etienne // des Grès au bon Pasteur. // M. DCC.III // AVEC PRIVILEGE DU ROY. Bound with Statuts // ordonnances // et // lettres pastorales // de Monseigneur // de Saint-Valier // evêque de Quebec. // Pour le règlement de son Diocèse. // A Paris // Chez Simon Langlois ruë Saint Etienne // des Grès // au bon Pasteur. // M.DCC.III. // Avec privïlege du Roy.

1703réf. B7089Paris: Chez Simon Langlois c 1703. near fine with text clean and crisp. . Edition: First Edition. Binding: Contemporary full paper boards expertly rebacked; raised spine with five 5 bands black ink title on vellum label on two; central black fleur de lis design on four. Notes: Provenance: Upper pasted endpaper with owner’s armorial bookplate: “Watkin Williams Esq of Penbedw // in the County of Denbigh”. Concerning this name Archaeologia Cambrensis states: “1789. Watkin Williams Esq. of Penbedw in the county of Denbigh but owner of property in the parishes of Mallwyd and Llan-y-mowddwy in the county of Merioneth M.P. first for Montgomeryshire and afterwards during nearly thirty years for the Flint contributary boroughs was appointed lieutenant and custos rotulorum for Merionethshire.” Final free endpaper watermarked. This edition of this Canadiana publication is unique in that we are not able to locate another copy of the same anywhere. The second last paragraph of the introduction to the priests clergy and missionaries in this edition states that this publication encloses at the end of the first part or 'Rituel' a second part entitled 'les Statuts Ordonnances & Mandemens.' instructions prepared at various times by the Church for the conduct of all including those entrusted to the clergy that these instructions may not be ignored. The recipient are advised that they are restatements of instructions previously given to be read often just as such given in the Ritual itself; they are to be followed with precisions including all the rules contained not to be lost sight of observed faithfully in all works and ones conduct. The inclusion of this paragraph is unlike the introduction of another edition published at the same time and same location but not including this paragraph or the 'Statuts.'. The present work describing festivals sacraments statutes and ordinances for the use by priests in Quebec is extremely rare and was immediately followed by a second edition published the same year: Gagnon reports that in a copy of the second edition of 1703 now at the Laval University library and previously owned by Abbé Plante a note says that the first edition “would have been almost completely destroyed by the sinking of the ship …carrying it to Canada and for this reason a second edition was immediately made.” On the “privilege” included as the final leaf in our first edition example it is stated that the work was registered on March 30 1703 and completed for print for the first time on March 31 1703; Saint-Valier was a supporter of the Counter Reformation. His initial intent in the New World was to engage in the conversion of the indigenous residents. He introduced Jesuits and Recollects in an attempt to evangelize New France. Many of these missions Illinois Louisiana and Mississippi resulted in conflicts between Bishop Saint-Vallier the Jesuits and the seminary of Quebec. His various construction projects reflect a desire to restore and renew the authority in the Catholic Church as the main institution of administrative organization. In 1697 Saint-Valier built a palace in Quebec for his clergy and as a place of hospitality. During the same year he also established a nuns monastery in Trois-Rivières Saint-Vallier’s zeal for religious activities and establishments stretched from Quebec Montreal Acadia and Louisiana. His way of life embodied that of the ideals of the Council of Trent. The Diocese of Quebec was vast and its population diverse and widespread. It included the whole of French North America or what was called New France divided in seven colonies: Newfoundland Acadia Île Royale Louisiana Illinois Upper Country and Canada inhabited by Indigenous people and the European settlers. During the tenure of Saint-Vallier immigration from France was mostly over; the European colonists were farmers fishermen sailors merchants and ‘coureurs des bois’ overseen by a small elite of aristocratic leaders but a great demographic explosion occurred between 1685 and 1730 the white population in New France jumping from c. 12000 inhabitants to c. 41500. During the same time the number of Amerindian fell from c. 163500 to c. 61500. That loss mainly in the tribes of Louisiana was attributed to warfare and diseases brought to the valley of the Mississippi. The number of Aboriginals compared to white settlers is one reason for the presence of so many religious orders in New France. The missions and conversions to Christianity were deemed very important. Priests of the Missions Étrangères of Paris the Jesuits the Recollets and the Sulpicians often worked in collaboration with the nuns from different orders like the Congrégation de Notre-Dame or the Canonesses of St. Augustine of the Mercy of Jesus at l’Hôtel-Dieu de Québec. The arrival of Saint-Vallier and his strong views on what should be the duties of the priests created a shock wave in the orders especially for the Seminary of Quebec newly founded by his predecessor Bishop Laval. … Saint-Vallier's tenure as bishop was defined by interminable quarrels with governmental and religious institutions in French North America. … his active leadership style brought him into conflict with various groups who perceived him as at times domineering and micromanaging. While subject to much criticism Saint-Vallier was also admired in his diocese for his dedication and self-sacrifice. Rather than staying in Quebec or Montreal he tirelessly traveled the back-country. The founding of the Hôpital Général and installation of Jesuits and Recollets at Montreal were also to his credit. There was a very strong suspicion in the colonies and in France that the Bishop of Quebec was in fact a follower of Jansenism. . In the beginning of the 18th century the Bishop wrote 3 books; the Ritual the Catechism and the ‘Statuts et ordonnances’ – two of which are bound in the present volume. …the Superior of the jesuite order decided to attack Saint-Vallier’s authority by writing a long critic of those three books seeing them as a "lapse into Arianism Pelagianism Jansenism Lutheranism and Calvinism". Father Bouvart based his accusations on different passages of the works of the Bishop … who eventually appealed to the Sorbonne to have his works rehabilitated. The doctors of the Faculty of Theology declared the Ritual and the Catechism perfectly orthodox and censured the critic of Bouvart. Nevertheless Saint-Vallier decided to re-edit in 1713 the Ritual so as to cast away all doubts about his pretended Jansenist ideas. This book remained in use in the parishes until the middle of the 19th century. The present work is the unedited original and first edition of his ritual and statuts. The disputes with the religious orders of New France the government and the merchants gave way to a more peaceful period that lasted until his death. Austere throughout his life he became more and more humble in his way of living and turned toward contemplation and simple duties. .He also took very seriously his duties of Bishop and developed parishes in the farthest corners of the diocese. Size: Octavo 213 x133mm. Illustration: Text in French; with some text in Latin Achevé d'imprimer pour la premiere fois ce 31 mars 1703. Relié avec le Rituel du même. Illustrated with two printer's devices representing the arms of the archdiocese of Quebec; various head and tail pieces incl. vignettes; in-text music notes on Qiiii-Si; Ggii-iiii. References: Philéas Gagnon: Essai de bibliographie canadienne: Inventaire d'une bibliothèque . Volume 1: 3138 & 3139 p.437; Archaeologia Cambrensis Volume 1 p.142. Pages: Ff. 2 bl. ill. title bl. author to priests on the use of the book 4 Fetes Observe’es 4 604 table 2 errata 3 bl.; ill. title bl. letter 3 8-146 table 2 privilege 2 bl.2; In leaf collation: bl. v A-Z8 Aa-Nn8 Oo-Rr4 iiiff. table; a1 a3-a8 e8 i8 o8 u8 aa8 ee8 ii2 oo8 uu8 aaa1 ii bl. Category: Book Canada; Book Religious Christianity; Chez Simon Langlois, hardcover

Alexandre Antique Prints, Maps & Books · Canada7 500,00 $US≈ 6 700,62 €

(BINDINGS - DEROME LE JEUNE). (MUSIC, POETICAL TREATISES ON). YRIATE [or IRIATE], TOMAS DEBiblio.com

LA MUSICA POEMA

1779réf. ST19371Madrid: Imprenta Real 1779. FIRST EDITION. 235 x 150 mm. 9 1/4 x 6". 10 p.l. 126 XL pp. 1 leaf errata. EXCELLENT CONTEMPORARY CRIMSON MOROCCO BY DEROME LE JEUNE his ticket with address of Rue St. Jacques on verso of front free endpaper covers framed with thick and thin gilt rules raised bands spine compartments with central floral sprig surrounded by a lozenge of small tools volute cornerpieces gilt titling gilt-rolled turn-ins gilt edges cobalt blue paste-paper endpapers. WITH SIX CHARMING ENGRAVED ALLEGORICAL PLATES after G. Ferre. Front pastedown with morocco bookplate of Mortimer L. Schiff and small book label with a gilt cipher on a red peach. A Large Paper Copy. Palau y Dulcet IV 107; RSIM B VI 429; MGG VI 1403 f.; Gregory-Bartlett I 129. Three minute dents to front board a hint of wear to bands and corners isolated faint foxing blank recto of frontispiece leaf and blank verso of final leaf with faint blue shadown from endpapers but all of these quite trivial and otherwise A BEAUTIFUL COPY--fresh clean and bright internally with very wide margins and strong impressions of the plates and in a lustrous binding showing with few signs of use. This is surely one of the handsomest poetical treatises on music ever produced and it is offered here in a binding done by one of the finest craftsmen working in Europe during the period of the book's publication. The work is written in the "silva" form of poetry used by persons of high rank illustrated with fine engravings and put into elegant morocco by the finest hands among the large Derome family of binders. According to Palau our first edition is "beautiful and printed on fine paper." He says further that although the strongly expressed opinions of the youthful author on contemporary composers caused the work to be "unfairly attacked" it was "appreciated by professors of music and collectors of literature in that genre" especially in Italy and America. A child of the Enlightenment Iriate 1750-91 gained entry to intellectual and artistic circles in Madrid through his uncle who was librarian to the king of Spain. He translated works by Horace and Virgil into Spanish by royal request and wrote criticism poetry and dramas. He is best known for his satirical fables on the contemporary literary scene "Fábulas literarias." There were no fewer than 18 members of the Derome family who made their livings as binders in Paris from the middle of the 17th century until the first quarter of the 19th but by far the most distinguished family member was Nicolas-Denis called "le jeune" 1731-88. Known for the gracefulness of his bindings and for being capable of "amazing delicacy" in Hobson's words Derome le jeune was simply the leading binder of the day and his work was much in demand. Because he refused to turn away customers Derome was forced to hire a number of assistants whose work he could not always supervise closely. However Thoinan says that the binder's best work is indicated by the presence of his ticket as here. The volume's provenance adds to its luster: it was in the distinguished library of American bibliophile Mortimer Schiff 1877-1931. In Dickinson's words Schiff a financier and philanthropist Schiff "brought together an unrivaled collection of decorative bindings." His library included works by great printers important illustrated books and works printed on vellum but chiefly fine and historic bindings. The "Reliures" database of the Bibliothèque Nationale de France commends Schiff for assembling "one of the most important inter-war libraries" noting that his collection was "renowned for its collection of French bindings.". Imprenta Real unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis8 112,00 $US≈ 7 247,39 €

[SCRAP ALBUM]. VISSCHER, J (compiler or recipient).Biblio.com

Ausschneidebilder.

1777réf. J8I9ZWYDE414The Netherlands 1777. 4to. Contemporary half roan sheepskin sewn on 2 vellum tapes red-sprinkled paper sides red-sprinkled edges with a heart-shaped paper label on the front board with the manuscript inscription J. Visscher above the date 1 above 28 flanked by 17 . 77. A scrap album containing about 330 cut-out images from engraved prints most neatly and uniformly coloured by a contemporary hand probably for the publisher or publishers. 1 170 1 ll. including integral paste-downs. A carefully and neatly assembled scrap album containing about 330 coloured engraved images each carefully cut out of a print close to the people animals plants and objects depicted so that the background in most images is entirely cut away. The images show people including costume figures caricatures and oriental figures boats and ships flowers architectural views including garden views fountains and sculptures theatre prints birds insects Aesop illustrations and other items. They include a large image nearly filling the quarto leaf of a man on a ladder picking fruit from a tree and a whaling scene with a man harpooning a spouting whale. The heart-shaped label with the name J. Visscher and date 28 January 1777 suggests that the album was assembled for Visschers betrothal or marriage on that date. This is supported by the final cut-out nearly filling the paste-down at the end which shows a well-dressed man sitting on a barrel left perhaps a merchant and a standing woman right with a grape vine full of ripe grapes growing up between them. He holds the vine with his left hand and she with her right. Buijnsters notes that 18th-century scrapbooks such as the present are very rare though he notes a Dutch print from ca. 1703/08 where the publishers Jacobus and Jan Bouman encourage people to clip out the images and paste them on red paper. From the collection of Piet Buijnsters & Leontine Smets with the Buijnsters-Smets bookplate. In the last image the man and woman with a grape vine the mans right arm and the womans right hand have been lost but the album leaves and engraved cut-outs are otherwise in very good condition. The binding is slightly rubbed but still good. A 1777 album of about 330 coloured engraved images apparently assembled to commemorate a marriage.l Piet J. Buijnsters "Het Nederlandse 'scrapbook' 1775-1900" in: Antiek XXXI pp. 50-58 at p. 52 & figs. 1 2 & 5 the last incorrectly described as from a 19th-century album; WorldCat 2 albums of Engelbrechts Aufschneidebilder plus his peepshows and other sets of his images; for Engelbrechts peepshows and privilege: B.M. Stafford & F. Terpak Devices of wonder p. 336. hardcover

Asher Rare Books · Pays-Bas7 500,00 €

SECUNDUS, Janus (Joannes or Jan EVERAERTS).Biblio.com

Opera. Nunc primum in lucem edita.

1541réf. M23NGJ7IKRQ5Utrecht: Herman van Borculo 1541. Contemporary vellum wrapper straight-sewn on 3 tanned calf straps laced through the wrapper with the authors name in large textura lettering reading up the spine. Small 8vo 16 x 10.5 cm. With Van Borculos winged stag couchant regardant and book device on the title page and another salient regardant with 2 books on the verso of the otherwise blank last leaf; and 3 vine-leaf ornaments Vervilet 7 8 & 43. Set in an Aldine-style italic type with upright capitals; 92 mm/20 lines with roman capitals for occasional words phrases and 2-line initials. Rare first edition in the original Latin of the collected poetic works of the humanist and neo-Latin poet Janus or Joannes Secundus Jan Everaerts 1511-1536 who "ranks among the foremost poets of the world" as "the only famous 16th-century Dutch poet" Guépin p. 231: "one of the most significant and enduring poets of the Renaissance" and "the outstanding Latin love poet of the northern Renaissance" Price p. 1. Although not quite twenty-five when he died he published numerous poetic works from 1532 to 1536 but left most of his work unpublished at his premature death. Much of his poetry appeared for the first time in the present posthumous edition. Janus is most famous for his "Basia" kisses: 19 lyric love poems influenced by Catullus. Janus's three books of elegies especially the first book comprising 11 love poems to his possibly fictional first love Julia are also masterpieces of neo-Latin poetry.Although revered internationally in his own century and influential throughout the 17th and 18th centuries among his avid readers were Ronsard Fleming Huygens Milton and Goethe Janus's name has been eclipsed in the Netherlands by those of Cats and Vondel in part because they wrote in Dutch.Janus Secundus was born in The Hague. His father was a lawyer at the leading courts of the Low Countries and the family moved to Maastricht when Janus was sixteen. He studied law there and later studied at Bourges and at the University in Louvain. Though a native Dutch speaker and fluent in French Janus had learned Latin with his older brothers at an early age and corresponded with them in Latin.With 3 French verses in a near contemporary hand on the endleavesFurther with a near contemporary donation inscription on the title-page; a 19th-century bookplate on the inside front wrapper and blue ink stamp on the title-page. With the title-page somewhat worn and with stains in its margins plus a water stain in the first 10 leaves and a fainter marginal one some of the last few leaves but otherwise in good condition. The sewing supports have broken at the front hinge and the velum wrapper is somewhat soiled with a small corner of the back wrapper lost. Rare first edition of a seminal work of neo-Latin poetry by the first great Dutch poet Janus Secundus.l Adams S837 1 copy; BMC STC Dutch p. 185; G. Joos Uitgaven van Janus Secundus 10; Netherlandish books 27713 10 copies; USTC 421142 same 10 copies; Valkema Blouw Typ. Batava 2673 13 copies; not in Oberlé Poètes néo-Latins; for Secundus: J.P. Guépin "Tres fratres Belgae: brothers poets and civil servants in the sixteenth century" in: The Low Countries 8 2000 pp. 231-238; David Price Janus Secundus 1996. Herman van Borculo, hardcover

Antiquariaat FORUM BV · Pays-Bas7 500,00 €

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